BIBLIOGRAPHY PRIMARY SOURCES:-

Transcription

1 94 BIBLIOGRAPHY PRIMARY SOURCES:- Ibsen, Henrik. A Doll s House. Longman Study Edition, Four Major Plays: Volume1. New York: New American Library, 1992: A Doll s House: The Collected Works of Henrik Ibsen. Trans. Willaim Heinemann. New York, Strindberg, August. ed. Masters of Modern Drama. Block and Shedo. New York Random House, Preface to Miss Julie. Strindberg Plays. Trans. Michael Meyer. United Kingdom: Cox and Wyman Ltd., SECONDARY SOURCES:- Ahnebrink, Lars. The Beginnings of Naturalism in American Fiction. Upsalla Lundequistska Bokhandeln and Cambridge, Harvard University Press,1950. Alphinn Hogatt, Clela. Women in the Plays of Henrik Ibsen. New York: Revisionist, Archer, William. Introduction to the Collected Works of Henrik Ibsen, ed. Archer. Scribner, Bertens, H. Literary Theory, The Basics. Routledge, Bradbrook, M.C. Ibsen, The Norwegian: A Revolution. London: Chatto and Windus, A Doll s House: The Unweaving of the Web. Women and Literature, : The Collected Papers of Muriel Bradbrook, Vol.2. Sussex: The Harvester P,1982.

2 95 Brandes, George. Henrik Ibsen. (trans.). Jessie Muir. London: William Archer Brustein, Robert. August Strindberg, Strindberg: A Collection of Critical Essays. ed. Otto Reinert. New Jersey: Prentice Hall Inc, Brockett, Oscar G. and Franklin J. Hildy. History of the Theatre. Ninth edition, International edition. Boston: Allyn and Bacon Cima, Gay Gibson. Performing Women: Female Characters, Male Playwrights, and the Modern Stage. Ithaca: Cornell UP, Clurman, Harold. Ibsen. New York: Macmillan, Daiches, David. A Critical History of English Literature: Drama from Press, De Beauvoir, Simon. The Second Sex. Northon Anthology of Theory and Criticism. W.W Norton and Company, Inc Durbach, Errol. A Doll s House: Ibsen s Myth of Transformation. Twayne s Masterwork Studies, No.75. Boston: Twayne, Downs, Brian W. A Study of Six Ibsen Plays, Octagon Books, New York, Farhan, Penny. Reading and Writing, and Authority in Ibsen s Women s Plays. Modern Drama 45.1, Finney, Gail. Ibsen and Feminism. Cambridge Companion to Ibsen. ed. J. Mcfarlane. Cambridge: Cambridge UP, Franc, Miriam Alice. Ibsen in England. The Four Seas Co., Friere, Paulo. Pedagogy of the Oppressed. New York: The Continuum International Group, 2000.

3 96 Goldman, Emma. The Social Significance of the Modern Drama. The Gorham Press, Boston, Griffith, Gareth. Socialism and Superior Brains: Political Thought of Bernard Shaw. London: Routledge, Hartman, Murray. Strindberg and O Neill. Educational Theatre Journal 18, Hardwick, Elizabeth. Seduction and Betrayal: Women and Literature. New York: Random, Heller, Otto. Prophets of Dissent. Port Washington, New York: Kennikat Press, Hemmer, Bjorn.ed. Ibsen and the Realistic Problem Drama. The Cambridge Companion to Ibsen, James McFarlane. Cambridge University Press, Henderson, Archibald. European Dramatists. Cincinnati: Stewart and Kidd Co., Hofstadter Richard, Social Darwinism in American Thought, Philadelphia, University of Pennsylvania Press, Johnston, Ian. On Ibsen s A Doll s House. Oxford: OUP, Kauffman, M. ed. Men, Feminism, and men s contradictory experiences of power. In A.Minas. Gender Basics. Feminist Perspectives on Women and Men (Second edition), Wadsworth, Kiberg, Declan. Strindberg s Villains: The New Woman as a Predator, Men and Feminism in Modern Literature. London: Macmillan, Lagercrantz, Olof. August Strindberg. (trans). Anselm Hollo. New York: Farrar Straus Giroux, 1984.

4 97 Lamm. Martin. August Strindberg. (trans.). Harry G Carlson, Benjamin Bloom, Lind Af Hageby, L. August Strindberg. New York/ London: Kennikat Press, Mason, S. V. Ibsen s Women the Acting in Early Norwegian Productions. Diss. University of Oregan, McFarlane, James. The Cambridge Companion to Ibsen. Cambridge: Cambridge University Press, Meyer, Michael. Ibsen. Harmondsworth: Penguin, Strindberg: A Biography, Seeker and Warburg, Strindberg. Oxford University Press, Oxford, Northam, John. Ibsen s Dramatic Method. London: Fabor, Rekdal, Anne M. The Female Jouissance: An Analysis of Ibsen s Et Dukkehjam. Scandavian Studies 74.2, Rosefeldt, Paul. Ibsen s A Doll House. The Explicator. 61.2, Robert, Edgar V. Literature: An Introduction to Reading and Writing. New York: Prentice Hall, Robins, Elizabeth. Ibsen and the Actress. New York: Haskell, Salome, Lou. Ibsen s Heroines. (trans.). Siegfried Mandel. Black Swans Books, Scoles, Robert. Elements of Drama. New York: Oxford University Press, Scott, Clement. A Doll s House. The Theatre 14.79, Shapiro, Ann R. Women in Literature: Reading through the Lens of Gender. Westport, CT: Greenwood.

5 98 Shaw, George. B. The Quintessence of Ibsenism.Henrik Ibsen s Ghosts: A Dramaturgical Sourcebook. ed. D.Marinelli. Pittsburgh: Carnegie Mellon UP, Sprinchorn, Evert. The Greater Naturalism, Strindberg as Dramatist. New Haven: Yale University Press, Stone, Edward. What Was Naturalism? Appleton Century Crofts: New York. Strindberg, August. Preface to Miss Julie. Michael Meyer trans., 1888 Rpt in Strindberg s Plays: One. Michael Meyer trans. Reading, UK: Cox and Wyman Ltd., Strindberg, August and Helen Cooper (trans.).miss Julie. Metheun Drama: London, Templeton, Alice.Miss Julie as a Naturalistic Tragedy Theatre Journal 42.4, Templeton, Joan. Ibsen s Women; The Dolls House Backlash: Criticism, Feminism and Ibsen. Cambridge: Cambridge UP, Thomas, David. Henrik Ibsen. The Macmillan P Ltd. London, Tornqvist, Egil and Jacobs, Barry. Strindberg s Miss Julie: A Play and its Transpositions. Norwich: Norwick, Walter, John. Introduction to Lady Julia Pre Inferno Plays. The University of Washington Press, Ward, John. The Social and Religious Plays of Strindberg. London: Athlone, Williams, Raymond. Drama: From Ibsen to Brecht. New York: Oxford UP, Print Woolf, Virginia and Joanne Trautmann Banks (ed.). Congenial Spirits: The Selected Letters of Virginia Woolf. London: The Hogarth Press, 1975.