DESIGN-LED PROTOTYPES. Forest and Wood Products Australia, Webinar Nicholas Williams, 25 th March 2014
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1 DESIGN-LED PROTOTYPES Forest and Wood Products Australia, Webinar Nicholas Williams, 25 th March 2014
2 A few of the many examples of architectural research pavilions utilising digital fabrication. Clockwise from top left: DFAB, ETH Zurich, The Sequential Wall 2; Block Research ETH Zurich Catalan Shell, Institute for Computational Design Stuttgart, Research Pavilions 2012,13 & 14, The Very Many, NonLin/Lin, Centre Pomidou, Alan Dempsey & Alvin Huang, AA, DRL 10 Pavilion., Neri Oxman, Silkworm Pavilion, MIT.
3 A few of the many examples of architectural research pavilions utilising digital fabrication. Clockwise from top left: DFAB, ETH Zurich, The Sequential Wall 2; Block Research ETH Zurich Catalan Shell, Institute for Computational Design Stuttgart, Research Pavilions 2012,13 & 14, The Very Many, NonLin/Lin, Centre Pomidou, Alan Dempsey & Alvin Huang, AA, DRL 10 Pavilion., Neri Oxman, Silkworm Pavilion, MIT.... leverage digital design and manufacturing for perceptual, spatial and formal effect. These projects centre on a mode of inquiry whose method of making ultimately informs the design aesthetic. - Lisa Iwamoto, Digital Fabrications, Pronceton Architectural Press, 2009
4 A few of the many examples of architectural research pavilions utilising digital fabrication. Clockwise from top left: DFAB, ETH Zurich, The Sequential Wall 2; Block Research ETH Zurich Catalan Shell, Institute for Computational Design Stuttgart, Research Pavilions 2012,13 & 14, The Very Many, NonLin/Lin, Centre Pomidou, Alan Dempsey & Alvin Huang, AA, DRL 10 Pavilion., Neri Oxman, Silkworm Pavilion, MIT. In architecture, digital fabrication technologies will not change building production without fundamental shifts in the social and market structures of design practice. - Kiel Moe, Automation Takes Command, 2006
5 EMERGING PRACTICES CONNECTING INDUSTRY
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7 Timber Sculpture, Waldstatt, Apenzell, CH
8 Timber Sculpture, Waldstatt, Apenzell, CH
9 Timber Sculpture, Waldstatt, Apenzell, CH
10 Timber Sculpture, Waldstatt, Apenzell, CH
11 Timber Sculpture, Waldstatt, Apenzell, CH
12 Forecourt Canopy, D1 Tower, Dubai
13 Forecourt Canopy, D1 Tower, Dubai
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16 Forecourt Canopy, D1 Tower, Dubai
17 Forecourt Canopy, D1 Tower, Dubai
18 Forecourt Canopy, D1 Tower, Dubai image:
19 Forecourt Canopy, D1 Tower, Dubai image:
20 Forecourt Canopy, D1 Tower, Dubai image:
21 PROTOTYPES
22 Nick Williams, Daniel Davis, Brady Peters, Alexander Pena de Leon, Jane Burry & Mark Burry
23 Image by Jane Burry
24 SmartGeometry 2011: Responsive Acoustic Surfaces
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41 Image courtesy of John Gollings
42 Image courtesy of John Gollings
43 Image courtesy of John Gollings
44 Image courtesy of John Gollings
45 Project Researchers: Nick Williams, SIAL, RMIT University Brady Peters, CITA, Copenhagen John Cherrey, School of Architecture and Design, RMIT Jane Burry, SIAL, RMIT University Mark Burry, Design Research Institute, RMIT University Daniel Davis, PhD Candidate, SIAL, RMIT University Alex Pena de Leon, PhD Candidate, SIAL, RMIT University Research Partners: Memko Pty Ltd Felicetti Pty Ltd School of Electrical & Computer Science, RMIT University AR-MA Pty Ltd Project Support: Design Research Institute, RMIT University Property Services Group, RMIT University The Independents' Group, SIAL, RMIT University The Australian Research Council through funding for the Discovery grant "Challenging the Inflexibility of the Flexible Digital Model". Project Sponsors: Woven Image Echopanel The Laminex Group Sapphire Anodising AR-MA Pty Ltd Prototyping Research Assistants: Nathan Crowe Dharman Gersch Arif Mohktar Costas Georges Andim Taip Marina Savochina Workshop Participants: Matthew Azzalin Aphiphong Chaitchavalit Jihun Kang Thippanawat Sunantachaikool Errol Xiberras Xuanqi Yang Lu Ping Tuyen Tran Ciara McGrath Frank Mwamba Robert Doe Tom Hammond Heike Rahmann Jeremy Ham Prototyping Support: Andrew Miller, SIAL, RMIT University Michael Wilson, SIAL, RMIT University Andrew Thompson, RMIT University Brad Marmion, RMIT University Kevin O'Connor, RMIT University
46 The Sound Bites A prototype performance shell Shell for sound art.
47 Multihalle Mannheim, 1975 structural engineeri Frei Otto
48 The Sound Bites Torus: A prototype performance shell for sound art
49 The Sound Bites Torus: A prototype performance shell for sound art
50 The Sound Bites Torus: A prototype performance shell for sound art
51 Image courtesy of Mark Ashkinasy
52 Image courtesy of Mark Ashkinasy
53 Image courtesy of Mark Ashkinasy
54 Music Practice Rooms
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62 SmartNodes
63 A common design problem: curved building geometries generate customised components. image by Kristof Crolla
64 A common design problem: nodes connecting beams from many directions. Image by Kristof Crolla
65 Users of Rapid Prototyping technology have come to realize that this term is inadequate and does not effectively describe more recent applications of the technology... Many parts are in fact now directly manufactured in these machines; so it is not possible for us to label them as prototypes. -Gibson, D.W. Rosen, and B. Stucker, Additive Manufacturing Technologies, Springer, 2010
66 Collaboration in Design
67 Structural analysis showing loads and deflections per member. Initial studies uses Karamba for direct feedback into the architectural design model. Image credit: Daniel Prohasky
68 Node Design, Starting Topologies and Examples. Image credit: Nick Williams
69 Analysis for Buildability. Three key criteria were identified to allow simple fabrication with complexity constrained to the nodes. Image credit: Nicholas Williams
70 BESO Optimmisation routine Simulation and video by Prof Mike Xie and Hamed Seifi, RMIT University
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