venezia.projects 34 Spanish Pavilion for the Venice Finnish Pavilion for the Venice Biennale 3 Venice, Italy Alvar Aalto pavilion Biennale

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1 venezia Projects 34 Created 24-Apr-12 By CAO TAIMING, MILANO, Finnish Pavilion for the Venice 3 Alvar Aalto pavilion Nordic Countries Pavilion for the Venice Venezuelan Pavilion for the Venice Brazilian Pavilion for the Venice Austrian Pavilion for the Venice 5 Danish Pavilion for the Venice 6 Canadian Pavilion for the Venice 7 German Pavilion for the Venice 8 Ticket booth for the Venice 9 Japanese Pavilion for the Venice 15 Sculpture Garden for the Venice 16 Belgium pavilion for the Venice 17 Bookshop Pavilion for the Venice 18 Australian Pavilion for the Venice 19 Philip Cox pavilion 10 South Korean Pavilion for the Venice 20 Seok Chul Kim pavilion 11 kiosk Dutch Pavilion for the Venice Stirling Wilford and Associates pavilion, shop Ernst Haiger pavilion 14 Léon Sneyers exposition space, pavilion BBPR pavilion Swiss Pavilion for the Venice garden, sculpture Carl Brummer pavilion Takamasa Yoshizaka pavilion Josef Hoffmann pavilion 13 Bruno Giacometti pavilion Amerigo Marchesin pavilion 4 pavilion Spanish Pavilion for the Venice Javier de Luque pavilion Sverre Fehn pavilion Israeli Pavilion for the Venice 21 Zeev Rechter pavilion 12 Gerrit Rietveld pavilion Base for the 'Partigiana' by Augusto Murer 22 sculpture 1

2 Spazio Vedova Renzo Piano exposition space, gallery, museum Aula Mario Baratto Restoration Palazzo Grassi Renovation Querini Stampalia Foundation Olivetti showroom Bridge over Canal Grande IUAV's main gate - Tolentini 30 A Gathering Space 31 Palazzo Fondazione Masieri 32 memorial space, museum 26 San Michele Cemetery Extension 33 David Chipperfield s cemetery 27 Avogaria Locanda and Restaurant 34 Francesco Pugliese hotel, restaurant 28 Santiago Calatrava bridge 25 shop, showroom Entrance Faculty of Letters and Philosophy Gareth Hoskins s pavilion exposition space, museum 24 Tadao Ando museum, renovation education, university auditorium, renovation, university 23 Ristorante Lineadombra 35 Archiroom associated architects restaurant 29 education, university Querini Stampalia bookshop & café 36 Mario Botta cafe, museum, restaurant, shop 2

3 photo: Addison Godel photo: Addison Godel Finnish Pavilion for the Venice Giardini Pubblici In 1955 Maire Gullichsen of the Contemporary Art Association of Helsinki charges Alvar Aalto with the design of a temporary pavilion for Finland, while waiting for a Nordic Countries Pavilion The concept behind the project, as Aalto once said, is something in between a Sámi tent, the transportable Altar of private Swejk and the Chapel Pazzi In 1956 the building is ready to be shipped in pieces from Helsinki The blue and white wooden structure, that was supposed to be temporary, has become over time an icon of the pavilions photo: Addison Godel Alvar Aalto Get off at the Giardini boat station and walk towards the entrance 3

4 photo: Addison Godel photo: Addison Godel Nordic Countries Pavilion for the Venice Giardini Pubblici In 1958 a competition is held for the design of the Nordic Countries Pavilion for the Venice (to host Sweden, Norway and Finland) Three architects are invited: the swedish Klas Anshelm, the norwegian Sverre Fehn and the finnish Reima Pietila In 1959 Sverre Fehn is declared winner and by 1962 the Pavilion is completed The pavilion is a single rectangular hall of 400 sqm, open completely on two sides The roof is made of two overlapping layers of concrete beams The distance between the beams is 52,1 cm and this changes only when the roof meets the trees The pavilion is an example of the disappearing transition between interior and exterior photo: seier+seier Sverre Fehn Swedish Government Get off at the Giardini boat station and walk towards the entrance 4

5 photo: seier+seier photo: seier+seier Venezuelan Pavilion for the Venice Giardini Pubblici In 1953 Graziano Gasparini, Venezuelan commissioner for the, asked to design a pavilion for Venezuela In January 1954, the pavilion design is approved and the structure is roughly completed by October, while the XXVII is finishing Only by 1956 the pavilion finishings are completed It is conceived as three volumes sliding against each other The form is simple and realized in rough concrete Venezuelan Government Get off at the Giardini boat station and walk towards the entrance 5

6 Brazilian Pavilion for the Venice Giardini Pubblici The first design for the Brazilian pavilion was conceived in 1959 by Enrique E Mindlin, Giancarlo Palanti and Walmyr L Amaral The idea was to build a new bridge between the two areas of the gardens and merge it with the pavilion The proposal was accepted but in fact never realised In 1964 Amerigo Marchesin, a Venetian architect who had been working as a collaborator on the previous project, proposed a different location for the pavilion, separated from the bridge The two volumes that compose the pavilion are unified by a roofed gallery, a C-shaped concrete beam that extends outwards from the building The materials used are wood and glass for the lower building up front and bricks and white plaster for the volume in the back Amerigo Marchesin Brazilian Government Get off at the Giardini boat station and walk towards the entrance 6

7 Austrian Pavilion for the Venice Giardini Pubblici The first draft for the Austrian Pavilion at the Venice was sketched by Josef Hoffmann in 1913 The project ended up being too costly and eventually the idea was abandoned In 1926 Emil Hoppe and Otto Schönthal made a new proposal for the pavilion, but that too ended up being too pricey In 1934 the Austrian government decides to have a competition and Josef Hoffmann eventually wins with a project completely different from his previous one The pavilion was built in 30 days, but incomplete Between 1938 and 1954 Hoffmann kept finishing the pavilion and added missing elements such as the lateral porch, the fountain and the garden walls Josef Hoffmann Austrian Government Get off at the Giardini boat station and walk towards the entrance 7

8 Danish Pavilion for the Venice Giardini Pubblici In 1958, Peter Koch presented a design for the extension of the Danish Pavilion, originally designed in 1932 by Carl Brummer The original building was a rectangular hall with the entrance on one of its long sides, facing the 'Piazzale delle Cerimonie' (Ceremony Square) The neoclassical building was preserved by Koch and the extension grew asymmetrically, stretching from the back of the building towards one side The extension is simple and very low key The materials used were brick, iron and glass 1932 Associate architect Carl Brummer Peter Koch Ny Carlsbergfondet Get off at the Giardini boat station and walk towards the entrance 8

9 Canadian Pavilion for the Venice Giardini Pubblici Designed and built between by BBPR, the Canadian Pavilion was inaugurated in 1958 for the XXIX Built on the little hill of San Antonio and located between the British and German Pavilions, the Canadian structure had to respect the surrounding trees and disappear into the landscape The pavilion has an octagonal shape, brick walls and metallic roof beams, supported by a central pillar in concrete BBPR Canadian Government Get off at the Giardini boat station and walk towards the entrance 9

10 German Pavilion for the Venice Giardini Pubblici Designed by Ernst Haiger, the German Pavilion was inaugurated in 1938 for the XXI of Art On the front façade the pavilion has a pronaos, a portico with squared section columns and splined shaft surfaces The whole building is massive and covered in natural and artificial stone Ernst Haiger Reichkammer fur Kunst Get off at the Giardini boat station and walk towards the entrance 10

11 Ticket booth for the Venice Viale Trieste Conceived for the XXVI Venice art exhibition, the ticketing booth at the entrance of the Giardini Pubblici is a tiny work of art The booth was finished in 1952 and was used for many decades It was completely restored in 2004, although it is no longer in use The little booth is conceived as a small pavilion in itself mixing concrete, iron and wood La di Venezia Get off at the 'Giardini' boat stop and walk towards the entrance of the 11

12 Dutch Pavilion for the Venice Giardini Pubblici In 1953, the Dutch government decides to bring down the 1912 pavilion by Ferdinand Boberg and puts Gerrit Thomas Rietveld in charge of designing the new Dutch pavilion The new pavilion has a simple square plan and few interior walls, all orthogonal to the exterior ones The building contains volumes of different heights in order to get light from above Gerrit Rietveld Dutch Government Get off at the Giardini boat station and walk towards the entrance 12

13 Spanish Pavilion for the Venice Giardini Pubblici Inaugurated in 1922, the Spanish Pavilion for the Venice was originally designed by Javier De Luque and has a remembrance of late XVII-century Castilian baroque The façade consists of columns and typical baroque floral decoration In 1952, architect Joaquin Vaquero Palacios was asked to redesign the façade The new façade is conceived as a canvas of bricks Only two sculptures, representing bears, were to stand on the sides of the entrance Associate architect Javier de Luque Joaquin Vaquero Palacios Spanish Government Get off at the Giardini boat station and walk towards the entrance 13

14 Swiss Pavilion for the Venice Giardini Pubblici In 1951 Bruno Giacometti wins the competition for the Swiss Pavilion at the Venice In June 1952 the pavilion is inaugurated in time for the XXVI The main material that was used for the pavilion is brick and it can be seen crude on the exterior walls as well as on the internal patio walls The pavilion has two main halls: the bigger one has a metallic roof that allows light to come in from above Bruno Giacometti Swiss Government Get off at the Giardini boat station and walk towards the entrance 14

15 Japanese Pavilion for the Venice Giardini Pubblici In 1955, thanks to a donation from Shojiro Ishibashi, director of the Bridgestone Modern Art Gallery in Tokyo, the Japanese government is willing to build a Japanese pavilion at the Venice The architect in charge is Takamasa Yoshizaka, a collaborator of Le Corbusier between 1950 and 1952 The building has much to do with the traditional and the modern in relation to Japanese culture The square plan is supported by four concrete walls and elevated above the ground The building is a massive concrete structure that shows its nervatures Takamasa Yoshizaka Japanese Government Get off at the Giardini boat station and walk towards the entrance 15

16 Sculpture Garden for the Venice Giardini Pubblici In 1952, designed the Sculpture Garden for the Venice within a patio of the Italian Pavilion, originally designed in 1932 by Duilio Torres The little garden plays with light, shadow and water Three heavy elliptical columns support a canopy roof which is shaped as if three circles would have been subtracted from a rectangle The garden has not been in use for many years and only recently it has been completely restored La di Venezia Get off at the Giardini boat station and walk towards the entrance 16

17 Belgium pavilion for the Venice Giardini Pubblici The Belgium pavilion was designed by architect Léon Sneyers ( , pupil of the art nouveau architect Paul Hankar), built in 1907 and was the first foreign pavilion in the Giardini On each occasion of the Venice, the building will get a different (temporary) incentive, a changing exhibition which will change the perspective of the building again See the website to check current opening hours and exhibitions photo: Jan Kempenaers 1907 Léon Sneyers at Giardini della & Arsenale: am 6 pm, every day Giardini: Actv lines 1 / 41 / 42 / 51 / 52 / 61 / 62 Arsenale: Actv lines 1 / 41 /

18 photo: Addison Godel Bookshop Pavilion for the Venice Giardini Pubblici In 1989, James Stirling was asked to design a permanent pavilion to be used as the official bookshop of the Venice The shop was inaugurated in 1991 for the V of ure The building is only on one floor, and is 30 m long and 6 m wide The building is made mainly out of metal and it was partially assembled in situ The books are displayed along a 40 m wooden bookshelf that runs along the interior perimeter of the structure One end of the pavilion, where the entrance is located, is a straight cut, the other end is a curve facing the Finnish Pavilion Inside the building, there is glass all around, giving to the visitor the impression of being completely surrounded by nature photo: Addison Godel Stirling Wilford and Associates Venice Get off at the Giardini boat station and walk towards the entrance 18

19 photo: Claudio Franzini photo: Claudio Franzini Australian Pavilion for the Venice Giardini Pubblici The Australian Pavilion for the Venice was inaugurated in June 1988 The Australian Pavilion was designed by Philip Cox It is owned and managed by the Australia Council for the Arts The building is made out of steel and it is composed of two rectangular volumes next to each other The two volumes have different heights and floor levels in the interior On the outside the roof is wavy as it follows the level difference photo: Claudio Franzini Philip Cox Get off at the Giardini boat station and walk towards the entrance 19

20 South Korean Pavilion for the Venice Giardini Pubblici The original project, conceived in 1994, took into consideration an old and small preexisting brick building, aligning with it The task was to respect presence of the surrounding trees, as is usual for pavilions, which explains the wavy façade on the side The whole building is made out of steel and wood and has two balconies overlooking the S Marks basin The pavilion was finished in 1996 and it is until today the most recent among all permanent buildings in the Gardens Associate architect Seok Chul Kim Francesco Mancuso South Korean Government Get off at the Giardini boat station and walk towards the entrance 20

21 Israeli Pavilion for the Venice Giardini Pubblici In 1951, the plans for the Israeli Pavilion were sent to Venice by architect Zeev Rechter By 1952 the pavilion was approved and by the beginning of the XXVI of the same year the building was ready The structure consists of one volume with a trapezoidal shape On one side it is a completely enclosed box and on the other it has a little entrance porch The interior is organized in three levels, quite unusual for a pavilion Zeev Rechter Israeli Government Get off at the Giardini boat station and walk towards the entrance 21

22 photo: Paulo Simoes photo: Paulo Simoes Base for the 'Partigiana' by Augusto Murer Viale dei Giardini Pubblici Venice In 1968, Scarpa designed the base for a sculpture by Augusto Murer, representing the 'partigiana' The sculpture represents a woman, lying with her hands tied, and was placed on a platform floating on the water The base is made from concrete with copper plates, and is surrounded by an irregular 'field' of concrete and stone prisms with varying heights photo: Paulo Simoes 1968 Comune di Venezia void 22

23 photo: Paulo Simoes Spazio Vedova Sestiere Dorsoduro Venice Renzo Piano designed the conversion of the former studio of Venetian painter Emilio Vedova ( ), located in the former 'Magazzini del Sale', into a space to exhibit his works The proposal is an insert entirely made from brushed larch slats, carefully placed inside the existing space, whose brick walls and roof trusses were left exposed The insert is composed by two walls that mark the entrance and house the service spaces, and an inclined floor raising from the entrance to the back of the warehouse, where a metallic structure stores Vedova's paintings At predetermined hours of the day, ten robotic arms hanging from a rail running along the ceiling make a kind of mechanical choreography, taking the works from the storage structure and placing them on display throughout the space photo: Paulo Simoes Floor area/size m² Renzo Piano Fondazione Emilio e Annabianca Vedova void Wednesday - Sunday: The three series of works by Emilio Vedova will alternate at 1140 / 1310 / 1440 / 1610 & 1740 Vaporetto: Line 1: Accademia or Salute stops Line 2: Accademia stop Lines 51 or 52: Zattere stop 23

24 photo: Paulo Simoes photo: Paulo Simoes Aula Mario Baratto Restoration Dorsoduro Venice worked on two different projects for the Ca' Foscari University, the first one from 1935 to 1937 and the second one from 1955 to 1956 The first project was the complete restoration of the building, with its most visible traces now being the ground floor hall, glazed on both opposite ends for views of the grand canal and the courtyard, the staircase and parts of the main lecture hall The second intervention focused on the lecture hall (Mario Baratto Room) and created a complex wooden structure, separating the entrance space from the room This structure was made with wood from a demolished tribune belonging to the first project that stood in the same place In 1979, the room was destroyed by fire but was later rebuilt to Scarpa's design photo: Paulo Simoes 1956 Ca' Foscari University void Tours: Monday, Thursday and Friday: 1130 Monday to Friday: 1600 Meeting point on the ground floor of Ca Foscari Vaporetto Line 1 - S Tomà or Ca' Rezzonico Line 2 - S Tomà 24

25 Palazzo Grassi Renovation Campo San Samuele Venice Palazzo Grassi was restored in 1983 by Gae Aulenti in order to hold art and historical exhibitions for the Agnelli family In 2005, the building was bought by François Pinault who called upon Tadao Ando to renovate the setting in order to display his modern and contemporary art collection Ando's intervention is delicate and done mostly with light, white marble stucco and grey linoleum The whole is conceived to set a soft tone around the rich original decoration of the building elements , Interior architect Tadao Ando François Pinault Wednesday to Monday: / Closed on Tuesdays Get off at San Samuele boat station 25

26 photo: Apollo Spiliotis photo: Apollo Spiliotis Querini Stampalia Foundation Castello The Foundation Querini Stampalia was founded in 1869 by the will of John Conte, the last descendant of the family of Venetian patrician Querini Stampalia It is the only example where, of an ancient family, they preserved heritage, home, library, archives, collections of art, furniture and furnishings The sixteenth century palace, located between Rialto and San Marco, houses a library, civic center and historical museum The ground floor and garden were redesigned by in the early 60s Recently Mario Botta has designed the new access, bookshop and cafeteria (See also on MIMOA) The Foundation organizes exhibitions, conferences, meetings, seminars and collaborations with organizations and companies, some of which are associated with the Circle Queriniano - The members of the Circle support actively the life of the Foundation by participating in the development and growth of its activities and its archival collections literature and art) photo: Apollo Spiliotis 1963 Fondazione Querini Stampalia MI_MOA Museum exhibitions: Tuesday to Saturday 10 / 20; Sunday and holidays 10 / 19; closed Monday Library and Emeroteca: Tuesday to Saturday 10 / 24; Sunday and holidays 10 / 19; closed Monday Bookshop: Tuesday to Saturday 10 / 2015; Sunday and holidays 10 / 1915; closed Monday Cafeteria and Restaurant: Tuesday to Saturday 10 / 2345; Sunday and holidays 10 / 19; closed Monday 26

27 photo: Dave Brown photo: Dave Brown Olivetti showroom Piazza San Marco Venice The "first Italian typewriter factory" was founded by Camillo Olivetti on 29 October 1908 It had 20 employees and a 500 sqm production workshop with a weekly output of about 20 machines Over the years Olivetti has undergone a series of transformations It moved from mechanics to electronics, from office products to computers, IT systems and services and telecommunications and has always distinguished itself in its ability to combine dedication to technological innovation with a strong commitment to culture and art as well as product quality and design In addition to factories and office buildings, the company's architectural achievements also include a number of Olivetti shops: on New York's Fifth Avenue (1954), designed by Belgiojoso, Peressuti and Rogers;; in Paris (1960), on Faubourg St Honoré, designed by Franco Albini; in Buenos Aires (1968) designed by Gae Aulenti and here in Venice (1959) created by Venice born designer photo: Olivetti Historical Archives 1958 Olivetti Group MI_MOA 27

28 photo: Judit Nyíri photo: Jennifer Lohr Bridge over Canal Grande Piazzala Roma Venice Until 1854, when the first Accademia bridge was built, the only place you could cross the Canal Grande was at the Rialto The last major bridge construction was on the Scalzi in 1934 So it was big news, when was decided in the 1990s to give the town a new, fourth crossing The bridge is designed by Spanish architect Santiago Calatrava, and has for now taken his name: Ponte di Calatrava The pedestrian bridge is a long sweeping form of glass and steel accessed by steps In August 2007 the central section of the new bridge was ferried down the Grand Canal It will be finished in the summer of 2008 It has been a controversial project from the start; criticised as an expensive, unnecessary and misplaced vanity project And there are apparently serious issues about its accessibility to the handicapped Calatrava did not want to burden the design aesthetics with unsightly wheelchair ramps The council promised hi-tech lifts, but it's not clear if these have even been designed yet photo: Sara Bernardi Santiago Calatrava Municipality of Venice MI_MOA 28

29 photo: Jiat-Hwee Chang photo: Dave Brown IUAV's main gate - Tolentini Santa Croce Venice The Tolentini premises are located near Piazzale Roma and was designed by Vincenzo Scamozzi in the sixteenth century and restored by Daniele Calabi in the early 1960 s The convent is recognised for its particular architectural components: cloister with columned porch, a first floor with cells on three sides, and a meeting hall at the margin of the cloister The second floor contains larger open spaces and a rare example of a 15th century walkway perhaps designed by Scamozzi The convent was closed by Napoleon in 1810 and has since been used for various purposes In 1958 the State Property Office made the building complex available to the IUAV and initiated certain works which were led by civil engineers The restoration work on the complex s interior took place between 1960 and 1965 under the direction of architects Daniele Calabi and Guido Bacci In 1985 the entrance way, acquired by gratuitous transfer in 1979, was transformed according to the project by photo: Jiat-Hwee Chang 1985 Structural engineer Project manager Carlo Maschietto Sergio Los MI_MOA 29

30 photo: Dave Brown photo: Dave Brown Entrance Faculty of Letters and Philosophy Dorsoduro Venice The entrance to the faculty of philosophy in Venice was designed between 1976 and 1978 by Venice born architect It was completed posthumously Scarpa died on the 28th of November 1978, in Sendai in the north of Japan, following an accidental fall from a staircase So ended the creative life of one of the Masters of 20th century architecture His architecture is deeply sensitive to the changes of time, from seasons to history, rooted in a sensuous material imagination and has been widely praised from Tadao Ando to Mario Botta He was Botta's thesis adviser along with Giuseppe Mazzariol -- the latter was the Director of the Fondazione Querini Stampalia when Scarpa completed his renovation and garden for that institution (also published on MIMOA) photo: Dave Brown 1979 MI_MOA Ca'Foscari University, San Sebastiano View route details here:

31 photo: Gareth Hoskins s photo: Gareth Hoskins s A Gathering Space Piazzale della Stazione Santa Lucia Venice 8/100,238/AGatheringSpacehtml In May 2008, Gareth Hoskins s won an anonymous competition to design 'A Gathering Space', Scotland's first ever stand-alone pavilion at the Venice ure 2008 The practice saw off competition from over 50 Scottish practices to win the project which was backed by the Scottish Government and the Lighthouse, Scotland's Centre for ure, Design and the City The 7m high structure consists of a partially cantilevered set of steps that is constructed entirely from locally sourced Scottish larch The form of the structure creates an enclosed area underneath that can hold up to 100 people, and the steps become a gathering space for up to 200 people During the 'A Gathering Space' was situated in a major piazza outside the train station overlooking the Grand Canal, and was used for seminars, organised events and informal gatherings photo: Gareth Hoskins s Contractor General consultant General consultant Lighting designer Gareth Hoskins s Avonhill Timber Frame Ltd David Narro Associates Maxfordham Partnership Speirs & Majors Lighting The Lighthouse Gareth_Hoskins_s 31

32 Palazzo Fondazione Masieri Dorsoduro Venice In 1968 was asked to make a project for the Masieri Foundation It was not until 1973 that the project was approved by the City Council and it forced him to keep the original façade and exterior of the palace facing the Grand Canal The façade is in fact detached from the floors, through spacial cuts The interior was completely renovated and new materials as concrete and steel were introduced After Scarpa's death, which occurred in 1979, the work was completed by some collaborators The Palace was finally inaugurated in 1983 Project is not public! Interior architect Get off at STomà Vaporetto Station After Calle del Vaporetto turn left, cross a bridge and walk for 20 metres 32

33 photo: Mieke Vullings photo: Mieke Vullings San Michele Cemetery Extension San Michele Venice Venice s principal cemetery San Michele is located on an island between Venice and Murano The design redefines some of it's original physical qualities In the 1st phase the current burial grounds are complemented by the construction of a series of new courtyards and a chapel The first courtyard is a prototype and opened to the public in September 2007 It's called the courtyard of the four Evangelists : basalt-clad walls and pavements with inlaid text from the four Evangelists gospels and a black exposed concrete colonnade The second phase is the construction of a new island, parallel to the existing cemetery but separated by a canal It will feature tomb buildings, conceived as simple sculpted blocks, together with a series of gardens at water level Unlike the remainder of San Michele, which is higher above the water line and surrounded by a wall, this new island seeks to create a more open, accessible monument providing a greater sense of place and context within the lagoon photo: David Chipperfield s Floor area/size m² Services engineer Structural engineer Associate architect Services engineer Landscape designer David Chipperfield s ARUP Jane Wernick Associates SSSR Associati Studio Associato Vio Wirtz International Comune di Venezia David_Chipperfield The part of the cemetery by Chipperfield lies on the north-eastern corner At arrival with the ferry (on the western side of the island), cross the island to the east 33

34 photo: Mark Smith photo: Angela Colonna Avogaria Locanda and Restaurant Calle Dell'Avogaria Venice Two brothers from Puglia, architect Francesco Pugliese and his sister, chef Antonella, decided to join their passions and talents to give life to Avogaria ure and cuisine, two seemingly separate disciplines, merge and help each other attain new heights in the refined simplicity of the Avogaria Locanda Avogaria Locanda & Restaurant invites you to taste the delicacies of its cuisine and the excitement of its wine cellar, and to enjoy moments of relaxation and wellbeing in the intimate and elegant architectural space of its rooms, which show the exceptional care given to design and music selection In an instant from this design B&B, you will find yourself in the middle of this classic Venetian gathering place This elegant design Hotel is located on Calle dell Avogaria in Dorsoduro Avogaria Restaurant opened in September 2002, the Locanda in December 2007 photo: Mark Smith 2002 Interior architect Francesco Pugliese MI_MOA You can enjoy breakfast (table service and continental) from 7:30 to 11:00; out bar is open from 07:30 to 23:00 Reception from 07:30 to 23:

35 photo: Ristorante Lineadombra photo: Ristorante Lineadombra Ristorante Lineadombra Sestiere Dorsoduro Venice In one of the most scenic spots of Venice, behind the church of the Salute, just across the Grand Canal from St Marks Square, Lineadombra presents traditional Venetian cuisine fused with creativity and innovation Simple elegant design, with the warmth of wood mingled with white and steel, in an atmosphere that is sleek yet familiar A large floating outdoor terrace, overlooking the Giudecca Canal, offering spectacular views on the most romantic city in the world, awaits you for lunch or dinner in one of the most romantic and intimate areas of Venice The reflecting light of the Redentore church and the magical atmosphere of the Venetian lagoon make Lineadombra truly unique photo: Ristorante Lineadombra Cooperating designer Cooperating designer Archiroom associated architects Dario Scodeller Giorgia Voltan MI_MOA Open everyday Take ACTV vaporetto linea 1 from Piazalla Roma and exit at the salute stop 35

36 photo: Apollo Spiliotis photo: Fondazione Querini Stampalia Querini Stampalia bookshop & café Castello Situated in the redesigned public areas on the ground floor of Palazzo Querini Stampalia Mario Botta set up the bookshop of the Foundation and a cafeteria The bookshop offers first publications on collections and exhibitions of Querini Stampalia You may also find a careful selection of books on contemporary, design and photography Qcoffee, the cafeteria, opens onto a garden, designed by in the late fifties The cafeteria offers each day its catering services to those attending the Library, visit the Museum, participating in various activities of the Foundation or simply want to enjoy a break in an uncommon area One quick snack or a working lunch, a cocktail or dinner thus becomes the occasion for a special experience, a journey between architecture and contemporary tastes photo: Fondazione Querini Stampalia Mario Botta Fondazione Querini Stampalia MI_MOA Museum exhibitions: Tuesday to Saturday 10 / 20; Sunday and holidays 10 / 19; closed Monday Library and Emeroteca: Tuesday to Saturday 10 / 24; Sunday and holidays 10 / 19; closed Monday Bookshop: Tuesday to Saturday 10 / 2015; Sunday and holidays 10 / 1915; closed Monday Cafeteria and Restaurant: Tuesday to Saturday 10 / 2345; Sunday and holidays 10 / 19; closed Monday 36