Jean-Paul Viguier S.A. d'architecture. Rogers Stirk Harbour + Partners auditorium, congress centre, exposition space, library, museum

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1 excursie Projects 19 Created 10-Feb-15 By holger muhrmann, amsterdam, Netherlands Café do Cais Porto, Portugal Cristina Guedes + Francisco Vieira de Campos bar, cafe, pavilion, restaurant Children Library Museu do Oriente MAS Sint-FelixPakhuis Transformation WDT-hangar Sint-Pietersplein McGregor Les ballets C de la B 6 Cité de la Mode et du Design 13 Arab World Institute 14 Jussieu 16M Atrium 15 Villa la Roche 16 Paris, France Le Corbusier private house, museum, gallery 7 Rue Mallet-Stevens 17 Paris, France Robert Mallet-Stevens atelier, housing, urban plan 8 Parc André Citroën 18 Paris, France Jean-Paul Viguier SA d'ure park 9 Centre Georges Pompidou 19 Paris, France Rogers Stirk Harbour + Partners auditorium, congress centre, exposition space, library, museum 10 Gent, Belgium en De Vylder Vinck Tailleu dance theater Bibliothèque Nationale François Mitterand Paris, France Périphériques es university Gent, Belgium Conix s chapel, shop 5 Gent, Belgium Abscis en underground parking, urban plan 12 Paris, France Jean Nouvel culture, library, museum Antwerp, Belgium Verdickt & Verdickt architecten education, renovation, sport 4 Antwerp, Belgium Robbrecht en Daem en renovation, library, archive Passerelle Simone de Beauvoir Paris, France Jakob + MacFarlane cafe, commercial space, office Antwerp, Belgium Neutelings Riedijk museum 3 Lisbon, Portugal Joao Luis Carrilho da Graca museum Paris, France Feichtinger es bridge Porto, Portugal Paula Santos library 2 EuraLille masterplan 20 Lille, France OMA - Rem Koolhaas urban plan 11 Paris, France Dominique Perrault square, library, landmark 1

2 photo: Naomi Schiphorst photo: Naomi Schiphorst Café do Cais Cais Estiva Porto Portugal This café is situated along the river Douro in the old city centre It is a simple glazed pavilion, integrated into the lively quayside surroundings When all the glass doors on the south side are opened, the café is transformed into a large, covered open-air terrace The only solid boxes are the two service-zones inside, one for the bar, and the other for sanitary services The pavilion seems to hover above the ground on a small raised platform The terrace has an amazing canopy, resembling the sails of the ships passing by 2000 Cristina Guedes + Francisco Vieira de Campos Animafoz Naomi photo: Naomi Schiphorst If you re in Praca da Ribeira, walk to the river, then turn right it is the glass building on your left, right on the river edge 2

3 photo: João Sousa photo: João Sousa Children Library Rua de Entre Quintas 4050 Porto Portugal This small pavilion located between the trees in the gardens of the Crystal Palace has two levels with a double height vestibule The library appears as an "objet trouvé" in the nature, participating in this spontaneous environment The volume resembles an old train wagon, lifted slightly off the ground turning it into a light and welcoming space The used materials were chosen according to the environment, following the textures and colours of the nature The structure and wall panels are made out of wood and the windows are sheets of transparent polycarbonate located at the height of the children with awesome views to the gardens It's a building that fits perfectly in this natural environment photo: João Sousa 1997 Paula Santos Câmar Municipal do Porto Joao_Sousa Monday: Tuesday-Saturday: It's located in the gardens of the Crystal Palace You need to search and follow the signs "Biblioteca Infantil" to reach it 3

4 photo: Ismael Prata photo: Ismael Prata Museu do Oriente Avenida de Brasília 1000 Lisbon Portugal Throughout most of its already long existence, the structure was used for the storage of dried cod whose persistent odour did become a cause for some concern in the project's early phases The challenge was to rethink the project so as to best incorporate the already irreversible work and demolition carried out, while also creating space for designing the museum Located next to Lisbon's docks, the Museu do Oriente promotes the Portuguese presence in Asia or the respective and distinct Asian cultures With the objective of conciliating the architectonic identity of the building with its new museological purpose, efforts were undertaken to re-clarify its organisational structure To this end, particular importance was attributed to redefining vertical access ways, areas open to the public and the functional distribution of each floor Mirrored roofs and black walls are used to visually enlarge the space Joao Luis Carrilho da Graca Fundação do Oriente ismael_prata photo: Ismael Prata 10:00-18:00 / Friday: 10:00-22:00 / Closed: Tuesday, 25 December and 1 January Last admission to the museum: 30 minutes before closing The Museum's main entrance faces Avenida 24 de Julho 4

5 photo: José Manuel Alorda photo: José Manuel Alorda MAS Nieuwpoortkaai 2000 Antwerp Belgium The MAS (Museum aan de Stroom) is located on an island (het Eilandje) in the heart of the old harbour close to the city centre It will house 3 different collections (the Volkskundemuseum, the National Maritime museum and partly Het Vleeshuis) The new museum was a winning design of an open architecture competition, a 60m high tower with stacked exhibition spaces, in total 10 storeys Each level is twisted 90 degrees to form a giant spiral This glazed space becomes a vertical galleria Elevators guide the visitors to the top of the building in a journey through the history of Antwerp and through the panoramas of the city On the upper floor a restaurant, a conference room and a sky deck are situated Square, docks and tower are designed to form one continuous space for exhibitions and events The stacked concept refers to the old warehouses where goods were packed and stacked Now Antwerp's history, traditions, artefacts, stories and objects are stacked in one new warehouse photo: Dirk Verwoerd m² Structural engineer Services engineer Acoustics consultant Neutelings Riedijk ABT Marcq & Roba Peutz Consulting Engineers & Associes THV MAS (Interbuild, Willemen, Cordeel) City of Antwerp tom Contractor Mon: closed Tue-Fri: 9:30-22:00 (last entrance 21:30) Sat-Sun: 9:30-22:00 (last entrance 21:30) 5

6 photo: stadsarchief Antwerpen / Tony Gonzalez photo: Robbrecht en Daem Sint-FelixPakhuis Oude Leeuwenrui Antwerp Belgium The Antwerp City Archives moved to the monumental 1859 warehouse Sint-FelixPakhuis, completely restored and renovated by Robbrecht en Daem (based in Gent, Belgium) together with Grontmij Vlaanderen They renovated the whole interior in such a way the internal structure of the building hardly changed and every intervention can be undone On the ground floor are public functions like library and entrance The next 4 floors are occupied with archives, kept in 18 separate concrete containers to provide optimum atmosphere and fire-prevention The attic is completely refurbished and renewed to make fit for a new reading hall, meeting rooms and conference halls The whole roof had to be replaced by a new wooden roof, appended with 3 glass atriums for more daylight These glass boxes are seen from the nearby dock, the Willemdok The concept of wood was subsequently used throughout the interior, for walls, floors and furniture All furniture was custom made, designed by Robbrecht en Daem photo: stadsarchief Antwerpen / Tony Gonzalez m² Technical engineer Robbrecht en Daem en Grontmij Technical Management City of Antwerp Open from Tuesday untill Friday: 08:30-16:30 hrs In front of the Warehouse, on the Oude Leeuwenrui, there is a bus stop named FelixArchief : lines 6, 34, 501, 502 and

7 photo: Allard de Goeij photo: Allard de Goeij Transformation WDT-hangar Damplein 1 B-2060 Antwerp Belgium Within the context of the 'Open Call' competition, the design for the re-allocation of the historically valuable WDT-trainhangar into event hall, offices, local sports hall and new sportshall, was elected laureate The building (12785 m2) is situated in the new park 'spoor noord', designed by Sechi & Vigano Thanks to the well-considered equilibrium between the historical covering of the existing buildings and a new transparent volume sliding into the existing walls, the building acquires the desired élan of a landmark At night, the building is transformed into an enormous lamp, a glowing element in the landscape photo: Allard de Goeij m² Verdickt & Verdickt architecten Autonoom Gemeentebedrijf Antwerpen Nieuw Noord CV Near city center and central station 7

8 photo: Abscis en photo: Abscis en Sint-Pietersplein Sint-Pietersplein Gent Belgium The Sint- Pieters Square is a significant urban open space in Ghent It hosts many events because of the size, clarity, the proximity of the city center and good accessibility The new construction of the pedestrian plaza and the underground parking reinforces the original qualities of the old square The material concept represents an important starting point in the approach of the square The material used is uniform, and sober This allows the adjacent facade architecture and the architecture to reveal at his best photo: Abscis en m², Urban planner Abscis en Abscis 8

9 photo: Serge Brison photo: Serge Brison McGregor Kortedagsteeg Gent Belgium This project concerns the reinterpretation of chapel A palette of ochre and cream now reinforces the patina of the high slender columns and chapel walls When entering the building, one s attention is immediately drawn upwards to the original wooden truss, which still displays all the grandeur of honest craftsmanship Respect for the chapel as a monument was the point of departure for the whole project Transparent, minimalist and timeless were the three major qualities introduced to ensure complete integration of the concept The fusion of the old chapel and the new refined design would emphasize the qualities of boththe interior layout is based upon a simple principle: a central area with circulation around it, a reference to the traditional layout of a church, with its central nave and two aisles The newly designed furniture is combined with some antique showpieces, adding a touch of finesse that stresses the craftsmanship with which the chapel was erected m², Interior architect Conix s Conixs photo: Serge Brison McGregor 9

10 photo: Vylder Vinck Taillieu Les ballets C de la B Bijlokekaai Gent Belgium In November 2008 a new dance studio was opened on the Bijloke site in Ghent, right next to the offices of les ballets C de la B: studio S3 This substantial amount of extra space gave les ballets C de la B a chance to pursue their artistic ambitions even more extensively For les ballets C de la B, dance is both a mental and a physical process During the summer months, the studio becomes a meeting place for an intensive residency, where international artists are invited to encounter one another and (further) develop a project in mutual interaction In 2010 this idea took form for the first time in SI, a fourteen-day Summer Intensive initiated by curators Christine De Smedt and Myriam Van Imschoot m² Main designer, en De Vylder Vinck Tailleu Trice Hofkens Les Ballets C de La B + LOD Adrian-Gent photo: Vylder Vinck Taillieu 10

11 photo: Jeroen Apers photo: Jeroen Apers Bibliothèque Nationale François Mitterand Quai François-Mauriac Paris France On 14 July 1988, François Mitterrand announced the construction and the expansion of one of the largest and most modern libraries in the world, intended to cover all fields of knowledge, and designed to be accessible to all, using the most modern data transfer technologies, which could be consulted from a distance, and which would collaborate with other European libraries In July 1989, the services of the architectural firm of Dominique Perrault were retained After the move of the major collections from the rue de Richelieu, the National Library of France opened to the public on 20 December 1996 It contains more than ten million volumes The new complex consists of a large esplanade and four identical L-shaped towers, whose form recalls the shape of an open book This architecture was controversial; many considered it too costly, and not very suitable to the storage of book collections Indeed, wooden boards had to be set up at the windows to protect the books from the light photo: Jeroen Apers m² Security consultant Services engineer Dominique Perrault Séchaud & Bossuyt HGM Guy Huguet SA Ministère de la Culture Apers Take the RER to the Library's own station, Bibliothèque François Mitterand 11

12 photo: goa photo: Nazar Leskiw Passerelle Simone de Beauvoir Connecting Quai François Mauriac and Quai de Bercy Paris France The Passerelle Simone-de-Beauvoir (in iti ally known by the pro vi sio nal name of passerelle Bercy-Tolbiac) is a bridge so lely for pe de stri ans and cy clists across the Seine River in Paris This elegant connection between the Bibliotheque Nationale de France and the Parc de Bercy was designed as a lens towards the river on two levels The bridge was constructed in its whole in advance and positioned from transportation boats onto its place It is the 37th bridge on the Seine to Paris It is lo ca ted bet ween the bridges of Pont de Bercy and Pont de Tolbiac and links up the 12th and 13th ar ron dis se ments of Paris Its nea rest Paris Metro sta tion is Quai de la Gare photo: Matt Ludbrook 2006 Feichtinger es City of Paris goa Metro: Line 14, Stop 'Bibliotheque François Mitterand' / RER: Line C, Stop 'Bibliotheque François Mitterand' 12

13 photo: goa Cité de la Mode et du Design Quai d'austerlitz Paris France In Paris's 13th arrondissement, Parisian architects Jakob + MacFarlane have converted the existing concrete skeleton of a former warehouse into a center for design and fashion The architects constantly explore all forms and 'non-forms', which is visible in this project: parasitical volumes in apple-green spindles colonize the entire façade photo: goa m², Interior architect, Landscape architect, Urban planner Jakob + MacFarlane goa Institut Français de la Mode Metro : Gare d'austerlitz The building lies directly next to the Seine between the Pont Charles de Gaulle and the Pont de Bercy 13

14 photo: IMA photo: IMA / Georges Fessy Arab World Institute Rue des Fosses-Saint-Bernard Paris France In 1980, 18 Arab countries concluded an agreement with France to establish the AWI to spread knowledge and research the Arab World s language, and its cultural and spiritual values, reflecting the opinion, that the Arab world - its civilization and values, its past and future - needs to be better known and understood in the West It supplies cultural information in a wide range of media: libraries, electronic databanks, a conventional, glass-case museum, audio-visual displays, and an outreach program of touring exhibits and performances as well This is not an Arab building, but an occidental one, it s not pastiche, like the Paris Mosque, but modern and from an urban point of view The Institute is a hinge between 2 cultures and histories Certain symbolic items like the moucharabiehs whose polygons of varying shapes and sizes, create a geometric effect recalling the Alhambra It AWI has been conceived equally by Jean Nouvel, ure-studio, Pierre Soria and Gilbert Lezenes photo: IMA m² Main designer, Jean Nouvel ASure-Studio Gilbert Lezenes Pierre Soria Institut du Monde Arabe MI_MOA Daily from 10:00 to 18:00 except Mondays Library: 13:00 until 20:00 except Sunday and Monday Métro : Jussieu, Cardinal-Lemoine, Sully-Morland Bus : 24, 63, 67, 86, 87,

15 photo: Andre Staalenhoef photo: Luc Boegly Jussieu 16M Atrium Place Jussieu Paris France photo: Luc Boegly Jussieu Campus consists out of a regular grid of 6-floor wings and is generally decried as an architectural failure The hollow space under the buildings enables wind to build up its force, the regular grid plan is confusing and polluted with asbestos It has increasingly degraded, leaving its facade covered in graffiti The new 16M building extends and completes the grid plan that architect Edouard Albert designed in the 60s; based on the existing system, but at the same time deforms it: where Albert laid out a single patio, Périphériques planned two The façades are glazed on the same pattern as Albert s existing building But the glass metal skin composed of ten types of panels perforated with circular holes of different sizes give the façades complex and variable depth At ground floor, the existing slab on which the university buildings are built folds up in an origami-like orange ramp to even up the levels in a fluid movement m² Périphériques es EPA Jussieu peripheriques The campus is served by the Paris Métro station Jussieu, as well as numerous bus lines 15

16 photo: Michael Noordam photo: Michael Noordam Villa la Roche Square du Docteur-Blanche Paris France Villa La Roche was built as a home for Raoul La Roche, a Swiss banker and collector of avant-garde art Among other things, the house would serve as a private gallery to display La Roche's extensive art collection Built in a private Paris courtyard, the house had major constraints imposed by the site and its zoning restrictions, including a north orientation, existing trees and height and boundary limitations Inside the building, to display the art, an architectural promenade was made, a theme inspired by Le Corbusier's visit to the Acropolis in 1911 and repeated most strikingly in his Carpenter centre for the Visual Arts nearly forty years later The promenade goes up and down staircases, leads you through tight spaces, in-between balconies, open surveys, down ramps and into a beautifully lit library This idea of a spatial sequence was re-invented by many modern architects, after Le Corbusier 1925 Main designer, Le Corbusier Pierre Jeanneret Raoul La Roche Michael_Noordam photo: Michael Noordam 10 am to 1230 pm to 6 pm (Mondays 130 pm - Fridays 5 pm) Saturdays 10 am to 5 pm Closed : Sundays, Monday mornings and public holidays The villa is open to the public, administered by the Fondation Le Corbusier, which is based in the adjoining Villa Jeanneret at 8 square du Docteur-Blanche For reservations please call or visit wwwfondationlecorbusierassofr he villa is ten minutes' walk west of Jasmin metro station line 9 (Jasmin) / liges 9 and 10 (Michel-Ange - Auteuil) Bus : line 52 (La Fontaine - Mozart) / Line PC : (Suchet - Raffet) 16

17 photo: Alessandro Conti photo: Alessandro Conti Rue Mallet-Stevens Rue Mallet-Stevens Paris France This complex was created by Paris-based architect, designer and production designer Robert Mallet-Stevens ( ), co-founder of UAM (Union of Modern Artists) in 1929 The street is composed of four housing blocks that create a private dead-end crossing; there are also ateliers at the ground floor (one used to be Mallet-Stevens' office and is now an art gallery open to the public) Mallet-Stevens' architecture explores all different variations of modernist architecture language; in this work he displays a huge catalogue of windows, volumes and formal compositions; the architect was also criticised for the use of such a complex language photo: Alessandro Conti Project is not public! 1934, Urban planner Artist Robert Mallet-Stevens Louis Barillet alekf The apartments are private, but you can access the art gallery The phone number is on the door 'Ranelagh' Metro Station on line #9 17

18 photo: Lotje van Ooststroom photo: Lotje van Ooststroom Parc André Citroën Quai André-Citroën Paris France The park occupies the site where the Citroën factory stood from The park is split into several parts The White Garden is tree-lined, with little foliage which opens on to the neighboring area In its center there is a patio with white flowering plants The Dark Garden is a sort of enclosed labyrinth, highly shaded with very dense and dark vegetation and terraces giving on to a small square The Central Park consists of a large, rectangular expanse of lawn, diagonally sliced by a walkway On the south side of the lawn are two very large, fifteen meter-high greenhouses, which also function as sitting-rooms and are themed in correspondence with the adjacent Theme Gardens Both greenhouses are bordered by dozens of closely trimmed Magnolia trees and separated by a pavement of 120 individual dancing fountains This futuristic park was supposed to foreshadow the leisure spaces of the third millennium, but is that reflects today s reality? The opinions are unfortunately various photo: Lotje van Ooststroom m² Main designer, Jean-Paul Viguier SA d'ure Berger & Anziutti Alain Provost François Seigneur Gilles Clement Patrick Charoin SEMEA 15 City of Paris, Directorate of Parks, Gardens and Green Spaces Landscape designer Cooperating designer Landscape designer Project manager Contractor The park is open from dawn to 6 pm on weekdays, and from 9 am to 6pm on weekends and holidays Lotje Entrance at Rue Balard By bus: Batobus, Quai André Citroën By subway: 10 Javel ; 8 Lourmel, Place Balard By train: C, Boulevard Victor 18

19 photo: Michael Buschor photo: Michael Buschor Centre Georges Pompidou Place Georges Pompidou Paris France Centre Georges Pompidou is a complex in the Beaubourg area of the IVe arrondissement of Paris, near Les Halles and the Marais It houses the Bibliothèque publique d'information, a public library, the Musée National d'art Moderne, and IRCAM, a centre for music and acoustic research The building was designed by the architects Renzo Piano, Richard Rogers and Sue Rogers and engineers Peter Rice and Edmund Happold, whose design was not popular at first However, under the guidance of its first director, Pontus Hultén, it quickly became a noted attraction in Paris The Pompidou 'revolutionized museums,' the Pritzker jury said, 'transforming what had once been elite monuments into popular places of social and cultural exchange, woven into the heart of the city The characteristic piping is colour-coded according to the contents: yellow for electricity, red for transport, blue for water, and green for air' [Wikipediaorg] photo: Michael Buschor 1977 Main designer, Interior architect Services engineer Contractor Rogers Stirk Harbour + Partners Gianfranco Franchini Renzo Piano Ove Arup and Partners Grands Travaux de Marseilles Ministère des Affaires Culturelles, Ministère de l Education Nationale Buschi Museum, Exhibitions 11am-9pm, ticket counters closed at 8 pm Rooms closed at 850 pm Late night openings for certain exhibitions, as indicated on the website, Thursdays and Fridays to 11 pm Ticket counters closed at 10 pm Atelier Brancusi: every day, except Tuesdays, 2-6 pm To avoid queuing up, best after 5 pm Public Reference Library (Bpi): Weekdays: pm Saturdays, Sundays & public holidays: 11 am-10 pm Metro Stations 'Rambuteau', 'Hôtel de Ville' or 'Châtelet - Les Halles' 19

20 photo: Roderick Trompert photo: Roderick Trompert EuraLille masterplan Euralille Lille France The 1989 Euralille plan consist of + 800,000 meters squared of urban activities This project is based on the hypothesis that the 'experience' of Europe will change beyond recognition through the combined impact of the tunnel that links Britain and the Europe, and the extension of the French TGV network to include London The plan also delineates links to public transportation facilities, the layout of the public spaces, the street layout, parking facilities, the conversion of the périphérique (ring road) into an underpass, and the areas between and bordering the elements of the plan The existing infrastructure is emphatically visible in what Koolhaas calls the "Piranesian space", an area 'cut out' of the parking garage which reveals the complexity of the infrastructure by simultaneously offering a view of the motorway, over the train station and subway and into the garage By partially opening up the tunnel tube, the TGV is visible from the city photo: Roderick Trompert m², Urban planner OMA - Rem Koolhaas SAEM EURALILLE Roderick 20