CONNECTING CREATIVE ECOSYSTEMS

Transcription

1 CONFERÊNCIA INTERNACIONAL CONNECTING CREATIVE ECOSYSTEMS ÉVORA 7/8 JUN 2017 Presenta>on by Federica Candelaresi General Secretary of BJCEM - Biennale des jeunes créateurs de l Europe et de la Méditerranée

2 BJCEM is a non profit interna=onal organisa=on founded in 2001 in Sarajevo. The aims of the Associa>on are to create opportuni=es for mobility, exchange and learning for young creators, as well as to support them to produce and showcase their works. BJCEM is an independent Network, open to anyone who shares its aims and interests without cultural, religious, poli>cal, social or moral dis>nc>ons. Lorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diam nibh euismod >ncidunt ut laoreet dolore magna aliquam erat volutpat. Ut wisi enim ad minim veniam, quis nostrud exerci ta>on ullamcorper suscipi

3 BJCEM Network The Network is made of 59 members from 21 Countries gathering together public bodies, state departments, founda>ons, municipali>es, independent associa>ons and cultural ins>tu>ons. BJCEM is member of the Anna Lindh Founda=on and of the Culture Ac=on Europe network. The Network is present in the following countries: Albania, Bosnia and Herzegovina, Croa>a, Cyprus, Egypt, France, Greece, Italy, Lebanon, Malta, Morocco, Montenegro, Pales>ne, Portugal, Republic of San Marino, Serbia, Slovenia, Spain, Tunisia, Turkey and UK. BJCEM cooperates with external partners in Austria, Israel and Kosovo.

4 BJCEM ac>vi>es: the Biennale BJCEM organizes the Biennale of Young Ar=sts from Europe and the Mediterranean, gathering together hundreds of young ar>sts in a different city of the Network. An event where young talents in various disciplines, such as cinema, music, gastronomy, visual art, theatre, dance, literature, can meet and promote their art. In its 30-years history, BJCEM promoted 18 Biennials, involving more than young ar=sts and over visitors: Barcelona (1985 and 1987), Thessaloniki (1986), Bologna (1988), Marseille (1990), Valencia (1992), Lisbon (1994), Turin (1997), Rome (1999), Sarajevo (2001), Athens (2003), Naples (2005), Puglia (2008), Skopje (2009), Thessaloniki/Rome (2011), Ancona (2013), Milan (2015), and Tirana/Durres (2017).

5 BJCEM is involved in ac>vi>es and BJCEM ac>vi>es: the collabora=ve projects projects aimed at suppor=ng young crea=vity and developing intercultural dialogue, exchange, mobility and learning opportuni>es for ar>sts coming from Europe and the Mediterranean basin, such as: research projects, residencies, workshops, exhibi>ons.

6 Collabora>ve project.01 A Natural Oasis? Supported by BJCEM in collabora>on with: Republic of San Marino Ministries for Educa>on and Culture; Cultural Ins>tutes; University of Republic of San Marino Municipality of Montegiardino Montenegro Ins>tute for Contemporary Art Republic of Malta Agenzija Zghazagh; Inizjamed Republic of Kosovo Stacion - Center for Contemporary Art Italy Viafarini Curated by Alessandro Cas>glioni and Simone Frangi. A two-year ( ) nomadic free school dedicated to the development of new curatorial research paths in the field of contemporary visual and performing arts star>ng from the geopoli>cal peculiari>es of the ar>s>c scenes of San Marino, Montenegro, Kosovo, and Malta. 8 young curators selected through an interna>onal call 4 research trips in San Marino, Montenegro, Kosovo, and Malta 1 publica>on Let Us Say This Again, Opaquely that includes cri>cal essays and inves>ga>ons developed by all the par>cipants of the program. The results were presented during Mediterranea 18 Young Ar>sts Biennale

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8 Collabora>ve project.02 Come un mare fuor d acqua Supported by BJCEM An ar>s>c project by Anna Raimondo Curatorial advice Marco Trulli A research path for the evidences of the presence of the aqua>c universe in the urban dimension that the ar>st Anna Raimondo carried out in different European countries. In Milan, she interviewed local inhabitants coming from different geographic and cultural horizons to reflect on their ideas of the sea, exploring their experiences, impressions and projec>ons. In Brussels, she rebuilds an aqua>c landscape through an acous>c parade that recalls the i>nerary of the river Senne. In Tuscia, Lazio, she met inmates of the prison of Viterbo and she focused on evoking melodies and memories related to the sea. The results were presented during Mediterranea 18 Young Ar>sts Biennale

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10 Collabora>ve project.03 Mediterranea Youth Photo Supported by BJCEM, in collabora>on with: Italy City of Reggio Emilia Fotografia Europea France Circula>on(s) Portugal Encontros da Imagem Curated by Daniele De Luigi Considering the necessity to tackle the issues of the Mediterranean area, Fotografia Europea and BJCEM have conceived Mediterranea Youth Photo, an interna>onal photography produc>on project that will involve two interna>onal fes>vals of Circula>on(s) in Paris (FRA) and Encontros Da Imagem in Braga (PR). 3 ar>sts selected through an interna>onal call 3 residencies in Italy, France and Portugal 3 original produc>ons showcased during Mediterranea 18 Young Ar>sts Biennale

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12 Collabora>ve project.04 Mediterranean landscapes Supported by BJCEM, in collabora>on with: Arci, Arci Lazio and Arci Liguria Skuc Associa>on Can>erid Arte RAJ Tunisie A-pois Associa>on Pelagica Under the patronage of Municipality of Viterbo, Genova, Sestri Levante, Tuscia University A traveling ar>st residency project based on the belief that the landscape significantly changes with people movement, constantly redefining itself with muta>ons of languages and ways of living. A research conducted outside the big urban centers, in the heart of the most mysterious gorges of Tuscia or in the Tigullio bunkers, represented a challenge for the ar>sts, and a reflec>on on the traces of Mediterranean iden>>es lep in these places. 5 ar>sts selected through an interna>onal call 3 residencies in Italy, and Slovenia 5 original produc>ons showcased during Mediterranea 18 Young Ar>sts Biennale Curated by Giudiqa Nelli, Pelagica (Laura Lecce and Fabrizio Va>eri), Marco Trulli

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14 Collabora>ve project.05 MOTEL TROGIR The East is west of the West Supported by BJCEM Curated by Nataša Bodrožić and the Motel Trogir team (Saša Šimpraga, Lidija Butković, Ivana Meštrov) The project is focused on the preserva>on and (re)evalua>on of the mid-20th century architectural heritage from the period of the Socialist Yugoslavia on the Adria>c coast (and beyond). The project is based on short term residency/study visit to two mid Dalma>an towns. This year s topic was to examine how the story appears, rela>ng it to the concrete context and the modernist built environment in mid Dalma>a. 5 ar>sts selected through an interna>onal call 1 residency/study visit in Croa>a 5 original produc>ons showcased during Mediterranea 18 Young Ar>sts Biennale

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16 Collabora=ve projects.final PRESENTATION 4-day event in Fabbrica del Vapore, to present the results of the collabora=ve projects developed during An event supported by the city of Milan, and by Crea>ve Europe, that brought in Milan 30 ar=sts and curators from more than 15 countries. They had the chance to present their projects in workshops, debates and lectures, and to meet local ar>sts. A catalogue was produced with the results of all the projects.

17 The event in Milan was also the occasion to launch and present to the public the incoming 18 edi=on of the Biennale, Mediterranea 18 Young Ar=sts Biennale

18 Mediterranea 18 Young Ar>sts Biennale The 18 edi>on of the Biennale, Mediterranean 18 Young Ar>sts Biennale, was hosted for the very first >me in Albania from May 4 to 9, in Tirana and Durres. An event promoted by BJCEM and organized by the Ministry of Culture of the Republic of Albania, in collabora=on with the Ci=es of Tirana and Durres, and Puglia Region.

19 Pre-Biennale in Bari, May 3, 2017 Mediterranean 18 was preceded by a pre- Biennial event in Bari on May 3rd. Over 120 ar>sts and 40 interna>onal guests aqended the theater performance Katër i Radës. Il Naufragio, produced by La Biennale Musica di Venezia and Can>eri Teatrali Koreja, directed by Salvatore Tramacere, music by Admir Shkurtaj and libreqo by Alessandro Leogrande. All ar>sts and guests were then carried on a ferry that took them from Bari to Durres. On board, they were involved in a unique conversa>on with interna>onal guests and ar>sts, around an artwork by Michelangelo Pistoleqo and Juan Sandoval, Mediterranean Sea - Love Difference Chairs", consis>ng of sixty chairs that together draw the outline of the Mediterranean Sea.

20 Mediterranea 18 Young Ar=sts Biennale Tirana&Durres 230 visual ar>sts, directors, writers, actors, musicians and designers from 18 to 34 years, coming from 22 countries, have been selected through an interna>onal call in the disciplines of: visual arts, applied arts, film, music, performance and literary crea>on. The ar>sts were invited to present their projects focusing on the "HOME" theme, elaborated by the Ar>s>c Director Driant Zeneli, who ar>culated it in four themes Story+Conflict+Dream+Failure=House.

21 The Curatorial Team comes from various countries and backgrounds, and bring with them valuable experience for cura>ng their respec>ve discipline. Ar>s>c Director: Driant Zeneli Applied Arts: Jonida Turani Visual Arts: Maja Ciric Performance: Ema Andrea Literary Crea>on: ALA Group/Maria Rosa Sossai Music: Alban Nimani&Rubin Beqo/ Tulla Center Film: Eroll Bilibani

22 Some of the loca>ons used to host Mediterranea 18 Young Ar>sts Biennale

23 Visual Arts

24 Applied Arts

25 Performance

26 Music

27 Film

28 Literary Crea>on

29 OBRIGADO Federica Candelaresi