Stockholm.Projects 20

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1 Stockholm Projects 20 Created 23-Apr-14 By Taka Yone, Tokyo, Japan Galerie Nordenhake Erik Andersson gallery, gallery Greenhouse Jakob Storre Kulturhuset Bridge Apaté Markuskyrkan Stockholm Public Library Woodland Cemetery Skogskyrkogården 6 Woodland Chapel Skogskapellet H&M Head Office 13 Arsta Church 14 Globe Arena 15 Parkaden 16 Hans Asplund car park 7 Stockholm Waterfront Cffice 17 White s office 8 Stockholm Waterfront Congress Centre 18 White s congress centre 9 Karolinska Institutet Aula Medica 19 Wingårdh Arkitektkontor auditorium, education, university 10 Erik Gunnar Asplund cemetery, crematorium, park Svante Berg mixed-use development, olympic stadium, sport Erik Gunnar Asplund library 5 Sigurd Lewerentz church 12 Johan Celsing Arkitektkontor church White s football stadium 4 Magnus Ståhl Arkitektbyrå bridge Tele2 Arena Bonniers Konsthall Reflex Arkitekter office, shop Peter Celsing culture, exposition space, theatre 3 White s office Johan Celsing Arkitektkontor gallery, office Nyréns Arkitektkontor shop 2 Glass House 20 BSK Architekter office 11 Erik Gunnar Asplund chapel Sven-Harrys Art Museum 21 Wingårdh Arkitektkontor museum 1

2 photo: Åke Eson Lindman Galerie Nordenhake Hudiksvallsgatan Stockholm The gallery is located in a former garage, which Andersson converted into a suite of three large exhibition rooms, enabling shows of the scale and ambition for which Nordenhake's Berlin and Stockholm galleries are well known The 300 square metre ground floor is divided into two connected galleries and a showroom, providing the possibility of a single large exhibition or several smaller parallel shows All the rooms have museum standard floors and loading capacity, and the office and the storages are located around the gallery rooms The whole gallery is realised within existing structures The space provided a design challenge due to its irregular form By situating the office and the art storages on the edges of the space, Andersson freed the galleries from ventilation ducts and radiators This created an ideal, neutral space, where the architecture serves the art and not the other way around photo: Åke Eson Lindman Floor area/size m² Client Erik Andersson Galerie Nordenhake EAAB Tues-Fri 11 am - 6 pm Sat-Sun 12 am - 4 pm 2

3 photo: Nyréns Arkitektkontor Greenhouse Siroccogatan Stockholm The white building with two floors has a prefabricated frame of concrete and entire walls of glass from floor to ceiling The shops and restaurant open room with large glass windows provide generous natural light into the building photo: Nyréns Arkitektkontor 2006 Nyréns Arkitektkontor 3

4 Jakob Storre Jakobsgatan Stockholm In one of Stockholm's most central locations is Jakob Storre An office building from the 70's that has received three new glass floors with light and modern office space with stunning views of the city roofscape and harbor White s have been responsible for the entire process, from sketch to tenant improvements 2010 White s 4

5 photo: Thom Hoevenaar Kulturhuset Sergels Torg Stockholm The Kulturhuset is located on Sergels Torg in the centre of Stockholm The 'culture house' was designed by Peter Celsing and opened in 1974 The building is focused on the adjacent square, which is situated ten metres lower than the building and composed of black and white shapes At the eastern side of the square, one can find the 'Kristallvertikalaccent', a sculpture of glass and steel, designed by Edvin Ohrstrom Peter Celsing's Kulturhuset is a low, long building with a glazed, lined façade The backside of the building is completely closed The complex consists of two parts: a theatre with a simple square shape and a long drawn-out exposition part On the ground floor, a large model of Stockholm is on display photo: Thom Hoevenaar 1974 Peter Celsing hoevenaar An extensive schedule is available on the website of the Kulturhuset The opening hours of the ticket office are: Tuesday - Friday: Saturday: Sunday: The Kulturhuset is located next to the metro station T-Centralen Buses 47, 52, 56, 59 and 69 go to Sergels Torg (the adjacent square) 5

6 photo: Åke Esan photo: Åke Esan Bridge Apaté Sicklauddsbron Sickla Kanal Stockholm One of the first bridges in the world to be constructed entirely from stainless steel, Bridge Apaté crosses over Sickla's river and overlooks the refurbished area of Hammarby Sjöstad in Stockholm The winning entry of an invited international competition, the bridge went on to not only receive a financial grant from the City of Stockholm due to its exemplary sustainability characteristics, but also to win the Swedish Steel Design Prize 2003 as the most innovative steel construction in The bridge s highly asymmetric section draws attention to its pioneering structural profile: a horizontal expression that mirrors that of the Bridge Sundsvall project Collaboration with Jelena Mijanovic, Magnus Ståhl, Tyréns, Scandiaconsult, and Stålmonteringar AB Stålab Bridge Apaté has won the Swedish Steel Prize 2003, won the European Steel Award 2003 and was a finalist for the 2002 Blueprint ure Awards 2002 in the category Best New Public Building photo: Åke Esan 2001 Main designer, Structural engineer Infrastructure consultant Client Magnus Ståhl Arkitektbyrå Erik Andersson Jelena Mijanovic Rambøll Tyréns City of Stockholm MSAB 6

7 photo: White Arkitekter Tele2 Arena Arenaslingan Stockholm Tele2 Arena is an important piece of the jigsaw in the image of Stockholm as a world class city White is developing solutions for major experiences When the new multi-function arena in the Globe district is completed in 2013 A retractable roof makes it possible to hold sporting, concert and other events all year round For concerts, the arena can accommodate audiences of up to 40,000 Excellent views and closeness to the event provide an outstanding experience The project is a challenge to all of White's areas of expertise: s, landscape architects, urban design, environment, social sustainability, art and visualisation All of this expertise is coordinated by project managers at work meetings and internal workshops which use the White Innovation Process as a framework White s 7

8 photo: Desiree Vermeer photo: Desiree Vermeer Markuskyrkan Malmövägen Stockholm Sigurd Lewerentz designed one of his two great churches in southern Stockholm: Markuskyrkan (St Mark's Church) in Björkhagen, a district south of Stockholm's city centre The church is considered one of the great post-war buildings 1962 Sigurd Lewerentz desireevermeer photo: Desiree Vermeer 8

9 photo: Maarten Scheurwater photo: Maarten Scheurwater Stockholm Public Library Odengatan Stockholm Like many of Asplund s other projects the Stockholm City Library ( ) went through numerous modifications and alterations during the design process Unlike most of his major projects, the design work of the Library was assigned to him without a normally required competition This arrangement provided Asplund the opportunity to develop his design in a more relaxed manner Eventually the design was a round hall surrounded by staircases, a tall cylinder with an opaque glazing in the roof lights The base of the building is a square The combination of spherical and cubic forms was a frequent motif, which can be found in both Asplund s earlier projects and those of his contemporaries A strict, symmetrical variation of this motif can be seen as a product of the search for innate aesthetic value of forms in the context of Classical Revival photo: Maarten Scheurwater 1928 Client Erik Gunnar Asplund City of Stockholm Maarten_Scheurwater 9

10 photo: Maarten Scheurwater photo: Maarten Scheurwater Woodland Cemetery Skogskyrkogården Sockenvägen Stockholm The Woodland Cemetery - Skogskyrkogården - in Enskede, southern Stockholm, was built between 1919 and 1940 by the architects Gunnar Asplund and Sigurd Lewerentz On a ridge overgrown with pines they created a sacred landscape with several small chapels arranged to interact with the natural surroundings It expresses on a large scale the design aspirations that characterized Swedish architecture before and after World War II Asplund mainly devoted himself to the buildings, with the Crematorium standing out as a central work both in his own career and in the architecture of the 1930s as a whole Skogskyrkogården was inscribed on the World Heritage List in 1994 The justification of the World Heritage Committee was: "Skogskyrkogården is an outstanding example of how architecture and landscaping from our century combine to make a cemetery This creation has had a great influence on the design of cemeteries all over the world" photo: Maarten Scheurwater 1940 Client Erik Gunnar Asplund City of Stockholm Maarten_Scheurwater the visitor centre is open every day from 12-17:00 hr, from the 27th of May to 2 September Closed 22 and 23 June To book a tour, contact the Stockholm Stadsmuseum at

11 photo: Maarten Scheurwater photo: Maarten Scheurwater Woodland Chapel Skogskapellet Sockenvägen Stockholm In the beginning of the 20th century Stockholm s burial grounds had to be expanded, so an international architect competition was initiated in order to ensure the dignity, artistic quality and harmony of the buildings, vegetation and landscape of a new cemetery - Skogskyrkogården, the Woodland Cemeter south of Stockholm A part of the Cemetery and the first chapel in the park, the Woodland Chapel, designed by E G Asplund, was completed in 1920 The wooden chapel with its white-washed walls and black roof is adorned by Carl Milles sculpture The Angel of Death, iron gates designed by Asplund and an altar painting by artist Gunnar Torhamn Erik Gunnar Asplund died in 1940 He rests beside the Chapel of Faith under a simple epitaph bearing the words His work lives photo: Maarten Scheurwater 1920 Client Erik Gunnar Asplund City of Stockholm Maarten_Scheurwater The Tallum Pavilion, which is in the south of Skogskyrkogården, has a permanent exhibition about the cemetery and the two architects This visitor centre is open every day from 12-17:00 hr, from the 27th of May to 2 September Closed 22 and 23 June To book a tour, contact the Stockholm Stadsmuseum at

12 photo: Åke E:son Lindman photo: Åke E:son Lindman Bonniers Konsthall Torsgatan Stockholm Bonnier, 's largest publishing house, has added an extension to their post-war offices in Stockholm The new building is quite straightforward - a transparent glass and steel structure that sleekly follows the perimeter of what used to be one of the office's garden terraces This generates the building's most conspicuous feature - the flat iron form The Bonniers have been keen collectors for as long as they have been publishers So when they announced to house a gallery in the new extension, many expected it to be a display of their own collection However, this is not the case The focus is rather seriously and promisingly on contemporary art A fully glazed building does entail some obvious challenges, such as how to deal with the sun The aluminium louvres on the south façade facing the railway track, completely transform the building when the sun shines It changes from a delicate glass structure into a Potemkin-like wedge, which is not necessarily a bad thing Floor area/size m² Client Johan Celsing Arkitektkontor Bonnier Group Claes_Sorstedt photo: Åke E:son Lindman : Wed 11:00 to 20:00 Thu-Sun 11:00 to 17:00 Café: same hours 12

13 H&M Head Office Drottninggatan Stockholm On a prime site on Drottninggatan the new head office for Hennes & Mauritz replaces a demolished multi-storey car park and office block The block consists of three buildings and a glazed courtyard The three sections have been given individual internal and external characteristics to offer variation in the cityscape On the top floor there is a glazed winter garden laid out by the landscape architect Ulf Nordfjell The ground floor houses shops and an indoor arcade 2008 Reflex Arkitekter 13

14 photo: Johan Celsing s Arsta Church Bråviksvägen Stockholm The location is a rocky site over-looking Årsta torg (designed by the brothers Erik and Tore Ahlsén in the 1940-ies) The church will be built next to an existing bell-tower and a parish building from 1968 The structure is of load-bearing red-brown brick The interior is light with the lower part all clad in white glazed brick Along the walls is a continous glazed bench for seating The interior plan is a square where the altar and baptismal font are fixed at linear positions in the centre At the perimiter of the church are two small chapels and a sacristy clad in glazed bricks of green and cerise The roof and ceiling is a perforated concrete slab with beams crossing the church photo: Johan Celsing s 2008 Johan Celsing Arkitektkontor 14

15 Globe Arena Globentorget Stockholm The Ericsson Globe is the national indoor arena of, located in the Johanneshov district of Stockholm The Ericsson Globe is currently the largest hemispherical building in the world and took two and a half years to build Shaped like a large white ball, it has a diameter of 110 metres and an inner height of 85 metres In February 2010 a funicular railway known as Skyview opened on the outside of the arena which takes visitors to the top for a virtually unobstructed view over Stockholm There is no known such arrangement elsewhere in the world Each of the two gondolas accommodates 16 passengers who will be 130 meters high when at the top Main designer, Svante Berg Lars Vretblad 15

16 Parkaden Regeringsgatan Stockholm Parkaden is a parking garage in downtown Stockholm with a capacity of 800 cars The whole house is built of concrete, where the facade elements have been designed with an openwork pattern of numbers indicating the floor The numbers are right side up and flip on one another and form an ornamental pattern that has become typical for Parkaden The property was classified in 2007 as one of the most valuable properties in the district, and that the building meets the criteria for historic buildings in the Cultural Heritage Act 1965 Hans Asplund 16

17 Stockholm Waterfront Cffice Nils Ericsons Plan Stockholm With Waterfront, 's capital city is now ready to join the major league in the world of international conferences The present project Stockholm Waterfront began in 2005, when the City of Stockholm asked if Jarl Asset Management wanted to present a suggestion how the area at the old mail terminal could be developed The city wanted a facility for congresses and a hotel, but for the project to be more economic the owners of Jarl Asset Management also build an office complex White arkitekter was hired as architect According to "Remiss- och samrådsredogörelse, Innerstadsavdelningen" of March 9, 2007 (Dp ), the opinion was mostly in favour of the proposal and in August the detailed plan was legalized The demolition of the previous buildings on the site was started in mid-2008 together with Klara postterminal 2010 White s 17

18 photo: White s Stockholm Waterfront Congress Centre Klarabergsviadukten Stockholm Stockholm Waterfront, also known as "Klara Hotell och Konferens" is a building for offices, conferences and hotels The building is located at Klarabergsviadukten in central Stockholm, at the place where Klara postterminal previously stood, overlooking Riddarfjärden The complex is built for three functions, called Waterfront Building (for offices), Radisson Blu Stockholm Waterfront (for hotel) and Stockholm Waterfront (for congresses) is the White arkitekter firm Radisson Blu operates the hotel and congress parts and was opened on January 20, 2011 The permanent outer shell is enclosed by "veils" constructed from 3500 z-profiles in stainless steel and fitted at a distance from the wall The design has also been prepared for illumination, which is going to further enhance the centre's distinctive character White s 18

19 Karolinska Institutet Aula Medica Solnavägen Stockholm Wingårdh has designed the building, the form and geometry of which contrasts with the traditional low-rise brick buildings on the campus It is situated along Solnavägen opposite the new university hospital With its central location and geometric form, the lecture hall complex opens up the campus area to the main public thoroughfare The abstract building cladded in six different types of glass stands like a bowl at the core of medical university Karolinska Institutet in Wingårdh Arkitektkontor 19

20 Glass House Katarinavägen Stockholm The Glass House (Glashuset) at Stadsgården in Stockholm was built in 1974 as City Council's headquarters The building was extremely modern for its time, with completely open plan office BSK s worked with the original architect Jan Lunding to renew the house and find a new structure that allows renters to multiple tenants Adjacent to the new entrance created a large atrium that led down light to the premises and gave direct contact with the water and the view of the Saltsjön 2007 Main designer, BSK Architekter Jan Lunding 20

21 Sven-Harrys Art Museum Eastmansvägen Stockholm The shiny six-storied building with a brass facade is located in Vasaparken in Stockholm and houses an art gallery, museum, restaurant, among other things Probably the most unique feature of Sven-Harry's is the museum on the roof of the building The floor plan is a copy of Sven-Harry's former home, the 18th-century manor house Ekholmsnäs on Lidingö Visitors will be able to cross the threshold of Sven-Harry's "home" and enjoy the art collection he has lovingly built up over the last 35 years In a genuine home setting you can see one of s s largest private collections of Nordic art and, in particular, many works of Carl Fredrik Hill Ernst Josephson, Anders Zorn, August Strindberg and Helene Schjerfbeck are also represented in the collection alongside furniture by Gio Ponti and George Haupt and carpets by Märta Måås-Fjetterström 2012 Wingårdh Arkitektkontor 21