index Page numbers appearing in italic type indicate illustrations.

Transcription

1 index Page numbers appearing in italic type indicate illustrations. Abbau (un-building), 202, 203. See also Mumford, Lewis Adorno, Theodor, 121 Aerial art, , 156, 196, 275nn. 51, 55 Aerial Art, , 156, 275n. 55, n. 56 Air terminal, , 136, 137, 139, , 144, 148, , , 154, 155, , 158, , 161, 164, 189, 190, 191, 266n. 104, 272nn. 15, 17, n. 56, 277n. 72, n. 80. See also Smithson, Robert, works; Tibbetts, Abbott, McCarthy, and Stratton (TAMS) Albers, Joseph, 49, 50, 248n. 67, 249nn. 74, 83 Aldiss, Brian, Earthworks, 101, 105, 267n. 110 Alloway, Lawrence, 54, 74, 125, 240n. 10, 281n. 117 Alogons, 15 28, 18, 20, 21, 22, 24, 30 31, 43, 45, 62, 71, 72, 74, 94, 98, 100, 125, 158, 164, 179, 196, 243n. 9, 244n. 16, 253n. 114, 257n. 148, 149, 270n. 8. See also Smithson, Robert, works Alternating perspective figure. See Perspective American Museum of Natural History, 106, 132, 222, 231, 265n. 92, 270n. 8, n. 13, 279n. 99 American Sculpture of the Sixties, 72, 74n. 151, 125n. 3, 243n. 11, 256n. 142, 257n. 148 Andre, Carl, 148, 149, 156, 164, 256n. 144, 266n. 104, 269n. 2, 275n. 51, 282n. 123 Anthropomorphism, 61, 70, 71 72, 82, 90 91, 143, 150, 180, 184, 222, 255n. 137, 273n. 25 Apollo 11, , 169, 170, 172, , 183, 198, 270n. 8, 279nn. 99, 100, 281n. 117, 282n. 129, n. 131, 283nn. 134, 135 Archive, xii, xiv, 6, 189, 231, , n. 5. See also Smithson, Robert, archive The Art of Assemblage, 53, 260n. 32 Art in Process: The Visual Development of a Structure, 59 60, 70, 143, n. 11 Artforum, 10, , 171, , 178, 180, 182, 184, 226, , 234, 242n. 6, 279n. 100, 281n. 117, 292n. 97 Asher, Harry, Experiments in Seeing, 28, 96n. 64, 97, 253n. 114 Baer, Jo, 153, 155, n. 69 Ballard, J. G., The Crystal World, 80 82, 258n. 11, 278n. 90 Smithson, Robert, and, 144, 147, 258n. 11, 259n. 16, 274n. 33 Barthes, Roland, xvi, 134, 144, 145, 147, 156, , , 199, , n. 9, 272n. 17, 274n. 33, 290n. 80 Criticism as Language, 188 The Diseases of Costumes, 156, Mythologies, 221, 290n. 80 On Racine, 188 Seven Photo Models of Mother Courage, , 291n. 83 Smithson, Robert, and, xvi, 134, 144, 145, 147, 156, , , 199, , n. 9, 272n. 17, 274n. 33, 290n. 80 The Structuralist Activity, 134, 144, , 188n. 148, 199, 272n. 17, 274n. 33 Writing Degree Zero, 189 Bataille, George, Death and Sensuality: A Study of Eroticism and the Taboo, 215, 288n. 57 Baxandall, Michael, 42 Becher, Bernd, and Hilla Becher, 110 Beckett, Samuel, The Unnameable, 263n. 67 Bell, Alexander Graham, 146, 147, 148, 151, 276n. 64 Blake, Peter, God s Own Junkyard, 85 86, 87, 88, 89, 90, 90, 91, 106, 113, 118, 240n. 16, 260nn. 33, 34, 35, 261n. 44, 267n. 111 Blind spot, xvii, 2, 4, 31, 107, 160, 182, 196, 211 Bochner, Mel, 167, 168, 184, 272n. 17, 279n. 99, 283n. 135 Boorstin, Daniel J., The Image (or What Happened to the American Dream), 108, 240n. 16, 265n. 96 Borges, Jorge Luis, 82, 274n. 33, 278n. 82, 283n. 136 Brecht, Bertolt, , 232 Brown, Denise Scott, A Significance for A & P Parking Lots, or Learning from Las Vegas, 86 87, 88, 89, 90, 91, 91, 106, 112, 118, n. 16, 261n. 36, 262n. 53 Burnham, Jack, 281n. 117 Cartography, 6, 10, 87, 88, 92 94, 94, 98, 99, 100, 104, 117, 124, , 127, 128, 129, , 132, 134, , 140, 141, 142, , 153, , 159, 161, , 166, 173, 179, 182, 187, 189, 190, 191, , 199, 201, 203, 204, 215, 216, 216, 217, 223, 224, 231, 240n. 11, 259n. 16, 262n. 59, 263nn. 61, 62, 65, 69, 270n. 4, n. 9, 271nn. 11, 12, 13, 273n. 22, 277nn. 71, 79, n. 81, 279nn. 96, 98, 281n. 117, 282n. 123, 286n. 17, 288n. 58. See also Greenhood, David; Hypothetical continents; Infra perspectives; Photography aerial photography and, , 140, 157, 263n. 65 geological survey maps, 93, 94, 128, , 142, 157, 173, 203, 204, 263nn. 62, 65, 271n. 13, 273n. 22 satellites and, 131, 132, 150, 191, 282n

2 Smithson, Robert, and, 6, 10, 92 94, 94, 98, 99, 100, 104, 117, 124, , 127, 128, 129, , 134, 141, , , 153, , 159, 161, , 166, 173, 179, 189, 190, 191, , 199, 201, 203, 204, 215, 216, 216, 217, 223, 224, 231, 240n. 11, 262n. 59, 263nn. 61, 62, 65, 69, 270n. 4, n. 9, 271nn. 11, 12, 13, 273n. 22, 277nn. 71, 79, n. 81, 279nn. 96, 98, 281n. 117, 282n. 123, 288n. 58 surveyor s space, 92 93, 98, 104 Churchward, James, The Lost Continent of Mu, , 176, 280n. 109, 281n. 110 Conceptual art, 10, 198, 236n. 1, 242n. 2, 285n. 12, 289n. 70 Cool Art, 65, 113, 185, 254n. 123, 268n. 124 Corman, Roger, 8, , 117, 118, 268n. 121 Crary, Jonathan, 252n. 112, 113 The Crystal Land, 70, 79 83, 89, 92, 102, 103, 105, 143, 150, 164, 257n. 2, 258n. 11, 259nn. 20, 21, 260n. 29, 262n. 54, 265n. 88, 268n. 124 Cubism, 33 35, 36 37, 39 42, 45, 65, 247n. 52, 249n. 76 Cummings, Paul. See Smithson, Robert, interviews Dallas Fort Worth Airport. See Air terminal; Smithson, Robert, works; Tippetts, Abbott, McCarthy, and Stratton (TAMS) De Certeau, Michel, 3 Discussions Heizer, Oppenheim, Smithson. See Smithson, Robert, interviews, Heizer, Oppenheim, Smithson Displacement, 133, 203, 206, 213, 226, 272n. 14, 282n. 126 See also Smithson, Robert, mirror displacements Donnelly, Ignatius, Atlantis: The Antediluvian World, 175, 176, 176, 280n. 109 Duchamp, Marcel, 80, 258n. 9 Dwan, Virginia, 83, 104, 156, 157, 172, 174, 189, 191, 263n. 66, 275n. 51, 277n. 81, 279n. 96, 280nn. 103, 106, 283n. 133 Dwan Gallery, 17, 23 24, 26 27, 43, 44, 104, 125, 130, 148, , 158, 164, 167, 237n. 5, 240n. 14, 243n. 10, 244n. 13, 258n. 3, 263n. 66, 270n. 6, 275nn. 53, 55, 290n. 72. See also Smithson, Robert, exhibitions Earth art. See Earthwork Earth Art, 106, 173, 199, 218, 236n. 2, 286n. 20, 290n. 72. See also Smithson, Robert, works, Cayuga Salt Mine Project Earth Windows, 153, , 155, 179. See also Smithson, Robert Earthmaps, 164, , 166, 173, 215, , 279n. 96 Earthwork, xi, xii, 128, 134, 135, 136, 137, 138, 146, , , 154, 155, 159, 159, , 161, 164, 194, , 222, 233, 236n. 1, 283n. 133, 291n. 86, 293n See also Aldiss, Brian, Earthmaps; Earthworks; Smithson, Robert, earthworks Earthworks, 275n. 53, 290n. 72 Ehrenzweig, Anton, The Hidden Order of Art, , 287n. 41 Eisenstein, Sergei, 220, , 226, 292n. 97 Enantiomorphic Chambers, xvii, 59 61, 62, 64, 70, 71, 72, 92 93, 107, 130, 196, 198, 209, 223, 227, 239n. 19, 243n. 11, 252n. 111, 253nn. 116, 118 Enantiomorphs, xvii xviii, , 62, 63, 66 70, 67, 68, 69, 82, 92 93, , 116, 158, 179, 196, 239n. 19, 252n. 11. See also Smithson, Robert, enantiomorphs Entropy, 27 28, 103, 117, , 203, 232, 266n. 104, 285nn. 7, 9 Evans, Walker, 120, 269n. 134 Film, 8, 83, 103, 107, , 117, , , , 189, 191, 196, 210, 211, 213, 220, 221, , , 265n. 98, 283n. 134, 284n. 157, n. 46, 291n. 86, 292nn. 97, 100 montage and, , 226, 232, 292n. 97 Smithson, Robert, and, 55, 83, 103, 107, , 117, 134, 135, 189, 191, 196, 210, 211, 213, 220, 221, , , 241n. 18, 258n. 5, 264n. 77, n. 80, 291n. 86 The Spiral Jetty, , , 227, , , 292n. 98 stills and, 103, 107, 108, 113, 114, 150, 180, 191, 210, 211, , , , 264n. 77, 267n. 106, n. 106 underground film, 8, 227, 230, 241nn. 17, 18, 292n. 100 Foucault, Michel, 237n. 5 Freud, Sigmund, , 207, 210, 217, 227, 231, 238n. 10 Smithson, Robert, and, 206, 207, 210, 217, 227 Totem and Taboo, , 207, 210, 217, 227, 231 Fried, Michael, 89 91, 243n. 11, 247n. 55, 248n. 65, 262nn. 49, 51, 271n. 12 Art and Objecthood, 89 91, 262n. 49, 51 Smithson, Robert, and, 91, 262n. 49, 271n. 12 Fuller, Buckminster, 197, 259n. 24 INDEX 355

3 Gaines, Helen Fouché, Cryptanalysis, 28 Gardner, Martin, The Ambidextrous Universe, 70, 251n. 106, 252n. 111 Ginzburg, Carlo, xiii xiv, 238n. 10, 245n. 33 Glueck, Grace, Godard, Jean-Luc, 8, , 189, 191, 284n. 157 Gombrich, E. H., Art and Illusion, 33 37, 34, 40, 41, 42, 49, 52, 70, 111, 116, 118, 245nn. 27, 33, 249n. 76 Gordon, Mitchell, Sick Cities: Psychology and Pathology of American Urban Life, 84n. 27, 259n. 24, 261n. 44 Graham, Dan, 70, 120, 236n. 2, 253n. 116, 255n. 130, 258n. 3, 261n. 45, 267n. 116, 269nn. 133, 134 Greenberg, Clement, 10, 37 42, 45, 46 47, 52, 64 66, 70 74, 111, , 243n. 11, 246n. 41, 44, 247n. 49, 248n. 67, 249n. 83, 253nn. 119, 120, 254n. 121, 256nn. 144, 145, 146, 257n. 148, 260n. 33, 262n. 51, 267n. 111, 269n. 2, n. 80 Art and Culture: 37, 39 42, 246n. 44, 254n. 121 essays: Abstract, Representational and so forth, 37n. 34, 35, 71 72, 73 American-Type Painting, 65 Avant-garde and Kitsch, 37 38, 246n. 44 Collage, 39 40, 41 Jean Dubuffet and Art Brut, 38 Modernist Painting, 47, 65, 256n. 146 Modernist Sculpture, Its Pictorial Past, 40 41, 247n. 49 The New Sculpture, 39, 40, 42n. 56, 71n. 136, 262n. 51 Our Period Style, 246n. 41 The Present Prospects of American Painting and Sculpture, 38n. 42 Recentness of Sculpture, 72 74, 256n. 144, 145, 260n. 33, 267n. 111 The Situation at the Moment, 37n. 36 Towards a Newer Laocoon, 38n. 40, 246n. 40 optical mirage and, 39 42, 71 72, 91, 209, 253n. 119, 262n. 51, 269n. 2 Post Painterly Abstraction, 46 47, 51, 248n. 67, 249n. 83, 254n. 121, 123 Smithson, Robert, and, 45, 57, 64 66, 70 72, 91, , 243n. 11, 253n. 120, 254nn. 121, 123, n. 137, n. 80 Greenhood, David, Mapping, 132, 140, 140, 151, 157n. 79, n. 9, 271nn. 11, 12, 281n. 117, 286n. 17 Gussow, Alan, 218, 232, 289n. 67 Harrington, Michael, The Accidental Century, 120 Heller, Ben. See Towards a New Abstraction Hesse, Eva, , 167, 261n. 45, 279n. 99, 288n. 60 Hobbs, Robert, 236n. 2, 237nn. 6, 7, 243n. 9, 244nn. 11, 16, 263n. 63, 270n. 4, 284n. 2, 286nn. 20, 21, 287n. 32, 292n. 95 Holt, Nancy, xii, 3, 10, 55 56, 57, 64, 79, 156, 164, 172, 174, 237nn. 6, 8, 239nn. 6, 7, 240n. 12, 250n. 95, 251nn. 102, 105, 253nn. 116, 120, 257n. 1, 263n. 70, 265n. 86, 275n. 51, 279n. 99, 280nn. 103, 106, n. 131 Hutchinson, Peter, , n. 128 Hypothetical continents. See Earthmaps Hysteria, 210, 211, 213, 288n. 50 Incidents of Mirror-Travel in the Yucatan, 164, 165, 168, 171, , , 178, 181, , , 191, , 217, 240n. 11, 279n. 96, n. 103, 280nn. 104, 106, 107, 109, 281n. 113, 282n. 129, n. 92 Infra perspectives, 95, 96, 97, 124, 126, 127, 129, , 153, 179, 196, 244n. 11, 269n. 2, 270n. 7. See also Smithson, Robert, Infra perspectives Isometric Figure. See Perspective, alternating perspective figure Jacobs, Jane, The Death and Life of Great American Cities, 259nn. 23, 24, 260n. 28, n. 35, 263n. 68 Jones, Caroline, 236n. 4, 266n. 99, 288n. 48 Judd, Donald, 79, 120, 146, 256n. 144, 257n. 2, n. 3, 265n. 88 Junkers, Howard, 257n. 1, 262n. 53, 279n. 99 Kaprow, Allan, 247nn. 58, 59, 265n. 86, 284n. 1 Kelly, Ellsworth, 47 49, 48, 51, 64, 74, 248n. 67, 248n. 72, 257n. 148 Kent State University, 195, 196, , 239n. 8, n. 6, 285n. 8, 287n. 32. See also Smithson, Robert, works, Partially Buried Woodshed Kerouac, Jack, 7 Kozloff, Max, 218, 247n. 55 Krauss, Rosalind, xi, 49, 51n. 78, 236n. 3, 252n. 112, 266n. 102 Kubler, George, The Shape of Time: Remarks on the History of Things, , 164, 187, 188, 238n. 11, 272n. 14, 274nn. 36, 37, 41. See also Smithson, Robert, Kubler, George, and Kurz, Bruce. See Smithson, Robert, interviews 356

4 La Jetée. See Marker, Chris Lefebvre, Henri, 3, 239n. 4 Leider, Philip, 110, 182, n. 70, 266n. 104, 282n. 129 Lévi-Strauss, Claude, xvi, , 187, 197, , 210, , 285n. 9 The Savage Mind, , 187, , Smithson, Robert, and, , 197, 210, 285n. 9 Totemism, 210 LeWitt, Sol, 146, 148, 149, n. 59, 256n. 144, n. 3, 275n. 53, 279n. 99, 282n. 123 Life, 2 3, 53, , 169, 170, , 183, 234, 252n. 106, 259n. 24, 261n. 44, 279n. 100 Lipke, William C. See Smithson, Robert, interviews Lippard, Lucy, 22 23, 51n. 78, 219, 243n. 7, 249n. 74, 261n. 41, 290n. 72 Lynch, Kevin, 84, 240n. 16, 259n. 24 Macaulay, Rose, Pleasure of Ruins, , 267n. 114 Mannerism, 65 66, 73, 74, , 221, 254nn. 122, 128, n. 80, 293n.108 Maps. See Cartography Marker, Chris, La Jetée, , 162, 223, 264n. 77, 272n. 18, 278n. 90 Marx, Leo, The Machine in the Garden, 260n. 29 McLuhan, Marshall, 113, 185, 240n. 16, 267n. 113, n. 106 McShine, Kynaston. See Primary Structures Mekas, Jonas, 8, 241n. 17 Metropolis, xvii, 84 90, 92, 93, 100, , 106, 107, 112, , , , , 259nn. 23, 24, 260nn. 28, 29, 32, n. 35, 261nn. 36, 44, 45, 263n. 68, 265n. 96, 267n. 106, 269nn. 133, 135, 272n. 15 Michelson, Annette, 243n. 11, 284n. 157, 292n. 97 Mine, 106, , 200, 201, 227, 286nn. 20, 21, 288n. 47 Minimalism, 25 28, 73, 74, 116, 243n. 7, n. 11, 244n. 14, 256nn. 144, 145, 258n. 19, 268n. 124, 269n. 135 Modernism, xvi, 37, 39, 40, 41, 42, 49, 51, 57, 66, 71, 73, 85, 86, 91, 137, 213, 241n. 19, 253n. 119, 261n. 36 Modernist art; Modernist painting; Modernist sculpture. See Modernism. See also Greenberg, Clement Montage, 85, , 226, 232, 292n. 97 Monument, 84, 86, 109, 114, 115, 119, 162, 185, 264n. 71, 266n. 104, 267n. 116, 289n. 65. See also The Monuments of Passaic ; Ruins; Smithson, Robert, Monuments The Monuments of Passaic, 93, 94, 102, 104, , 109, 119, 177, 180, 184, 191, 196, 223, 262n. 59, n. 61, n. 70, 264nn. 83, 84, 265nn. 87, 94, 97, 266nn. 103, 104, 267n. 110, 114, 268n. 124, 269n. 135, 273n. 22, 279n. 94, 288n. 48 Moon landing, See Apollo 11 Morphology, xiii xiv, xv, xvi, xviii, 31, 42, 53, 75. See also Ginzburg, Carlo Morris, Robert, 25 26, 26, 27, 28, 80, , 146, 147, , 150, 156, 216, 244n. 14, 256n. 144, 258n. 3, 274n. 41, 275nn. 51, 52, 288n. 60 Müller, Gregoire. See Smithson, Robert, interviews Mumford, Lewis, The City in History: Its Origins, Its Transformations, and Its Prospects, , 259n. 24, 286n. 26 Nabokov, Vladimir, NASA, 132, 167, 182, 184, 270n. 8, 281n. 117, 282n. 123 Newman, Barnett, 65, 114 Nochlin, Linda, xi, 236n. 1 Noland, Kenneth, 46, 65, 72, 74, 248n. 67 Nonsite, , 128, 130, , 134, 138, , 159, , 177, 183, 196, 198, 199, 203, 207, 208, 213, 265n. 92, 270nn. 6, 7, 271nn. 12, 13, 277n. 79, n. 81, 280n. 104, n. 131, 285n. 12. See also Site/Nonsite; Smithson, Robert, nonsite A Non-Site (an indoor earthwork), , 128, , , 159, , 270n. 6, 277nn. 79, 80, n. 81, 278n. 87 A Nonsite, Pine Barrens, New Jersey. See A Non-Site (an indoor earthwork) Norvell, P. A. See Smithson, Robert, interviews Oldenburg, Claes, 114, 115, 219, 265n. 86, 267n. 116, 279n. 95 Opacity, 19, 24 25, 43 45, 75, 153, 155 Oppenheim, Dennis, , 279n. 99, 282n. 126, 288n. 60 Optical art (Op Art), 45 59, 73, 250n. 85 Optical mirage. See Greenberg, Clement Oster, Gerald, 250n. 90, 251n. 102 Owens, Craig, xi xii, xv xvi, 238nn. 16, 17, 265n. 97 INDEX 357

5 Park Place Group, 21, 243n. 7, 258n. 3 Partially Buried Woodshed, 194, , 198, 199, , , 226, 232, n. 6, 285n. 8, 287n. 32 Perception. See also Film; Perspective; Photography; Stereoscope abstraction and, xvii, 31 45, 46, 49 55, 64, 69 75, 86 87, 89, , , 106, 111, , , , , , 191, , , , , , , , , 234, 257n. 2, 269n. 2, 292n. 86 opacity and, 19, 24 25, 43 45, 75, 153, 155 psychology of, 31 33, 245n. 27 retinal fusion, retinal rivalry and, 32 33, 36 37, 48, 49 51, 52, 60 61, 71 72, 253n. 114 transparency and, 15, 19, 24, 25 26, 29 30, 36, 75, Perceptual art. See Optical art Perceptual psychology, 31 33, 245n. 27 Perreault, John, 207, 238n. 13 Perspective, 15, 17 22, 18, 20, 21, 22, 23, 25, 28 32, 29, 30, 33 35, 34, 36 37, 41 42, 45, 49 50, 50, 51, 52, 62, 66, 70, 74, 75, 89 93, 90, 91, , 97, 99, 103, 106, , 109, 111, 113, 116, , 127, , 150, 155, 180, 223, 243n. 7, 245n. 18, 249n. 76, 255n. 129, 261nn. 45, 46, 263n. 68, 269n. 139, 270n. 7, 271n. 11. See also Pointless Vanishing Point; Smithson, Robert, Infra perspectives alternating perspective figure, 28 32, 29, 30, 33 35, 34, 36 37, 41 42, 49 50, 50, 51, 52, 70, 74, 94 95, 98, , 180, 245n. 18, 249n. 76, 270n. 7, 271n. 11 linear perspective (one- and two-point), 15, 19, 23, 45, 74, 75, 89 93, 95, , 127, 130, 150, 155, 223, 261n. 46, 263n. 68 photography and, 17 22, 18, 20, 21, 22, 25, 89, 90, 90, 91, , 97, 99, , 109, 111, 113, 180, 261n. 45 reverse perspective, 21, 49, 98, 255n. 129 three-dimensional perspective, 23, 100 (See also Alogons; Infra perspectives) vanishing point and, 62, 66, 89, 90, 92, 94 98, 100, 106, 108, 116, 125, 255n. 129 Pettena, Gianni. See Smithson, Robert, interviews Photography, xiv, xv xvi, xviii, 2, 3, 6, 17 22, 18, 20, 21, 22, 25, 28, 32, 57, 61 62, 63, 79, 80, 85, 89, 90, 90, 91, 93, , 96, 97, 99, 101, 104, 107, , 109, 111, 113, 114, 119, 120, 131, 132, 137, , 140, 157, 159, 164, 165, 167, 168, 169, 170, 171, 173, 174, , 178, 181, 184, , 191, 197, 199, , 208, 211, 212, 213, 216, 219, 220, , , , 231, 232, 237n. 7, 238n. 17, 242nn. 4, 5, 6, 253n. 116, 261n. 45, nn. 61, 263nn. 62, 65, 264nn. 77, 84, 265nn. 86, 97, 266nn. 100, 102, 103, 104, 105, 267n. 106, 269nn. 133, 134, 270n. 8, 272n. 20, 273n. 22, 274n. 35, 276n. 56, 280n. 104, 281nn. 114, 117, 288nn. 47, 54, 292n. 95. See also Cartography; Film; Monument; Perspective; Smithson, Robert, works; Stereoscope aerial photography, , 140, 157, 263n. 65, 272n. 20, 274n. 35 anti-photography, 266n. 105 montage and, 85, , 226 perspective and, 17 22, 18, 20, 21, 22, 25, 89, 90, 90, 91, , 97, 99, , 109, 111, 113, 180, 261n. 45 satellite photography, 80, 131, 132, 167, 169, 182, 191 Smithson, Robert, and, xiv, xv xvi, xviii, 2, 3, 6, 17 22, 18, 20, 21, 22, 25, 28, 57, 61 62, 63, 79, 80, 93, , 96, 97, 99, 101, 104, 107, , 109, 113, 114, 119, 137, , 157, 159, 164, 165, 168, 171, 173, 174, , 178, 181, 184, , 191, 197, 199, , 208, 211, 212, 213, 216, 220, , 223, , 231, 232, 237n. 7, 238n. 17, 242nn. 4, 5, 253n. 116, 261n. 45, n. 61, 263nn. 62, 65, 264n. 84, 265nn. 86, 97, 266nn. 100, 103, 104, 105, 273n. 22, 276n. 56, 280n. 104, 281n. 117, 288nn. 47, 54, n. 95 stills and, 107, 108, 110, 111, 113, 114, 180, 182, , 183, 191, 210, 211, 220, , , , 264n. 77, 267n. 106 Picasso, Pablo, 38, 39 40, 247n. 52 Pointless Vanishing Point, 61n. 115, 71n. 135, 92 93, 94 98, 95, 96, 97, 106, 124, 125, 130, 252n. 111, 255n. 129, 269n. 139, 263n. 63, 270n. 7. See also Smithson, Robert, Infra perspectives; Smithson, Robert, works Pop Art, 5, 53, 57, 73, 116, 240n. 10, 250n. 89, 256n. 145, 260n. 34, 268n. 124 Post Painterly Abstraction. See Greenberg, Clement Postcards, xiii, 6, 7, , 167, , 168, 172, 182, , 189, 191, 223, 231, 237n. 8, 240n. 14, 261n. 45, n. 70, 279n. 99, 282n. 126, 283n. 133, 288n. 60 Postmodernism, xi, xii, xvi, 241n. 19, 246n. 44 Poststructuralism, xii, xvi, 238n. 16 Primary Structures: Younger British and American Sculptors, 2, 73, 143, 243n. 11, 256nn. 141, 144, 257n. 148, 273n. 25, n

6 Prime object, , 149, 175, 187, 274n. 37. See also Kubler, George, The Shape of Time Quadrangle map. See Cartography, geological survey maps Ready-made, 79 80, 82 83, 98, 100, 258n. 9, 256n. 145 Reinhardt, Ad, 150, 153, 155, 276n. 69 Reise, Barbara, 243n. 11, 271n. 12 Replica-mass, , 147, 175, 187, 274n. 37. See also Kubler, George, The Shape of Time Resnais, Alan, Night and Fog, The Responsive Eye, 45 55, 50, 57, 59, 65, 87, 248nn. 64, 65, 67, 249nn. 82, 83, 250nn. 85, 90, 92, 94, 251nn. 96, 103, 252n See also Optical art; Seitz, William Robbe-Grillet, Alain, 182, 282n. 127 Rose, Barbara, 51, 51n. 78, 247n. 55, 248n. 65, 249n. 82, 250n. 92, 266n. 104, 276n. 69 Rosler, Martha, 281n. 117 Roth, Moira. See Smithson, Robert, interviews Ruins, , 117, 118, 162, 165, , 176, 207, 231, 232, 267n. 114, 285n. 9 Ruscha, Edward, , 111, 266n. 105, 267n. 106, 272n. 20 Science fiction, 79, 80 82, 85, 101, 105, 184, 254n. 128, n. 3, 258n. 11, 260n. 29, 278n. 90, 283n. 134 Seitz, William, 45, 46 55, 57 58, 59, 64, 65, 70, 87, 247n. 55, 248nn. 64, 65, 67, 249n. 82, n. 83, 250n. 85, 251nn. 96, 103, 252n. 106, 260n. 32. See also Optical art; The Responsive Eye Shapiro, Gary, 238n. 16, 241n. 19, 278n. 82, 292n. 99 Sheeler, Charles, 110, 266n. 104 Site/Nonsite, , , Site-specific, 28, 83, 239n. 8, 277n. 79 Sky, Alison. See Smithson, Robert, interviews Smith, Jack, 8 Smith, Tony, 87 90, 91, 103, 106, 116, 152, 261n. 41, 268n. 124, 274n. 33, 287n. 41 Smithson, Robert abstract expressionism and, 72, 254n. 123 aerial art and, 156, 196, 275n. 51, n. 56 air terminal and, , 136, 137, 139, , 144, 148, , , 154, 155, , 158, , 161, 164, 189, 190, 191, 266n. 104, 272nn. 15, 17, n. 56, 277n. 72, n. 80 anthropomorphism and, 61, 70, 71 72, 82, 91, 150, 180, 184, 222, 255n. 137 archive, xii xiii, xiv, xv, xvi, xvii, xviii, 2 3, 3, 6, 164, 174, 199, 211, 213, 234, 235, 236n. 2, 237nn. 5, 6, 7, 8, 238n. 16, 241n. 18, 279n. 98, 288n. 53 art museum and, 43 45, 64, 75, 138, 153, 163, 206, 291n. 86 Artforum and, 10, , 171, , 178, 180, 182, 184, 226, , 234, 279n. 100, 281n. 117 Ballard, J. G., and, 144, 147, 258n. 11, 259n. 16, 274n. 33 Barthes, Roland, and, xvi, 134, 144, 145, 147, 156, , , 199, , n. 9, 272n. 17, 274n. 33, 290n. 80 cartography and, , , 153, , 201, 259n. 16, 270n. 4, n. 9, 271nn. 11, 12, 13, 277n. 71, n. 81, 278n. 82, 279n. 98, 281n. 117, 282n. 123 coded environment and, , 146, 149, 156, 199, 273n. 32, 274n. 33, 35 (see also works, The Artist as Site-Seer or Coded Environments ) conceptual art and, 10, 198, 242n. 2, 285n. 12, 289n. 70 crystal and, 28, 70, 72, 79, 81 83, 85, 89, 92, 143, 150, , 203, 225, 252n. 111, 258n. 9, 260n. 28, 278n. 82 (see also Ballard, J. G., The Crystal World; Smithson, Robert, works, The Crystal Land, A Short Description of Two Mirrored Crystal Structures ) Duchamp, Marcel, and, 80, 258n. 9 Earth Windows, 153, , 155, 179 Earthmaps, 164, , 166, 173, 215, , 279n. 96 (see also Smithson, Robert, works, Earth Map for Mexico [Gondwanaland], Earthmap of Gondwanaland Ice Cap, Earth Map of Sulfur & Tar [Cambrian Period], Island of Broken Glass, Map of Broken Glass [Atlantis]) Earthworks and, xi, xii, 134, 135, 138, 146, , , 159, , 164, 218, 222, 283n. 133, 291n. 86, 293n. 107 (see also aerial art; Smithson, Robert, works, Asphalt Rundown, Broken Circle/Spiral Hill, A Non-Site (an indoor earthwork), Partially Buried Woodshed, Proposals for Earthworks and Landmarks to Be Built on the Fringes of the Fort Worth Dallas Regional Air Terminal Site, Spiral Jetty) ecology and, , 222, 232, 289n. 62, 64, 65, 67 enantiomorphs and, xvii xviii, 60 63, 60, 62, 63, 66 70, 67, 68, 69, 82, 92 93, , 116, 158, 179, 196, 239n. 19, 252n. 11 (see also Smithson, INDEX 359

7 Smithson, Robert (cont.) Robert, works; Afterthought Enantiomorphic Chambers, Drawing in Southall, Introduction to Physiological Optics, Enantiomorphic Chambers, Three Works in Metal and Plastic, Untitled, , Untitled, ) entropy and, 27 28, 103, 117, , 203, 232, 266n. 104, 271n. 13, 285n. 7 exhibitions: one-person: Artists Gallery, New York, 239n. 7, Galleria George Lester, Rome, first one-person exhibition, Dwan Gallery, New York, 17, 22, 26 27, 158, 158, 243n. 10, 244n. 13, 16 second one-person exhibition, Dwan Gallery, New York, 23 24, , 124, 126, 128, 158, 243n. 10, 269n. 1, 2, 270n. 6, 7 Nonsites, Dwan Gallery, New York, 240n. 14, 270n. 6 group exhibitions: American Sculpture of the Sixties, 72, 74n. 151, 125n. 3, 243n. 11, 256n. 142, 257n. 148 Art in Process: The Visual Development of a Structure, 59 60, 70, 143, n. 11 Art by Telephone, 285n. 12 Cool Art 1967, 254n. 123; Dwan Gallery New York at Dwan Gallery Los Angeles, 167 Earth Art, 106, 173, 199, 218, 236n. 2, 286n. 20, 290n. 72 Earthworks, 275n. 53, 290n ,087, 285n. 12, 290n. 72 Information, 285n. 12 July, August, September 1969, 279n. 96 Konzeption/Conception, 285n. 12 Language to be Looked at and/or Things to be Read, 151n. 62 Long Beach Island, New Jersey, , 288n. 60 Minimal Art, 270n. 6 Monuments, Tombstones, and Trophies, 267n. 116 One Month, 285n. 12 Plastics, 255n. 130 Recorded Activities, 285n Artists 6 Exhibitions, 270n. 6, 271n. 13 Sonsbeek 70, 284n. 2, 289n. 62 Sonsbeek 71, 291n. 86 When Attitude Becomes Form, 285n. 12 Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art, 272n. 17 film and, 55, 83, 103, 107, , 117, 134, 135, 189, 191, 196, 210, 211, 213, 220, 221, , , 241n. 18, 258n. 5, 264n. 77, n. 80, 291n. 86 (see also Smithson, Robert, stills; Smithson, Robert, works, Art Through the Camera s Eye, A Cinematic Atopia, From Ivan the Terrible to Roger Corman or Paradoxes of Conduct in Mannerism as Reflected in the Cinema, The Monument: An Outline for a Film, The Spiral Jetty, Swamp) framing edge and, 65 66, 145, , 221, 226, n. 80 Freud and, 206, 207, 210, 217, 227 Fried, Michael, and, 91, 262n. 49, 271n. 12 Greenberg, Clement, and, 45, 57, 64 66, 70 72, 91, 214, 243n. 11, 253n. 120, 254nn. 121, 123, n. 80 Hypothetical continents (see Earthmaps) Infra perspectives, 95, 96, 97, 124, 126, 127, 129, , 153, 179, 196, 244n. 11, 269n. 2, 270n. 7 (see also Smithson, Robert, Exhibitions: Second one-person exhibition, Dwan Gallery, New York and Smithson, Robert, works, Gyrostasis, Leaning Strata, Pointless Vanishing Point, Shift, Sinistral Spiral) interviews : Cummings, Paul, 6n. 13, 7n. 15, 10n. 23, 59n. 109, 74n. 149, 272n. 15 Heizer, Oppenheim, Smithson, n. 78, 158n. 83, 262n. 59 Kurtz, Bruce, 183n. 131 Lipke, William C., 106n. 93, 179n. 121, 266n. 100, 287n. 41 Müller, Gregoire, 197n. 9, 274n. 35, 291n. 86 Norvell, P. A., 179nn. 116, 118, 120, 189n. 155, 232n. 109, 232, 234n. 110, 281n. 117, 285n. 12 Pettena, Gianni, 10n. 24, 285n. 9 Roth, Moira, 258n. 9 Sky, Alison, 285n. 7 Toner, Paul, 164, 177, 179n. 115, 180n. 125, 182n. 128, 197n. 10, 205n. 35, 226n. 96, 236n. 2, 256n. 140, 277n. 72, 285n. 11, 287n. 35, 291n. 84 Wheeler, Dennis, xvii, 70n. 134, 74n. 150, , 118n. 131, 121, 175n. 111, 191, 195n. 5, 198n. 13, 199n. 18, , 203, 207, , 214, 217n. 65, 227, 236n. 2, 238n. 18, n. 21, 242n. 2, 251n. 106, 252n. 111, 263n. 67, 267n. 113, 269nn. 139, 2, 271n. 12, 280n. 107, 286nn. 21, 30, 287n. 41 Kaprow, Allan, and, 247nn. 58, 59, 265n. 86 Kubler, George, and, , 164, 191, 238n. 11, 274nn. 36, 37,

8 land reclamation projects, 232, 233 language and, 70, 82, 88, , , , , 272n. 14 (see also Smithson, Robert, and Barthes, Roland; Smithson, Robert, cartography; Smithson, Robert, and Kubler, George; Structure; Structuralism) coded environment and, , 146, 149, 156, 199, 273n. 32, 274nn. 33, 35 linguistic object and, 151 prime object and, 145, 146, 147, 274n. 37 replica-mass and, 145, 146, 147, 274n. 37 transparency and, 151, , , , 191 Lévi-Strauss and, , 197, 210, 285n. 9 library, xii, xiii, xv, 59, 96, 141, 174, 238n. 16, 252n. 111, 259n. 24, 264n. 73, 273n. 28 Life and, 2 3, , 170, , 183, 234, 252n. 106, 279n. 100 mannerism and, 65 66, 74, , 221, 254n. 122, 128, n. 80, 293n.108 Marker, Chris, La Jetée and, 135, 162, 223, 264n. 77 metropolis and, xvii, 84, 88 89, 92, 93, 100, , 106, 107, 112, , , , 203, 259n. 24, 260n. 29, 261n. 45, 267n. 106, 272n. 15 mine and, 106, , 200, 201, 203, 227, 286nn. 20, 21, 288n. 47 minimalism and, 25 28, 74, 116, 243n. 7, n. 11, 256nn. 144, 145, 258n. 9, 268n. 124 mirror displacements, 134, 164, 168, 171, 172, 173, 174, , 178, 181, 185, , 196, 197, 199, 200, 206, 213, , 226, 280n. 104, 288n. 47 (see also Smithson, Robert, works, Cayuga Salt Mine Project, Incidents of Mirror- Travel in the Yucatan, Mirror Shore) modernism and, xvi, 57, 66, 91, 137, 213, 241n. 19, 261n. 36 montage and, , 226, 232 monuments and, 109, 119, 162, 185, 264n. 71, 266n. 104, 267n. 116, 289n. 65 (see also Smithson, Robert, ruins; Smithson, Robert, works, The Bridge Monument Showing Wooden Sidewalks, Entropy and the New Monuments, The Fountain Monument, A Guide to the Monuments of Passaic New Jersey, The Monument: An Outline for a Film, The Monuments of Passaic, Negative Map Showing Region of the Monuments of Passaic River, The Sand-Box Monument [also called The Desert]) Morris, Robert, and, 25 26, 27, 28, 80, 146, 147, , 150, 156, 216, 256n. 144, 258n. 3, 274n. 41, 275n. 51 Natural History Museum and, 106, 222, 231, 265n. 92, 270n. 8, n. 13, 279n. 99 nonsite, , 128, 130, , 134, 138, , 159, , 177, 183, 196, 198, 199, 203, 207, 208, 213, 265n. 92, 270nn. 6, 7, 271nn. 12, 13, 277n. 79, n. 81, 280n. 104, n. 131, 285n. 12 (see also Smithson, Robert, exhibitions; Nonsites, Dwan Gallery, New York; Smithson, Robert, works, Dialectic of Site and Nonsite, A Non-Site (an indoor earthwork), Nonsite, Line of Wreckage, Bayonne, New Jersey, Nonsite #2, A Provisional Theory of Non- Sites, Six Stops on a Section) pathetic fallacy and, 72, 232, 255n. 255, n. 137 phenomenology and, 264n. 73 photography and, xiv, xv xvi, xviii, 2, 3, 6, 17 22, 18, 20, 21, 22, 25, 28, 57, 61 62, 63, 79, 80, 93, , 96, 97, 99, 101, 104, 107, , 109, 113, 114, 119, 137, , 157, 159, 164, 165, 168, 171, 173, 174, , 178, 181, 184, , 191, 197, 199, , 208, 211, 212, 213, 216, 220, , 223, , 231, 232, 237n. 7, 238n. 17, 242nn. 4, 5, 253n. 116, 261n. 45, n. 61, 263nn. 62, 65, 264n. 84, 265nn. 86, 97, 266nn. 100, 103, 104, 105, 273n. 22, 276n. 56, 280n. 104, 281n. 117, 288nn. 47, 54, 292n. 95 pollution and, 207, , 231 prime object and, 145, 146, 147, 274n. 37 (see also Smithson, Robert, and Kubler, George) ready-made and, 79 80, 82 83, 98, 100, 258n. 9 replica-mass and, 145, 146, 147, 274n. 37 (see also Smithson, Robert, and Kubler, George) ruins and, , 116, 117, 118, 162, 165, , 207, 231, 232, 267n. 114, 285n. 9 satellite and, 80 81, 150, 163, 191 science fiction and, 79, 80 82, 101, 105, 184, 254n. 128, n. 3, 258n. 11, 260n. 29, 283n. 134 site/nonsite, , , stereoscope and, 60, 60 61, 62, 63, 64, 70 72, 74, 92 93, 96, 98, 108, 130, 180, 187, 209, 223, 227, 252n. 111, 253nn. 114, 118 stills and, 103, 107, 108, 113, 114, 150, 180, 191, 210, 211, , , , 264n. 77, 267n. 106, n. 106 structuralism and, xv xvi, 8, 134, 143, 144, 145, 147, , , 191, 197, 238n. 16, 272n. 17, 273n. 28, 274n. 33, n. 80 INDEX 361

9 Smithson, Robert (cont.) taboo and totem and, , 215, 217, 222, , 232, 288n. 53, 289n. 67 Tibbetts, Abbott, McCarthy, and Stratton (TAMS) and, , 135, 139, 142, 151, 157, 160, 272nn. 15, 19, 275n. 51, 55 transparency and, 15, 19, 24, , , 189, 191 Williams, William Carlos and, 10, 117, 118, 217, n. 21, 267n. 110, 268n. 129 works: Abstract Mannerism, 65 66, 74, 254nn. 122, 123, 125, 126, n. 80 Aerial Art, 156n. 77 Afterthought Enantiomorphic Chambers, 61 64, 63, 209, 253nn. 116, 117 Alogon, 17 22, 18, 20, 21, 22, 30, 62, 74, 125, 158 Alogon #2, 23, 24 25, 24, 30 31, 72, 125, 244n. 16, 253n. 114, 257n. 148 Alogon #3, 17, 18 Altered image from Nudist Sun, , 212 Art Through the Camera s Eye, , 213n. 55, , 231, n. 46 The Artist as Site-Seer or Coded Environments ( The Artist as Site-Seer; or, A Dintorphic Essay ), , 152nn. 65, 67, 272n. 17, 273nn. 29, 32, 274n. 33, 275nn. 49, 50, 276n. 65, n. 80 Asphalt Rundown, 195 Atlantic City, 275n. 51 The Bridge Monument Showing Wooden Sidewalks, 108, 109, 110 Broken Circle/Spiral Hill, 291n. 86, 293n. 107 Cayuga Salt Mine Project, 106, 173, 199, 200, 286n. 20, 288n. 47 A Cinematic Atopia, 223n. 87, , , 292n. 99 Cryosphere, 244n. 13 The Crystal Land, 70, 79 83, 89, 92, 102, 103, 105, 143, 150, 164, 257n. 2, 258n. 11, 259nn. 20, 21, 260n. 29, 262n. 54, 265n. 88, 268n. 124 Dialectic of Site and Nonsite, n. 84 The Domain of the Great Bear ( Mel Bochner), 184n. 135, 283n. 135 Donald Judd, 65n. 122, 254n. 122, 257n. 2 Drawing in Kennecott Annual Report, 232, 233 Drawing for Leaning Strata, 127, 129 Drawing for Pointless Vanishing Point, 94 95, 95, 98, 263n. 63 Drawing in Southall, Introduction to Physiological Optics, 59 60, 60, 61, 223, 252n. 111, 253n. 114 Drawing in Terminal Area Concepts, , 136, , 153, 272n. 19 Earth Map for Mexico (Gondwanaland), 279n. 96 Earth Map of Sulfur & Tar (Cambrian Period), 279n. 96 Earthmap of Gondwanaland Ice Cap, , 166, 173, 279n. 96, 98 Ecology and the Incest Taboo, 289n. 67 Eight-Part Piece (Cayuga Salt Mine Project), 199, 200 The Eliminator, 58, 58 59, 70, 213, n. 106 Enantiomorphic Chambers, xvii, 59 61, 62, 64, 70, 71, 72, 92 93, 107, 130, 196, 198, 209, 223, 227, 239n. 19, 243n. 11, 252n. 111, 253nn. 116, 118 Entropic Pole, 271n. 13 Entropy and the New Monuments, 28n. 17, 80nn. 7, 8, 82n. 18, 103, 243n. 7, n. 3 First Mirror Displacement, 168, 171 The Fountain Monument, 112, 266n. 104, 267n. 110, 288n. 48 Fourth Mirror Displacement, 174 Frederick Law Olmsted and the Dialectical Landscape, 218n. 67, 256n. 140, 289n. 67 From Ivan the Terrible to Roger Corman or Paradoxes of Conduct in Mannerism as Reflected in the Cinema, , 221, 290n. 73, n. 80, 293n. 108 The Gallery Interior as a Tragic Site, 43, 44 Glass Stratum, 141, 141, 158 A Guide to the Monuments of Passaic New Jersey, , 114, 203, 264nn. 71, 73, 80, 81 Gyrostasis, 125 A Heap of Language, 276n. 61 Hidden Trails in Art, 281n. 117 High Sierra, 55, 56, 213, 250nn. 94, 95 Homage to Carmen Miranda, 55, 250n. 95 The Iconography of Desolation, 57n. 100, 251n. 100 Incidents of Mirror-Travel in the Yucatan, 164, 165, 168, 171, , , 178, 181, , , 191, , 217, 240n. 11, n. 92, 279n. 96, n. 103, 280nn. 104, 106, 107, 109, 281n. 113, 282n. 129 Interpolation of the Enantiomorphic Chambers, 59 60n. 110, 111, 70n. 133, 82n. 19, 162n. 86 Island of Broken Glass, 217, 289nn. 64, 65 Language to be Looked at and/or Things to be Read, 151n. 62 Leaning Strata, 124, , 127, 127, 130, 270nn. 4, 8 Look, 239n. 3 Map of Broken Glass (Atlantis), 215,

10 Map Fragment (Polar Map), n. 9 Mirage, 263n. 69 Mirror Shore, 173 Mirror Stratum, 141, 263n. 69, 273n. 22 Mirror Vortices, 66, 255n. 129 The Missing Vanishing Point, 255n. 129 The Monument: An Outline for a Film, 83, 162, 278n. 87 The Monuments of Passaic, 93, 94, 102, 104, , 109, 119, 177, 180, 184, 191, 196, 223, 262n. 59, n. 61, n. 70, 264n. 83, 84, 265nn. 87, 94, 97, 266nn. 103, 104, 267nn. 110, 114, 268n. 124, 269n. 135, 273n. 22, 279n. 94, 288n. 48 A Museum of Language in the Vicinity of Art, 184, n. 128, 267n. 106, 268n. 131, 276n. 61, 282n. 123, n. 106 The Museum of the Void, 43, 44, n. 59 Negative Map Showing Region of the Monuments of Passaic River, 93 98, 94, 262n. 59, n. 61, 263n. 62, 65, 273n. 22 New Jersey, New York 2 Photos, , 99 A Non-Site (an indoor earthwork), , 128, , , 159, , 270n. 6, 277nn. 79, 80, n. 81, 278n. 87 Nonsite, Line of Wreckage, Bayonne, New Jersey, 203, 204, 207 Nonsite #2, 271n. 13, 277n. 79 Outline for Yale Symposium, n. 137, 256n. 145 Partially Buried Woodshed, 194, , 198, 199, , , 226, 232, n. 6, 285n. 8, 287n. 32 The Pathetic Fallacy in Esthetics, 69n. 132, 72n. 139, 255n. 132, 256n. 140 Photo-Markers, , 208, 213 Picturable Situations and Infra-Maps, 153n. 69, 232n. 108, 276n. 69, n. 80 Plunge, 25, 26 27, 27, 125, 158, 244n. 13, 16 Pointless Vanishing Point, 94 98, 95, 96, 97, 124, 125, 130, 263n. 63 Pointless Vanishing Points, 61n. 115, 71n. 135, 92 93, 98, 252n. 111, 255n. 129 Proposals for Earthworks and Landmarks to Be Built on the Fringes of the Fort Worth Dallas Regional Air Terminal Site, 149nn. 54, 56 A Provisional Theory of Non-Sites, 131n. 9 Quasi-Infinities and the Waning of Space, 71 72, 191n. 159, 238n. 14, 255n. 132, 137, 256n. 140 A Refutation of Historical Humanism, 290n. 73 Ruin of Map Hipparchus (100 B.C.) in Oswego Lake, 259n. 16 The Sand-Box Monument (also called The Desert), 117, 119 A Sedimentation of the Mind: Earth Projects, 88, n. 101, 176n. 112, 188n. 151, 262n. 49, 277n. 71, 287n. 41 Seventh Mirror Displacement, 180, 181 Shift, 124, 125, 127, 269n. 1, 270n. 7, 272n. 14 A Short Description of Two Mirrored Crystal Structures, 79n. 6, 255n. 131 Sinistral Spiral, 125 Sites and Settings, 264n. 71 Six Stops on a Section, 208 Some Void Thoughts on Museums, 45, 153n. 68, n. 59, 248n. 60 Spiral Jetty, xi, 222, 223, 224, 225, 227, 231, 292n. 95 The Spiral Jetty, , , 227, , , 292n. 98 The Spiral Jetty, ; A Surd View for an Afternoon, xvii, 189, 190 Swamp, 258n. 5; Tar Pool and Gravel Pit, 153, 154, 277n. 72; Terminal, 158, 158, 278n. 82 Terminal: Plans for Dallas-Fort Worth Regional Airport, , 139, 142, 158 Texas Airport, , 137 Third Mirror Displacement, 180, 182, 214, n. 103 Three Earth Windows (under broken glass), 153, 153, Three Side Views of Concrete or Wooden Foundations to be Plotted on Level Ground, 153, 154, 277n. 72 Three-Sided Vortices, 255n. 129, 277n. 72 Three Works in Metal and Plastic, 66, 67, 80 Towards the Development of an Air Terminal Site, 82n. 17, 88, 148, 148, 149n. 55, 150nn. 58, 59, 151, 152nn. 65, 66, 156, 261n. 41, 277n. 75 Towards the Development of a Cinema Cavern, 227, 230 Two Attitudes Toward The City, 259n. 25, 260n. 29 Untitled, , 66, 68; Untitled, , 66, 69, 69, 78, 79; Untitled, c. 1966, , 139 Untitled (Air Terminal-Windows), 155n. 73, 156, 277n. 75 Untitled (Antarctica), 127, 129, 157, n. 81 Untitled (Classical Head), 213, 214, 226 Untitled (folded map of Beaufort Inlet), 127, 129; Untitled (Hysteria), 210, 211 INDEX 363

11 Smithson, Robert (cont.) Untitled (Map on Mirror-Passaic, New Jersey), , 142, 263n. 69, 273n. 22 Untitled (Site Data), nn. 152, 153, 154 Urination Map of the Constellation Hydra, 215, , 216, 288nn. 58, 60 A Web of White Gravel, 160, 161 What Is a Museum? ( Allan Kaprow), 247n. 58 World Ocean Map (Hammer s Equal Area Projection), n. 9 Snow, Michael, 265n. 98 Southall, James P. C., Introduction to Physiological Optics, 60, 60, 61, 252n. 111, 253n. 114 Spiral Jetty, xi, 222, 223, 224, 225, 227, 231, 292n. 95 The Spiral Jetty, , , 227, , , 292n. 98 Stanislavsky, Constantine, Steinberg, Leo, 42 Stella, Frank, 21, 46, 49, 248n. 67 Stephens, John Lloyd, Incidents of Travel in Yucatan, 172, , 281nn. 113, 114 Stereoscope, 32, 33, 48, 49, 52, 60, 60 61, 62, 63, 64, 70 72, 74, 92 93, 96, 97, 98, 108, 130, 140, 180, 187, 209, 223, 227, 252n. 111, 112, 113, 253n. 114, 118, 261n. 46 Stonehenge, , 146, 147, , n. 32, 274n. 35 Structuralism, xii, xv xvi, 8, 134, , 145, 147, , 188, 191, 197, 205, 238n. 16, 257n. 152, 272n. 17, 273n. 28, 274n. 33, 285n. 9, n. 80. See also Barthes, Roland; Lévi-Strauss, Claude Structure, xiii, xv, xvi, 2, 3, 33, 48, 49, 60, 62, 64, 65, 66, 70, 74, 80, 81, 82, 83, 84, 85, 88, 92 93, 100, 103, 108, 116, 125, 132, 133, 135, , 146, 150, 151, 152, 153, 156, , 188, 189, 197, 198, 199, 201, 203, 205, 213, 223, 226, 227, 239n. 1, 254n. 128, 255n. 131, 257nn. 2, 3, 258n. 9, 268n. 124, 271n. 13, 273nn. 23, 25, 280n See also Primary Structures: Young British and American Sculptors; Structuralism Transparency, 15, 19, 24, 25 26, 29, 36, 75, 85, 151, , , 189, 191 Tsai, Eugenie, 236n. 2, 237n. 6, 258n. 11 Tyler, Parker, 227, 241n. 18, n. 46, 292n. 100 Underground Film, 8, 227, 230, 241nn. 17, 18, n. 46, 292n. 100 Vasarely, Victor, 87, 248n. 67, 249n. 83 Venturi, Robert, 86 87, 88, 89, 90, 91, 106, 112, 118, n. 16, 260n. 35, 261n. 36, 262n. 53. See also Brown, Denise Scott Vernon, M. D., The Psychology of Perception, 29, 31 34, 42, 64, 245nn. 19, 27, 253n. 119 Vietnam, 4, 187, , 281n. 117 Vollmer, Ruth, 251n. 102 Wachsmann, Konrad, The Turning Point of Building: Structures and Design, 151, 152, 259n. 24, 276n. 64 Warhol, Andy, 8, 65, 221 Wheatstone, Sir Charles, 96, 97, 253n See also Stereoscope Wheeler, Dennis. See Smithson, Robert, interviews Whitman, Walt, 218 Williams, William Carlos, 8 10, 117, 118, 217, 241n. 21, 267n. 110, 268n. 129, 286n. 26 Wittgenstein, Ludwig, 277nn. 70, 71 Worringer, Wilhelm, Abstraction and Empathy, 72, , 256n. 140, 291n. 84 Zero degree, , 203 Thompson, J. Eric S., Maya Hieroglyphic Writing, , n. 103 Tibbetts, Abbott, McCarthy, and Stratton (TAMS), , 135, 139, 142, 151, 157, 160, 272n. 15, 275n. 51, 55. See also Aerial Art; Air terminal; Smithson, Robert Toner, Paul. See Smithson, Robert, interviews Towards a New Abstraction, 46, 47, 248n. 67, 254n