REFERENCES. ALEXANDER, Robyn (2000). Art meets life in Mowbray clinic. Sunday Independent. 23 January, p.10.

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1 REFERENCES ALBOROUGH, Alan (2002). Personal correspondence of associate professor and Fine Arts co-ordinator, 8 October. Stellenbosch: University of Stellenbosch. ALEXANDER, Robyn (2000). Art meets life in Mowbray clinic. Sunday Independent. 23 January, p.10. ANSTEY, Gillian (2003). Holier than thou. Sunday Times [online]. 15 June. [Hyperlink 31 July BALETA, Adele (1998). Artists expose mysteries of life. Saturday Argus. 15 August,p.8. BESTER, Rory and PIERRE, Katarina (1998). Stating the Nation. In J. LUNDSTROM (Ed.), Democracy s images: photography and visual art after apartheid. Umea: BiltMuseet. BHABHA, Homi. K (1992). Postmodernism/Postcolonialism. In R. S. NELSON & R. SHIFF (Eds.), critical Terms for art history (pp ). Chicago: The University of Chicago Press. BHABHA, Homi. K (1995). The commitment to theory. In E. CARTER, J. DONALD & J. SQUIRES (Eds.), Cultural Remix: Theories of Politics and the Popular (pp.1-27). London: Lawrence & Wishart. BHABHA, Homi. K (1998). Conversational art. In M. J. JACOB & M. BRENSON (Eds.), Conversations at the Castle (pp.38-49). Cambridge: The MIT Press. BOLTON, Andrew (2002). The supermodern wardrobe. London: V & A Publications. BOURDIEU, Pierre (1993). The field of cultural production. R. Johnson (Ed.). Oxford: Polity Press. BRAND, Kevin (1997). Not cast in stone. House and Leisure,(October): BRENSON, Michael (1998). Introduction to conversations of culture. In M. J. JACOB & M. BRENSON (Eds.), Conversations at the Castle (pp.30-37). Cambridge: The MIT Press. BRODIE, David (2003). Serious play: The Trinity Session at work. Artthrob: Contemporary art in South Africa. 21 June. [Hyperlink 31 July BROOKER, Peter (1992) Modernism/Postmodernism. P. Brooker (Ed.). London: Longman.

2 CHIPKIN, Clive (1993). Johannesburg style: architecture and society 1880s-1960s. Cape Town: Michael Phillip. CHRISTOPHER, A. J. (1994). The atlas of apartheid. London: Routledge. COELHO, Paulo (1992). The Alchemist. London: Harper Collins Publishers. DE BEER, Jan (2004). Mix business with pleasure. The Star Classifieds. 5 April, p.1. DE WAAL, Shaun (2002). Review: Broadcast quality: The art of Big Brother II. Art South Africa,1(2):65. DODD, Alex (2002). Living History. Art South Africa,1(2):8-9. DOEPEL, Rory (2003). Kim Lieberman: Every interaction interrupts the future. Catalogue. Johannesburg: Lloyd Gray Lithographers. DOYLE, Nannie (1985). Desiring dispersal: politics and the postmodern. Subjects/Objects,(3): DUNLOP, Mark (2000). Space, power and identity in Johannesburg: culture and urban flux in two sites. Unpublished M. (Fine Arts) thesis. Johannesburg: University of the Witwatersrand. FOUCAULT, Michel (1986). Texts/Contexts: Of other spaces. Diacritics, spring edition. GODBY, David (2003). Terry Kurgan. Art South Africa,2(1): GODFREY, Tony (1998). Conceptual Art. London: Phaidon Press. GOMERSALL, Dot (2004). Personal correspondence, 11 July. Johannesburg: Sandton. GRAHAM, Beryl (1996). Playing with yourself: Pleasure and interactive art. In J. DOVEY (Ed.), Fractal dreams: new media in social context (pp ). London: Lawrence & Wishart. HARVEY, David (1990). The condition of postmodernity: An enquiry into the origins of cultural change. Cambridge: Blackwell Publishers. HOBBS, Stephen (2002). Our path to Safe Food. Onair. 10 April. [Hyperlink 29 March HOBBS, Stephen (2004). Personal interview with a director of The Trinity Session, 30 March Johannesburg: Johannesburg Civic Theatre. HOUSE AND LEISURE (2004). Design direction,(may): HOUSE AND LEISURE (2004). Agenda: Peet Pienaar & Heidi Chisholm,(May):36.

3 HUTCHEON, Linda (1988). A poetics of postmodernism: history, theory, fiction. London: Routledge. JAMAL, Ashraf (2002). Kentridge under erasure. Art South Africa,1(2): KLOPPER, Sandra (2002). In/Substantiality in the work of Alan Alborough. Alan Alborough. July. [Hyperlink 25 June KOLOANE, David (1997). Walking the tightrope. In O. ENWEZOR (Ed.), Trade Routes: history and geography (pp.32-35). Johannesburg: The greater Johannesburg Metropolitan Council. KURGAN, Terry (1998). Introduction: mothers and others. In T. KURGAN (Ed.), Bringing Up Baby: Artists survey the reproductive body (pp.1-3). Catalogue. Cape Town: Logo Print. KURGAN, Terry (2002). Constitution Hill A cultural development. Artthrob: Contemporary art in South Africa. 1 November. [Hyperlink 14 September KURGAN, Terry (2004a). Personal interview with professional artist, 23 February. Johannesburg: Parkview. KURGAN, Terry (2004b, 21 April). [tkurgan@iafrica.com]. Private message to Deirdre Watson, [b_balancing_act@yahoo.com]. LAMPRECHT, Andrew (2003). Willem Boshoff. Art South Africa,2(2): LAMPRECHT, Andrew (2004). Flash, aha!. Art South Africa,2(3): LENTRICCHIA, Frank (1980). After the new criticism. Chicago: University of Chicago Press. MANDELA, Nelson (2000). Address by Nelson Mandela at the official launch of the report of the comparative human relations initiative. Beyond Racism: Embracing an interdependent future. Conference. 29 May. [Hyperlink 11 February MANDELA, Nelson (2003). Foreword. In P. FABER (Ed.), Group Portrait South Africa: Nine family histories (pp.4-5). Cape Town: Kwela Books. MEDIAWIKI (2004). Business. Wikipedia: The free encyclopedia. 19 July. [Hyperlink 3 June 204. MEDIAWIKI (2004). Philosophy. Wikipedia: The free encyclopedia. 15 July. [Hyperlink 16 July 2004.

4 MITCHELL, W.J.T. (1996). Word and Image. In R. S. NELSON & R. SHIFF (Eds.), Critical Terms for Art History (pp.47-57). Chicago: The University of Chicago Press. MOSQUERA, Gerardo (2001). Notes on globalization, art, and cultural difference. In G. FLENTGE & E. VAN ODIJK (Eds.), Silent Zones: On globalization and cultural interaction (p.29). Amsterdam: Rijksakademie van Beeldende Kunsten. NEUSTETTER, Marcus (2004). Personal interview with a director of The Trinity Session, 30 March Johannesburg: Johannesburg Civic Theatre. O TOOL, Sean (2004). Kathryn Smith. Artthrob: Contemporary art in South Africa. January. [Hyperlink 2 March PERRYER, Sophie (2002). Editorial. Art South Africa,1(2):4. PILE, Steve & THRIFT, Nigel (1995). Mapping the Subject. New York: Routledge. PLATTEEL, André (1999). The Mix. In A. PLATTEEL (Ed.), Symbol Soup. London: Thames & Hudson. RANEY, Karen (2003). Art in Question. London: Continuum. RANKIN, Elizabeth (1998). On the conception and reception of art in public places. DeArte,58:4-18, September. RICHARDS, Colin (2002). The thought is the thing. Art South Africa,1(2): RONGE, Barry (2004). When art and life collide. Sunday Times Magazine. 1 February,p.6. RUSHDIE, Salman (2001). Fury. London: Jonathan Cape. SHONFIELD, Katherine (2001). This is what we do a muf manual. United Kingdom: Ellipsis. SIOPIS, Penny (2003). The Space Between. Art South Africa,1(3): SOJA, Edward (1996). Thirdspace: Journeys to Los Angeles and other Real-andimagined Places. Cambridge: Blackwell Publishers. SMITH, Kathryn (2000). Lost and Found. Mail & Guardian: Play [online]. 22 August. [Hyperlink kathryn.html]. 20 January SMITH, Kathryn (2002). Broadcast Quality: The art of Big Brother II. Cape Town: Bell Roberts. SMITH, Kathryn (2002). In no particular order: South African video art. Onair. November. [Hyperlink 10 September 2003.

5 SMITH, Kathryn (2003). Skip. Catalogue. Cape Town: Bell-Roberts. SMITH, Kathryn (2003). Daphne Prevoo. Art South Africa,1(3):68. SMITH, Kathryn (Ed.) (2003). Three plus one in Berlin. Artthrob: Contemporary art in South Africa. [Hyperlink 31 July SMITH, Kathryn (2004). Personal interview with a director of The Trinity Session, 30 March Johannesburg: Johannesburg Civic Theatre. REGENERATION (2004). Spilt Ink,3, February. STERN, Nathaniel (2003). Interview with Marcus Neustetter of The Trinity Session. Onair. 28 February. [Hyperlink 10 February TEMKIN, Nicole (2003). Spirit of the times. Art South Africa,1(3): THE TRINITY SESSION (2002). Open air radiotopia: South Africa session. Onair. September. [Hyperlink 5 August THE TRINITY SESSION (2002). Tricrotic. Onair. October. [Hyperlink 10 September THE TRINITY SESSION (2003). Search. Onair. January. [Hyperlink 28 March THE TRINITY SESSION (2004). Narrative Biography. Onair. March. [Hyperlink 29 March 2004 VAN BOSCH, Cobus (2002). Decent Exposure. Art South Africa,1(1):7. VIOLA, Bill (1995). Reasons for knocking at an empty house: Writings London: Thames & Hudson. WAITE, Maurice (Ed.) (1994). The little Oxford dictionary. Oxford: Clarendon Press. WILLIAMSON, Sue (2000a). South African art in the nineties (Part I, II, III, IV, V, VI, VII). Artthrob: Contemporary art in South Africa. 30 February. [Hyperlink 25 March WILLIAMSON, Sue (2000b). Terry Kurgan. Artthrob: Contemporary art in South Africa. August. [Hyperlink 27 March 2003.

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