BIBLIOGRAPHY A. PRIMARY SOURCES. Richard Wright, Native Son (New York: Harper and Row, 1940).

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1 BIBLIOGRAPHY A. PRIMARY SOURCES Richard Wright, Native Son (New York: Harper and Row, 1940). James Baldwin, Go Tell It on the Mountain (London: Michael Joseph, 1945).. Tell Me How Long the Train's Been Gone (London: Michael Joseph, 1968). Toni Morrison, The Bluest Eye (London: Vintage, 1999).. Tar Baby (London: Chatto and Windus Ltd., 1981). B. SECONDARY SOURCES I. BOOKS Acheson, James and Ross, Sarah C. E. ed., The Contemporary British Novel (Edinburgh: Edinburgh University Press, 2005). Aisha, Carol Blackshire-Belay. ed., Language and Literature in the African American Imagination (London: Green Wood Press, 1992). Ayers, David. Modernism: A Short Introduction (Malden, MA.: Blackwell Publishing, 2004). Avery, Evelyn Gross. Rebels and Victims: The Fiction of Richard Wright and Bernard Malamud (Port Washington, N. Y.: Kennikat Press, 1979). Baldwin, James. Notes of a Native Son (Boston: Beacon Press, 1984). 259

2 . The Price of the Ticket: Collected Nonfiction, (New York: St. Martin s/marek, 1985) Balfour, Lawrie. The Evidence of Things Not Sold: James Baldwin and the Promise of American Democracy (Ithaca, N. Y.: Cornell University Press, 2001). Bell, Bernard W. The Afro-American Novel and Its Tradition (Massachusetts: The University of Massachusetts Press, 1987). Berry Faith. ed., From Bondage to Liberation: Writing by and about Afro-Americans from 1700 to 1918 (New York: Continuum, 2001). Bevilacqua, Winifred Farrant. Fiction by American Women: Recent View. (Port Washington, N. Y.: Associated Faculty Press, 1983). Bjork, Patrick Bryce. The Novels of Toni Morrison: The Search for Self and Place Within the Community (New York: Peter Lang Publishing, Inc., 1992). Bloom, Harold. ed., Toni Morrison s the Bluest Eye (Philadelphia: Chelsea House Publisher, 1999).. ed., Toni Morrison s Beloved (New Delhi: Viva Books Private Limited, 2007).. ed., Bloom s Modern Critical Views: James Baldwin (New York: Chelsea House Publisher, 2007). Bobo, Jacqueline. ed., Black Feminist Cultural Criticism (Malden, Mass.: Blackwell Publishers Publisher, 2001). Campbell, Jane. Mythic Black Fiction: The Transformation of History (Knoxville: The University of Tennessee Press, 1986). Carmean, Karen. Toni Morrison's World of Fiction (Troy, N. Y.: The Whitston Publishing, Co., 1993). 260

3 Chaudhary, Angraj. Comparative Aesthetics: East and West (Delhi: Eastern Book Linkers, 1991). Christian, Barbara. Black Feminist Criticism: Perspectives on Black Women Writers (New York: Pergamon Press, 1985). Collingwood, R. G. The Principles of Art (New York: Oxford University Press, 1970). Collins Sue. Literary Criticism: An Introduction (London: Hodder & Stoughton, 1995). Conner, Marc C. ed., The Aesthetics of Toni Morrison: Speaking the Unspeakable (Jackson: University Press of Mississippi, 2000). Croce, Benedetto. Aesthetic: As Science of Expression and General Linguistic. Translated by Douglas Ainslie (New York: The Monday Press, 1960). David, Ron. Toni Morrison Explained: A Reader s Road Map to the Novels (New York: Random House, 2000). Dickie, George. Aesthetics: An Introduction (New York: Pegasus. 1971). Duvall, John N. The Identifying Fictions of Toni Morrison: Modernist Authenticity and Postmodern Blackness (New York: Palgrave, 2000). Eakin, Paul John. ed., American Autobiography: Retrospect and Prospect (Madison, Wis.: The University of Wisconsin Press, 1991). Elliot, Emory, Caton Louis Freitas, Rhyne Jeffrey. ed., Aesthetics in a Multicultural Age (New York: Oxford University Press, 2002). Ervin, Hazel Arnett. African American Literary Criticism, 1773 to 2000 (New York: Twayne Publishers, 1999). 261

4 Evans, Mari. Black Women Writers ( ): A Critical Evaluation (Garden City, N. Y.: Anchor Press / Doubleday, 1984). Fabre, Michel. The Unfinished Quest of Richard Wright (New York: William Morrow & Company, Inc., 1973).. The World of Richard Wright (Jackson: University Press of Mississippi, 1985). Feagin, Susan L. and Maynard, Patrick. Aesthetics (Oxford & New York: Oxford University Press, 1997). Frye, Northrop. Anatomy of Criticism: Four Essays (New York: Atheneum, 1966). Gates, Henry Louis, Jr. and Appiah K. A. ed., Toni Morrison: Critical Perspectives Past and Present (New York: Amistad Press, 1993).. ed., Richard Wright: Critical Perspectives Past and Present (New York: Amistad Press, 1993). Gates, Henry Louis, Jr. Figures in Black: Words, Signs, and the Racial Self (New York: Oxford University Press, 1987).. Loose Canons: Notes on the Culture Wars (New York: Oxford University Press, 1992). Gaut, Berys and Lopes Dominic Mclver ed., The Routledge Companion to Aesthetics (London and New York: Routledge, 2006). Gayle, Jr. Addison. ed., The Black Aesthetic (New York: Doubleday and Company, Inc., 1971). Richard Wright: Ordeal of a Native Son (Garden City, N. Y.: Anchor Press, 1980). Graham, Maryemma. ed., The African American Novel (New York: Cambridge University Press, 2004). 262

5 Grewal, Gurleen. Circles of Sorrow, Lines of Struggle: The Novels of Toni Morrison (Baton Rouge: Louisiana State University press, 1998). Guillory Monique and Green Richard C. ed., Soul: Black Power, Politics, and Pleasure (New York: New York University Press, 1997). Guyer, Paul. Values of Beauty: Historical Essays in Aesthetics (Cambridge: Cambridge University Press, 2005). Hakutani, Yoshinobu and Butler Robert. ed., The City in African- American Literature (Madison: Fairleigh Dickinson University Press, Inc., 1995). Harris, Trudier. Fiction and Folklore: The Novels of Toni Morrison (Knoxville: The University of Tennessee Press, 1991). Hawthorn, Jeremy. A Concise Glossary of Contemporary Literary Theory (New York: Oxford University Press, 2000). Head, Dominic. The Cambridge Introduction to Modern British Fiction, (Cambridge: Cambridge University Press, 2002). Holloway, F. C. Karla. Codes of Conduct: Race, Ethics, and the Color of Our Character (New Brunswick, N. J.: Rutgers University Press, Cop., 1995). Holton, Wallace, Sylvia. Down Home and Uptown: The Representation of Black Speech in American Fiction (Rutherford: Associated University Presses, Inc., 1989). Horton, Oliver, James and Horton E. Lois. Hard Road to Freedom: The Story of African America (New Brunswick, N. J.: Rutgers University Press, 2001). 263

6 Houston, A. Baker, Jr. Modernism and the Harlem Renaissance (Chicago: The University of Chicago Press, 1987).. Afro-American Poetics: Revisions of Harlem and the Black Aesthetic (Wisconsin: The University of Wisconsin Press, 1988). Jackson, Blyden. A History of Afro-American Literature (Baton Rouge: Louisiana State University Press, 1989). Janaway, Christopher. Reading Aesthetics and Philosophy of Art: Selected Texts with Interactive Commentary (Malden, M. A.: Blackwell Publishing Ltd., 2006). Jurca, Catherine. White Diaspora: The Suburb and The Twentieth- Century American Novel (Princeton N. J.: Princeton University Press, 2001). Kinnamon, Keneth. ed., James Baldwin; A Collection of Critical Essays. (Englewood Cliffs, N. J.: Prentice-Hall Inc., 1974). Listowel, The Earl of. Modern Aesthetic: An Historical Introduction (London: George Allen and Unwin Ltd., 1967). McBride, Dwight A. ed., James Baldwin Now (New York: New York University Press, 1999). Mckay, Nellie Y. Critical Essays on Toni Morrison (Boston: G. K. Hall & Co., 1988). Mckee, Patricia. Producing American Races: Henry James, William Faulkner, Toni Morrison (Durham, N.C.: Duke University Press., 1999). Mongia, Padmini. Contemporary Postcolonial Theory: A Reader (London: Arnold, 1997). 264

7 Morrison, Toni. Playing in the Dark: Whiteness and the Literary Imagination (Massachusetts: Harvard University Press, 1992). Neill, Alex and Ridley, Aaron. ed., Arguing About Art: Contemporary Philosophical Debates (London: Routledge, 2002). Nicol, Bran. ed., Postmodernism and the Contemporary Novel: A Reader (Edinburgh: Edinburgh University Press, 2002). Osborne, Harold. Aesthetics and Criticism (London: Routledge & Kegan Paul Ltd. 1955). Patnaik, J. N. The Aesthetics of New Criticism (New Delhi: Intellectual Publishing House, 1982). Peterson, J. Nancy. ed., toni morrison: Critical and Theoretical Approaches (Baltimore and London: The Johns Hopkins University Press, 1997). Phillips, Caryl. A New World Order: Selected Essays (London: Secker & Warburg, 2001). Rainwater, Catherine and Scheick, William J. ed., Contemporary American Women Writers: Narrative Strategies (Lexington, KY.: The University Press of Kentucky, 1985). Reilly, John M. Richard Wright: The Critical Reception (New York: Burt Franklin and Co, Inc., 1978). Rice, Philip and Waugh Patricia. Modern Literary Theory: A Reader (London: Arnold, 1997). Schreiber, S. M. An Introduction to Literary Criticism (Oxford & New York: Pergamon Press, 1965). 265

8 Soto, Michael. The Modernist Nation; Generation, Renaissance, and Twentieth-Century American Literature (Tuscaloosa: The University of Alabama Press, 2004). Standley, Fred L. and Burt, Nancy V. ed., Critical Essays on James Baldwin (Boston, Massachusetts: G. K. Hall & Co., 1988). Tally, Justine, ed., The Cambridge Companion to Toni Morrison (New York: Cambridge University Press, 2007). Walder, Dennis. ed., Literature in the Modern World: Critical Essays and Documents (New York: Oxford University Press, 2004). Watson, Steven. The Harlem Renaissance: Hub of African-American Culture, (New York: Pantheon Books, 1995). Wright, Richard. 12 Million Black Voices (New York: Thunder s Mouth Press, 1988).. Early Works: Lawd Today!, Uncle Tom s Children, Native Son (New York: The Library of America, 1991). Young, Thomas Daniel. ed., Modern American Fiction: Form and Function (Baton Rouge: Louisiana State University Press, 1989). II. ARTICLES/JOURNALS Barbara Olson, K. Come-To-Jesus Stuff in James Baldwin s Go Tell It on the Mountain and The Amen Corner. African American Review, Summer 1997, Vol. 31, Issue 2, p Cliff, Michelle. Telling It on the Mountain. Nation, Sept. 1998, Vol. 266, Issue 17, p

9 Eugene, McCorthy B. Models of History in Richard Wright s Uncle Tom s Children. Black American Literature Forum, Winter 1991, Vol. 25, Issue 4, pp Fabre, Michel. Richard Wright's Critical Reception in France -- Censors Right and Left, Negritude Intellectuals, the Literary Set, and the General Public. Mississippi Quarterly, The, Spring Gillian, Jennifer. Focusing on the Wrong Front: Historical Displacement, the Maginot Line, and The Bluest Eye. African American Review, Summer 2002, Vol. 36, Issue 2, p Higashida, Cheryl. Aunt Sue's Children: Re-viewing the Gender(ed) Politics of Richard Wright's Radicalism. American Literature, June 2003, Vol. 75, No. 2, pp Korde, Bajrang. African-American Literature and Its Aesthetics: Past, Present and Future. Dr. Korde s unpublished paper. Almost all portions of this paper are used verbatim in the body of this dissertation with the permission of the author (i.e. Dr. Korde). Mayo, James. Morrison s The Bluest Eye. Explicator, Summer 2002, Vol. 60, Issue 4, p McKittrick, Katherine. Black and 'Cause I'm Black I'm Blue: Transverse Racial Geographies in Toni Morrison s The Bluest Eye. Gender, Place and Culture: A Journal of Feminist Geography, June 2000, Vol. 7, Issue 2, p Morrison, Toni. The Bluest Eye. Literary Cavalcade, Sept. 2001, Vol. 54, Issue 1, p

10 III. WEBSITES The University of Michigan West Africa Review The University of North Carolina Encyclopedia Britannica Online About.com: Agnoisticism/ Atheism Black Arts Movement 268