10 december design 2015

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1 10 december design 2015

2 WRIGHT20.COM 980 Madison Ave New York NY w hubbard st chicago il December noon cst Chicago design chicago preview 3 10 December 10 AM 4 PM, SUNDAY BY APPOINTMENT

3 100 Serge Mouille Cocotte table lamp France, 1957 Ateliers Serge Mouille enameled steel, enameled aluminum, brass 15.5 w 8 d 11.5 h inches $8,000 12,000 LITERATURE: Serge Mouille: A French Classic, Pralus, ppg. 66, 206 PROVENANCE: Galerie Patrick Seguin, Paris Private collection, New York 101 Jean Prouvé Compass desk France, 1953 Ateliers Jean Prouvé enameled steel, oak, aluminum 63 w 27.5 d 28.5 h inches $15,000 20,000 LITERATURE: Jean Prouvé, Complete Works Volume 3: , Sulzer, ppg Jean Prouvé, Galerie Patrick Seguin and Sonnabend Gallery, ppg. 331, illustrate variations

4 102 Serge Mouille Suspension a Trois Bras Pivotants France, 1958 Ateliers Serge Mouille enameled aluminum, enameled steel, brass 90 dia 22.5 h inches $30,000 50,000 LITERATURE: Serge Mouille: A French Classic, Pralus, ppg. 66, Jean Prouve/Serge Mouille, Delorenzo and Concourd, pg. 111 PROVENANCE: Galerie Patrick Seguin, Paris Private collection, New York

5 103 Jean Prouvé Dactylo desk France, 1946 Ateliers Jean Prouvé oak, enameled steel 48.5 w 24.5 d 27.5 h inches $15,000 20,000 LITERATURE: Jean Prouvé Complete Works Volume 3: , Sulzer, pg. 60 Jean Prouvé, Galerie Patrick Seguin and Sonnabend Gallery, ppg. 330, PROVENANCE: Acquired from Marché aux Puces, Paris in 1995 by the present owner 104 Charlotte Perriand wall lights, set of thirty-two France, 1950 Galerie Steph Simon enameled steel 5 w 2.75 d 7 h inches Signed with applied foil manufacturer s label to each example: [Made in France Classe 1]. $20,000 30,000 LITERATURE: Charlotte Perriand: Un Art de Vivre, Flammarion, pg. 52

6 105 Pierre Jeanneret pair of Easy armchairs from Chandigarh France/India, c.1955 stained teak, upholstery, cane 21 w 26 d 29 h inches Signed with stenciled marks to reverse of one example [G.H.I.]. $10,000 15,000 LITERATURE: Le Corbusier Pierre Jeanneret, Chandigarh, India, Galerie Patrick Seguin, ppg. 176, 283 Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture, Touchaleaume and Moreau, pg. 563 PROVENANCE: Chandigarh, India Private collection, New York 106 Pierre Jeanneret File Rack from the Administrative Buildings, Chandigarh France/India, c.1957 stained teak w d 28 h inches $7,000 9,000 LITERATURE: Le Corbusier Pierre Jeanneret, Chandigarh, India, Galerie Patrick Seguin, ppg. 269, 289 Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture, Touchaleaume and Moreau, ppg PROVENANCE: Administrative Buildings, Chandigarh Private collection, New York

7 107 Mathieu Matégot Cap d Ail stools, set of three France, 1953 Atelier Matégot perforated and enameled steel, brass, upholstery dia 29 h inches Sold with original seat cushions (not shown). $5,000 7,000 LITERATURE: Mathieu Matégot, Favardin, ppg Mathieu Matégot, Jousse and Mondineu, ppg illustrate works from series 108 Serge Mouille floor lamp France, c.1953 Ateliers Serge Mouille enameled steel, enameled aluminum, brass w 30.5 d h inches $15,000 20,000 LITERATURE: Serge Mouille Luminaires , Alan, pg. 29 PROVENANCE: Galerie Patrick Seguin, Paris Private collection, New York

8 109 Pierre Jeanneret Folding Screen from the Administrative Buildings, Chandigarh France/India, c.1957 teak, linen, steel 66 w 1.75 d h inches Hand-painted marks to one panel: [P.U.P. 8]. $7,000 9,000 LITERATURE: Le Corbusier Pierre Jeanneret, Chandigarh, India, Galerie Patrick Seguin, pg. 289 Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture, Touchaleaume and Moreau, pg. 597 PROVENANCE: Administrative Buildings, Chandigarh Private collection, New York 110 Charlotte Perriand lounge chairs, pair France, c.1947 Georges Blanchon for l Equipement de la Maison oak, rush 21.5 w 25.5 d 30.5 h inches $10,000 15,000 LITERATURE: Charlotte Perriand: Un Art d Habiter, Barsac, ppg , 280, 305

9 111 Pierre Jeanneret Scissor chairs, pair Switzerland/USA, 1950 Knoll Associates birch, upholstery, matte chrome-plated steel 23.5 w 29 d 31 h inches $5,000 7,000 LITERATURE: Modern Furnishings for the Home, Hennessey, pg Serge Mouille Applique simple à deux bras France, 1954 Ateliers Serge Mouille enameled steel, enameled aluminum, brass 81 w 49 d 41 h inches $15,000 20,000 LITERATURE: Serge Mouille: A French Classic, Pralus, ppg PROVENANCE: Galerie Patrick Seguin, Paris Private collection, New York

10 113 Pierre Jeanneret pair of Easy armchairs from Chandigarh France/India, c.1960 stained teak, upholstery, cane 21 w 26 d 29 h inches Signed with stenciled marks to reverse of each example [G.H.I.]. $10,000 15,000 LITERATURE: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture, Touchaleaume and Moreau, ppg PROVENANCE: Chandigarh, India Private collection 114 Pierre Jeanneret desk from the Administrative Buildings, Chandigarh France/India, 1960 stained teak w 23 d h inches $7,000 9,000 LITERATURE: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture, Touchaleaume and Moreau, pg. 584 PROVENANCE: Administrative Buildings, Chandigarh, India Private collection

11 george nakashima The present lot is an extraordinary table with a remarkable history and connection to the Nakashima studio. The dining table was commissioned by Dr. and Mrs. James E. Bowes in For nearly fifty years this table was the centerpiece of Bowes family gatherings and it remained in the family collection until earlier this year when Dr. and Mrs. Bowes passed away. The Bowes were introduced to the designs and expert craftsmanship of George Nakashima when their son, Chris, began an apprenticeship at Nakashima s New Hope workshop in Later that year the Bowes placed an order with Nakashima for a custom table large enough to accommodate their family of fifteen. A letter of provenance from Chris Bowes accompanies the work. In the letter, Chris fondly recalls his apprenticeship at Nakashima s studio and the creation of his family s table: This table was commissioned by my parents Dr. and Mrs. James E. Bowes, more directly by my mother who paid for it with what she saved from the household money. The table was a custom design, one which could seat our family of fifteen (two parents and thirteen kids) comfortably for family dinners. I m sure they would never have purchased something this extravagant had I not been working as an apprentice in Nakashima s shop at New Hope. I started in the summer of 67 and worked there a little over a year. While I was introduced to work throughout the different departments, I spent most of my time in the chair department. But when my parents ordered the table, George moved me into the table section, where I worked on several different tables including the one for my parents. I remember the table causing some considerable discussion due to its size. Getting two bookmatched walnut slabs that could form a top of that size was not easy. And I remember the design of the base ended up being unique. I think that s why George called it a Special Arts table. I think now that the base is one of his most beautiful designs; I don t know if he used it for other tables. I was not skilled enough at the time to build and assemble the base, but I helped and did a prodigious amount of sanding on the top. I also was allowed to follow the table into the finishing department for my first taste of the world of tung oil and finish sanding. The table has been in my family from its completion in early The table was the focal point of all our family gatherings. We all especially liked the natural cutout in the end which my father said was my mother s place since she was always pregnant. It was always a source of some pride for me, knowing I had a hand in bringing something of beauty into our family. Due to its massive scale, measuring twelve feet in length, the Bowe s custom table features a top constructed from multiple slabs of walnut featuring a natural cutout and free edge to one end. Instead of 1/8-inch seams and butterflies to join the boards, the cracks are carefully filled with inlaid wedges of wood making for a solid and beautiful surface. The table s base is an early example of a design that would become known as the Minguren IV. At the time of the table s creation it was called the Arts Table. Nakashima had conceived of the design for the Arts Building, the newest structure to be added to his New Hope campus and completed in The Arts Building was constructed in honor of Nakashima s friend, the artist Ben Shahn. Two years later, after Shahn passed away and Nakashima had his first show in Japan, the building was renamed the Minguren Museum and the base design was renamed accordingly.

12 115 George Nakashima rare and important Minguren IV dining table USA, Nakashima Studio American black walnut 140 w 49 d h inches Sold with a copy of the original order card and a letter of authentication from Mira Nakashima. $100, ,000 PROVENANCE: Dr. & Mrs. James E. Bowes, Portsmouth, RI Thence by descent Private collection

13 116 George Nakashima Important and early Hanging wall cabinet USA, 1951 American black walnut, walnut burl w 19 d h inches This cabinet was originally designed for the home of Nakashima s early patrons, the Hammer family of Kings Point, New York. Nakashima served as both architect and interior designer for their home, which was published in the New York Times, August 19, 1951, in an article called The Handcraft Theme by Betty Pepis. Sold with a copy of the original order card and a letter of authentication from Mira Nakashima. Cabinet features eight drawers with walnut burl pulls. $70,000 90,000 EXHIBITED: Early Furniture by George Nakashima , The Architect Designs, 9 October 24 December 2009, Moderne Gallery, Philadelphia PROVENANCE: Hammer Family Residence, Kings Point, New York Rago, 27 October 1997, Lot 1 Private collection, New York

14 117 Harry Bertoia Untitled (Sonambient) USA, c.1968 beryllium copper, brass 8.75 h 6 w 6 D inches Sold with a title of authentication from Bertoia Studio. $15,000 20,000 PROVENANCE: Private collection, Oakland, CA 118 George Nakashima Conoid dining chair USA, 1987 American black walnut, hickory w 22.5 d h inches Signed and dated to underside: [George Nakashima March 26, 1987]. Signed with client s name to underside: [Gibbons]. Sold with a photocopy of the original order card and a letter of authentication from Mira Nakashima. $3,000 5,000 PROVENANCE: Mr. & Mrs. Edgar Gibbons, Baldwinsville, NY Private collection

15 119 Harry Bertoia Untitled (Standing Gong) USA, c.1970 hand-hammered and welded copper with applied patina 61.5 h 36 W 12 d inches Sold with original mallet and a title of authentication from Bertoia Studio. $30,000 50,000 PROVENANCE: Acquired directly from the artist Private collection

16 120 Harry Bertoia Untitled (Sonambient) USA, c.1960 beryllium copper, brass 9 H 9 W 3 D inches Sold with a title of authentication from Bertoia Studio. $15,000 20,000 PROVENANCE: Private collection, Dallas 121 Harry Bertoia Untitled (Bush Form) USA, c.1968 welded copper and bronze with applied patina 6.5 H 10.5 w 8 d inches Sold with a title of authentication from Bertoia Studio. $15,000 20,000 PROVENANCE: Acquired directly from the artist Wright, Important Design, 11 December 2008, Lot 2008 Private collection, Grand Beach, MI

17 122 Harry Bertoia Untitled (Sonambient) USA, c.1970 beryllium copper, brass, bronze 90.5 H W d inches Sold with a title of authentication from Bertoia Studio. $50,000 70,000 PROVENANCE: Private collection, Chicago

18 123 Rose & Erni Cabat collection of eighteen Feelies USA, glazed stoneware 2.75 dia 5 h inches (largest) Incised signature to underside of each example: [Cabat]. $7,000 9,000

19 124 Jan de Swart Viking chair USA, 1973 carved American black walnut, patinated steel, thread 44 w 20 d 88.5 h inches $10,000 15,000 LITERATURE: Jan de Swart: Handcrafted Furniture, Louis Newman Galleries, pl. 2 illustrates this work EXHIBITED: Jan de Swart: Handcrafted Furniture, 1994, Louis Newman Galleries, Beverly Hills PROVENANCE: Louis Newman Galleries, Beverly Hills Private collection

20 125 Frank Lloyd Wright lounge chair from the Clarence Sondern House, Kansas City USA, c.1939 cypress plywood, upholstery 22 w 23 d 28 h inches $15,000 20,000 LITERATURE: Frank Lloyd Wright Monograph , Pfeiffer and Futugawa, ppg Frank Lloyd Wright: Preserving an Architectural Heritage, Decorative Designs from the Domino s Pizza Collection, Hanks, ppg , 143 EXHIBITED: Frank Lloyd Wright: Preserving an Architectural Heritage, Decorative Designs from the Domino s Pizza Collection, December 1989 February 1990, Seattle Art Museum, Seattle (traveling exhibiton) PROVENANCE: Clarence Sondern House, Kansas City, MO Thomas S. Monaghan, The Domino s Pizza Collection Christie s, New York, 12 June 1993, Lot 123 Important private collection Wright, Important Design, 11 Decemeber 2014, Lot 148 Private collection

21 126 Dankmar Adler and Louis Sullivan elevator casing from the Chicago Stock Exchange USA, 1893 Winslow Brothers electro-plated copper finish over cast iron 74 w 1.5 d h inches $7,000 9,000 LITERATURE: The Trading Room: Louis Sullivan and the Chicago Stock Exchange, John Vinci, 1989, ppg. 21, 23 PROVENANCE: The Chicago Stock Exchange Private collection 127 Frank Lloyd Wright window ensemble from the Oscar Steffens House, Chicago, Illinois USA, c.1909 stained glass, lead 20 w 1.75 d 48 h inches Lot includes three windows $20,000 30,000 LITERATURE: Light Screens: The Complete Leaded-Glass Windows of Frank Lloyd Wright, Sloan, pg. 281 illustrates home PROVENANCE: Oscar Steffens House, Chicago Richard Nickel, Chicago Private collection Thence by descent

22 128 After Piet Mondrian Composition with Red, Yellow, and Blue (for The Ege Art Line) Denmark, 1921/1988 Ege Axminster machine-woven wool 98.5 w 134 l inches Woven signature to edge: [PM 21]. Signed with applied manufacturer s label to reverse: [The 20th Century Masters Collection - Ege Art Line. Piet Mondrian Composition with Red, Yellow, and Blue Design No Made in Denmark by Ege Axminster A/S]. $3,000 5, Gerrit Rietveld Zig-Zag chair The Netherlands, 1932/1969 G.A. van de Groenekan elm, brass 14.5 w 17 d 29 h inches Signed with branded manufacturer s mark to underside: [H.G.M. G.A.V.D. Groenekan De Bilt Nederland]. $3,000 5,000 LITERATURE: The Complete Rietveld Furniture, Vöge, ppg The Furniture of Gerrit Thomas Rietveld, Baroni, ppg PROVENANCE: Acquired by Tom Thomson through Theo van Groll from G. A. van der Groenekan in 1969

23 130 Walter Gropius and Ben Thompson armchairs model W199, set of ten USA, 1951 Thonet stained and laminated birch 23.5 w 21 d 29.5 h inches $15,000 20,000 LITERATURE: Der Architekt Gropius, Nerdinger, pg. 309 Walter Gropius, Giedion, pg. 106

24 131 French architectural roof model c.1900 tin, porcelain, carved mahogany 28 w d 22.5 h inches Sold with original box and framed rendering. $5,000 7,000 masterworks in miniature

25 132 American salesman s sample prison door 1935 nickel-plated steel, enameled steel 42.5 w 7.5 d h inches Salesman s sample features working lever which mechanically opens and closes both doors simultaneously. $7,000 9, American salesman s sample play set c.1950 enameled steel, aluminum, lacquered particle board, string netting 17.5 w 15 d 14 h inches $5,000 7,000

26 134 American salesman s sample folding bed frame c.1930 chrome-plated brass, steel 5.25 w 6.75 d h inches $2,000 3, Garland salesman s sample oven range USA, c.1950 lacquered wood, steel w 5.75 d 12 h inches Hand-painted manufacturer s label to oven door: [Garland]. $2,000 3,000

27 136 French salesman s sample boiler c.1930 copper, brass, steel, glass 8 w 4.5 d 13.5 h inches $3,000 5, American salesman s sample steam engine c.1900 enameled steel, mahogany, leather w 22.5 d 17 h inches Model features several levers and a pull chain which articulates the wheels and mechanical elements. $3,000 5,000

28 138 American monumental window display safety razor c.1930 brass 7.5 w 16.5 d 4.75 h inches $4,000 6, American monumental window display rubber stamp c.1930 rubber, enameled steel, painted wood 11 w 16 d 5.5 h inches $4,000 6,000

29 140 Carl Paul Jennewein pair of models for the Brooklyn Public Library, Grand Army Plaza, New York Germany/USA, 1939 gilt plaster 30 w 17.5 d h inches $10,000 15,000 PROVENANCE: Christine Roussel, New York Sculptor, Carl Paul Jennewein is renowned for his architectural sculpture which includes illustrious projects such as the polychrome pediment of the Philadelphia Museum of Art, two panels inside the White House in Washington D.C. and gilded relief sculpture at the Brooklyn Public Library. The gilded relief for the Brooklyn library wraps around two columns flanking the 50-foot portico making the entry the library s most distinguished feature. The present lot is comprised of two plaster models featuring scenes of the evolution of art and science created by Jennewein for this commission.

30 141 Tavannes Watch Company monumental display model wristwatch Switzerland, c.1940 leather, faux crocodile, glass, stainless steel 7.5 w 10 d h inches Signed with manufacturer s mark to face: [Tavannes]. $5,000 7, Gorham Silver Company artillery shell cocktail shaker USA, c.1918 brass 4 dia h inches Set inlcudes four cups and storage rack; shaker retains original packaging and recipe card. Signed with impressed manufacturer s mark to underside: [Fac-Simile Eighteen Pounder Shrapnel Shell Patent Applied for in America and Foreign Countries]. $5,000 7,000 LITERATURE: Vintage Bar Ware, Visakay, pg. 112

31 143 Warren McArthur armchair, model 1076 USA, c.1935 Warren McArthur Corporation aluminum, vinyl, rubber w 23 d h inches $2,000 3,000 LITERATURE: Warren McArthur Corporation, manufacturer s catalog, pg Warren McArthur desk, model and armchair, model 1135-A USA, c.1935 Warren McArthur Corporation lacquered wood, aluminum, vinyl, spun aluminum 44 w 25 d 28.5 h inches Chair measures: 22 w 19.5 d h inches. Desk features two drawers. Signed with partial decal manufacturer s label to frame of desk: [Warren McArthur Corporation]. $3,000 5,000 LITERATURE: Warren McArthur Corporation, manufacturer s catalog, ppg. 41, 47

32 145 Carlo de Carli desk Italy, c.1950 lacquered wood, glass 69 w d 31 h inches $7,000 9,000 PROVENANCE: Private collection, Rome works from a private roman interior

33 146 Carlo de Carli armchair, model 162 Italy, 1953 Cassina lacquered wood, upholstery w 22 d 33 h inches $3,000 5,000 LITERATURE: Made in Cassina, Bosoni, pg. 161 PROVENANCE: Parco dei Principi, Sorrento, Italy Private collection, Rome 147 Gio Ponti console Italy, 1953 Giordano Chiesa lacquered wood, brass w d 30.5 h inches Console features two drawers. Sold with a photocopy of a certificate of expertise issued by Lisa Licitra Ponti. $6,000 8,000 LITERATURE: Gio Ponti: L Arte Si Innamora Dell Industria, La Pietra, ppg. 365, 367 PROVENANCE: Parco dei Principi, Sorrento, Italy Private collection, Rome

34 148 Gio Ponti console Italy, 1953 Giordano Chiesa lacquered wood, brass w d 30.5 h inches Console features two drawers. Sold with a photocopy of a certificate of expertise issued by Lisa Licitra Ponti. $6,000 8,000 LITERATURE: Gio Ponti: L Arte Si Innamora Dell Industria, La Pietra, ppg. 365, 367 PROVENANCE: Parco dei Principi, Sorrento, Italy Private collection, Rome 149 Gio Ponti benches, pair Italy, c.1950 lacquered wood, upholstery 18 w 19 d 21.5 h inches Sold with a certificate of expertise from the Gio Ponti Archives. $7,000 9,000 PROVENANCE: Private collection, Rome

35 This rare desk features details consistent with the earliest production models of the Terni desk as documented in the Mobili Italiani Moderni manufacturer s catalog. This example features a double legged table top support with the two legs running parallel to each other, a detail that would become simplified and more v-shaped in the later, and more common production model. 150 Ico and Luisa Parisi early Terni desk, model 1601 and chair Italy, c.1958 Mobili Italiani Moderni (MIM) ribbon mahogany, teak, vinyl, enameled aluminum w 36.5 d h inches Chair measures: w 22 d h inches. Desk cabinet features drawers to both sides. Signed with applied manufacturer s label to underside of chair: [Mobili MIM Roma Art: 8101 Made in Italy]. Signed twice with applied manufacturer s label to drawer and underside of top: [Mobili MIM Roma]. $20,000 30,000 LITERATURE: Mobili MIM, manufacturer s catalog, unpaginated

36 151 Gino Sarfatti floor lamp, model 1045n Italy, 1948 Arteluce enameled steel, chrome-plated brass, enameled aluminum 13.5 w 15 d 50 h inches Signed with impressed manufacturer s mark to stem: [Arteluce Made in Italy]. $5,000 7,000 LITERATURE: Gino Sarfatti: Selected Works , Romanelli and Severi, ppg. 148, Studio BBPR Giulietta lounge chairs, pair Italy, 1958 Arflex upholstery, enameled steel, brass w 32 d 34.5 h inches $15,000 20,000 LITERATURE: Domus, no. 372, cover illustrates variation Repertorio , Gramigna, pg. 119 illustrates similar example PROVENANCE: Private collection, Milan Private collection, Italy

37 154 Studio PFR (Gio Ponti, Antonio Fornaroli & Alberto Roselli) desk Italy, c.1960 mahogany, enameled steel, laminate, brass 51 w 27.5 d 30 h inches $5,000 7, Studio PFR (Gio Ponti, Antonio Fornaroli & Alberto Roselli) shelving unit Italy, c.1960 enameled steel, ribbon mahogany, laminate w 7.5 d h inches Unit features four independently adjustable shelves. $5,000 7,000

38 155 Gino Sarfatti floor lamp, model 1091 Italy, 1963 Arteluce enameled brass, silk 11 dia 63.5 h inches Lamp features and internally diffused light and independently operable up-light. $7,000 9,000 LITERATURE: Gino Sarfatti: Selected Works , Romanelli and Severi, pg. 458

39 156 Ercole Barovier Crepuscolo table lamp Italy, c.1946 Barovier & Toso internally decorated glass, linen, brass 18 dia 32 h inches $5,000 7, Ercole Barovier A Lenti table lamps, pair Italy, c.1940 Barovier & Toso glass with gold inclusions, paper, lacquered wood, brass 16 dia h inches $6,000 8,000

40 158 Gio Ponti nightstands, pair Italy, 1928 olive wood, European walnut 26 w 14.5 d h inches Sold with a certificate of expertise from the Gio Ponti Archives. $10,000 15,000 LITERATURE: Gio Ponti: L Arte Si Innamora Dell Industria, La Pietra, ppg PROVENANCE: B.C. Holland, Chicago Private collection 159 Gio Ponti bed frame Italy, 1928 olivewood, brass 70 w d h inches Sold with a certificate of expertise from the Gio Ponti Archives. $10,000 15,000 LITERATURE: Gio Ponti: L Arte Si Innamora Dell Industria, La Pietra, ppg. 7 8, 11 PROVENANCE: B.C. Holland, Chicago Private collection

41 seguso vetri d arte The present lot was produced by Seguso Vetri D Arte in the 1930s for the main entrance to the rationalist Hotel San Marco in Chianciano Terme, Italy. 160 Seguso Vetri d Arte monumental ceiling fixture from the hotel San Marco, Chianciano Terme, Tuscany Italy, c.1930 Seguso Vetri d Arte glass with gold inclusions, enameled steel 74 w 74 d 6 h inches $30,000 40,000 PROVENANCE: Hotel San Marco, Chianciano Terme, Tuscany Private collection, Italy

42 161 Ico and Luisa Parisi Room divider Italy, 1958 Mobili Italiani Moderni (MIM) rosewood, aluminum, chrome-plated brass 136 w 22.5 d 120 h inches This adjustable shelving system can be lowered to 108 inches in height; system includes four uprights, eight shelves, one writing desk and two cabinets, each with a single shelf. $20,000 30,000 LITERATURE: Ico Parisi: La Casa, Gualdoni, ppg , 53 Ico Parisi: & Architecture, Gualdoni, pg. 218 Il Mobile Italiano Degli Anni 40 e 50, de Guttry and Maino, pg. 227

43 162 Luigi Caccia Dominioni Lte 10 floor lamp Italy, 1954 Azucena marble, frosted glass, brass 11.5 dia 87 h inches $3,000 4,000 LITERATURE: Repertorio , Gramigna, pg Gio Ponti pair of wall-mounted cabinets from the Royal Hotel, Naples Italy, 1953 Giordano Chiesa maple, brass 39.5 w d 33 h inches Sold with a certificate of expertise from Gio Ponti Archives. $40,000 50,000 LITERATURE: Gio Ponti: L Arte Si Innamora Dell Industria, La Pietra, pg. 183 PROVENANCE: The Royal Hotel, Naples Private collection Acquired from the previous by the present owner in 2000

44 165 Gio Ponti wall-mounted shelf Italy, c.1952 Italian walnut, glass w 7 d 27 h inches Sold with a certificate of expertise from the Gio Ponti Archives. $20,000 30,000 LITERATURE: Gio Ponti: Interni, Oggetti, Disegni , Falconi, pg. 186 illustrates variation PROVENANCE: Private collection, Milan Private collection, Italy 164 Max Ingrand and Dubé chandelier, model 1748 Italy, 1957 Fontana Arte hand-chiseled crystal, brass dia h inches $20,000 30,000 LITERATURE: Max Ingrand Du Verre a la Lumiere, Martin-Vivier, pg. 198 Domus, No. 328, March 1958, advertisement

45 166 Carlo de Carli lounge chairs, pair Italy, 1954 Cassina upholstery, stained beech 31 w 30.5 d 30 h inches $7,000 9,000 LITERATURE: Il Mobile Italiano Degli Anni 40 e 50, de Guttry and Maino, pg Carlo de Carli sofa Italy, 1951 Cassina upholstery, stained beech 78 w 31 d 30.5 h inches $7,000 9,000 LITERATURE: Il Mobile Italiano Degli Anni 40 e 50, de Guttry and Maino, pg. 133 illustrates variation

46 168 Dino Martens sconces, pair Italy, c.1950 Aureliano Toso glass, brass 9.75 w 11 d 23.5 h inches $3,000 5, Max Ingrand chandelier Italy, 1958 Fontana Arte crystal, Painted brass 31.5 dia 14 h inches Signed with impressed manufacturer s mark to one element: [Fontana Italy]. $20,000 30,000 LITERATURE: Fontana Arte: Una Storia Transparente, Falconi, pg. 96

47 171 Gustavo Pulitzer Alba lounge chairs, pair Italy, 1959 Arflex enameled steel, leather, upholstery, enameled brass 32.5 w 30 d 38 h inches $7,000 9,000 LITERATURE: Il Mobile Italiano Degli Anni 40 e 50, de Guttry and Maino, pg Max Ingrand mirror, model 2273 Italy, c.1960 Fontana Arte crystal, mirrored glass 20 w 3 d 43.5 h inches $7,000 9,000 LITERATURE: Fontana Arte 6, manufacturer s catalog, pg. 165

48 172 Max Ingrand centerpiece vase Italy, c.1956 Fontana Arte crystal, nickel-plated brass dia 3.5 h inches $3,000 5, Fontana Arte Disco Volante table lamp Italy, 1955 Fontana Arte crystal, brass 16.5 w 14.5 d 18.5 h inches Signed with impressed manufacturer s mark to edge: [Fontana Italy]. $20,000 30,000 LITERATURE: Domus, No. 315, February 1956, pg. 59 Fontana Arte: Una Sotria Trasparente, Falconi, pg. 109 Il Design Italiano Degli Anni 50, Branzi and De Lucchi, pg. 230 PROVENANCE: Private collection, Italy Private collection, Switzerland

49 174 Gio Ponti pair of lounge chairs, model 12 and ottoman Italy, 1966 Poltrona Frau leather, cowhide, lacquered wood, brass 27 w 28 d h inches Ottoman measures: w 17.5 h 16.6 d inches. Sold with a certificate of expertise from the Gio Ponti Archives. $10,000 15,000 LITERATURE: Gio Ponti: l Arte Si Innamora del Industria, La Pietra, pg. 35

50 176 Arredoluce easel lamp Italy, c.1958 brass, enameled aluminum, brass coated steel 22.5 w 23 d h inches Signed with impressed manufacturer s mark to underside: [Made in Italy Arredoluce Monza]. $5,000 7, Fontana Arte mirror Italy, c.1950 fruitwood, mirrored glass, lacquered wood w 2 d 41.5 h inches Signed with decal manufacturer s label to reverse: [Galvanit Fontana Italy Registrato Luigi Fontana & C-S.P.A. Milano Torino Genova Cantu Messina]. $5,000 7,000

51 177 Gio Ponti lounge chairs, pair Italy, 1950 Cassina mohair, lacquered wood 29 w 32 d 43 h inches Sold with a certificate of expertise from the Gio Ponti Archives. Signed with applied metal distributor s label to reverse: [Figli Di Amedeo Cassina]. $20,000 30,000 LITERATURE: Il Design Italiano Degli Anni 50, Branzi, pg. 107

52 179 Guglielmo Ulrich coffee table for Casa Santagostino Italy, 1946 lacquered vellum over wood, walnut, glass, mirrored glass dia h inches Sold with additional glass top with mirrored edge. $15,000 20,000 LITERATURE: Guglielmo Ulrich, Scacchetti, pg. 391 illustrates variation PROVENANCE: Casa Santagostino, Milan Private collection, Italy 178 Gino Sarfatti sconce, model 2024 Italy, 1941 brass, stained oak, frosted glass 9.75 w 20 d 10.5 h inches $3,000 5,000 LITERATURE: Gino Sarfatti: Selected Works , Romanelli and Severi, ppg. 46,

53 180 Max Ingrand rare illuminated mirror, model 2044 Italy, 1961 Fontana Arte cut crystal, crystal, mirrored glass, brass 29 dia 6.5 d inches $30,000 50,000 LITERATURE: Fontana Arte 6, manufacturer s catalog, unpaginated Max Ingrand: Du Verre a la Lumiere, Martin-Vivier, pg. 216

54 181 Angelo Lelli floor lamp Italy, c.1955 Arredoluce brass, enameled aluminum 30 dia 91 h inches Signed with impressed manufacturer s mark to underside: [Arredoluce Made in Italy]. $7,000 9,000 LITERATURE: Modern Lighting of the 50s, Koch, pg 56 illustrates similar example 182 Ico and Luisa Parisi pair of dining tables from Antica Osteria Cavallini, Milan Italy, c.1955 Cassina oak w 28.5 d h inches $15,000 20,000 LITERATURE: Ico Parisi: & Architecture, Gualdoni, pg. 200 illustrates similar examples PROVENANCE: Antica Osteria Cavallini, Milan Private collection

55 183 Franco Campo and Carlo Graffi sofa Italy, c.1959 HOME upholstery, lacquered wood 54 w 28 d 31 h inches $10,000 15, Carlo Scarpa chandelier, model 5417 Italy, c.1931 Venini glass, brass 15 dia inches $10,000 15,000 LITERATURE: Venini Glass: Its History, Artists and Techniques, Deboni, blue catalog, pg. 138 PROVENANCE: Private collection

56 185 Osvaldo Borsani desk Italy, 1954 Tecno ribbon mahogany, enameled steel, brass 80 w 45 d h inches Signed with applied metal manufacturer s label to frame: [T]. $10,000 15,000 LITERATURE: Mobili Tipo, Aloi, pg. 157 Osvaldo Borsani, Gramigna and Irace, ppg illustrate variation PROVENANCE: Private collection, Italy Wright, Modern Design, 30 March 2008, Lot 277 Private collection, New York

57 186 Angelo Lelli floor lamp Italy, c.1965 Arredoluce hammered brass, marble, enameled brass 26 w d 86.5 h inches $7,000 9, Napoleone Martinuzzi sconces, pair Italy, c.1940 Cenedese glass with gold inclusions, steel 8 w 6.5 d h inches $7,000 9,000

58 188 Max Ingrand chandelier, model 1441 Italy, c.1954 Fontana Arte crystal, brass dia 15 h inches $7,000 9,000 LITERATURE: Fontana Arte: Gio Ponti, Pietro Chiesa, Max Ingrand, Deboni, fig Luigi Caccia Dominioni daybed Italy, c.1950 Italian walnut, upholstery, blackened steel 82.5 w 43 d 29 h inches This work is one of four known examples of this form. $20,000 30,000 provenance: The Caccia Dominioni family Private collection

59 190 Nicolai Diugheroff & Tullio d Albisola Futurist tea set Italy, Torido Mazzotti glazed stoneware Set includes one teapot, one coffee pot, one creamer, one large dish, eight teacups with saucers and eight egg cups. Glazed signature to underside of each element: [M G A]. $3,000 5, Pietro Chiesa table lamp Italy, c.1940 Fontana Arte aluminum, crystal, brass, cut glass, enameled aluminum 14.5 dia 20 h inches Lamp features a pivoting top that can be adjusted to redirect light. $7,000 9,000 LITERATURE: Fontana Arte: Gio Ponti, Pietro Chiesa, Max Ingrand, Deboni, fig. 88

60 192 Carlo Scarpa sconces, pair Italy, c.1940 Venini filigree glass, brass 11 w 13 d 6 h inches $7,000 9,000 LITERATURE: Venini Catalogue Raisonné , Diaz de Santillana, pg. 257 illustrates similar example 193 Ico and Luisa Parisi custom console for Casa Ismaele Baraggia, Paderno d Adda, Italy Italy, c.1950 mahogany w 19.5 d h inches Desk features four locking drawers. $30,000 40,000 PROVENANCE: Casa Ismaele Baraggia, Paderno d Adda, Italy Private collection, Italy

61 sori yanagi 194 Sori Yanagi Monjiro stool Japan, 1974/c.1990 BC Kobo carved mahogany, enameled steel 13 dia 14 h inches $5,000 7,000 LITERATURE: Design: Sori Yanagi, Yanagi, figs. 102, Sori Yanagi Monjiro stool Japan, 1974/c.1990 BC Kobo carved and lacquered mahogany, enameled steel 13 dia h inches Signed with metal manufacturer s label to underside: [BCI]. $5,000 7,000 LITERATURE: Design: Sori Yanagi, Yanagi, figs. 102, 172 Although one of the most influential industrial 20th century designers in Japan for decades, Sori Yanagi remained underappreciated and largely unknown, even in Japan. The following two stools with cast metal legs were originally designed and produced by Yanagi for an exhibition of his work in the 1970s. The edition was not available at that time and it wasn t until the 1990s that Yanagi approached the talented, albeit small atelier, BC Kobo for the production of the form.

62 196 Sori Yanagi Monjiro stool Japan, 1990 BC Kobo carved teak 13 dia 11 h inches $3,000 5, Sori Yanagi Yanagi stool Japan, 1990 carved teak 14.5 dia h inches $3,000 5,000

63 198 Isamu Noguchi Rocking stool, model 86T USA, 1955 Knoll walnut, chrome-plated steel 14 dia h inches $5,000 7,000 LITERATURE: Isamu Noguchi: Sculptural Design, Eisenbrand, Posch and von Vegesack, pg Isamu Noguchi early Rudder Stool, model IN-22 USA, 1944 Herman Miller birch plywood, zinc-plated steel, aluminum, rubber 14 w 19 d 17.5 h inches There are two versions of the Rudder stool; this example is the earliest design featuring a seat made from an Eames DCM. $20,000 30,000 LITERATURE: Isamu Noguchi: Sculptural Design, Eisenbrand, Posch and von Vegesack, ppg. 121, 275 PROVENANCE: Private collection, New York

64 200 Darrell Landrum rare sofa USA, 1949/c.1955 Avard enameled steel, upholstery 85 w 26 d 30.5 h inches This design was used by Philip Johnson for his offices in The Museum of Modern Art, New York. $10,000 15,000

65 201 Isamu Noguchi Radio nurse and guardian ear USA, 1937 Zenith Radio Co. Bakelite, enameled steel 7 w 6 d 8.5 h inches Guardian Ear measures: 4.25 w 8.25 d 6.25 h inches. Signed with molded manufacturer s marks to Radio Nurse: [Zenith Radio Nurse Design by Noguchi]. Signed with applied metal tag to Guardian Ear: [Guardian Ear of the Radio Nurse Zenith Radio Corp. Chicago]. $5,000 7, Philip Johnson and Richard Kelly floor lamp USA, c.1953 Edison Price patinated brass, enameled aluminum, enameled steel 25 dia h inches $8,000 12,000 LITERATURE: Design : What Modern Was, Eidelberg, pg. 204 LITERATURE: Isamu Noguchi: Sculptural Design, Eisenbrand, Posch and von Vegesack, ppg

66 203 Charles and Ray Eames child s chair USA, 1945 Evans Products aniline-dyed birch plywood w d h inches $5,000 7,000 LITERATURE: Eames Design: The Work of the Office of Charles and Ray Eames, Neuhart, Neuhart and Eames, ppg PROVENANCE: Rago, Modern, 15 November 1998, Lot 96 Private collection 204 Charles and Ray Eames FSW-6 USA, 1946 Herman Miller ash plywood, canvas 60 dia h inches $2,000 3,000 LITERATURE: Eames Design: The Work of the Office of Charles and Ray Eames, Neuhart, Neuhart and Eames, pg. 79 The Herman Miller Collection, manufacturer s catalog, 1952, pg. 108

67 205 Claire Falkenstein vase USA, 1972 Salviati & Co. oppalino glass with clear glass applications 12.5 w 11 d 20 h inches This work is number 5 from the edition of 20. Incised signature to underside: [Salviati Venezia o/es Claire Falkenstein 5/20]. $5,000 7,000 LITERATURE: Il Vetro di Murano alle Biennali , Barovier, Barovier Mentasti & Dorigato, pg. 223 illustrates similar example 206 Taichiro Nakai rare sofa Japan, c.1955 upholstery, beech 78.5 w 42 d 29.5 h inches $10,000 15,000 LITERATURE: Mobili Tipo, Aloi, pg. 108 illustrates related form PROVENANCE: Acquired c from Arredamenti Gallerie Lauro, Cantu Private collection

68 207 Poul Kjaerholm PK 80 daybed Denmark, 1957 E. Kold Christensen leather, matte chrome-plated steel, lacquered wood, rubber 76.5 w 33 d h inches Signed with impressed manufacturer s mark to underside: [Denmark]. $20,000 30,000 LITERATURE: The Furniture of Poul Kjaerholm: Catalogue Raisonné, Sheridan, pg. 105

69 208 Ingrid Dessau Diagonals flatweave carpet Sweden, c.1960 hand-woven wool 106 w 147 l inches $30,000 40, Arne Jacobsen Egg chair and ottoman Denmark, 1958 Fritz Hansen cast aluminum, leather 35 w 31 d 42 h inches Ottoman measures: 21.5 w 16 d 17 h inches. Signed with decal manufacturer s label to chair: [FH Made in Denmark 0666 by Fritz Hansen]. $10,000 15,000 LITERATURE: Arne Jacobsen, Thau and Vindum, ppg Danish Chairs, Oda, pg. 60

70 210 Finn Juhl dining chairs, set of eight Denmark, c.1955 Niels Vodder teak, leather, brass 25.5 w 21.5 d 31.5 h inches This set of chairs was in the collection of John H. Howe, architect and chief draftsman for Frank Lloyd Wright. Signed with branded manufacturer s mark to frame of each example: [Niels Vodder Cabinetmaker Copenhagen Denmark]. $10,000 15,000 PROVENANCE: John H. Howe Private collection

71 211 Barbro Nilsson Falurutan flatweave carpet Sweden, 1952 Märta Måås-Fjetterström AB hand-woven wool 59 w 74 l inches $9,000 12, Hans Wegner rare dining table Denmark, c.1950 Johannes Hansen stained black walnut 94 w 55 d 28 h inches Sold with one 31-inch leaf; table measures 125 inches when fully extended. Signed with applied manufacturer s label to underside: [Design: Hans J. Wegner Made in Copenhagen Denmark by Johannes Hansen Cabinetmakers]. $10,000 15,000 PROVENANCE: Hostler Burrows, New York Private collection

72 213 Hans Wegner Papa Bear chair and ottoman Denmark, 1950 A.P. Stolen upholstery, teak 36 w 35 d 39 h inches Ottoman measures: 27.5 w 16.5 d h inches. $7,000 9,000 LITERATURE: Hans J. Wegner s 100 Chairs, Oda, pg. 49 Wegner: Sitting Pretty, Nielsen, pg Hans Wegner Papa Bear chair and ottoman Denmark, 1950 A.P. Stolen upholstery, teak 36 w 35 d 39 h inches Ottoman measures: 27.5 w 16.5 d h inches. $7,000 9,000 LITERATURE: Hans J. Wegner s 100 Chairs, Oda, pg. 49 Wegner: Sitting Pretty, Nielsen, pg. 70

73 215 P.S. Heggen wastepaper baskets, set of six Norway, c.1965 teak plywood, rosewood plywood 15.5 w 8.75 d 17.5 h inches Additional wastepaper baskets measure: 12 w 9.5 d 17.5 h inches. These wastebaskets were designed by Einar Barnes. Signed with stamped manufacturer s mark to underside of one example: [Lamina Made in Norway]. Signed with stamped manufacturer s mark to interior or underside of five examples: [P.S. Heggen Nordfjordeid Made in Norway]. $5,000 7, Marianne Richter Fasad flatweave carpet Sweden, 1963 Märta Måås-Fjetterström AB hand-woven wool 94 w 135 l inches Woven signature to edge: [AB MMF MR]. $18,000 22,000 LITERATURE: Märta Måås-Fjetterström: Märta flyger igen! 90 år med Märta Måås-Fjetterström, exhibition catalog, pg. 170

74 217 Edward Wormley Open Frame bookshelf, model 5455 USA, 1954 Dunbar lacquered mahogany, brass, steel wire 48 w 17 d 76.5 h inches Shelving unit features six adjustable shelves and an illuminated display. $3,000 5, Barbro Nilsson half-pile carpet Sweden, c.1960 Märta Måås-Fjetterström AB hand-woven wool and linen 53 w 94 l inches Woven signature to edge: [AB MMF BN]. $5,000 7,000 LITERATURE: Dunbar: Edward Wormley Designs, manufacturer s catalog 1955, unpaginated

75 219 Philolaos Tloupas bench France, 1969 patinated steel, upholstery 42 w 36.5 d 43 h inches $8,000 12,000 PROVENANCE: Acquired directly from the artist Collection of J. Speed and Martha Carroll, Paris and New York After happening upon works by the Greek sculptor Philolaos Tloupas in a Paris gallery, American collectors J. Speed and Martha Carroll commissioned him to make the following five lots for their Paris home in The furniture was designed to provide a certain intimacy in its functionality, as expressed in particular by the slimness of the dining table, conceived to retain the closeness of those who would sit at it. When the couple returned to New York in the 1970s, they brought the furniture with them; the following lots remained in their Greenwich Village home until now. philolaos tloupas

76 220 Philolaos Tloupas dining chairs, set of eight France, 1969 patinated steel, upholstery 15.5 w 15.5 d 40 h inches $10,000 15,000 PROVENANCE: Acquired directly from the artist Collection of J. Speed and Martha Carroll, Paris and New York

77 221 Philolaos Tloupas custom dining table France, 1969 patinated steel, frosted glass 82.5 w 27.5 d h inches $6,000 8,000 PROVENANCE: Acquired directly from the artist Collection of J. Speed and Martha Carroll, Paris and New York

78 222 Philolaos Tloupas coffee table France, 1969 patinated steel, smoked glass 32.5 w d 14 h inches $3,000 5,000 PROVENANCE: Acquired directly from the artist Collection of J. Speed and Martha Carroll, Paris and New York 223 Philolaos Tloupas rocking chair France, 1969 patinated steel, upholstery 37.5 w 21 d 44.5 h inches $5,000 7,000 PROVENANCE: Acquired directly from the artist Collection of J. Speed and Martha Carroll, Paris and New York

79 224 Ado Chale rare coffee table France, c.1975 resin with inlaid lapis lazuli, enameled steel w 40.5 d 13.5 h inches Inlaid brass signature to edge: [Chale]. $40,000 60,000 PROVENANCE: Bonhams Knightsbridge, Contemporary Two, 19 October 2011, Lot 151 Important private collection, New York adochale

80 225 Paul Evans bench USA, 1970 Paul Evans Studio for Directional bronze resin over steel, upholstery 27 w 20 d 19.5 h inches Incised signature and date to base: [PE 70]. $3,000 5, Philip and Kelvin LaVerne Chan occasional tables, pair USA, c.1965 acid-etched and enameled patinated brass over pewter over wood 18 w 10 d 15.5 h inches Etched signature to each example: [Philip Kelvin LaVerne]. $10,000 15,000

81 227 Jenazi coffee table Belgium, c.1980 acid-etched brass, brass 31.5 w 53 d 14.5 h inches Incised signature to top: [Jenazi]. $5,000 7, Paul Evans custom Faceted console USA, c.1965 Paul Evans Studio for Directional chrome-plated steel, brass 51 w d 26.5 h inches This custom console was ordered by the Steinfeld s through the Directional Showroom in the Merchandise Mart, Chicago. $10,000 15,000 PROVENANCE: Directional showroom, Chicago Collection of Fern and Manfred Steinfeld, Chicago

82 229 Warren Platner executive desk USA, c.1965 Lehigh Leopold stainless steel, walnut, leather, aluminum 96 w 40 d 30 h inches Desk features two drawers. Signed with applied manufacturer s label to drawer: [Litton Designed for Lehigh-Leopold by Warren Platner]. $10,000 15, French Art Deco pile carpet c.1925 hand-knotted wool 66 w 91 l inches $7,000 9,000 LITERATURE: Ten by Warren Platner, Platner, pg. 95 PROVENANCE: Wright, Modern Design, 3 October 2004, Lot 560 Private collection

83 231 Pierre Chareau stool, model SN1 France, ambonya burl 20 w 13 d 14 h inches Pierre Chareau designed this stool with a removable seat that can be replaced with custom-ordered cushioned variations made to the client s specifications and featuring a variety of modernist designs. $15,000 20,000 LITERATURE: Pierre Chareau, Vellay and Frampton, pg. 209 La Maison de Verre: Pierre Chareau, Vellay, ppg , PROVENANCE: Acquired in Paris in the 1960s Private collection

84 232 André Sornay cabinet France, 1930 rosewood, mahogany, glass, enameled steel, enameled brass 85.5 w d 71 h inches Cabinet features five doors concealing four fixed shelves and eleven adjustable shelves. Impressed signature to base: [Sornay]. $20,000 30,000 LITERATURE: Andre Sornay: Maitre Lyonnais de l Art Deco, Mathieu, pg. 45 illustrates this example PROVENANCE: Estate of the artist s family Galerie Rudolph Jungi, Zurich Private collection

85 233 Edgar Brandt Pelican ashtray France, c cast wrought iron 5.75 w 2.75 d 5.5 h inches Signed with impressed manufacturer s mark to base: [E. Brandt]. $2,000 3,000 LITERATURE: Edgar Brandt: Master of Art Deco Ironwork, Kahr, pg In the manner of Rudolph Steiner picture frame c.1920 carved cherry 13.5 w 1.25 d 16 h inches $10,000 15,000 LITERATURE: Rudolf Steiner Die Alcehmie des Alltags, Vitra Design Museum, pg. 73 illustrates this example EXHIBITED: Rudolf Steiner Die Alcehmie des Alltags, 13 May January 2015, Kunstmuseum Wolfsburg, Wolfsburg, Germany Kunsthal Rotterdam, Rotterdam, The Netherlands (traveling exhibition) PROVENANCE: Private collection, Germany

86 235 Philip and Kelvin LaVerne rare Etruscan coffee table USA, c.1965 acid-etched and patinated bronze over pewter and wood 60 w 30 d 17.5 h inches Incised signature to edge of table top: [Philip Kelvin Laverne]. Signed with applied paper manufacturer s label to underside: [Philip Laverne Galleries Ltd. Works of Art 74 Wooster Street New York New York 10012]. $20,000 30,000

87 236 André Arbus dining chairs, set of six France, c.1940 upholstery, oak, leather 18 w 24 d h inches $8,000 12,000

88 237 Paul Frankl coffee table USA, c.1951 Johnson Furniture Company lacquered cork, mahogany 35.5 w 47.5 d h inches $5,000 7,000 LITERATURE: Paul T. Frankl and Modern American Design, Long, pg Karl Springer custom nesting tables, set of three USA, 1979 Karl Springer, Ltd. lacquered shagreen over wood 26 w 24 d h inches Signed with applied brass manufacturer s label to underside of largest example: [Karl Springer Hand Made in The Philippines] and applied label to underside: [Special]. $5,000 7,000 PROVENANCE: Toni D Alto, Santa Monica Private collection, Pasadena

89 239 Jacques Adnet Wall-mounted coatracks, pair France, c.1950 saddle-stitched leather over steel, brass w 9 d h inches $3,000 5, Tommi Parzinger daybed USA, c.1950 silver leaf over steel, upholstery 85 w 30.5 d 27 h inches $7,000 9,000

90 242 Willy Daro illuminated coffee table Belgium, c.1975 etched brass, lacquered wood, quartzite w 31.5 d h inches Incised signature to top: [Willy Daro]. $5,000 7, Line Vautrin Petit Soleil â Pointes convex mirror France, c.1965 talosel, resin, mirrored glass 4.75 w 1 d 4.75 h inches Wright would like to thank Marie-Laure Bonnard-Vautrin for her assistance in cataloging this lot. Incised signature to reverse: [Line Vautrin]. Signed with applied studio label to reverse: [ROI]. $5,000 7,000 LITERATURE: Line Vautrin: Mirrors, Mauries, ppg. 6, 15, 21

91 243 American Craft occasional table c.1965 stack-laminated and carved American black walnut 27 w 20 d 30 h inches Table features one drawer. $3,000 5, Don Shoemaker rare armchairs, pair Mexico, c.1970 Señal mahogany, leather, steel 23.5 w 27.5 d h inches $10,000 15,000 PROVENANCE: Cervera Collection, New York Private collection, New York

92 245 Christian Heckscher coffee table Belgium, c.1970 acid-etched brass 76 w d 17 h inches Acid-etched signature to edge: [Heckscher]. $5,000 7, Arlus sconces model 1436, pair France, c.1960 brass, frosted glass 4.5 w 9 d 6.5 h inches $7,000 9,000 LITERATURE: Mon Jardin et ma Maison, March 1962, unpaginated

93 247 Joseph D Urso sectional sofa USA, 1980 Knoll International suede, leather, laminate 187 w 115 d 33 h inches $7,000 9,000 LITERATURE: Knoll: A Modernist Universe, Lutz, pg Joseph D Urso low rolling table, model 6048T USA, 1981 Knoll International stainless steel, safety glass 48 w 48 d h inches $7,000 9,000 LITERATURE: Knoll Design, Larrabee and Vignelli, ppg Knoll Studio Price List, 1988, pg. 190

94 249 Ettore Sottsass Menta totem Italy, c.1965/1985 Bitossi for Mirabili glazed ceramic, lacquered wood 19 w 19 d h inches This work was conceived by Ettore Sottsass between 1965 and 1969 and realized in 1985 by Bitossi Montelupo Fiorentino to be distributed by Mirabili, Italy. This work is number 14 from the edition of 20. Signed with applied brass manufacturer s label to pedestal: [Sottsass Menta 14/20 Mirabili Italy].Signed with stamped manufacturer s mark to support: [Sottsass Mirabili S.R.L.]. $20,000 30,000 LITERATURE: Ettore Sottsass: Tutta la Ceramica, Ferrari, pg. 139 Ettore Sottsass Jun.: Designer, Artist, Architect, Höger, pg Pierre Paulin Rare Relax chaise lounge France/The Netherlands, 1968 Artifort Kvadrat Tempo 550 upholstery over foam and steel, lacquered wood 70 w 23 d 23 h inches $10,000 15,000 LITERATURE: Pierre Paulin Le Design au Pouvoir, Albanel, pg. 37 PROVENANCE: Purchased in Brooklyn, NY in 1968 by the present owners

95 251 Wendell Castle Baby Molar chairs, set of three USA, 1969 gel-coated fiberglass, rubber 17 w 19 d 18.5 h inches $3,000 5,000 LITERATURE: Wendell Castle: A Catalogue Raisonné , Eerdmans, ppg Wendell Castle rare coffee table USA, 1969 gel-coated fiberglass 40 w 34.5 d h inches Fewer than twenty-four examples of the Molar Group coffee table were produced. Signed with molded manufacturer s mark to underside: [WC]. $7,000 9,000 LITERATURE: Wendell Castle: A Catalogue Raisonné , Eerdmans, pg. 74 Auto Plastic: Wendell Castle , exhibition catalog, unpaginated

96 253 Marc Newson Coast chairs, pair Australia/Italy, 1995 Magis ash, foam rubber w 20 d h inches $7,000 9,000 LITERATURE: Marc Newson, Rawsthorn, ppg , 215 Marc Newson, Morgan, ppg. 128, 130

97 The Micarta table is a continuation of the seamless aesthetic Marc Newson introduced to his oeuvre more than two decades earlier and exemplified by seminal designs such as the Lockheed Lounge (1984), Black Hole table (1988) and Event Horizon table (1992). Unike the precursors that were made of common materials like aluminum and carbon fiber, the pieces from the Micarta line are made, as the title suggests, of micarta, a composite epoxy laminate frequently used in industrial applications. Produced in a limited edition, the Micarta works were presented at Gagosian Gallery in The present lot is number 3 from the edition of 10. It was acquired directly from Gagosian Gallery by the present owner. marc newson micarta table

98 254 Marc Newson Micarta table Australia, 2007 linen phenolic composite, aluminum 76 w 35.5 d 29.5 h inches This work is number 3 from the edition of 10. Signed with applied metal manufacturer s label to underside: [Micarta Table Marc Newson 3/10]. $70,000 90,000 PROVENANCE: Gagosian Gallery, New York Acquired from the previous by the present owner

99 255 Joe Colombo Tube chair Italy, 1969 Flexform Arcipiuma plastic with foam and vinyl upholstery, steel and rubber clips 24 w 44 d 24 h inches Sold with original Flexform canvas bag. Signed with printed manufacturer s mark to canvas bag: [Tube Chair Design: Joe Colombo Flexform]. $5,000 7,000 LITERATURE: Joe Colombo and Italian Design of the Sixties, Favata, ppg Italy: The New Domestic Landscape, Ambasz, pg. 116 Italienisches Möbeldesign: Klassiker von 1945 bis Bangert, pg. 103

100 256 Willy Rizzo TRG bar table France, c.1970 stainless steel, laminate, aluminum 45 dia 14.5 h inches $4,000 6,000 LITERATURE: Underground Interiors: Decorating for Alternative Lifestyles, Skura and Gili, pg Shigeru Uchida Nirvana chair Japan, 1981 Chairs enameled steel, brass-plated steel 34 w 27 d 26.5 h inches $5,000 7,000 LITERATURE: Designed for Delight, Eibelberg, pg. 117 PROVENANCE: Private collection, Japan Private collection

101 258 Sol LeWitt dining table USA, 1998 enameled steel, glass w d 30 h inches This work is from the edition of 10 produced by the Renaissance Society, Chicago. $20,000 30,000 PROVENANCE: Collection of Lewis and Susan Manilow, Chicago

102 259 Maison Jansen lounge chairs, pair France, c.1970 leather, matte chrome-plated steel 37 w 35 d 26 h inches $7,000 9, Roberto Menghi rare table lamp Italy, 1968 Venini glass, nickel-plated brass 15 dia 17.5 h inches Signed with impressed manufacturer s mark to underside of base: [Venini Murano Made in Italy]. $3,000 5,000

103 261 Arik Levy Log Mesh Israel/France, 2008 stainless steel grid w 30 d 17.5 h inches This work is number 1 from the edition of 5. Signed with metal studio label to frame: [A. Levy Log Grid]. $7,000 9,000 LITERATURE: Arik Levy: Absent Nature, Mark Rappolt, ppg Maarten van Severen K93 Storage cabinet Belgium, 1993 Maarten van Severen Meubelen extruded aluminum w d h inches Cabinet features a single sliding door and three shelves. $10,000 15,000 LITERATURE: Maarten Van Severen-Werken Work, Bucquoye and Daenens, ppg , 251 PROVENANCE: Wright, Important Design, 13 December 2012, Lot 420 Private collection

104 263 After Joan Miro Spanish Dancer tapestry Spain, c.1965 hand-woven wool 60 w 78.5 l inches Woven signature to reverse: [J. Miro]. $3,000 5,000 LITERATURE: Contemporary French Tapestries, Constantine, pg Elizabeth Garouste and Mattia Bonetti Mars sofas, pair France, 1989 BGH Editions velvet, silver-plated brass, bronze 59 w 31 d 35 h inches $10,000 15,000 LITERATURE: Garouste & Bonetti, Buck and Vogt, pg. 49 PROVENANCE: Private collection, Europe Sotheby s, New York, Important 20th Century Design, 18 December 2004, Lot 758 Private collection, New York

105 265 Robert Venturi Chippendale chairs, pair USA, 1985 Knoll International laminate over plywood w 24.5 d 37.5 h inches This pair of chairs features the Grandmother pattern designed by Denise Scott Brown. Signed with applied manufacturer s mark to underside of each chair: [Distributed by Knoll International, Inc. 655 Madison Ave, New York, NY]. $5,000 7,000 LITERATURE: Out of the Ordinary: Robert Venturi, Denise Scott Brown and Associates, Brownlee, DeLong and Hiesinger, pg Gaetano Pesce Prospect Park prototype chair Italy, resin, aluminum 22.5 w 19.5 d 33 h inches This work is one of twelve examples created during a study of the molding process; no two examples are alike $5,000 7,000 PROVENANCE: Phillips, New York, 26 April 1999, Lot 140 Private collection

106 267 Novello Finotti Fausto stool Italy, 1972 Simon Gavina cast bronze, lamb s wool 12 w 9 d 18.5 h inches $5,000 7,000 LITERATURE: Simon, manufacturer s catalog, pg Novello Finotti Fausto stool Italy, 1972 Simon Gavina cast bronze, fur 12 w 9 d 18.5 h inches $5,000 7,000 LITERATURE: Simon, manufacturer s catalog, pg. 20

107 269 Louis Durot L Echasuffesuse sofa France, c.1978 polyurethane, foam 68 w 49 d 23 h inches This work is one of two internally illuminated examples of this form. $5,000 7,000 LITERATURE: Polyurethannes: Louis Durot, Rodriguez, unpaginated 270 Hubert Le Gall Baleine chairs, pair France, 2004 upholstery 27.5 w 33 d h inches $7,000 9,000 PROVENANCE: Acquired directly from the artist Private collection

108 271 Louis Durot chair France, c.1975 polyurethane w 37 d 41 h inches $3,000 5,000 PROVENANCE: Collection Alan Counord, Paris Private collection, New York 272 Louis Durot Langue Assuse lounge chair France, c.1972 lacquered polyurethane 20 w 32 d 37.5 h inches $3,000 5,000 LITERATURE: Louis Durot: Polyurethannes, Rodriguez, unpaginated, illustrates similar form

109 273 Dale Chihuly Lucky Green Macchia with Crimson Lip Wrap from the Seaforms series USA, 2002 glass 15 w 13 d 9.5 h inches Incised signature and date to underside of smaller element: [Chihuly 02]. Sold with a photocopy of the original invoice. $5,000 7,000 PROVENANCE: Foster/White Gallery, Seattle Collection of Fern and Manfred Steinfeld, Chicago

110 274 Dale Chihuly Allure Blue Basket Set wtih Black Lip Wrap USA, 2000 glass 9 w 8 d 9.5 h inches Incised signature and date to underside of one element: [Chihuly 00]. Sold with a photocopy of the original invoice. $3,000 5,000 LITERATURE: Chihuly Baskets, Norden, pg. 56 illustrates similar examples PROVENANCE: Foster/White Gallery, Seattle Collection of Fern and Manfred Steinfeld, Chicago 275 Dale Chihuly Clover Pink Macchia with Leaf Green Lip Wrap from the Seaform series USA, 2002 glass 10 dia 9.5 h inches Incised signature and date to underside: [Chihuly 02]. Sold with a photocopy of the original invoice. $3,000 5,000 PROVENANCE: Foster/White Gallery, Seattle Collection of Fern and Manfred Steinfeld, Chicago

111 276 Vasa (Velizar Mihich) #1394 (five columns) USA, 1979/1983 acrylic, laminated wood 76 h 12 D 40 w inches Incised signature and date to edge of one column: [#1394 Vasa 79]. Incised signature and date to edge of one column: [Vasa 83]. This work originally consisted of four columns; the fifth column was added by the artist in Wright would like to thank the artist for his assistance in cataloging this work. $20,000 30,000 PROVENANCE: Acquired directly from the artist Private collection, PA Private collection vasa The following eight lots come from the private collection of two Pennsylvania collectors. Good friends with Vasa, the collectors acquired works over the course of twenty-five years directly from the artist.

112 277 Vasa (Velizar Mihich) #1076 (four columns) USA, 1977 acrylic h 1.75 d 4.25 w inches Incised signature and date to edge of one column: [#1076 Vasa 77]. Wright would like to thank the artist for his assistance in cataloging this work. $5,000 7,000 PROVENANCE: Acquired directly from the artist Private collection, PA Private collection 278 Vasa (Velizar Mihich) #2282 (sphere) USA, 1984 acrylic 5 dia inches Incised signature and date: [#2282 Vasa 84]. Wright would like to thank the artist for his assistance in cataloging this work. $1,000 1,500 PROVENANCE: Acquired directly from the artist Private collection, PA Private collection

113 279 Vasa (Velizar Mihich) Untitled (triangle) USA, 2000 acrylic 6.5 h 11 w 1.25 D inches Incised signature and date to edge: [Vasa 2000]. Wright would like to thank the artist for his assistance in cataloging this work. $ PROVENANCE: Acquired directly from the artist Private collection, PA Private collection 280 Vasa (Velizar Mihich) #2129 (four columns) USA, 1983 acrylic 24 h 5 w 2.5 d inches Incised signature and date to edge of one example: [#2129 Vasa 83]. Incised signature and date to edge of three examples: [Vasa 83]. Wright would like to thank the artist for his assistance in cataloging this work. $5,000 7,000 PROVENANCE: Acquired directly from the artist Private collection, PA Private collection

114 281 Vasa (Velizar Mihich) Untitled (pyramid) USA, 2005 acrylic 4.25 h 5 w 5 d inches Incised signature and date to edge: [Vasa 2005]. Wright would like to thank the artist for his assistance in cataloging this work. $ PROVENANCE: Acquired directly from the artist Private collection, PA Private collection 282 Vasa (Velizar Mihich) Untitled (column) USA, 2002 acrylic 14 h 5.5 w 2 D inches Incised signature, date and number to lower edge: [E/25 Vasa 2002]. Wright would like to thank the artist for his assistance in cataloging this work. $1,500 2,000 PROVENANCE: Acquired directly from the artist Private collection, PA Private collection

115 283 Vasa (Velizar Mihich) Untitled (ten cubes) USA, 1983 acrylic 2 H 2 W 2 D inches Incised signature and date to one cube: [Vasa 83]. Wright would like to thank the artist for his assistance in cataloging this work. $1,000 1,500 PROVENANCE: Acquired directly from the artist Private collection, PA Private collection 284 Feliciano Béjar Caja De Jano Mexico, 1970 cut glass, stainless steel h w d inches Incised signature and date to edge: [Feliciano Bejar 70]. Signed with applied paper gallery label to underside: [Summa Arts No C, Precio: 44,000, Autor: Feliciano Bejar, Titulo: Caja De Jano, Technica: Acero Y Cristal]. $2,000 3,000 PROVENANCE: Collection of Fern and Manfred Steinfeld, Chicago

116 terms & conditions of the sale Each Lot in a Wright Auction or Wright Catalogue is offered subject to the following Terms and Conditions of Sale ( Terms ), as supplemented in writing or otherwise by us at any time prior to the sale. By Registering to Bid, Bidding, or otherwise purchasing a Lot from Wright, you agree to be bound by these Terms. In these Terms, we, us, our, Wright or similar terms mean R. Wright, Inc. and any of its agents, and you, your, buyer or similar terms mean a person Bidding on or buying a Lot at a Wright Auction, Private Sale, Wright Now Sale or otherwise through us. Please see Section 9 below for the meanings of capitalized terms or phrases that are not defined elsewhere in these Terms. 1 Bidding at Auction Prerequisites To Bid, you must Register to Bid with us in advance of the sale. In addition to our general registration requirements, we reserve the right to require photo identification and bank references. Assumed Costs and Risks By Bidding, you understand that any Bid you submit can and maybe regarded as the Purchase Price Bid for a particular Lot; accordingly, your Bid constitutes a legally binding agreement to purchase the Lot in accordance with your Bid if accepted by the auctioneer. You agree to assume personal responsibility to pay the Purchase Price Bid, plus the Buyer s Premium and any additional charges that become due and payable in connection with your purchase of a Lot; and that upon the fall of the auctioneer s hammer or other indication by the auctioneer that bidding has closed for a particular Lot, if your last Bid is the Purchase Price Bid, you agree to purchase the Lot and assume all risk of loss and damage to such Lot, in addition to any obligations, costs and expenses relating to its handling, shipping, insurance, taxes and export. Auctioneer Discretion The auctioneer has the right, in his absolute discretion, to determine the conduct of any Wright Auction sale, including, without limitation, to advance the bidding, to reject any Bid offered, to withdraw any lot, to reoffer and resell any lot, and to resolve any dispute in connection with such sale. In any such case, the judgment of the auctioneer is final, and shall be binding upon you and all other participants in such sale. Bidding Increments All Wright Auction sales will be conducted in the following increments, and nonconforming Bids will not be executed, honored or accepted: $ 25 to 500 $ 25 increment $ 500 to 1, 000 $ 50 increment $ 1, 000 to 2, 000 $ 100 increment $ 2, 000 to 3, 000 $ 200 increment $ 3, 000 to 5, 000 $ 250 increment $ 5, 000 to 10, 000 $ 500 increment $ 10, 000+ $ 1, 000 increment or auctioneer s discretion Reserve All Lots may be offered subject to a confidential minimum price below which the Lot will not be sold (the Reserve ). The auctioneer may open the bidding on any lot below the Reserve by placing a Bid on behalf of the Seller. The auctioneer may continue to Bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive Bids or by placing Bids in response to other bidders. Remote Bidding As a convenience to buyers who cannot be present on the day of a Wright Auction and have Registered to Bid, we will use reasonable efforts to execute (i) written, properly completed absentee Bids described on Wright bid forms delivered to us prior to that sale; or (ii) Bids delivered to us via the Internet, whether by properly completed Wright absentee bid forms or, if available, a live bidding service authorized by Wright. We assume no responsibility for a failure to execute any such Bid, or for errors or omissions made in connection with the execution of any such Bid. If requested prior to a Wright Auction in writing, we will use reasonable efforts to contact the buyer by telephone to enable the buyer to Bid by telephone on the day of the sale, but we assume no responsibility for errors or omissions made in connection with any such arrangement (including without limitation miscommunication of instructions given over the phone or failure to establish a connection prior to a sale). You acknowledge that there may be additional terms and conditions governing the use of any third-party service in connection with Bidding on the Internet, including, but not limited to, those providing for additional charges and fees relating to the execution of such Bids. Wright has no control over, and assumes no responsibility for, the content, privacy policies, or practices of any third party websites or services. You expressly release Wright from any and all liability arising from your use of any third-party website or services. Additionally, your dealings with such third party sites, including payment and delivery of goods, and any other terms (such as warranties) are solely between you and such third parties. We encourage you to be aware of, and to read, the terms and conditions and privacy policy of any third-party website or service that you visit. 2 Payment for and Collection of Purchases You Pay Buyer Costs If your Bid results in a Purchase Price Bid (or you agree to pay the purchase price for a Lot as a part of a Wright Now Sale or Private Sale), you agree to pay the following charges associated with the purchase of such Lot: i. Hammer Price (for Auction Sales) or Lot purchase Price (for Wright Now Sales and Private Sales);ii. Buyer s Premium (for Auction Sales) which is 25 % of the Hammer Price (or part thereof) up to and including $ 100, 000; 20 % of the Hammer Price (or part thereof) in excess of $ 100, 000 up to and including $ 1, 000, 000; and 12 % of the Hammer Price (or part thereof) in excess of $ 1, 000, 000. iii. any applicable sales tax, late payment charges, storage fees, Enforcement Costs or other costs, damages or charges assessed in accordance with these Terms (for all sales) ((i) (iii) collectively, the Buyer Costs ). All purchases will be subject to state sales tax in Illinois or New York unless the buyer has provided us with a valid certificate of exemption from such tax. Payment Procedure You agree to pay all Buyer Costs immediately following Wright s acceptance of the Purchase Price Bid unless other arrangements have been approved by Wright in advance. All payments must be made in US Dollars, in any of the following acceptable forms of payment: Cash Check, with acceptable identification Visa, MasterCard or American Express Title and Risk of Loss Title to a Lot purchased in accordance with these Terms shall not pass to the buyer until Wright has received the Buyer Costs (including clearance of checks and wire transfers). We reserve the right to delay delivery of or otherwise prevent access to any purchased Lot until Wright has received all Buyer Costs. Notwithstanding passage of title, risk of loss to a Lot passes immediately to buyer upon Wright s acceptance of a Purchase Price Bid. Security As security for full payment to us of all amounts due from the buyer and prompt collection of your purchased Lots in accordance with these Terms, we retain, and the buyer grants to us, a security interest in any Lot purchased by the buyer in accordance with these Terms (and any proceeds thereof), and in any other property or money of the buyer in our possession or coming into our possession subsequently ( Security Interest ). We may apply any such money or treat any such property in any manner permitted under the Uniform Commercial Code and/or any other applicable law. Upon request, you will sign and promptly return any documents sought by us to protect and confirm our interests including but not limited to a UCC-1 Financing Statement. Export, Import and Endangered Species Licenses and Permits Before bidding for any property, prospective buyers are advised to make their own inquiries as to whether a license is required to export a lot from the United States or to import it into another country. Prospective buyers are advised that some countries prohibit the import of property made of or incorporating plant or animal material, such as coral, crocodile, ivory, whalebone, Brazilian rosewood, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value. Accordingly, prior to bidding, prospective buyers considering export of purchased lots should familiarize themselves with relevant export and import regulations of the countries concerned. It is solely the buyer s responsibility to comply with these laws and to obtain any necessary export, import and endangered species licenses or permits. Failure to obtain a license or permit or delay in so doing will not justify the cancellation of the sale or any delay in making full payment for the lot. As a courtesy to clients, Wright will advise clients who inquire about lots containing potentially regulated plant or animal material, but we do not accept liability for errors or for failing to advise on lots containing protected or regulated species. Delivery Buyer is solely responsible for collection of purchased Lots from Wright facilities, including making arrangements and paying all costs associated with packing and delivery. We may, as a courtesy to the buyer, provide or arrange packing, shipping or similar logistical services, or refer the buyer to third parties who specialize in these services. Any such services referred, provided or arranged by us are at the buyer s sole risk and expense, we assume no responsibility for any act or omission of any party in connection with any such service or reference, and we make no representations or warranties regarding such parties or their services. You expressly release Wright from any and all liability arising from your use of any third-party website or services. Storage, Abandonment and Related Charges All purchased Lots not collected from Wright s facilities by buyer or buyer s authorized agents within thirty (30) days following the Sale Date will become subject to storage fees of not less than $ 5 per day. A late payment fee equal to 1.5 % per month may be assessed on any Buyer Costs remainingx unpaid thirty (30) days following the Sale Date. If a purchased Lot has not been collected from us within sixty (60) days after the Sale Date, and Wright has not consented to continue to store the Lot, the buyer will be deemed to have defaulted under these Terms, and, in addition to any other remedies we may have at law or equity, we shall be entitled to foreclose on the Security Interest by selling such Lots and using the proceeds from such sale for any purpose (including payment of storage fees and administrative expenses of handling such matter), without any further liability to the buyer. You agree that this remedy is reasonable in light of the costs Wright would have to incur to continue to store and process purchased Lots after sale. Breach If a buyer fails to make timely payment as required in these Terms, or breaches any other covenant, representation or warranty in this Agreement, we shall be entitled, in our discretion, to exercise any remedies legally available to us, including, but not limited to, the following: i. cancellation of the sale of the Lot to the non-paying buyer, including the sale of any other Lot to the same buyer (whether or not paid); ii. reselling the Lot, at public or private sale, with or without reserve; iii. retention of any amounts already paid by the buyer as a processing fee (which you acknowledge would be reasonable in light of the costs Wright would have to incur to process your breach and attempt to re-auction or resell the Lot); iv. rejection of any Bids by the buyer at future auctions; v. setting-off any amounts owed by Wright to the buyer in satisfaction of unpaid amounts; and/or vi. taking any other action we deem necessary or appropriate under the circumstances. 3 Limited Warranty As Is, Where Is. Except as expressly stated below, each Lot is sold as is where is, with no representation or warranty of any kind from any party (including Wright or the consignors of the Lots), express or implied, including warranties of merchantability, fitness for a particular purpose and non-infringement. Because you are responsible for satisfying yourself as to condition or any other matter concerning each purchased Lot, you are advised to personally examine any Lot on which you intend to bid prior to the auction and/or sale. As a courtesy, condition reports for any Lot are available from Wright prior to the sale, but Wright assumes no responsibility for errors and omissions contained in any such report, a Wright Catalogue or other description of a Lot that may be available on the Wright website. Any statements made by Wright with respect to a Lot (whether in a condition report, a Wright Catalogue or on the Wright website), whether orally or in writing, are intended as statements of opinion only, are not to be relied upon as statements of fact and do not constitute representations or warranties of any kind. Authorship Warranty Subject to the following terms and conditions, Wright warrants, for a period of two (2) years following the date of sale, the information presented in a Wright Catalogue with respect to Authorship of any Lot is true and correct, so long as the name of the Author is set forth unqualifiedly in a heading in Bold type in the applicable and most current Wright Catalogue. The term Author or Authorship means the creator, designer, culture or source of origin of the property, as the case may be, as specifically identified in Bold type in the applicable and most current Wright Catalogue, and shall not include any supplemental text or information included in any other descriptions (whether or not in the Wright Catalogue). Exclusions from and Conditions to the Authorship Warranty Notwithstanding, this warranty is subject to the following: i. The benefits of this warranty are only available to the original buyer of a Lot from Wright, and not to any subsequent purchasers, transferees, successors, heirs, beneficiaries or assigns of the original buyer. ii. This warranty shall not apply to any Lot for which a Wright Catalogue description states that there is a conflict of opinion among specialists as to Authorship. iii. This warranty shall not apply to any Lot for which, at the time of sale, the statements regarding Authorship made by Wright conformed with the generally accepted opinion of scholars, specialists or other experts, despite the subsequent discovery of information that modifies such generally accepted opinions. iv. The buyer must provide written notice of any claim under this warranty to Wright (validated by no fewer than two (2) written opinions of experts whose principal line of business is the appraisal and authentication of art, antiquities, design objects or other valuable objects similar to the Lot) not later than thirty (30) days after becoming aware of the existence of such a claim, an in any event no later than two (2) years following the date of sale, and must return the Lot subject to such claim to Wright in the same condition as at the time of the original sale. Wright reserves the right to appoint two independent specialists to examine the Lot and evaluate the buyer s claim prior to buyer s receipt of any remedy pursuant to this warranty. Buyer s Only Remedy for Authorship Warranty Breach The buyer s sole remedy, and Wright s sole liability, under this warranty shall be the cancellation of the sale of the Lot in question, or (if the sale has already concluded) the refund of the purchase price originally paid by such buyer for the Lot in question (not including any late fees, taxes, shipping, storage or other amounts paid to Wright in accordance with these Terms). Buyer hereby waives any and all other remedies at law or equity with respect to breaches of this warranty. Limit of Liability In no event shall wright be liable to you or any third party for any consequential, exemplary, indirect, special, punitive, incidental or similar damages, whether foreseeable or unforeseeable, regardless of the cause of action on which they are based, even if advised of the possibility of such damages occurring. With respect to any sale of a lot, in no event shall wright be liable to you or any third party for losses in excess of the purchase price paid by you to wright for such lot to which the claim relates.

117 4 Rescission or Voiding of Sale by Wright If we become aware of an adverse claim of a third party relating to a Lot purchased by you, we may, in our discretion, rescind the sale. Upon notice of our election to rescind a sale, you will promptly return such Lot to us, at which time we will refund to you the Hammer Price and Buyer s Premium paid to us by you for such Lot. This refund will represent your sole remedy against us and/or the consignor in case of a rescission of sale under this paragraph, and you agree to waive all other remedies at law or equity with respect to the same. If you do not return such Lot to us in accordance with this paragraph, you agree to indemnify, defend and hold Wright, its officers, directors, employees, agents and their successors and assigns, harmless from any damages, costs, liabilities or other losses (including attorney s fees) arising as a result of such third party claim. 5 Copyright Notice Wright and its licensors will retain ownership of our intellectual property rights, including, without limitation, rights to the copyrights and trademarks and other images, logos, text, graphics, icons, audio clips, video clips, digital downloads in, and the look and feel of, the Wright website and each Wright Catalogue. You may not obtain any rights of ownership, use, reproduction or any other therein by virtue of these Terms or purchasing a Lot. You may not use any of our trademarks or service marks in any way. 6 Severability If any provision of these Terms is held by any court to be invalid, illegal or unenforceable, the invalid/ illegal/unenforceable aspect of such provision shall be disregarded and the remaining Terms enforced in accordance with the original document and in accordance with applicable law. 7 Governing Law These Terms shall be governed by and interpreted in accordance with the law of the State of Illinois and, by Registering to Bid or Bidding in the Wright Auction (whether personally, by telephone or by agent), the you agree to submit to the exclusive jurisdiction of the state and federal courts located in Cook County, Illinois in connection with any matter related to these Terms, the Wright Auction or other sale of a Lot to you by Wright. 8 Expenses In addition to the foregoing, you agree to pay to Wright or Seller on demand the amount of all expenses paid or incurred by Wright and Seller, including attorneys fees and court costs paid or incurred by Wright or Seller in exercising or enforcing any of its rights hereunder or under applicable law, together with interest on all such amounts at 1.5 % per month (the Enforcement Costs ) within thirty (30) days of the buyer s receipt of Wright s invoice for such Enforcement Costs. 9 Definitions The following terms have the following meanings: Author and Authorship have the meanings given in Section 4. Bidding, Bid or place a Bid means a prospective buyer s indication or offer of a price he or she will pay to purchase a Lot at a Wright Auction which conforms with the provisions of Section 2. Buyer Costs has the meaning given in Section 3. Buyer s Premium means the following for any Lot: (i) 25 % of the Hammer Price (or part thereof) up to and including $ 100, 000; (ii) 20 % of the Hammer Price (or part thereof) in excess of $ 100, 000 up to and including $ 1, 000, 000; and (iii) 12 % of the Hammer Price (or part thereof) in excess of $ 1, 000, 000. Hammer Price means the price for a Lot established by the last bidder and acknowledged by the auctioneer before dropping the hammer or gavel or otherwise indicating the bidding on such Lot has closed. Lot means the personal property offered for sale by Wright, whether at a Wright Auction, Private Sale, Wright Now Sale or otherwise. Passed Lot is a Lot which does not reach its reserve or otherwise fails to sell at a Wright Auction. Private Sale is a non-public, discrete sale of a Lot (such Lot typically not being exhibited by Wright). Purchase Price Bid means the bid submitted by a Buyer for a Lot which is accepted as the Hammer Price, or in the case of Private Sales or Wright Now Sales, the price accepted by Wright for the sale of such Lot. Register to Bid or Registering to Bid means providing Wright with your complete, accurate contact information (including address, phone and ) and a current, valid credit card number (including security code), and (i) in the case of phone or absentee bidders, a properly completed Wright bid form and (ii) in the case of online bidders, registration with such authorized third-party online auctioneer service providers described on our website on the How to Bid page. Reserve has the meaning given in Section 2. Sale Date means, in the case of Wright Auctions, the date of the closing of bidding for a particular Lot and acceptance of the Purchase Price Bid for such Lot; in the case of all other sales by Wright, the date Wright agrees in writing to sell a Lot to a buyer. Security Interest has the meaning given in Section 3. Seller means the owner of a Lot offered for sale at a Wright Auction, Private Sale, Wright Now Sale or other sale administered by Wright. Terms has the meaning given in the Introduction to this Agreement. Wright Auction means the sale of Lots to the public through competitive bidding administered by Wright (including sales administered through a third-party Internet auctioneer authorized by Wright). Wright Catalogue means the design catalogues published by Wright which features Lots available at particular Wright Auctions. Wright Now Sale is a sale of a Lot consigned to Wright by a third party, either posted on Wright s website directly or solicited after a Lot fails to sell at auction. index A Adler, Dankmar 126 Adnet, Jacques 239 Arbus, André 236 Arlus 246 Arredoluce 176 b Barovier, Ercole Béjar, Feliciano 284 Bertoia, Harry 117, Bonetti, Mattia 264 Borsani, Osvaldo 185 Brandt, Edgar 233 c Cabat, Rose & Erni 123 Caccia Dominioni, Luigi 162, 189 Campo, Franco 183 Castle, Wendell Chale, Ado 224 Chareau, Pierre 231 Chiesa, Pietro 191 Chihuly, Dale Colombo, Joe 253 d D Albisola, Tullio 190 D Urso, Joseph Daro, Willy 242 de Carli, Carlo , 166, 167 de Swart, Jan 124 Dessau, Ingrid 208 Diugheroff, Nicolai 190 Dubé 164 Durot, Louis 269, e Eames, Charles and Ray Evans, Paul 225, 228 f Falkenstein, Claire 205 Finotti, Novello Fontana Arte 173, 175 Fornaroli, Antonio Frankl, Paul 237 g Garland 135 Garouste, Elizabeth 264 Gorham Silver Company 142 Graffi, Carlo 183 Gropius, Walter 130 h Heckscher, Christian 245 i Ingrand, Max 164, , 172, 180, 188 j Jacobsen, Arne 209 Jeanneret, Pierre , 109, 111, Jenazi 227 Jennewein, Carl Paul 140 Johnson and Richard Kelly, Philip 202 Juhl, Finn 210 k Kjaerholm, Poul 207 l Landrum, Darrell 200 LaVerne, Philip and Kelvin 226, 235 m Maison Jansen 257 Martens, Dino 168 Martinuzzi, Napoleone 187 Matégot, Mathieu 107 McArthur, Warren 143, 144 Menghi, Roberto 258 Miro, Joan 263 Mondrian, Piet 128 Mouille, Serge 100, 102, 108, 112 n Nakai, Taichiro 206 Nakashima, George , 118 Newson, Marc Nilsson, Barbro , 218 Noguchi, Isamu , 201 P P.S. Heggen 215 Parisi, Ico and Luisa 150, 161, 182, 193 Parzinger, Tommi 240 Paulin, Pierre 248 Perriand, Charlotte 104, 110 Pesce, Gaetano 266 Platner, Warren 229 Ponti, Gio , , , 163, 165, 174, 177 Prouvé, Jean 101, 103 Pulitzer, Gustavo 171 r Richter, Marianne 216 Rietveld, Gerrit 129 Rizzo, Willy 254 Rosselli, Alberto s Sarfatti, Gino 151, 155, 178 Scarpa, Carlo 184, 192 Seguso Vetri d Arte 160 Shoemaker, Don 244 Sornay, André 232 Sottsass, Ettore 247 Springer, Karl 238 Steiner, Rudolph 234 Studio BBPR 152 Studio PFR Sullivan, Louis 126 t Tavannes Watch Company 141 Thompson, Ben 130 Tloupas, Philolaos U Uchida, Shigeru 255 Ulrich, Guglielmo 179 V van Severen, Maarten 262 Vasa (Velizar Mihich) Vautrin, Line 241 Venturi, Robert 265 w Wegner, Hans Wormley, Edward 217 Wright, Frank Lloyd 125, 127 y Yanagi, Sori Le Gall, Hubert 270 Lelli, Angelo 181, 186 Levy, Arik 261 LeWitt, Sol 256

118 contact Richard Wright President Jennifer Mahanay ART DIRECTOR Michael Jefferson Senior vice president Annaka OLSEN Graphic Designer brent Lewis director, New york LUCAS ALBRECHT Graphic Designer Kelli Thoma LENOX Director of Operations kinney sheth Graphic Designer Peter Jefferson Specialist TODD SIMEONE image production Cornelia van der geest Specialist mason kessinger web developer harrison tenzer specialist DEVIN EHRENFRIED Photographer emilie sims editor and chief Researcher ROSS FLOYD Photographer Wright 1440 west hubbard Street chicago illinois t Madison Avenue New York New york t wright20.com clare meyer registrar cmeyer@wright20.com melissa riddle director of wright now mriddle@wright20.com Meghan mccarthy client services, new york MMCCARThy@wright20.com jean martin CLIENT ACCOUNTS clientaccounts@wright20.com Charles Meadows Director of Property and Transport cmeadows@wright20.com Alexa detogne Client Services and Logistics adetogne@wright20.com Denia Garcia art and property handler dgarcia@wright20.com ANDREW REICHOLD art and property handler areichold@wright20.com IAN Barnard art and property handler ibarnard@wright20.com Jordan Broeker art and property handler jbroeker@wright20.com Bid Department t F bid@wright20.com request condition Reports t condition@wright20.com 2015 Wright ISBN Visit our website to order or subscribe to our catalogs Richard Wright Auctioneer Illinois No

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