2018: An Invitation. We are delighted to announce the second edition of the London Design Biennale, 4 23 September 2018.

Transcription

1 Prospectus

2 Contents : An Invitation 2016: A Review 2018: From the President 2018: Theme Venue Exhibition Spaces Jury 2018: Applications Proposals Responsibilities Participation Fees & Agreement Timeline

3 2018: An Invitation We are delighted to announce the second edition of the London Design Biennale, 4 23 September It is a pleasure and honour to invite the nations of the world to return to our great city for the second edition of the London Design Biennale in September London is ready and waiting once again to welcome designers and representatives from all backgrounds and nationalities to celebrate design from around the world at Somerset House. I am proud to be Mayor of such an outward-looking city, which is truly open to business, investment and talent. Great design is part of everyday life in London. Yet, in a quickly changing world, design is also a powerful way to imagine an alternative. The London Design Biennale has proved a vital international forum for this important conversation towards our collective futures. I have no doubt that London Design Biennale 2018 will build on the immense success of the inaugural 2016 edition, which brought together 37 countries and territories to communicate the universal power of design. I hope that your country will take part in SADIQ KHAN MAYOR OF LONDON 2 3

4 2016 A Review INDIA CHAKRAVIEW by Sumant Jayakrishnan, commissioned by India Design Forum. For a short film of the Biennale see: TURKEY THE WISH MACHINE by Autoban, commissioned by Istanbul Foundation for Culture and Arts (IKSV). ALBANIA BLISS by Helidon Xhixha, commissioned by the Albanian Institute New York. WINNER: PUBLIC MEDAL USA THE IMMERSION ROOM by Cooper Hewitt, Smithsonian Design Museum. SWITZERLAND IN-BETWEEN: THE UTOPIA OF THE NEUTRAL curated by Giovanna Lisignoli, commissioned by Embassy of Switzerland in the UK and Pro Helvetia. WINNER: JAGUAR INNOVATION MEDAL SOUTH AFRICA OTIUM AND ACEDIA by Porky Hefer, commissioned by Southern Guild. ISRAEL AIDROP by Yaniv Kadosh, commissioned by ACT Shenkar. 5

5 2016 A Review Continued JAPAN A JOURNEY AROUND THE NEIGHBOURHOOD GLOBE by Yasuhiro Suzuki, commissioned by The Japan Foundation. RUSSIA DISCOVERING UTOPIA: LOST ARCHIVES OF SOVIET DESIGN by Moscow Design Museum. WINNER: UTOPIA MEDAL MEXICO BORDER CITY by FR-EE, commissioned by the Embassy of Mexico in the UK. LEBANON MEZZING IN LEBANON by Annabel Karim Kassar. WINNER: LONDON DESIGN BIENNALE MEDAL 2016 UNITED ARAB EMIRATES AL FALAJ: WATER SYSTEMS OF THE GULF S OASES by Cultural Engineering and Case Design. SHENZHEN, CHINA DENCITY by URBANUS, commissioned by Shenzhen City of Design Promotion Association. BELGIUM EUTOPIA by Benoît van Innis, commissioned by DAMnation.

6 2016 A Review Continued PARTICIPATING COUNTRIES AND TERRITORIES Albania Australia Austria Belgium Chile Croatia Cuba France Germany Greece India Indonesia Israel Italy Japan Lebanon Mexico The Netherlands Nigeria Norway Pakistan Poland Portugal Republic of Korea Russia Saudi Arabia Shenzhen-China South Africa Spain Sweden Switzerland Taiwan Tunisia Turkey United Arab Emirates United Kingdom United States of America For the first time it looks amazing... all this buzz, all the people coming in. It s not only designers, it s also companies, it s the news, it s the media, it s very positive news. London, as we know, is the capital of design anyhow, but to bring all the people over here and to share that it s absolutely brilliant. MARTIN ROTH FORMER DIRECTOR, VICTORIA AND ALBERT MUSEUM It s a smashing success... And it can t be a bigger, bigger success. It s exciting to be here with creative minds from all over the world and to see the collection of talent here is really inspiring. Exceedingly, exceedingly pleased. AL G. HORVATH CHIEF FINANCIAL OFFICER, SMITHSONIAN I was absolutely impressed to see design concepts that are not only visually stunning, but also looked to tackle some of the most important issues pressing us today. LIAM FOX MP PRESIDENT OF THE BOARD OF TRADE AND SECRETARY OF STATE FOR INTERNATIONAL TRADE It s very exciting to be here at the beginning of something that feels very different to anything I ve ever been to ever before... and it s just the most extraordinary fresh mix of utterly different perspectives all coming together... Excited to see how it grows and develops." THOMAS HEATHERWICK DESIGNER Honestly, I think it s miraculous. I think it is amazing... and I thought the calibre of work was fantastic... I think to be able to bring the world together for this form of expression is wonderful. PAULA SCHER PRINCIPAL, PENTAGRAM USA The Biennale is a deep-dive into design in the more substantial sense of the word: an interrogation into its most forward-thinking applications and its significance in a quickly changing world. CNN STYLE Selected as one of "2016's most visually inspiring moments" Imaginative, diverse, inspiring. THE SUNDAY TIMES The best bits remind you of the power of critical, speculative, truly utopian design THE GUARDIAN For the field of design the Biennale presents a watershed moment... The works producers have taken a broad approach to the purpose of design, seeing it as offering ways to address social problems such as pollution, migration, water conflict and inequality." FINANCIAL TIMES The new London Design Biennale... turns out to be perfect. In fact, amid the 37 offerings scattered engagingly around the corridors and courtyards of Somerset House, you re bound to find something to provide pleasure... ICON The most engaging installations are those that show design s power to inspire and delight. CREATIVE REVIEW From China to Chile, the theme of Utopia by Design is creatively explored international pavilions sprawled across the lovely halls of Somerset House. MONOCLE This new event exhibits the creme de la creme of world design creativity, with more than 35 nations from six continents taking part, each lined up with their own best museums, institutions or foundations VOGUE ITALIA The resulting commissions are richly varied, including fantastical imaginings of future cities, homages to unrealised utopian proposals of the past, and innovative solutions for issues in 21st-century life XINHUA NEWS AGENCY The commissions all new works by renowned architects, designers, artists and scientists are richly varied, including fantastical virtualreality cities, large-scale kinetic sculptures, and culinary pop-ups THE TELEGRAPH MAGAZINE A new highlight of the cultural calendar FX MAGAZINE Modelled on the successful Biennales of Venice for architecture and art... among the world s leading institutions involved are the Cooper Hewitt of New York, the MAK applied art museum in Vienna and the Moscow Design Museum THE ART NEWSPAPER The imaginative, thought-provoking and intuitive work on offer... proves design s role in both tackling world issues, and helping to highlight them. DESIGN WEEK Selected as a "favourite exhibition of 2016" 8 9

7 2018: From the President Following the enormous success of the inaugural London Design Biennale, we are delighted to welcome applications from countries, cities and territories for our 2018 edition, 4 23 September. The nations of the world created an outstanding exhibition of ideas and ingenuity for the inaugural London Design Biennale, and following 2016 s enormous success, the Biennale is firmly established as a new highlight of the cultural calendar. The 2018 edition will bring the best international design thinking back to London's world stage illustrating how design can challenge, engage, educate and surprise audiences. Exhibiting nations will form an international network of global design countries and cities, each invited to take part to celebrate their unique cultural identity in the field of design. And the importance of design is rapidly increasing design brings about positive social change and economic growth. The London Design Biennale enables valuable government, business and public connections, and for each design contribution to be presented at the highest international level. The Biennale will return to the grand network of historic galleries at Somerset House for 2018, with up to 50 participating countries invited to exhibit exceptional and original design installations in response to the theme, 'Emotional States' (see page 14). The International Advisory Committee and Jury, composed of leading creative experts worldwide, will award Medals to the most outstanding national contributions. The London Design Biennale has established itself as a place where innovative design concepts are trialled, where research and debate ignite, and where important international collaborations and creative partnerships are born. We look forward to working with you. SIR JOHN SORRELL CBE PRESIDENT, LONDON DESIGN BIENNALE 10 11

8 2018 Theme Emotional States Director s Statement & Theme The theme for 2018, Emotional States, looks to provoke a broad interpretation across design disciplines, interrogating how design affects every aspect of our lives the way we live and how we live but can also influence our very being, our emotionsand experiences. Biennale Director, Dr Christopher Turner, asks countries to address the theme from a diversity of viewpoints; variation and difference in design identities should be explored in countries proposals and designs

9 2018 Theme Building on our 2016 theme, Utopia by Design, the second edition of the Biennale will explore Emotional States. Happiness is the meaning and purpose of life, the whole aim and end of human existence Aristotle Emotions are universal, with shared meanings that transcend borders. Thoughtful design and technology can create positive emotional experiences, facilitating new social possibilities by enabling connectivity and contact, and the forging of meaningful connections between people. The discipline is at the forefront of change-making, with architects and designers working imaginatively to try and create positive conditions for human flourishing, and we hope countries and territories will explore such socially responsive designs here. But for every problem designers solve, inevitably more are created. In their installations and exhibits, design teams are encouraged to examine the full spectrum of emotional experience, from anger to surprise, sadness to disgust, and to propose radical and provocative ideas that transcend aesthetics. Amongst other questions, national entries might ask: How can design evoke, visualise, communicate and manipulate emotions? How can designers help strengthen citizen and community engagement by encouraging positive feelings, promoting and supporting well-being? Conversely, how can design provoke and address negative affects, such as anger and stress? What are the possible consequences of creating robots that are emotional machines? How can we create emotionally durable designs that increase sustainability and reduce the impact of consumption and waste? In 2016 the International Jury, impressed by the range and diversity of responses to the inaugural theme, considered the most successful installations to be those that addressed the specificity of a country s design history, and what could be learned from it. Also, the immersive and interactive (and sometimes playful) exhibits that really sought to engage an audience. The theme, Emotional States, offers numerous possibilities to explore the sensorial qualities of design, with visceral exhibits and experiences that evoke moods and explore a particular country s design story. Together they will present an exciting laboratory of ideas that will investigate the important relationship between design, strong emotional responses and real social needs

10 Venue Somerset House is a centre for contemporary culture in one of London's finest and largest 18th century buildings. A unique part of London s creative and cultural scene, Somerset House is one of London s most visited attractions with 3.2 million visitors annually, including over a quarter of a million during the 2016 Biennale. The historic, listed building is positioned on the banks of the River Thames in the heart of London. Located on the Strand between London Bridge and Waterloo Bridge, it is in close proximity to Trafalgar Square, Buckingham Palace and London s famous theatre land. It is now home to the biggest community of creative organisations in central London including the Courtauld Gallery and Institute of Art, King s College London Cultural Institute and over 100 other creative businesses. The newly launched Somerset House Studios programme serves to cement Somerset House as a key cultural and design hub in London. COVENT GARDEN ROYAL OPERA HOUSE STR AND SOMERSET HOUSE TEMPLE 16 GERMANY UTOPIA MEANS ELSEWHERE by Konstantin Grcic STR AND CHARING CROSS THE SAVOY EMBANKMENT WATERLOO BRIDGE VICTORIA EMBANKMENT RIVER THAMES NATIONAL THEATRE

11 UK FORECAST by Edward Barber & Jay Osgerby, commissioned by the V&A, locatedin the Edmond J.Safra Fountain Court, Somerset House

12 Exhibition Spaces The beautifully restored galleries at Somerset House vary in size, from rooms of approximately 30m 2 to spaces over 100m 2 All dedicated exhibition spaces offer participating countries or cities the opportunity to exhibit in one of London s leading venues. Gallery spaces can be linked, interconnecting to create a suite of larger rooms to cater for all space requirements. There are also some dramatic external areas available as outdoor exhibition space within the Edmond J. Safra Fountain Court, on the Riverside Terrace, overlooking the Thames, and in the courtyard space outside the grand entrance on Lancaster Place. The London Design Biennale Project Team will work collaboratively with participating countries and cities to match participants with the most effective exhibition space at Somerset House to meet the requirements of their design proposal and budget. We highly recommend visiting Somerset House to gain a full understanding of the potential of each space to best complement design proposals. Please let us know if you would like to arrange a tour of the exhibition spaces available. 20 INDONESIA FREEDOME by Indonesia Agency for Creative Economy 21

13 Jury The London Design Biennale International Advisory Committee and Jury is composed of leading creative experts, with a strong commitment to and appreciation of design. This is an honorary advisory body that offers guidance to the strategic direction and promotion of the Biennale, and acts as the Biennale s ambassadors. The Advisory Committee are also members of the prestigious International Jury, awarding Medals to the most significant national contributions. PAOLA ANTONELLI Paola Antonelli joined The Museum of Modern Art in 1994 and is a Senior Curator in the Department of Architecture and Design, as well as MoMA s founding Director of Research and Development. She has curated numerous shows at MoMA and in other international institutions. She has taught at the University of California, Los Angeles, the Harvard Graduate School of Design and the MFA programmes of the School of Visual Arts in New York. JAMES LINGWOOD MBE James Lingwood has been Co-Director of Artangel with Michael Morris since James has also curated exhibitions for national and international arts institutions including Juan Muñoz s Double Bind (2001) in Tate Modern s Turbine Hall and Douglas Gordon s exhibition What Have I Done (2002) at the Hayward Gallery in London. He is a Trustee of The Art Fund and The Paul Hamlyn Foundation and is on the International Advisory Board of the Museu Serralves, Porto. ADELIA BORGES Adelia Borges is a design curator, journalist and writer based in São Paulo. Former director of Museu da Casa Brasileira, she has curated more than 40 exhibitions in seven countries and authored or co-authored more than 15 books. Adelia belongs to the curatorial team of Design Triennial of Cooper-Hewitt Design Museum and has been a jury member for the London Design Museum s Designs of the Year exhibition and awards. PROFESSOR JEREMY MYERSON Jeremy Myerson is the Helen Hamlyn Professor of Design at the Royal College of Art, London and Director of the global Work Tech Academy. An academic, author and activist in design, he has led many interdisciplinary research projects at the intersections of ageing, healthcare and workplace design. He has written a number of influential books on design, architecture, work and the city, and is an adviser to leading design institutes in Hong Kong, Switzerland and Korea

14 SIR DAVID ADJAYE OBE Sir David Adjaye OBE is a Ghanaian British Architect. His studio Adjaye Associates has offices in London, New York and Accra and has worked on projects including the Smithsonian Institute National Museum of African American History and Culture (2016) and the Nobel Peace Centre in Oslo (2005). He frequently collaborates with contemporary artists on art and installation projects, recently working on the design of the 56th Venice Art Biennale (2015). In 2016, he was knighted by Her Majesty the Queen for services to architecture, following the award of his OBE in MARTIN ROTH Martin Roth is a former Director of the Victoria and Albert Museum. Before joining the V&A, he was Director General of the Dresden State Art Collections (Staatliche Kunstsammlungen Dresden), overseeing 12 museums and galleries. He is a Trustee of the British Council and of the Musée des Arts Décoratifs in Paris. He is a member of both the Council of the Royal College of Art and the Court of Imperial College in London. PHOTO: THIERRY BAL JONATHAN REEKIE CBE Jonathan Reekie was appointed Director of Somerset House Trust in April He was previously Chief Executive of Aldeburgh Music, leading the direction and development of the world-renowned musical centre since He is currently a Trustee of the Arts Foundation and holds an Honorary Fellowship from the Royal Academy of Music and an Honorary Doctorate of Music from the University of East Anglia. He was awarded a CBE in the 2013 Birthday Honours. PAULA SCHER Paula Scher is one of the world s most acclaimed graphic designers. She has been a principal in the New York office of the distinguished international design consultancy Pentagram since Scher has served on the Design Commission of the City of New York since She exhibits worldwide and her work is in the permanent collections of international institutions. In 2013 she was honored with the National Design Award for Communication Design. ANA ELENA MALLET Ana Elena Mallet is a Mexico City-based independent curator specialising in modern and contemporary design. She is co-curator of Moderno: Design for the home. Brazil, Mexico and Venezuela at the America s Society, New York (2015) and is co-curating Design and the Border at Craft and Folk Art Museum, Los Angeles (expected 2017). Previously, she was Programming Deputy Director at the Museo Rufino Tamayo ( ), and Chief Curator at Museo del Objeto ( ). SIR JOHN SORRELL CBE PRESIDENT, LONDON DESIGN BIENNALE Sir John Sorrell, President of the London Design Biennale, is a UK Business Ambassador, appointed by successive Prime Ministers to promote Britain s Creative Industries abroad. He co-founded the Sorrell Foundation in 1999 and is chairman of University of the Arts London, founder and chairman of the Creative Industries Federation, and chairman of the London Design Festival. Sir John was appointed CBE in 1996 and awarded a Knighthood in 2008 for services to the Creative Industries. THE LORD ROGERS OF RIVERSIDE CH Richard Rogers is a founding partner of Rogers Stirk Harbour and Partners. In a career spanning more than fifty years, he and his partners have designed buildings including Centre Pompidou and Lloyd s of London. He has advised national and city leaders across Europe. Richard was knighted in 1991 and made a member of the House of Lords (the upper house of the UK Parliament) in PHOTO: ANDREW ZUCKERMANN DR CHRISTOPHER TURNER DIRECTOR, LONDON DESIGN BIENNALE Christopher Turner, Director of the London Design Biennale, is the former editor of Icon and Modern Painters. Turner studied art history at the University of Cambridge, and has a PhD from the University of London. He has curated exhibitions at Manifesta 7: the European Biennial of Contemporary Art and the Arnofini Gallery. He is also the deputy director of the London Design Festival and writes for the London Review of Books, The Guardian and Sunday Telegraph. KAYOKO OTA Kayoko Ota is an architecture curator, editor and writer based in Tokyo. Kayoko was former curator and editor at AMO in Rotterdam, and led the curatorial team of the Japan Pavilion at the Venice Architecture Biennale in 2014 as commissioner. She co-founded PLAT, an international platform for architectural thinking. BEN EVANS EXECUTIVE DIRECTOR, LONDON DESIGN BIENNALE Ben Evans is the Executive Director of the London Design Biennale. He is also Director of the London Design Festival, which he cofounded with Sir John Sorrell in Since 2008 Ben has been a governor of the University of the Arts and is passionate about art & design education. In 2010 he was awarded an honorary degree from the Royal College of Art and graduated there in 1987 with an MA in History of Design. 25

15 2018: Applications The London Design Biennale invites proposals from countries, cities and territories worldwide. Each country will be responsible for the appointment and commissioning of their own representative Design Team. Proposals submitted on behalf of countries can be made by embassies, design councils, government ministries, national museums, designers, or universities. Only one official national entry will be accepted to represent each individual country, so the submitted proposal must be fully acknowledged, supported and endorsed by a recognised national organisation, such as a national design council, government department, embassy or national museum. Reflecting the diversity of design practice, we welcome and recognise the many ways designers and their supporting institutions work. If you have any questions about eligibility please do contact us. The following pages lay out the design proposal requirements, application process, responsibilities and timeline to take part in the London Design Biennale AUSTRALIA PLASTIC EFFECTS by Brodie Neill 27

16 Exhibiting countries or cities are asked to submit proposals for an exceptional and original design installation in response to the 2018 theme, Emotional States. The London Design Biennale embraces all design disciplines, and installations could reference one, or even multiple disciplines. This includes product design, graphic and typographical, industrial, architecture, interior, engineering and system design among others. Design installations should be curated works that are able to engage, or even interact, with the London Design Biennale s visitors. Installations should be newly commissioned for this purpose, and should not have been shown elsewhere. Whilst the installation might include objects made for production, the installation in total should be a unique and stand-alone work. Installations may be a single work or a collection of works. The exhibition should not be presented as a trade showcase. Selected proposals will be those that best address the theme in a way that specifically references or connects with the country s own design history; those that engage with audiences in a way that inspires or challenges them to interact with the ideas presented in the installation; and those that respond to the theme to show the important role or potential of design. Installations should be site-specific for the galleries and rooms at the Biennale s venue. Design Teams must also be sympathetic to the historic fabric of Somerset House as a listed venue in their production, installation and fixing. Installations may vary in size, from the intimate and domestic, to the more architectural. The Biennale Project Team will discuss any feasibility issues relating to proposals, including install and deinstall timeframes. It will be necessary for design installations to be constructed off site, packed for shipping and rebuilt in situ at Somerset House during the London Design Biennale installation period. The timeline is designed to allow for the evolution of Design Team s proposals, it is also possible to host open calls for ideas many countries did this for For the initial application, proposals that seek to hold a national competition or invited applications from local design teams are welcome. The Design Teams and Commissioning Bodies that form the national entry must be able to demonstrate experience delivering large scale projects on an international stage. Design Teams will be asked to submit examples of previous work and experience via the online application process, opening in January

17 Responsibilities The London Design Biennale will work collaboratively with Design Teams for the coordination and installation of their exhibitions at the venue. EACH COUNTRY WILL BE RESPONSIBLE FOR: All research, conception and design; The complete funding of their participation at the London Design Biennale, including all expenses incurred by the project. We expect that each country may wish to appoint a commercial sponsor in order to fully fund the project; Sourcing, fabrication & production of all exhibition materials; All aspects of project management and delivery; Packing and shipping; Insurance (including Public Liability Insurance); Ensuring that all project deadlines set by the London Design Biennale are met; Securing permissions for any exhibition materials used and clearing any copyrighted material for use. 30 AUSTRIA LEVEL by mischer traxler studio As a condition of installing onsite, due to the venue s unique historical status, participating teams will be required to work with approved contractors for certain aspects of their installation. Any other contractors employed by participant countries or cities and used in the on-site coordination, installation and de-install must be approved in advance, and their actions may be restricted to work that does not affect the fabric of the galleries. It is a condition of participating that each team has an experienced project manager, responsible for delivering the project. This should be clearly stated in your application, and this person must serve as the responsible party for coordinating information between Design Teams and Commissioning Bodies, between Design Teams and the London Design Biennale, and between contractors and Design Teams. Given the number of parties involved in projects like this, it is critical to have a single point of contact that is able to deliver the technical and operational aspects of the project. 31

18 Participation Fees & Agreement Participation fees to the London Design Biennale are dependent on the size of the allocated exhibition area and its relative location within the venue. Fees are scaled to reflect these distinctions. An initial deposit will be due in June 2017, along with the Agreement. The remainder of the participation fee will be invoiced in November These payments are designed to secure your space within the Biennale, and to provide sufficient time to match country or sponsor budget calendar allocations. It is important to consider that the participation fee only represents one part of the financial obligations of taking part. Please do not hesitate to be in touch with us with any questions regarding the application process, the nature of your proposal, queries about the theme or the spaces available. Contact CHRISTOPHER TURNER DIRECTOR MARTHA PYM INTERNATIONAL RELATIONS MANAGER +44 (0) KATHRYN SIMPSON INTERNATIONAL RELATIONS MANAGER +44 (0) London Design Biennale 33 John Street, London WC1N 2AT LONDONDESIGNBIENNALE.COM 32 PHOTOGRAPHY All photography by Ed Reeve, except Italy & South Africa by Bradley Lloyd Barnes 33

19 Timeline Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec January March 2017 Design Development: Initial Concepts Online applications open (Jan). Teams work on an overall concept responding to the theme. Conversations with London Design Biennale Team to establish interest, scope and ambition April 2017 Submission: Application Deadline to submit online application. This includes information regarding the design team, commissioning body and initial design concept. This is the first formal step to register your interest in taking part and preliminary design concept, including space requirements. 3 April May 2017 Design Development: Consultancy Phase 34 Development of initial design concepts and continued conversations with London Design Biennale. Planning should include spatial requirements within Somerset House. Once complete, teams should submit their developed design concepts and deposit June 2017 Submission: Developed Design Concept Submit developed design concept, including sketches, images, prototypes, references and inspirations. Deposit and signed agreement due June 2017 Review: Jury Applications will be assessed by the International Jury and teams will be formally notified regarding their participation. Applications that are not accepted will have their deposits returned to them. 6 July November 2017 Design Development: Feasibility Detailed conversations between Design Teams and London Design Biennale to address feasibility concerns. Feedback to strengthen proposals in advance of final design submissions, and installation queries addressed November 2017 Submission: Final Design Proposal Final design submission. Remaining participation fee invoiced December 2017 Remaining Participation Fee Due 9 January March 2018 Project Development: Contractor / Fabrication quotes Discussions with Somerset House Contractors to receive quotes for installation and fabrication. 10 April 2018 Design Development: Design Freeze Finalisation of quotes and contractor specifications. No further changes to designs permitted. 11 May July 2018 Fabrication /Design Production Ongoing work on installation fabrication and design production. 12 June start of August 2018 Freight to London All deliveries must arrive in London by the start of August so they can be consolidated before being delivered to Somerset House August 03 September 2018 Installation at Somerset House Access during these dates will depend on the installation schedule September 2018 London Design Biennale 2018 Biennale is open to press and public September 2018 Deinstallation at Somerset House * Access during these dates will depend on the installation schedule. The dates set out are subject to adjustments, and as such further correspondence from the London Design Biennale Project Team should be closely noted. 35

20

21