VENICE.Projects 10. Sculpture Garden for the Venice Biennale. La Giudecca. B - Residential building in La Giudecca. Bridge over Canal Grande

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1 VENICE Projects 10 Created 16-Oct-16 By MARIA MARTINEZ, MEXICO, Mexico Sculpture Garden for the Venice B - Residential building in La Giudecca 3 Venice, Cino Zucchi housing IUAV's main gate - Tolentini Venezuelan Pavilion for the Venice 4 Base for the 'Partigiana' by Augusto Murer 7 Bridge over Canal Grande 8 Spanish Pavilion for the Venice 9 Venice, Javier de Luque pavilion 5 Venice, pavilion La Giudecca Venice, Santiago Calatrava bridge Venice, education, university Venice, Cino Zucchi housing, renovation, urban plan Venice, garden, sculpture 2 Japanese Pavilion for the Venice 10 Venice, Takamasa Yoshizaka pavilion 6 Venice, sculpture Spazio Vedova 11 Venice, Renzo Piano exposition space, gallery, museum 1

2 Sculpture Garden for the Venice Giardini Pubblici Venice In 1952, designed the Sculpture Garden for the Venice within a patio of the Italian Pavilion, originally designed in 1932 by Duilio Torres The little garden plays with light, shadow and water Three heavy elliptical columns support a canopy roof which is shaped as if three circles would have been subtracted from a rectangle The garden has not been in use for many years and only recently it has been completely restored La di Venezia lmattozz Get off at the Giardini boat station and walk towards the entrance 2

3 B - Residential building in La Giudecca Campo della Speranza Venice The B building constitutes the integral reconstruction of a small existing body overlooking the canal The new thin brick slab follows the profile of the pre-existing building through a deflection in plan and height Large double-height loggias overlook the green campiello This project is part of a larger urban plan on the island La Giudecca by Cino Zucchi s (also published on MIMOA) Public access unknown! Floor area/size m² Cino Zucchi Judeca Nova SpA 3

4 photo: Jiat-Hwee Chang photo: Dave Brown IUAV's main gate - Tolentini Santa Croce Venice The Tolentini premises are located near Piazzale Roma and was designed by Vincenzo Scamozzi in the sixteenth century and restored by Daniele Calabi in the early 1960 s The convent is recognised for its particular architectural components: cloister with columned porch, a first floor with cells on three sides, and a meeting hall at the margin of the cloister The second floor contains larger open spaces and a rare example of a 15th century walkway perhaps designed by Scamozzi The convent was closed by Napoleon in 1810 and has since been used for various purposes In 1958 the State Property Office made the building complex available to the IUAV and initiated certain works which were led by civil engineers The restoration work on the complex s interior took place between 1960 and 1965 under the direction of architects Daniele Calabi and Guido Bacci In 1985 the entrance way, acquired by gratuitous transfer in 1979, was transformed according to the project by photo: Jiat-Hwee Chang 1985 Structural engineer Project manager Carlo Maschietto Sergio Los MI_MOA 4

5 photo: seier+seier photo: seier+seier Venezuelan Pavilion for the Venice Giardini Pubblici Venice In 1953 Graziano Gasparini, Venezuelan commissioner for the, asked to design a pavilion for Venezuela In January 1954, the pavilion design is approved and the structure is roughly completed by October, while the XXVII is finishing Only by 1956 the pavilion finishings are completed It is conceived as three volumes sliding against each other The form is simple and realized in rough concrete Venezuelan Government lmattozz Get off at the Giardini boat station and walk towards the entrance 5

6 photo: Paulo Simoes photo: Paulo Simoes Base for the 'Partigiana' by Augusto Murer Viale dei Giardini Pubblici Venice In 1968, Scarpa designed the base for a sculpture by Augusto Murer, representing the 'partigiana' The sculpture represents a woman, lying with her hands tied, and was placed on a platform floating on the water The base is made from concrete with copper plates, and is surrounded by an irregular 'field' of concrete and stone prisms with varying heights photo: Paulo Simoes 1968 Comune di Venezia void 6

7 La Giudecca La Giudecca Venice La Giudecca represents the largest individual island in Venice It is actually made up of eight small islands that are interconnected by a number of bridges In 1995 the City Council has initiated the Giudecca ProjectThe urban layout of the project recognizes the presence of two heterogeneous scales: dense fabric on the North side of the island versus more sparse industrial precincts overlooking the lagoon towards the South The project acts a sort of "microsurgery" in the former industrial area, including both radical transformations by refurbishment or new construction as well as slight modifications of the existing buildings and open spaces The ex-junghans precinct is thus opened up to the city, creating a new outlook toward the extraordinary landscape of the Laguna New paths are opened in the gaps between the industrial buildings, a new canal is excavated, and a new urban square bordered by the existing school garden generates a long and interesting view toward the South Public access unknown! 2002, Urban planner Cino Zucchi Judeca Nova SpA 7

8 photo: Judit Nyíri photo: Jennifer Lohr Bridge over Canal Grande Piazzala Roma Venice Until 1854, when the first Accademia bridge was built, the only place you could cross the Canal Grande was at the Rialto The last major bridge construction was on the Scalzi in 1934 So it was big news, when was decided in the 1990s to give the town a new, fourth crossing The bridge is designed by Spanish architect Santiago Calatrava, and has for now taken his name: Ponte di Calatrava The pedestrian bridge is a long sweeping form of glass and steel accessed by steps In August 2007 the central section of the new bridge was ferried down the Grand Canal It will be finished in the summer of 2008 It has been a controversial project from the start; criticised as an expensive, unnecessary and misplaced vanity project And there are apparently serious issues about its accessibility to the handicapped Calatrava did not want to burden the design aesthetics with unsightly wheelchair ramps The council promised hi-tech lifts, but it's not clear if these have even been designed yet photo: Sara Bernardi Santiago Calatrava Municipality of Venice MI_MOA 8

9 Spanish Pavilion for the Venice Giardini Pubblici Venice Inaugurated in 1922, the Spanish Pavilion for the Venice was originally designed by Javier De Luque and has a remembrance of late XVII-century Castilian baroque The façade consists of columns and typical baroque floral decoration In 1952, architect Joaquin Vaquero Palacios was asked to redesign the façade The new façade is conceived as a canvas of bricks Only two sculptures, representing bears, were to stand on the sides of the entrance Associate architect Javier de Luque Joaquin Vaquero Palacios Spanish Government lmattozz Get off at the Giardini boat station and walk towards the entrance 9

10 Japanese Pavilion for the Venice Giardini Pubblici Venice In 1955, thanks to a donation from Shojiro Ishibashi, director of the Bridgestone Modern Art Gallery in Tokyo, the Japanese government is willing to build a Japanese pavilion at the Venice The architect in charge is Takamasa Yoshizaka, a collaborator of Le Corbusier between 1950 and 1952 The building has much to do with the traditional and the modern in relation to Japanese culture The square plan is supported by four concrete walls and elevated above the ground The building is a massive concrete structure that shows its nervatures Takamasa Yoshizaka Japanese Government lmattozz Get off at the Giardini boat station and walk towards the entrance 10

11 photo: Paulo Simoes Spazio Vedova Sestiere Dorsoduro Venice Renzo Piano designed the conversion of the former studio of Venetian painter Emilio Vedova ( ), located in the former 'Magazzini del Sale', into a space to exhibit his works The proposal is an insert entirely made from brushed larch slats, carefully placed inside the existing space, whose brick walls and roof trusses were left exposed The insert is composed by two walls that mark the entrance and house the service spaces, and an inclined floor raising from the entrance to the back of the warehouse, where a metallic structure stores Vedova's paintings At predetermined hours of the day, ten robotic arms hanging from a rail running along the ceiling make a kind of mechanical choreography, taking the works from the storage structure and placing them on display throughout the space photo: Paulo Simoes Floor area/size m² Renzo Piano Fondazione Emilio e Annabianca Vedova void Wednesday - Sunday: The three series of works by Emilio Vedova will alternate at 1140 / 1310 / 1440 / 1610 & 1740 Vaporetto: Line 1: Accademia or Salute stops Line 2: Accademia stop Lines 51 or 52: Zattere stop 11