Rome.Projects. Santo Volto di Gesu. 13 Rome, Italy. E.U.R. district Rome, Italy Marcello Piacentini urban plan. Street Lab.

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1 Rome Projects 31 Created 15-Mar-16 By marie descamps, liege, Belgium EUR district Rome, Marcello Piacentini urban plan Villa Califfa Ara Pacis Museum Garbatella Jubilee Church Maxxi Il Girasole Termini Train Station 7 Palazzo delle Poste Street Lab 14 AKASAKA Japanese Restaurant 15 La Sapienza University Campus 16 La Rinascente Rome 17 Rome, Franco Albini cafe, commercial space, shop 8 MACRO Museum of Contemporary Art 18 Rome, ODBC museum 9 Come Se 19 Rome, Architetto Angelini gallery 10 Baths of Caracalla 20 Rome, Giuseppe Milani information centre 11 Rome, Angiolo Mazzoni train station Rome, Marcello Piacentini laboratorium, student housing, university Rome, Luigi Moretti apartment, private house 6 Rome, Zaha Hadid s museum 13 Rome, Francesco Schiavello s restaurant Rome, Paolo Portoghesi mosque 5 Rome, Richard Meier church Mosque and Islamic Cultural Center Santo Volto di Gesu Rome, BRRE architects exposition space, skatepark, square Rome, Innocenzo Sabbatini housing, urban plan 4 Rome, Richard Meier museum Rome, Sartogo Architetti Associati church Santa Marinella, Luigi Moretti private house 3 Public Garden in Piazza Vittorio Emanuele 21 Rome, Giuseppe Milani park, square 12 Rome, Adalberto Libera office Ponte della Musica 22 Rome, Powell-Williams s bridge 1

2 Church San Pio da Pietralcina Rome, Studio di Architettura Anselmi & Associati church Stazione Tiburtina Sensory Garden at Parco delle Rupicole Cafe Canova Federico Caffe Progetto Danza di Daniela Parisi 30 Olgiata Shopping Plaza 31 Rome, LAD - Laboratorio di Architettura e Design shopping centre 26 Olgiata 2012 Sporting Club 32 Rome, LAD - Laboratorio di Architettura e Design sport 27 Rome, Spsk: Studio di Architettura e Ingegneria university Davide Cenci Junior Store Panteón de los Españoles Foggia, Corfone & Partners sport Rome, T-studio cafe, restaurant 24 Rome, mtstudio garden Rome, Javier Carvajal Ferrer cemetery, monument Rome, ABDR train station 23 Delhaize - Quai de Rome 33 Liège, Belgium MDW ure commercial space 28 Rome, Alvisi Kirimoto + Partners shop 2

3 photo: Raban Haaijk photo: Raban Haaijk EUR district Viale della civiltà del lavoro Rome The Esposizione Universale Roma (EUR, originally called EUR42) is a large complex, now a suburban area and business centre, started in 1935 by Benito Mussolini and planned to open in 1942 to celebrate twenty years of Fascism In urban planning terms, EUR42 was designed to direct the expansion of Rome towards the south-west, connecting it to the sea The planned exhibition never took place due to 's defeat in World War II EUR offers a large-scale image of how urban might have looked, if the Fascist regime had not fallen; wide axially planned streets and austere buildings, inspired by ancient Roman architecture, or Rationalism, modern architecture but built using traditional limestone, tufa and marble 1942 Main designer, Urban planner Urban planner Marcello Piacentini Maarten_Scheurwater Giuseppe Pagano Benito Mussolini Metro B (blue line): termini Magliana/EUR marconi and EUR fermi 3

4 Villa Califfa Lungomare Guglielmo Marconi Santa Marinella Italian architect Luigi Moretti lived and worked in Rome where he built several houses, apartment buildings and urban plans After his graduation in 1930 he advanced rapidly through the Fascist connections he had, designing a gymnasium for Mussolini and a competition entry for the Ministry of External Affairs in the EUR district In his early work he combined rationalism with the monumental architecture of Imperial Rome After World War II he also worked in Milan, and departed form his rigid rectilinear buildings and began to experiment with more organic, curved forms in reinforced concrete It is during this period that he develops such characteristic design elements as his concave cantilevered entry roofs and steam lined string courses, and rhythmic, undulating swells of concrete, one on top of the other This sculptural, free-standing, almost dancing villa is a great example of the later work of this influential Italian Modernist Project is not public! Floor area/size m² Luigi Moretti Private Maarten_Scheurwater form termini station take the train in direction CIVITAVECCHIA and get off at train station SANTA MARINELLA From there walk for 25 kilometer to Lungomare Guglielmo Marconi

5 Ara Pacis Museum Lungotevere in Augusta Rome The Ara Pacis Museum, located along the Tiber River, near the Ponte Cavour, on the western edge of the Piazza Augusto Imperatore, is an integral part of the urban context of the Augustean Area It is designed to house the ancient relic, the Ara Pacis Augustae, a sacrificial altar dating to 9 BC, originally housed in a building designed by Vittorio Ballio Morpurgo in 1938 The only surviving part of the Morpurgo structure is a low travertine wall that Mussolini had engraved with the "Res Gestae" (the Acts of the Divine Augustus) The new design protects and enhances the relic The travertine comes from the same quarry as the stone that was used to build the Piazza of the Emperor Augustus in the Thirties; it was also, more recently, used by Richard Meier for the Getty Centre in Los Angeles and other important architectural works 2006 Richard Meier City of Rome Maarten_Scheurwater Tuesday-Sunday 900am-700pm; 24th and 31st December 900am-200pm (the ticket office closes an hour in advance) Monday, 1st January, 1st May and 25th December From Termini: METRO LINE A to BATTISTINI for 4 stops Get off at Flaminio Walk about 850 m down Via di Ripetta From Rome Ostiense station: Go to OSTIENSE/MATTEUCCI stop Take no 716 bus (marked for TEATRO MARCELLO) for 7 stops Get off at PETROSELLI Take no 628 bus (marked MARESCIALLO GIARDINO) for 9 stops Get off at LGT AUGUSTA/ARA PACIS On foot from Piazza di Spagna: Follow Via dei Condotti to its end, about 700 m Then continue down Via Tomacelli until you reach bank of Tiber 5

6 Garbatella Via Carlo Randaccio Rome On February 1920 the first stone was laid of this new neighbourhood King Vittorio Emmanuele III had planned a new harbour that would link the city of Rome with the coastal town of Ostia The hills in between were developed and these new houses were built for men working in the harbour The architecture of the quarter initially was modeled to the English Garden Cities, very connected and near the city The English Garden model was used to help the workers adjust to the new way of living in the city La Garbatella was developed by blocks (Italian Lotto) which were designed by different architects over a period of approximately twenty years: this produced a great variety of styles and decorations, with many details reminding the viewer of medieval, Renaissance or Baroque patterns The inhabitants did not find the alien landscape of so many modern urban developments, but the familiar mixture of styles existing in so many streets of Rome and they easily felt at home in their new houses 1922 Innocenzo Sabbatini City of Rome Maarten_Scheurwater Subway to Garbatella 6

7 photo: Eelkje Meindertsma Jubilee Church Via Francesco Tovaglieri Rome The Parisch Church of Dio Padre Misericordioso built as part of the Vicarage project 50 Churches for Rome 2000 was designed as a mark and symbol of the Grand Jubilee of 2000 it takes on the idea of a ship, a ship which ploughs the seas of the Third millennium The Jubilee Church has been conceived as a new center for a somewhat isolated housing quarter in the Tor Tre Teste area, located outside central Rome The three shells discretely imply the Holy Trinity, the reflecting pool symbolizes water in the ritual of Baptism 2003 Richard Meier City of Rome Maarten_Scheurwater morning 7:30 12:30 afternoon 15:30 19:30 Bus 105 (STAZNE GROTTE CELONI)for 24 stops, get out at CASILINA/TOBAGI Walk for another 100 m to the busstop TOBAGI, to take bus number 556 (GARDENIE) for another 12 stops, get out at the stop TOVAGLIERI / ERMOLI 7

8 Mosque and Islamic Cultural Center Via della Moschea Rome The Mosque and Islamic Cultural Center is intended to serve the growing number of Muslims that have moved to Rome The mosque is the only one in Rome and the complex is considered one of the major monuments built in the city in the past few decades It has become well known outside Rome and as a result of the considerable coverage it has received in a number of international publications Rome, traditionally the centre of Roman Catholicism, accommodates people of many faiths and denominations Paolo Portoghesi King Faisal of Saudi Ariabia Maarten_Scheurwater Wednesday and Saturday: 9:30 11:30 From termini station take busline 910 (MANCINI) for 14 stops, get off at stop STAZIONE EUCLIDE, walk 50 metres to busstop SACRO CUORE DI MARIA/EUCLIDE, take busline 230 (MOSCHEA/FORTE ANTENNE) for 1 stop Get off at stop MOSCHEA/FORTE ANTENNE 8

9 photo: Raban Haaijk photo: Raban Haaijk Maxxi Via Guido Reni Rome The MAXXI_National Museum of the XXI Century Arts is a new institution of the Ministry for Cultural Heritage and Activities of In 1998 the ministry advertised the international call for tenders and among the 273 candidacies the winning project of Zaha Hadid convinced the jury because of its possibilities to integrate with the urban texture and the innovative and highly creative architectonical solution The complexity of shapes, their sinuous outline, the variation and interlacing of dimensions, determine a spatial and functional plot of great complexity The two museums - MAXXI art and MAXXI architecture revolve around the full-height grand hall, from where the reception services, the cafeteria, the bookshop, the didactic laboratories, the auditorium, the live event halls, the galleries dedicated to temporary exhibitions and the collections of graphics and photography are accessed 2008 Zaha Hadid s Ministero per i Beni e le Attività culturali Maarten_Scheurwater photo: Raban Haaijk Tuesday Sunday closed Monday From termini starion, take busline 910 (MANCINI) for 18 fermate, get of at stop FLAMINIA/RENI walk 250 metres to via guido reni 6 9

10 Il Girasole Viale Brunno Buozzi Rome Nicknamed the sunflower, probably derived from the plan organization and the petal-like extensions which open -sunflower-like- to one side of the building, 2 large apartments per floor, spread outward from an interior courtyard The street façade is remarkable as an abstract surface turned, like a sunflower, to face the south sun The façade contains contradictory illusions The vertical cleft which reveals the depth of the courtyard within, with right and left sides misaligned at the top, would seem to invite the absolution of planer surface but does just the opposite Built in a district of apartment blocks, it had to respond to the same zoning limitations Moretti's reputation was established by 1936 when, at the age of 29, he designed the fencing hall at Mussolini's heroic new sports centre for Rome, the Foro Italico, an exercise in rationalist design during the Fascist period Later work reveal an architect preoccupied with "organic" building forms and ideas Project is not public! 1950 Luigi Moretti Private Maarten_Scheurwater From Termini: bus line 910 (MANCINI) to 12 fermate, get out at ANTONELLI/MERCALLI, walk 350 m to viale bruno buozzi, number

11 photo: Naomi Schiphorst Termini Train Station Piazza dei Cinquecento Rome The actual structure of the train Termini Station in Rome was inaugurated in the occasion of the Saint year of 1950 and constitutes the old edifice in wood of 1867 projected by Salvatore Bianchi The works concerned the area on the hill of Esquilino, close to the Terms of Diocleziano and from which probably the train station takes its name The firm of the projects of the years '30 is due to the architect Angelo Mazzoni, while the actual complex was defined after the war on the design of the architects Montuori and Vitellozzi The resulting structure of the train Termini Station is one of the most significant buildings of modern Rome, essentially characterized by the contrast between the long rectilinear prospective of the edifices recovered of travertine and the curved form of the frontal gable board 1950 Main designer, Angiolo Mazzoni Montuori Vitellozzi City of Rome Maarten_Scheurwater 24/7 Take the train, you'll probably wont miss it! 11

12 Palazzo delle Poste Via Marmorata Rome The Post Office on Via Marmorata in Rome is designed by Libera, an extremely able and talented creative architect more influenced by Futurism than Rationalism His activity as founder and secretary of MIAR enabled him to establish a close working relationship with the high-up officials of the Fascist regime in Rome, where all the big decisions were taken about funding public construction programmes, and who were responsible for commissioning the hundreds of new public buildings required for Mussolini's modernisation programmes Thanks to these connections he had a prolific career throughout the Fascist regime and designed many notable buildings during the 1930s, some of which are masterpieces of the international modern movement One of the most important is his Palazzo dei Congressi (Palace of Congress) at the EUR in Rome This building shows Libera's great ability to design ambiguously in a spare, metaphysical language that sits on a knife-edge between modernism and neo-classicism 1932 Adalberto Libera City of Rome Maarten_Scheurwater 12

13 photo: Andrea Jemolo photo: Andrea Jemolo Santo Volto di Gesu Via della Magliana Rome How to reconcile a vision of the divine, something that has generally been represented using the symbolic forms of the circle, sphere and central plan, with the requirements of a modern culture that tends to avoid the ideals of wholeness, perfection and hierarchy? Sartogo Architetti intelligently resolved this problem in Rome The first step entailed designing a semi-circular church hall and adding to this solid the void of an exterior apse, also semi-circular in form, so that the two forms complete one another The second step consisted of placing a large round window, reminiscent of medieval rose windows, in the perimeter wall This is coupled with the emerging form of a semi-dome, containing a parish centre, suggesting the possible transformation of the virtual circumference of the plan into a sphere The path that separates the church from the parish centre is a highly symbolic space and converges towards a focal point that is dominated by a narrow and elongated cross photo: Andrea Jemolo 2006 Artist Sartogo Architetti Associati Eliseo Mattiacci (Cross) Vicariato Opera Romana per la Preservazione della Fede e la Provvista di Nuove Chiese in Roma Luigi_Prestinenza 13

14 photo: Jherry Max photo: Jherry Max Street Lab Piazza dei Cinquecento Rome The installation aims to create a space for the 'urban performance art' such as mural painting, skating and hip hop culture in general, where two activities can interact: the 'actor' of the performance and the 'viewer and user' of it, in an attempt to undo time and space barriers between 'work' implementation and its fruition The final idea is therefore a kind of 'square for graffiti' in which brutal elements of design furnishing (such as containers, 'Innocenti' pylons) deliberately collide and interact with the background objects (Serviane Walls, the roof of Termini railway station, subway stairs, etc) This forms a defined, fluid but visually open space The space could be contemporarily experienced by artists and spectators inside but also, for subsequent views, from the outside, without a clear division into functional areas, but creating instead a sort of urban, controlled chaos photo: Jherry Max , Interior architect, Landscape architect, Urban planner BRRE architects BRRE_architects Grandi Stazioni 14

15 photo: Davide Coluzzi photo: Davide Coluzzi AKASAKA Japanese Restaurant Via Gulglielmo Ciamarra Rome The site for this Japanese restaurant is located in one of the new districts in Rome, full of government offices and apartments The atmosphere of the area is quite calm and a grey tone is the urban context The existing spaces of the restaurant were composed of three halls and one room Visually, two halls communicated well with each other but the other hall and room were quite isolated by a wall The aim of the proposal was to give a different spatial character to each area under one design concept, instead of being generalized The restaurant combines nature with people; moon, clouds, stars, wind, trees and people Besides this, by using an oriental colour scheme and patterns, the proposal aimed to bring an oriental atmosphere in a western urban context The wall is composed of 620 wooden cubes Each cube has a different distance from the wall, generating a fluid wall system photo: Davide Coluzzi Floor area/size m² Francesco Schiavello s Schiavello_s 15

16 photo: Evan Chakroff photo: Evan Chakroff La Sapienza University Campus Sapienza University of Rome Rome Piacentini was appointed by Mussolini to design the masterplan for what is now known as 'La Sapienza' (Università di Roma) campus He designed the main building, but many young Italian architects of the day contributed to the scheme: Arnaldo Foschini (Monumental Entrance), Pietro Aschieri (Faculty of Chemistry), Giuseppe Pagano (Institute of Physics), Giuseppe Capponi (Botany & Pharmacology), Gaetano Rapisardi (Faculty of Law), Gio Ponti (Institute of Mathematics) and Giovanni Michelucci (Mineralogy & Geology) The masterplan was intended to include "very Roman" buildings in brick and travertine, but the young designers used these materials primarily as cladding on buildings constructed using the latest building technologies and stripped of ornament in a Roman interpretation of international Modernism The complex stands in contrast to the EUR district of several years later, as it represents Fascist modernism yet still retains a human sense of scale photo: Evan Chakroff 1935, Urban planner Associate architect Associate architect Associate architect Associate architect Marcello Piacentini Arnaldo Foschini Gaetano Rapisardi Gio Ponti Giovanni Michelucci evanc La Sapienza is within a 20 minute walk of Termini Station From Termini, head south-west on Via Marsala (which runs along the north side of the tracks) Turn left on Via Castro Pretorio, follow this as it turns into Viale dell'universita Turn right on Viale della Scienza The main entrance will be on your left 16

17 photo: Evan Chakroff photo: Evan Chakroff La Rinascente Rome Piazza Fiume Rome Albini's work had always dealt with history and tradition but here he used varied historical references in concert to produce something contemporary Perhaps taking the meaning of 'La Rinascente' - 'the rebirth' - too literally, his design maintains the basic massing of the 1887 Rinascente building on Via Del Corso and transmutes the geometry of its cornice profiles into steel The expressed steel frame structure is complemented by red masonry infill panels whose material mirrors the immediate context However, these are not simply flat infill panels; they are folded, and the subtle geometry suggests engaged columns: a Renaissance façade redone with contemporary technology photo: Evan Chakroff 1961 Main designer, Franco Albini Franca Helg La Rinascente evanc 17

18 photo: FD photo: FD MACRO Museum of Contemporary Art Via Reggio Emilia Rome The Museum of Contemporary Art of Rome (MACRO) is a municipal art museum located in the north-east of Rome,, on Via Reggio Emilia The project began in the late 1990s over the site old factories Peroni After an initial phase of restructuring of the site which allowed the opening of six rooms in September 1999, the museum was officially opened October 11, 2002 Since 2003 the museum also have an annex entitled MACRO Future and composed of two refurbished flats of 1000 m2 each, in the former slaughterhouse of Rome, located in the neighborhood Testaccio Since July 2004, an extension is being built in order to present all of the permanent collection These arrangements have been entrusted to the French architect Odile Decq The extension consists of an exhibition space and a roof terrace, connected with the old museum through a fluid and continuous route Floor area/size m² ODBC MACRO haaijk photo: Raban Haaijk Tuesday-Sunday 900am-700pm; 24th and 31th December 900am-200pm (the ticket office closes half an hour in advance) Walk from Metro Castro Pretorio 18

19 photo: Nitro Saggio Come Se Via dei Bruzi Rome The gallery of architecture 'Come Se' in Rome, is in the neighbourhood of San Lorenzo The gallery occupies a space about ten meters wide and twenty-five meters long It's characterized by a central core which contains the service and storage and dividing the space in two zones One is the exhibition space, and the other contains service and kitchen The architectural concept tries to materialize the different circulation flows through a very fluid plan The expressive search is moving in continuity with the organization of the plant and the interior conveys a strong plastic effect The spaces, volumes, walls and all the architectural elements appear to be excavated by a stream that liquify the environment The base colour is white that recalls the conformation of the pole The service areas are designed with warm and vivid colours photo: Nitro Saggio Floor area/size m² Main designer, Architetto Angelini nitrosaggio Gallery Come Se AntoninoSaggio Metro: Piazza Vittorio (line A) Tram: Porta Maggiore (line 3) 19

20 photo: Milani Guiseppi photo: Milani Guiseppi Baths of Caracalla Via delle Terme di Caracalla Rome Two existing basement artifacts in the area of the Baths of Caracalla have been completely restored, masked and reused as a coffee bar and information office The new artefacts want to carry on a soft dialogue with the landscape and the huge Roman ruins, without competing but borrowing some of their features: the geometry from the softly rolling land and the colours and texture of the Ruins photo: Milani Guiseppi Giuseppe Milani EXGRAU Tue-Sun: h Mon: h 20

21 photo: Milani Guiseppe photo: Milani Guiseppe Public Garden in Piazza Vittorio Emanuele Piazza Vittorio Emanuele Rome The project has returned a new life to an untended garden located in one of the largest squares of the historical district of Rome The area shows a palimpsest of historical layers: fountains and aqueducts from Imperial City, the Renaissance urban plan by Pope Sixtus V, Baroque villas and gardens A regular urban development after 1870 including some modern technical plants of the Rome Subway The new design tends to celebrate and ideally connect all the historical fragments A set of streams and new fountains keep memory of the lost aqueducts The technical plants in the central area have been masked by some forms recalling elements of the Renaissance Italian Garden, such as a 'Green Theatre', the 'Stone Tree', a ramp and a 'Belvedere' They stand on a paved semicircular place like metaphysical pieces of scenery, on a stage which wants to be inhabited by people photo: Milani Guiseppe Floor area/size m² Giuseppe Milani Comune di Roma EXGRAU 5 minutes walk from Termini train Station 21

22 photo: Fabio quici photo: Fabio Quici Ponte della Musica Piazza Gentile da Fabriano Rome The 'Music Bridge' named due to its vicinity with the prestigious Parco della Musica Auditorium by Renzo Piano is a key part of the Rome city plan which involves the development of a new east-west axis along the Via Guido Reni on the east bank of the Tiber It connects the various cultural and sporting facilities of the Flaminio district with the Olympic stadium and other sports facilities on the west bank in Monte Mario photo: Fabio Quici 2011 Technical engineer Structural engineer Structural engineer Powell-Williams s Buro Happold Carlo Lotti & Associati Mario Petrangeli Associati Comune di Roma FABIO_Q 22

23 photo: Fabio Quici photo: Fabio Quici Church San Pio da Pietralcina Via Giorgio de Lullo Rome The plan is on a square, but the spectacular elevation of the frontage is formed from three parabolic arches of different sizes in one broad white concrete strip forming the roof line, with the centre of the strip recessed Two arches form the left hand side of the façade, the middle one having a vertical axis and being the highest, and the left hand one having its axis tilted to the left and being half the height The right hand side of the façade is a low sweeping arch with its axis tilted to the right The infill is white walling either side of the entrance under the low arch, and horizontal tessellated rectangular windows interspersed with white panels within the curves of the arches The curve of the roof gathers up the three arches at the front, and merges them into one low arch at the sanctuary end The façade here has a white panel completely surrounded by tessellated rectangular windows in clear glass photo: Fabio Quici 2010 Studio di Architettura Anselmi & Associati Giovanna De Sanctis Ricciardone Mauro Angeletti Opera Romana per la Preservazione della Fede e la Provvista di Nuove Chiese in Roma, SE Monsignor Ernesto Mandara Artist Services engineer FABIO_Q 23

24 photo: Antonino Saggio photo: Antonino Saggio Stazione Tiburtina Piazzale della Stazione Tiburtina Rome Roma Tiburtina is the second largest railway station in Rome, after Roma Termini Located in the north-eastern part of the city, it is being redeveloped as a hub for the Italian high speed rail services instead of Termini, which is a terminal station Outstanding new example in Rome of a large scale project The bridge-like railway station organization solves many issues The building presents itself with a story cantilever to the city and its long span organization creates several spatial surprises The new station is expected to reach a daily ridership of over 450,000 by 2015 It is served by 140 high speed trains and 290 regional trains every day photo: Antonino Saggio Floor area/size m² ABDR AntoninoSaggio 6 am 12 pm take subway line B Exit Stazione Tiburtina 24

25 photo: mtstudio photo: mtstudio Sensory Garden at Parco delle Rupicole Via delle Rupicole Rome photo: mtstudio Rupicole Park is located in the east part of Rome, close to the GRA The district has one of the highest percentages of residents with physical, sensory or psychic disabilities The decision to locate the "sensory garden" in this position is the result of the consideration that on the border, with direct access to the garden, stands a housing community for persons with disabilities The goal is to create a space for all residents of the neighborhood, where they can be carried out in play, socialization, job placement and rehabilitation, such as: training of gardening for people with various disabilities; laboratories in the green areas for children, teens and adults with disabilities; ortotheraphy and aromatherapy practice; job placement in the management and arrangement of the garden by guests of the community housing; integration among the guests of the housing community, residents of the neighbourhood (children, adults and elderly) and institutions in that area Floor area/size m² Landscape designer mtstudio Prof Antonella Canini Rome Municipality mtstudio Every day from 9:00 am to 18:00 h By car, by train line Roma - Giardinetti stop Walter Tobagi 25

26 photo: T-studio photo: T-studio Cafe Canova Piazza del Popolo Rome The reconstruction of the "Canova cafe" placed on one of the most famous place in Roma "Piazza del Popolo" It involved renovating the inner spaces, as well as the service area and the garden to make the place more comfortable and inviting Because of the historical context the project joins together contemporary interior with the history of the place Four different theme have been used The entrance, such a representative area, with the long counter, welcomes the guests Next to the bar, the so called?giardino segreto? (secret garden) shows itself as an illuminated box, made of glass Along this box, a green area which gives name to the place The third theme is dedicated to Federico Fellini, who daily visited the Canova bar the corridor to go to "Fellini hall" is made of illuminated bands and niches The last theme involves the service areas with bathroom and kitchen A warm light, placed over the guest tables and indirect light to give character to the space are involved Floor area/size m² T-studio ARBA srl T-studio photo: T-studio 8:00-00:

27 photo: Carola Clemente photo: Carlo Peiser Federico Caffe Via Silvio D'Amico Rome The building plan is a projection of the three functions that will assume: didactic, research and general management It is composed by three joined constructions: The classrooms and library building; the laboratory, workshops and studios building connected to the general management The space and morphologic articulation of the complex reflects the functional articulation of the activities hosted inside This was planned to help spatial recognition and, as well, to put emphasis on the functions The three buildings are formally self dependant, but in a clearly interlocked manner, tough keeping their own identities The urban fitting of the new university complex is a chance to create a new space acting as a reconnection element between urban systems and architectural modules, nowadays split Toward this goes the ability for neighbour citizens to access spaces properly built by the university administration: the cafeteria, the parking and many other public areas inside the complex Floor area/size m² Contractor Spsk: Studio di Architettura e Ingegneria Astaldi Spa Università di Roma Tre clementeca photo: Carlo Peiser 8:00 am - 8:00 pm metro B, Basilica di SPaolo 27

28 photo: Anna Galante Fotografia photo: Anna Galante Fotografia Davide Cenci Junior Store Piazza Campo Marzio Rome After twenty years, in the centre of Rome, the children's department of the historic clothing brand Davide Cenci has reopened The project by Alvisi Kirimoto + Partners combines minimalist forms with ancient Roman capitals and columns to host, in a very playful environment, a children's clothing store Since 1926, Davide Cenci has been a leading reference for clothing in Rome, A branch for children reopens separately from the main store on via Campo Marzio The new store Davide Cenci Junior, designed by the architecture studio of Alvisi Kirimoto + Partners, is located in the square where once in ancient times the Temple of Mars used to stand In homage to the past, a lone Ionic column remains at the entrance, whilst within the store are scattered a series of ruins The past and the future find true symbiosis in a unique design intended to engage a child's imagination Alvisi Kirimoto + Partners Davide Cenci e figli srl AKD photo: Anna Galante Fotografia 28

29 photo: Jose V Vallejo photo: Jose V Vallejo Panteón de los Españoles Cimitero del Verano Rome The "Panteón de los Españoles" in Rome is a little gem of twentieth century architecture forgotten and hard to find among the cypresses of the Verano monumental cemetery It was designed by Javier Carvajal and Jose M Garcia de Paredes, two pensioners at the Academy of Spain in Rome It is a three-dimensional enclosure defined by the slab of travertine (which welcomes buried there), a plan of concrete and black steel grate At this moment it incorporates the work of sculptors with the relief of Garcia Donaire on the concrete wall It so happens that since September 2013, the remains of Javier Carvajal, one of the architects, are buried here photo: Jose V Vallejo Floor area/size m² Main designer, Javier Carvajal Ferrer José María García de Paredes Obra Pia JVVallejo 29

30 photo: Cesare Corfone photo: Cesare Corfone Progetto Danza di Daniela Parisi Via Iorio Tenente Foggia Daniela Parisi is a ballet dancer and master and the challenge that is throwing gives testimony of her renovated sense of belonging to Foggia, civitas et urbe: it s necessary to restart from the functional requalification of an existing building to generate a public space with a high cultural value, a meeting place for all the citizens The public activities will be, for instance, the booksharing and the projection of artistic video The experiences done by Daniela, thanks to the intense training from the Accademia Nazionale di Danza in Rome to important ballet schools in NewYork, these are the fundamental assumptions to her purpose about to join tradition and innovation through an artistic, dynamic and experimental teaching The school is rising inside one of the last tradicional productive building still standing in Foggia s city centre, which unveils to the community a little court wrapped into the traditional urban street network in between Corso Giannone e Corso Roma photo: Cesare Corfone Corfone & Partners Daniela Parisi Corfone_Partners 30

31 photo: LAD - Laboratorio di Architettura e Design photo: LAD - Laboratorio di Architettura e Design Olgiata Shopping Plaza Via Cassia SR Rome One of the issues that is representative in nowadays society is the consumption and free time that is spent between shop windows Exactly these places become points of exchange and sociability This project reflects the principles of the consequences that these structures entail in the (sub)urban context The forms that did not try to mimic the organic but, on the contrary, returned a new image which was at the same time recognisable, gave life to the surface of the building The artificialisation of this truncated pyramid that makes the new offers as a controlled apparition and dialectic synthesis between architecture and the environment, also understood as historical continuum The coverage in titanium-zinc houses the places for exchange and local trade In etymology, this intervention can be associated with aerodynamics, compact and essential, which contributed to the birth of a nickname for the building, Stealth, as the American destroyer photo: LAD - Laboratorio di Architettura e Design Floor area/size m² LAD - Laboratorio di Architettura e Design Olgiata Verde IAIDesignAward 31

32 photo: LAD - Laboratorio di Architettura e Design photo: LAD - Laboratorio di Architettura e Design Olgiata 2012 Sporting Club Via Guido Cantini Rome The Olgiata Sporting Club is located inside the woods of a garden city at the border of Rome, The building is made up of three different pavilions connected to each other The central one is the administrative center and contains the entrance, where the main staircase and the connections are Through it the visitor can access the locker rooms at the lower level and then the two pavilions The south pavilion contains gyms, the North pavilion contains swimming pools The paths to reach the different areas are strictly separated The outdoor space accomodates football fields, tennis courts and a beach-volley court The boomerang shaped beams are made up of glulam, designed and produced by Holzbau in The roof is in zink-titanium, produced by Rheinzink photo: LAD - Laboratorio di Architettura e Design Floor area/size m² LAD - Laboratorio di Architettura e Design Olgiata Verde IAIDesignAward 32

33 photo: Séverin Malaud photo: Séverin Malaud Delhaize - Quai de Rome Rue de Fragnee Liège Belgium Programmes of this type are notorious for producing mundane buildings - devoid of interest at best, and often outright urbicide The vision of MDW goes beyond the mere cosmetic upgrade of the decorated shed, asking: How can the designers of a supermarket quietly succeed in weaving part of the urban fabric? Situated in the middle of an elongated 180m long and largely paved city block, the project aims to improve the quality and permeability of the site, both for users of the building and for residents of the area In order to create a new public pedestrian crossing which splits the block, the existing building - which was due for demolition - is relocated to the edge of the plot The new building helps to upscale a difficult zone, enclosed between high party walls photo: Séverin Malaud Floor area/size m² Delhaize Group MDW_ARCHITECTURE 33