Tuscany 2017.Projects 7

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Tuscany 2017 Projects 7 Created 04-Oct-17 By Martijn van der Heijden, Rotterdam, Netherlands La Fonte Gym Sesto Fiorentino, Fabio Capanni sport via Pisana San Giovanni Battista Church 3 Palazzo

1 Tuscany 2017 Projects 7 Created 04-Oct-17 By Martijn van der Heijden, Rotterdam, Netherlands La Fonte Gym Sesto Fiorentino, Fabio Capanni sport via Pisana San Giovanni Battista Church 3 Palazzo Orlandi Santa Maria Assunta Church 6 Banca del Monte dei Paschi di Siena 7 Colle val d'elsa, Giovanni Michelucci bar, office 4 Campi Bisenzio, Giovanni Michelucci church Riola, Alvar Aalto church, religion Florence, Luca Emanueli housing, social housing 2 Tennis Club Rio 8 Serravalle Pistoiese, Lapo Ruffi Architetto - LRA club, sport 5 Prato, b-arch studio archsabrina Bignami private house, renovation 1

photo: Fabio Capanni photo: Fabio Capanni La Fonte Gym Via Arrigo Boito 5 50019 Sesto Fiorentino Each and every project realized by Leonardo da Vinci, whether a building or a model air plane, was

the gym makes the building look like muscle fibre Thanks to the nail-less mounting, the plates are free to move and expand in accordance with one of copper's key characteristics Built to serve as a

2 photo: Fabio Capanni photo: Fabio Capanni La Fonte Gym Via Arrigo Boito Sesto Fiorentino Each and every project realized by Leonardo da Vinci, whether a building or a model air plane, was inspired by the human body As such, this gym on the outskirts of Sesto Fiorentino, near Florence, can be considered a tribute to Leonardo's work and genius The copper plates covering the exterior of the gym makes the building look like muscle fibre Thanks to the nail-less mounting, the plates are free to move and expand in accordance with one of copper's key characteristics Built to serve as a gym for a pre-existing town school, La Fonte is an independent building and can also be accessed by private users The space is organized in two simple orthogonal volumes, designed to be inexpensively prefabricated The main structure is made of pre-stressed concrete and is similar to the industrial hangars one finds in the Sesto Fiorentino area The smaller volume, clad with travertine is where changing rooms and utility rooms are located, whereas the bigger volume is used for sports photo: Fabio Capanni Public access unknown! 2006 Architect Client Fabio Capanni Comune di Sesto Fiorentino Daria_Ricchi 2

photo: Luca Emanueli photo: Luca Emanueli via Pisana via Pisana 14-16-18 50143 Florence The via Pisana project, in Florence, occupies three blocks beside the Arno, and uses vacant space in the core

rather than on conserving traces of the past Designed to fit a low budget, their proposal comprises both the rehabilitation of existing buildings and a carefully designed extension to suit the scale

3 photo: Luca Emanueli photo: Luca Emanueli via Pisana via Pisana Florence The via Pisana project, in Florence, occupies three blocks beside the Arno, and uses vacant space in the core of a block occupied by an old gas reservoir no longer in use In spite of the charm of the place in its partly abandoned state, the architects chose to concentrate on new ways of living in the area rather than on conserving traces of the past Designed to fit a low budget, their proposal comprises both the rehabilitation of existing buildings and a carefully designed extension to suit the scale of the local urban fabric Laid out around laneways, patios and galleries, the nine dwellings extend, in their rear courts, private spaces that make no effort at representation Clearly, the rapprochement between old structures and new additions holds to a similarity of form of access, the shape of a stairwell or that of a terrace Everything is formulated in sober manner The dwellings range from 50 to 100 square meters in area, and some have rooftop terrace photo: Luca Emanueli Project is not public! Main designer, Architect Architect Client Luca Emanueli Qart Progetti Florence City Council ncuc 3

photo: Evan Chakroff photo: Evan Chakroff San Giovanni Battista Church Via di Limite 10 50013 Campi Bisenzio Formally named after John the Baptist, this church has also earned the name Church of

traditional church design The 'cross' floor plan and stone facing are meant to evoke a traditional feel while the tent-like vertical elements and copper roofing reflect modern design tastes The

and bronze are used for the interior elements The building's floor plan is asymmetrical and follows sinuous curves, creating a feeling of fluid space One of the intentions to build the church was

4 photo: Evan Chakroff photo: Evan Chakroff San Giovanni Battista Church Via di Limite Campi Bisenzio Formally named after John the Baptist, this church has also earned the name Church of the Freeway of the Sun for its location between the Autostrada del Sole (Freeway of the Sun) and the A11 Firenze-Mare Highway The design of the church is meant to reflect both modern and traditional church design The 'cross' floor plan and stone facing are meant to evoke a traditional feel while the tent-like vertical elements and copper roofing reflect modern design tastes The church stands 27,5 metres high The materials used are stone and concrete for the walls and copper for the roof, oxidized to green on the outside and burnished blond on the inside Marble, glass and bronze are used for the interior elements The building's floor plan is asymmetrical and follows sinuous curves, creating a feeling of fluid space One of the intentions to build the church was to honor the workers who had died during construction of the freeway photo: Evan Chakroff Project is public! 1963 Architect Giovanni Michelucci evanc 4

photo: Nathalie Krag photo: Nathalie Krag Palazzo Orlandi Via Guizzelmi 59100 Prato Palazzo Orlandi is located in the city of Prato, near Florence, and was built in the sixteenth

Caiano, very close to Florence, are his most famous work The purpose of the restoration by Sabrina Bignami was to respect the original shape and to remove all the additions from the

was the interior project that matches the historical aim of the Palazzo with a very modern, clean end simple style of furniture Today the noble floor is a private house and a very small

5 photo: Nathalie Krag photo: Nathalie Krag Palazzo Orlandi Via Guizzelmi Prato Palazzo Orlandi is located in the city of Prato, near Florence, and was built in the sixteenth century; the decorations and frescos were applied between 1790 and 1815 The painter of these frescos was a famous one: Luigi Catani, whose frescos in the Villa Medicea di Poggio a Caiano, very close to Florence, are his most famous work The purpose of the restoration by Sabrina Bignami was to respect the original shape and to remove all the additions from the early 1900s For instance, on the first floor (the noble floor) she found frescos on the walls that were covered by white paint The floor, the windows the doors are original Interesting was the interior project that matches the historical aim of the Palazzo with a very modern, clean end simple style of furniture Today the noble floor is a private house and a very small guesthouse Public access unknown! 2003 Architect, Interior architect b-arch studio archsabrina Bignami sabrina_bignami photo: Nathalie Krag 5

photo: Marco Zanini photo: Marco Zanini Santa Maria Assunta Church Piazza A Aalto 1 40038 Vergato Riola http://wwwparrocchieit/grizzanamorandi/riola/ In line with the new dictates of the Church,

in the surroundings which would encourage maximum participation The river, mountains and the nearby Rocchetta Mattei were indeed precise landmarks for the architect when modelling the building The

6 photo: Marco Zanini photo: Marco Zanini Santa Maria Assunta Church Piazza A Aalto Vergato Riola In line with the new dictates of the Church, which halfway through the 1950s felt the need to adopt new languages in order to communicate with worshippers, the church at Riola was conceived with the idea of creating a liturgical area inserted in the surroundings which would encourage maximum participation The river, mountains and the nearby Rocchetta Mattei were indeed precise landmarks for the architect when modelling the building The presence of the river was especially important in the development of the entire project The volume of the church has been defined as the flowing of a river, and the light in the building captures and reflects the light as it shines on the water This was the first time that Alvar Aalto had used materials such as raw stone for the coverings and terra cotta for the floors Project is public! 1978 Architect, Landscape architect Alvar Aalto marco_zanini photo: Marco Zanini Can be visited every day from , except for Saturdays at 1700 and Sundays at 1100, when it is closed to tourists for mass By car: SS64 By train: "Riola" railway station, the church is right across the river from the station 6

photo: Zanini Marco photo: Zanini Marco Banca del Monte dei Paschi di Siena Via di Spugna 2 53034 Colle val d'elsa http://wwwmpsit/ The building is located in the urban center of Colle Val

of this architecture is to form public void space by means of penetrable structure Furthermore it's a powerful landmark in urban landscape photo: Zanini Marco Project is public!

7 photo: Zanini Marco photo: Zanini Marco Banca del Monte dei Paschi di Siena Via di Spugna Colle val d'elsa The building is located in the urban center of Colle Val d'elsa, near the historical center The site was previously occupied by a factory The building is characterized by a dichotomy between traditional stonewall and light metal structure The aim of this architecture is to form public void space by means of penetrable structure Furthermore it's a powerful landmark in urban landscape photo: Zanini Marco Project is public! 1978 Main designer, Architect Architect Client Giovanni Michelucci Bruno Sacchi Monte dei Paschi di Siena marco_zanini The ground floor is public 7

photo: Lapo Ruffi photo: Lapo Ruffi Tennis Club Rio Via Castellani 14 51030 Serravalle Pistoiese http://wwwtennisclubrioit At the foot of Serravalle Pistoiese, a small medieval village, the volume of

develop the project for a longitudinal structure that unravels and expands at its extremities, partially swallowed by the slope of land to the north Before the restoration, the building was

8 photo: Lapo Ruffi photo: Lapo Ruffi Tennis Club Rio Via Castellani Serravalle Pistoiese At the foot of Serravalle Pistoiese, a small medieval village, the volume of a building from the 1950s is radically restored and rededicated to its original vocation: tennis It was obligatory to maintain the whole cubic shape The local topographical movement was used to develop the project for a longitudinal structure that unravels and expands at its extremities, partially swallowed by the slope of land to the north Before the restoration, the building was profoundly desolate A radical reorganization was put into place In the new structure, locker rooms, showers, sauna and a members area are on the west wing The east wing is completely above ground and houses the bar, a meeting nucleus, surrounded on two sides by accessory spaces facing the courts with great openings that allow various perspectives while framing the landscape The walls are made with a compound insulation system and fine, coloured plaster that matches the hues of the stone of the historical buildings nearby Project is public! Floor area/size m² Architect, Interior architect Client Lapo Ruffi Architetto - LRA Lapo_Ruffi_Architetto photo: Lapo Ruffi Tennis Club Rio 8

Firenze.Projects 6. Municipal Library. D House Pistoia, Italy Lapo Ruffi Architetto - LRA apartment. 5 Nembro, Italy Studio Archea library

Firenze.Projects 6. Municipal Library. D House Pistoia, Italy Lapo Ruffi Architetto - LRA apartment. 5 Nembro, Italy Studio Archea library Firenze Projects 6 Created 15-Jan-09 By Jacqueline Ruhl, Cottbus, Germany D House Pistoia, Lapo Ruffi Architetto - LRA apartment La Fonte Gym Containing the Excess Municipal Library 5 Nembro, Studio Archea