Space MODEL. Model as Experience S15 ARCH306

Transcription

1 Space MODEL Model as Experience S15 ARCH306

2 ARCH 306 competition 2015

3 MODEL AS Process Concept Experience

4 A SECTION (MODEL) REVEALS EXPERIENCE THROUGH materiality assembly space

5

6 a model you can get into

7 Jean Nouvel Abu Dhabi Louvre Museum

8 OMA Marina Abramovic Institute

9

10

11 Garnier Opera Model

12 MODEL AS Process Concept Experience

13 Model as Experience S15 ARCH306

14 TARTARE LAB Model as Process

15

16 ROZ BARR New Church

17 ROZ BARR New Church

18 ROZ BARR New Church

19 ROZ BARR New Church

20 AS+GG Kellogg School of Management Competition

21

22

23

24

25

26 AS+GG Qintai Corporate Headquarters

27 AS+GG Qintai Corporate Headquarters

28

29

30

31

32

33 AS+GG Qintai Corporate Headquarters

34

35

36

37

38

39

40

41 Cuts & Views

42 In cuts (sections) the drawing plane slices through the object.

43 REVEALING EXPERIENCE THROUGH materiality, assembly, space Model

44 where to cut?

45

46 PATKAU ARCHITECTS Cottages at Fallingwater

47 ROB POTISH Student Uof W-Studio Project

48

49

50

51 PATKAU ARCHITECTS Newton Library

52 MARK SCOGIN MERRILL ELAM Architects House Above the Bug Line

53 MODEL AS Process Concept Experience

54 a modelling language can reinforce concept

55 OMA Jussieu Library Competition

56 LE CORBUSIER Dom-ino House

57 DS+R/ FIELD OPERATIONS The High Line

58

59

60 ATELIER PIERRE THIBAULT Ubi-Soft

61 ATELIER PIERRE THIBAULT Ubi-Soft

62 ATELIER PIERRE THIBAULT Ubi-Soft

63 MODEL AS Process Concept Experience

64 A SECTION (MODEL) REVEALS EXPERIENCE THROUGH materiality assembly space

65 A SECTION (MODEL) REVEALS EXPERIENCE THROUGH materiality assembly space

66 ATELIER PIERRE THIBAULT Ubi-Soft

67

68 OMA Exhibition Hall, Kuwait

69

70 MORPHOSIS Chiba Golf Club

71 A SECTION (MODEL) REVEALS EXPERIENCE THROUGH materiality assembly space

72

73 ROB POTISH Student Uof W-Studio Project

74 RENZO PIANO Modern Wing at the Art Institute of Chicago

75 A SECTION (MODEL) REVEALS EXPERIENCE THROUGH materiality assembly space

76 RENZO PIANO Modern Wing at the Art Institute of Chicago

77 'No space, architecturally, is a space unless it has natural light.' Silence to Light Light to Silence The threshold of their crossing is the Singularity is Inspiration (Where the desire to express meets the possible) is the Sanctuary of Art is the Treasury of the Shadows (Material casts shadows shadows belong to light) Louis Kahn

78 LOUIS KAHN Exeter Library Yale

79

80 TADAO ANDO Church of Light

81

82

83

84

85

86 ARCH 306 competition

87

88

89

90

91

92

93

94

95

96

97

98

99

100

101

102

103

104

105

106

107

108

109 ARCH 306 competition 2015

110 S15_IDEAhaus_4b_Embodiment COMPETITION (space models) overview: If plans and sections support the development of a design logic and regulating systems for your IDEAhaus in two dimensions, then models allow you to further understand and develop the experiential effect of these systems in three dimensions. Building a large scale section and spatial model of your IDEAhaus will expand your exploration of how various systems can work, in concert, to shape experience (i.e. spatial sequences, apertures, structures, envelopes, circulation, material qualities, natural and artificial illumination). You might explore a singular and unified composition, or the building could have various experiential states in response to shifting conditions, like: changes in activity, environment, season, metropolitan context, daylight. The review for the large scale spatial models will be in the form of a DESIGN COMPETITION, to be held in Crown Hall, and judged by a panel of guest jurors and by yourselves. Further details regarding the design competition to follow.

111 objectives: - understand the ways that space activates and engages your senses; - improve your skills of narratively describing space and experience and criteria; - further develop modeling skills and craft; - explore the strengths of designing 3-dimensionally in section; - continue working iteratively between physical and digital in your process; - experience a competitive project working environment; - accelerate your project development. process: Using the agendas, plans, sections and models developed over the past weeks, choose a portion of your IDEAhaus to demonstrate the spatial experiences of the building. Models MUST be between ¼ =1-0 and ½ = 1-0 (with abias towards the larger) and should represent a plus or minus 5000sf portion of your design. The model MUST be able to fit within a volume of 42 W x 30 D x 48 tall. The model should be both sectional and spatial, and should capture both interior space, exterior enclosure and the site. criteria/questions: - Does the experience of your building contribute to its agency? - Does your model capture the primary design logic or concepts for your project? - Does your design and modeling language embody your concepts and criteria for the design of your building? - How might a detail be the genesis for discovering an overall concept or strategy for developing the rest of the building deliverables: Design Competition / Friday April / Upper Core Craft a high-quality physical sectional and spatial model using the parameters provided above to convey the essential and compelling nature of your project. NOTE: The singular means of presentation suggest that you should exhibit your very highest levels of craft and care.