and on the contrary...unclear programming...makes design very difficult

Transcription

1 3 HOUSES spring houses is a course on architectural design if the programming of a design task...is brought to a certain level of clarity...the design itself...becomes easy... and on the contrary...unclear programming...makes design very difficult AAR Houses 15p AAR Houses Theory 7,5p click here for detailed progam

2 3HOUSES SPRING18

3 3 H O U S E S SPRING TERM 2018 «WE STRONGLY BELIEVE; THAT TO CREATE ARCHITECTURE IS TO CREATE A SPECIFIC ENVIRONMENT» UID ARCHITECTS, HIROSHIMA The nest, UID

4 ITS NOT THE NOTES YOU PLAY......ITS THE ONES YOU LEAVE OUT MILES DAVIS fredrik lund and daniel evensen international competition 2017 ARCHITECTURAL FORM : COMPOSITIONAL ( CLOSED ) FORM ( EX : PALLADIO ) OPEN FORM ( OSKAR HANSEN ) ADDITIVE FORM ADDITION OF ELEMENTS ( GEOMETRIC ORDER ) GEOMETRIC ORDER TOPOGRAPHIC ORDER TOPOLOGIC ORDER SUBTRACTIVE SUBTRACTION OF MASS ( MEGA - ) STRUCTURAL CONSTRUCTIONAL FORM ( DIRECTLY MATERIAL DERIVED ) REPETITIV CONSTRUCTIONAL FORM AMORPH FORM ORGANIC FORM FOLDING INTERTWINED WEAVED FIGURE GROUND PRINCIPLE TRANSFORMATIVE FORM

5 STORY 1 : THE HOUSE WAS A SORT OF PLAT- FORM...ON IT; A LOT OF COLUMNS WERE PLACED... STRANGE COLUMNS. BECAUSE THEY WERE ALL LIKE LITTLE TALL HOUSES, THEY WERE HOLLOW; EACH WITH A DIFFERENT ROOM INSIDE; A BED; A SHOWER; A KITCHEN...AND SO FORTH...THE SPACE BETWEEN THEM WAS THE ACTUAL WORK - SPACE... STORY 2 : HE SHOWED ME HIS IDEA OF THE HOUSE. A SKETCH SHOWING THREE LONG PARALLEL FIELDS, EACH WITH A DIFFERENT NAME: WALLS...SAND...VEGETATION HE SAID THIS SCHEME COULD MAKE A WON- DERFUL HOUSE STORY 3 : THIS HOSTEL WAS UNLIKE ANYTHING I HAD SEEN BEFORE. UPON YOUR ARRIVAL, YOU WERE GIVEN A LITTLE HOUSE ON WHEELS, A WOODEN FRAME WITH CANVAS ROOF AND SIDES, LIKE A FOUR - POSTER BED. THEN YOU MIGHT ROLL IT ANYWHERE YOU WOULD LIKE, IN THIS HUGE, HUGE ROOM, WITH PERHAPS A HUNDRED COLUMNS,...OR EVEN TAKE IT OUT TO ONE OF THE BALCONIES ( ON THE PARK SIDE ), OR RATHER; OUTDOOR PLATFORMS... TO SLEEP IN THE OPEN.

6 THE ABILITY TO FORMULATE AN IDEA CLEAR- LY; FOR EXAMPLE A CONCEPT FOR A HOUSE DESIGN... IS A FANTASTIC TOOL IN THE DE- SIGN PROCESS...IT CAN INSPIRE...CREATE INNER PICTURES...INFORM THE DESIGN PROCESS...GENERATE FORM... IT CAN ALMOST CREATE A PROJECT ON ITS OWN... THE INHABITED WALL INDOOR GARDEN HOUSE THE SUSPENDED HOUSE HOUSE WITHOUT FURNITURE DAYSIDE / NIGHTSIDE WALL JUNGLE ROOF HOUSE LIBRARY AS LANDSCAPE

7 3 H O U S E S This course will focus on BASIC architectural design at an advanced level. It will strongly emphasize the students ability to develop and FORMULATE clear architectural ideas... with sketches,models and words and short stories... giving NAMES to the different parts that make up the project This means that the course will be a possibilitiy to reach a new level of CONSCIOUSNESS IN THE PROCESS of designing buildings, giving the students tools to actively define and delineate their architectural intentions in a specific project, in the search for clear, distinct architectural concepts and form-themes that fits what we could call THE NATURE of the specific building task. ( ex : a dwelling ) focus will be on the DESIGN PROCESS, the ability to clearly formulate the project, its intentions in term of spatial qualities and space character, identity,light, sequence, movement...etc

8 Key words : FORM, FORM - THEME, SPACE, CONSTRUCTION, CONTEXT, TIME, CHA- RACTER, COMPOSITION, LIGHT, SEQUEN- CE, MOVEMENT We will use the term: ARCHITECTURAL PRO- GRAMMING During the term you will work with three separate projects : THE MARCH HOUSE THE APRIL HOUSE THE MAY HOUSE

9 COURSE RESPONSIBLE : PROFESSOR FREDRIK LUND TEACHERS : PAULA LLOVERAS, DANIEL EVENSEN START OF COURSE: TUESDAY 6 FEBRUARY PART : The 7.5 theoretical part will take form as studies of a selection of outstanding buildings and contemporary practices, such as ISHIGAMI, SMILJAN RADIC, POLI HOUSE, UID ARCHITECTS,CARL VIGGO HØLMEBAKK, MGA, ELDING OSCARSSON,GARCIA ABRIL,JAN OLAV JENSEN, ELEMENT ARKITEK- TER, SVERRE FEHN to mention some of them...the studies will be presented in a booklet and as a lecture to the other students and teachers, in the last month of the course.

10 EXCURSION : NAMING IS A DESIGN TOOL WE USE EX- TENSIVELY DURING THE COURSE. THE EX- CURSION IS NAMED: PENCIL AND WATER - COLOURS IN THE FOOTSTEPS OF JØRN AND SVER- RE. ( THE DRAA VALLEY ) WE WILL; DURING THE 2 LAST WEEKS OF FEBRUARY, TRAVEL FROM THE ATLANTIC COAST TO THE DESERT OF EASTERN MO- ROCCO. WE WILL DRAW, DRAW AND DRAW MORE, AND USE AQUARELLE EQUALLY AS MUCH. WE WILL TRAVEL BY LANDROVER AND CA- MEL. WE WILL STUDY THE LOCAL BUILDING TRA- DITIONS AS THEY CHANGE...FROM THE COAST TO THE DESERT. MEDINA COURTYARD HOUSES...EARTH BLOCKS...STONE HOUSES...ETC... ETC A PERSON WHO TRAVELS INTO THE DE- SERT, IS NEVER THE SAME AGAIN ERNEST HEMINGWAY.

11 WE WILL TRAVEL WITH SOME VERY SKILL- FUL AND EXPERIENCED BERBER-GUIDES ALL THE WAY, BRAHIM AND SAID BOUMIA AND THEIR EM- PLOYEES. WE WILL BRING TENTS IN THE LANDROVERS, AND MANY EVENINGS WE WILL MAKE CAMP WITH A BIG FIRE AND COOK TACHINE. I HAVE USED THEM BEFO- RE, AND I PROMISE YOU, WE RE IN THE VERY BEST OF HANDS. I KNOW THIS TRIP COST MONEY, BUT I WOULD LIKE TO REMIND YOU: THIS IS AN EXPERIENCE FOR LIFE. 3 HOUSES IS A COURSE ON ARCHITECTURAL DESIGN IF THE PROGRAMMING OF A DESIGN TASK...IS BROUGHT TO A CERTAIN LEVEL OF CLARITY...THE DESIGN ITSELF... BECOMES EASY... AND ON THE CONTRARY...UNCLEAR PROGRAMMING...MAKES DESIGN VERY DIFFICULT AAR Houses 15p AAR Houses Theory 7,5p FSAM /

12 THE EXACT DEPARTURE DAY ( CA 15TH FEBRUARY ) OF THE 2-WEEK EXCURSION WILL BE FIXED APPROXIMATELY THE 1ST OF NOVEMBER 17. YOU HAVE TO PAY ALL EXPENSES BY YOURSELF. THEY INCLUDE EVERYTHING; TRAVELLING IN MOROCCO; FOOD, ALL NIGHTS ETC... THEY ARE ESTIMATED TO 900 EURO PER PERSON. AS SOON AS WE HAVE THE LIST OF PAR- TICIPANTS, WE WILL CALL FOR A MEETING ABOUT THE ECONOMY AND SCHEDULE OF THE TRIP. NOTE: YOUR FLIGHTS ARE NOT INCLUDED IN THIS!!!!!!

13 THE CONSTRUCTIONAL DETAIL...IS THE OR- NAMENT OF OUR TIME FUMIHIKO MAKI

14 FREDRIK LUND PAULA LLOVERAS DANIEL EVENSEN OUR STUDIO IS SITUATED STRAIGHT OP- POSITE THE ARCHITECTURE LIBRARY; WALK IN THE DOOR AND KEEP RIGHT : 227 B IF YOU HAVE QUESTIONS CONCERNING THIS COURSE YOU ARE MORE THAN WELCOME TO CON- TACT FREDRIK: LANGUAGE: NORWEGIAN I WILL CONSIDER TO HAVE LECTURES IN ENGLISH IF REQUIRED IT IS HOWEVER MY ATTITUDE THAT ANY VISITING STUDENT SHOULD TAKE ON THE CHALLENGE TO LEARN THE LANGUAGE IN THE COUN- TRY THEY VISIT STUDIO TABLE - TUTORIALS CAN BE GIVEN IN ENGLISH AAR p project part pluss AAR p theoretical part BKFF -- institute for architecture and technology ntnu spring term 2018