Lecture 6: Postmodernism / Late Modernism

Transcription

1 Lecture 6: Postmodernism / Late Modernism

2 Lecture 6: Postmodernism / Late Modernism

3 !!! Context: post WWII development of Modernism and International Style!! _International Style developing out of avant-garde design work after WW II! _avant-garde design aesthetic and ideas hurriedly and shallowly applied! during the economic boom!! _one size fits all approach to design, international rather than regional responses!! _clean slate to develop into a new economic world order: "American Way of Life#!! _suburbia and conspicuous consumption expressing new social order! _national identity creation through production and design! _criticism of increasingly technocratic and sterile environments! and functionalist design approaches as well as impact of mediated! consumerism!! Lecture 6: Postmodernism / Late Modernism

4 Context: cultural_social!! _coming to terms with modernism [post referring to what comes after modernism, but also critique from the inside of the Modernist camp] $!! $! _Metanarratives: deconstructed, exposed as one dimensional histories are written by the winners, his-story herstory! Lyotard: the major stories that have previously united! cultures religious, social, and scientific ones are on the way out, or at least incredible! today; god, progress, socialism,!nationalism,.!!_pluralism: multiple simultaneous histories!!_building on the protests of the sixties,! it translated into a philosophy of cultural pluralism!!_binary system / logic and structural analysis questioned; dealing with opposite taste cultures!!_jencks# narrative of Post-modernism starts as an internal critique of modernism, too!! imperial, too commercial and a sign of the corporate Pax Americana!! Lecture 6: Postmodernism / Late Modernism

5 Lecture 6: Postmodernism / Late Modernism The Pruitt-Igoe Housing project, St. Louis, 1957, epitomizes abstract modern planning and architecture. Because of vandalism and serious crime, people refused to live here.!!! Charles Jenks described the blowing up the housing project the moment when!modern Architecture" died.!

6 Archigram, Various Projects: Plug-in City, Instant City, A walking City in New York, 1964 #A new generation of architecture must arise with forms and spaces which seems to reject the precepts of!modern" yet in fact retains those precepts. We have chosen to by pass the decaying Bauhaus image which is an insult to functionalism. You can roll out steel any length. You can blow up a balloon any size. You can mould plastic any shape. Blokes that built the Forth Bridge they didn"t worry.$ David Greene, Archigram Lecture 6: Postmodernism / Late Modernism

7 Radical thinking in architecture produced exploratory work, mostly utopian, but nevertheless influential, thereby setting a mood for future designers and their understanding of design in a changing society. Lecture 6: Postmodernism / Late Modernism

8 Lecture 6: Postmodernism / Late Modernism

9 Lecture 6: Postmodernism / Late Modernism Archigram, Electronic Tomato, 1969

10 Lecture 6: Postmodernism / Late Modernism Haus Rucker Co, Mindexpander, 1967

11 "They were the Merry Pranksters of architecture$ (William Menking) Ant Farm, Foot Pillow, Rolling Stones concert, Altamont,1969 Lecture 6: Postmodernism / Late Modernism

12 Ant Farm, Texas the House of the Century, 1972 Lecture 6: Postmodernism / Late Modernism

13 Ant Farm, Media Van, customised Chevrolet, 1971 Lecture 6: Postmodernism / Late Modernism

14 Lecture 6: Postmodernism / Late Modernism

15 Archizoom, Non-Stop City, 1972 Lecture 6: Postmodernism / Late Modernism

16 Wassily Chair, Marcel Breuer 1925 Joe Baseball Glove Chair, Studio De Pas, D"Urbino, Lomaazzi, 1970 Lecture 6: Postmodernism / Late Modernism

17 Lecture 6: Postmodernism / Late Modernism

18 Lecture 6: Postmodernism / Late Modernism Archizoom, Mies Chair and Footstool,1969

19 Memphis furniture range, Ettore Sottsass 1981 Lecture 6: Postmodernism / Late Modernism

20 Piano and Rogers, Centre Pompidou, Paris, Lecture 6: Postmodernism / Late Modernism

21 Piano and Rogers, Competition Entry Drawing, Centre Pompidou, Paris, Lecture 6: Postmodernism / Late Modernism

22 Piano and Rogers, Centre Pompidou, Paris, Lecture 6: Postmodernism / Late Modernism

23 Piano and Rogers, Centre Pompidou, Paris, Lecture 6: Postmodernism / Late Modernism

24 Lecture 6: Postmodernism / Late Modernism Piano and Rogers, Centre Pompidou, Paris,

25 Hilton Hotel, 2001: A Space Odyssey, Stanley Kubrik, 1968 Djin [Genie] Sofas by Olivier Mourgue, 1965 The set design for this film expressed a state of the art depiction of what the future [futuristic style"] would like, that is in 2001, 31 years after its release,!. using current modernist styling and furniture design it carried a belief in progress and modernist ideals, all packaged in an abstract, minimalist but slightly disconcerting and perhaps even threatening aesthetic. The story line evoked the ghost in the machine, thereby indicating a critic of the machine as the ultimate metaphor for a design aesthetic and modern society. Lecture 6: Postmodernism / Late Modernism

26 Stanley Kubrik, Space Station with PanAm flight, 2001: A Space Odyssey Lecture 6: Postmodernism / Late Modernism

27 Lecture 6: Postmodernism / Late Modernism

28 The Ghost in the machine; augmented human-machine being with Robocop, Terminator and Frankenstein Lecture 6: Postmodernism / Late Modernism

29 Lecture 6: Postmodernism / Late Modernism

30 Lecture 6: Postmodernism / Late Modernism!""!#$%$&'()*+,%!""!#$-%./01+,20*3%&4%!550/&02-%6789%

31 Lecture 6: Postmodernism / Late Modernism

32 A #gentle manifesto for a non-straightforward architecture$, 1966 Appropriation of a Mies motto: #Less is a bore more is not less$ Lecture 6: Postmodernism / Late Modernism

33 Robert Venturi, Vanna Venturi House, 1962 Lecture 6: Postmodernism / Late Modernism

34 #Such manifestations of articulation and clarity are foreign to an architecture of complexity and contradiction which tends to include:!both-and", rather than exclude:!either-or"$. Lecture 6: Postmodernism / Late Modernism

35 #Such manifestations of articulation and clarity are foreign to an architecture of complexity and contradiction which tends to include:!both-and", rather than exclude:!either-or"$. Lecture 6: Postmodernism / Late Modernism

36 #Such manifestations of articulation and clarity are foreign to an architecture of complexity and contradiction which tends to include:!both-and", rather than exclude:!either-or"$. Lecture 6: Postmodernism / Late Modernism

37 #Such manifestations of articulation and clarity are foreign to an architecture of complexity and contradiction which tends to include:!both-and", rather than exclude:!either-or"$. Lecture 6: Postmodernism / Late Modernism

38 Learning from Las Vegas: The forgotten symbolism of architectural form, 1971 #A new nostalgia the new no longer needed to replace the old.$ Lecture 6: Postmodernism / Late Modernism

39 Lecture 6: Postmodernism / Late Modernism Learning from Las Vegas: The forgotten symbolism of architectural form, 1971

40 Lecture 6: Postmodernism / Late Modernism Athfield House and Office, Athfield Architects, Wellington, 1965-

41 Athfield House and Office, Athfield Architects, Wellington, Lecture 6: Postmodernism / Late Modernism

42 Lecture 6: Postmodernism / Late Modernism Porteous House, Wellington, Athfield Architects, 1969

43 First Church of Christ Scientist, Wellington, Athfield Architects, 1980 Lecture 6: Postmodernism / Late Modernism

44 Oriental Bay Apartments, Athfield Architects, 1985 Lecture 6: Postmodernism / Late Modernism

45 Lecture 6: Postmodernism / Late Modernism

46 Lecture 6: Postmodernism / Late Modernism Public Library, Athfield Architects, Wellington,1992

47 Lecture 6: Postmodernism / Late Modernism

48 Lecture 6: Postmodernism / Late Modernism Roger Walker, Britten House, Karaka Bay, Wellington, 1974

49 Lecture 6: Postmodernism / Late Modernism Roger Walker, Britten House, Karaka Bay, Wellington, 1974

50 Lecture 6: Postmodernism / Late Modernism Roger Walker, Britten House, Karaka Bay, Wellington, 1974

51 Lecture 6: Postmodernism / Late Modernism Roger Walker, Britten House, Karaka Bay, Wellington, 1974

52 Lecture 6: Postmodernism / Late Modernism Philipp Johnson, AT&T Building, New York, 1984

53 Lecture 6: Postmodernism / Late Modernism Charles Moore, Piazza d"italia, New Orleans, 1978

54 Lecture 6: Postmodernism / Late Modernism :;'+2%<=,50/>-%<*)?;,*%<*;;*2>;55+,0+-%@+,';/3-%67AABCD%%

55 Lecture 6: Postmodernism / Late Modernism James Stirling, Stuttart Staatsgallerie, Germany,

56 James Stirling, Staatsgalerie, Stutttgart, 1983 Lecture 6: Postmodernism / Late Modernism

57 Altes Museum Berlin, K.F. Schinkel, Berlin, James Stirling, Stuttart Staatsgallerie, Germany, Lecture 6: Postmodernism / Late Modernism

58 Nigel Coates, The Wall, Tokyo, 1989 Lecture 6: Postmodernism / Late Modernism

59 NATO Narrative Architecture Today Nigel Coates with Shi Yu Chen, Café Bongo, Tokyo, 1986 Lecture 6: Postmodernism / Late Modernism

60 Lecture 6: Postmodernism / Late Modernism Rogers, Lloyds Headquarters, London, 1984

61 Lecture 6: Postmodernism / Late Modernism Rogers, Lloyds Headquarters, London, 1984

62 Lecture 6: Postmodernism / Late Modernism Rogers, Lloyds Headquarters, London, 1984

63 Lecture 6: Postmodernism / Late Modernism Rogers, Lloyds Headquarters, London, 1984

64 Lecture 6: Postmodernism / Late Modernism Peter Eisenman, House VI, Cornwall Connecticut, 1975

65 Lecture 6: Postmodernism / Late Modernism Peter Eisenman, House VI, Cornwall Connecticut, 1975

66 Lecture 6: Postmodernism / Late Modernism Peter Eisenman, House VI, Cornwall Connecticut, 1975

67 Lecture 6: Postmodernism / Late Modernism House VI, Form Generation Video

68 Gehry Residence, Santa Monica, Frank Gehry, 1978 Lecture 6: Postmodernism / Late Modernism

69 #!.and deliberately has randomly slanted lines and angled protrusions. Although the house retains a certain minimalist sense, the effort here is cluttered expressionistic and the sensibility is freely intended as artistically intuitive, of accident not resolved.$ Lecture 6: Postmodernism / Late Modernism

70 Form complexity in architecture through new technologies: Guggenheim Museum Bilbao, Frank Gehry, Bilbao, 1997 Lecture 6: Postmodernism / Late Modernism

71 Lecture 6: Postmodernism / Late Modernism

72 Postmodern responses: _coming to terms with modernism [post referring to what comes after modernism, but also criticism from the inside of the Modernist camp] _high and low / everyday and popular culture coming together _local / pluralistic as opposed to a metanarrative [multiple histories, rather than a single definite one]! _critique of increasingly technocratic and sterile environments and functionalist design approaches!_breaking with the Modernist "design rules#! _experimental, utopian, ironic, machine fetish exposed" _high tech machine expressions developed into a specific aesthetic _search for a visual [spatial / architectural] language that could communicate with a diverse population _architectural postmodernism often stylistic: freestyle classicism / citationism symbolic, figurative, narrative based, humour, not one style or good design approach or method _less is a bore, both / and, complexity and contradiction _vernacular expressions appropriated and included _computer technology to help understand #complexity in the natural an human worlds$ Lecture 6: Postmodernism / Late Modernism