Art Basel Miami Beach. december 7-10, 2017 booth B10. private day wednesday, dec 6, vernissage thursday, dec 7, 2017

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1 Art Basel Miami Beach december 7-10, 2017 booth B10 miami beach convention center 1901 Convention Center Drive Miami Beach, FL USA private day wednesday, dec 6, 2017 vernissage thursday, dec 7, 2017 open to the public december 7 3-8pm december pm december pm

2 main booth abraham palatnik antonio dias artur lescher daniel buren julio le parc leon ferrari tomie ohtake vik muniz xavier veilhan other artists available berna reale brígida baltar bruno dunley carlito carvalhosa cristina canale daniel senise fábio miguez hélio oiticica isaac julien karin lambrecht lygia clark lygia pape marco maggi mira schendel paulo bruscky Galeria Nara Roesler is a leading Brazilian contemporary art gallery, representing seminal Brazilian and international artists who emerged in the 1950s as well as preeminent mid-career and emerging artists who dialogue with the currents put forth by these historical figures. Founded by Nara Roesler in 1989, the gallery has consistently fomented curatorial practice while upholding the utmost quality in art production. This has actively been put into practice through a select and rigorous exhibitions program created in close collaboration with its artists; the implementation and fostering of the Roesler Hotel program, a platform for curatorial projects; and continued support to artists beyond the gallery space, working with institutions and curators in offsite shows. In 2012, the gallery doubled its São Paulo exhibition space, in 2014 it expanded to Rio, and in 2015 it opened in New York City, continuing its mission to provide the best platform for its artists to show their work.

3 Abraham Palatnik Brazilian, b in Natal, Brazil Based in Rio de Janeiro, Brazil Abraham Palatnik s mastery of technology, mobility and light led to the groundbreaking understanding of the visual phenomena and turned him into the founder of the Op Art movement in Brazil. Originally trained as a painter, his experience of working with psychiatric patients and fascination towards their unique views concerning the meaning of art drove the artist to move away from the conventions of painting and towards abstraction and technology in the 1940s. The first result of this research, the Kinechromatic Device, was a motorized light sculpture which cast a play of light and shadow into space, exhibited in the first São Paulo Biennial (1951). His Kinetic work was met with exceptional critical acclaim, as were his consequent compositions, which used materials such as wood, cardboard and glass. The artist has since participated in eight editions of the São Paulo Biennials ( ) as well as the 32nd Venice Biennial (1964). After over 60 years of practice, Palatnik continues to investigate questions of movement, time and perception itself, humbly affirming that the artist s role is to discipline the perception of chaos. Palatnik is currently featured in Pacific Standard Time s group show Kinesthesia as well as the collective show Delirious on view at the Met Breuer through January 14th, Abraham Palatnik Kinetic object KK-07, 1966 / 2007 progressive relief on duplex paperboard and wood ed 2/ x 13.8 x 13.8 in

4 ongoing exhibitions: Pacific Standard Time: LA/LA, Palm Springs, USA - group show Kinesthesia curated by Dan Cameron October 1, February 18, 2018 Met Breuer Delirious Art at the Limits of Reason group Show September 13, January recent: El Museo del Barrio, New York, USA - group show The Illusive Eye curated by Jorge Daniel Veneciano Feb 3 - May 21, 2016 Frieze New York Spotlight 2016, New York, USA - solo show curated by clara m. kim May 5 - May 8, 2016 Bienal do Mercosul, Porto Alegre, Brazil - group show Mensagem de Uma Nova America Oct 23 - Nov 22, 2015 Centro Cultural Banco do Brasil, Sao Paulo, Brazil - solo show A reinvencao da Pintura April 23 - July 14, 2013 Abraham Palatnik Untitled, 1989 progressive relief on duplex paperboard and wood 32.9 x 29.9 in

5 Antonio Dias Brazilian, b in Campina Grande, Paraíba, Brazil Based in Rio de Janeiro, Brazil and Milan, Italy Among the leading contemporary artists in Brazil, Antonio Dias encompasses various media, producing conceptual works in which he critiques politics, oppression, society and the art market itself. The artist gained notoriety through his drawings and assemblages which playfully critiqued the Brazilian social structures, at the time, characterized by authoritarian dictatorship. While his early sculptural works were defined by abstract geometry, Dias s training drew him to paper and canvas. Even though the artist was grouped with the Brazilian new figuration, his practice is interwoven with the legacy of the concretist movement and the revolutionary impetus of Tropicalia. Antonio Dias s works from the mid-1960 are distinguished by visceral red, black and white imagery and the corporeal presence achieved through the addition of three-dimensional elements. His often ironic and subversive approach towards eroticism, sex, and political oppression constructed a singular oeuvre to his art and propelled him to quietly challenge his audience through symbols such as bones, crosses, rectangles and phallus. From 1964 he moved away from flat surfaces towards a greater use of space in emotionally charged montages that make aggressive use of images and materials. After winning a prize at the Paris Biennale of 1965, he went to Europe and from 1968 lived in Milan. There he adopted a conceptual approach in paintings, videos, films, records and artist s books, using each medium to question the meaning of art. By 1966, in the midst of the military coup in Brazil, Dias left Brazil for Europe, later settling in Milan in the In 1977, following a trip to Nepal, the artist s work took a new direction where he had the intention of researching different types of paper. His practice developed into a series of collaborations with native papermakers of Barabeshi. After a visit to Nepal in 1977 and under the influence of Jung, a reassessment of his work led to the incorporation of a symbolic dimension, in pictures often drawn on handmade Nepalese paper. Antonio Dias Untitled, 1988 graphite, gold leaf on canvas 200 x 200 cm

6 upcoming exhibitions: Philadelphia Museum of Art, Philadelphia, USA - solo show 2018 recent exhibitions: Philadelphia Museum of Art, Philadelphia, USA - group show International Pop Feb 24 - May 15, 2016 Migros Museum für Gegenwartskunst, Zurich, Switzerland - group show Resistance Performed Nov 21 - Feb 7, 2016 Tate Modern, London, UK - group show The World Goes Pop Sept 17 - Jan 24, 2016 Dallas Museum of Art, Dallas, USA - group show International Pop Oct 11 - Jan 17, 2016 MoMA, New York, USA - group show Transmissions: Art in Eastern Europe and Latin America, Sept 5 - Jan 3, 2016 The Museum of Modern Art, New York, USA group show Transmissions: Art in Eastern Europe and Latin America, September 5, 2015 January 3, 2016 Antonio Dias Dance, 1979 cellulose with iron oxide on nepales paper 3 parts of 45,3 x 45,3 in (each)

7 Artur Lescher Brazilian, b in São Paulo, Brazil Based in São Paulo, Brazil Artur Lescher s work showcases the tangible qualities of objects and their interaction with architecture. His preference for one-piece volumes, suspended and subjected to the force of gravity creates a unique tension between the proportions of the space and the object. At the core of all his work is a focus on perceived boundaries, between for example, reality and its representation. This is further intensified by the use of materials such as metal, stone, wood, brass and copper, which have been removed from their usual functions and rearranged as a product of the artist s vision. In addition, Lescher s work is strongly linked to industrial processes, reaching extreme refinement and rigor, his production s purpose goes beyond form and opens space for myth and the imagination. Lescher gained recognition after participating in the 19th Bienal de São Paulo (1987). He was also featured in the 2002 edition of the Biennial and the 2005 Mercosul Biennial. One of the leading figures in Brazilian abstract art, Lescher has featured solo exhibitions in Latin America, Europe and the United States including two exhibitions at the Tomie Ohtake Institute in São Paulo (2006) and, more recently, a solo exhibition at the Palais d léna in Paris (2017). Artur Lescher In inito Simples [Simple In inity], 2016 brass and multifilament line ed 5/5 + 2AP 86, 6 x ø 0,06 in

8 recent exhibitions: CESE, Palais d léna, Paris, France solo show Porticus Curated by Matthieu Poirier October, 2017 Caixa Cultural, São Paulo, Brazil group show Fronteiras, limites, interseções entre a arte e o design May 27 July 30, 2017 Instituto Itaú Cultural, São Paulo, Brazil group show Modos de ver o Brasil: Itaú Cultural 30 anos May 25 August 13, 2017 Espaço Cultural do BNDES, Rio de Janeiro, Brazil group show Desmedidas December 14, 2016-February 10, 2017 Artur Lescher Segula, 2016 brass ed 3/5 + 2 PA 86,6 x ø 5,9 in Lilla, 2017 brass ed 2/5 + 2AP 66.9 x 4.7 in

9 Daniel Buren French, b in Boulogne-Billancourt, France Based in Boulogne-Billancourt, France Daniel Buren rose to prominence as a leading name in conceptual field in the 1960s, and remains thus until this day. The artist is best known for using regular, contrasting maxi stripes to integrate visual surfaces and architectural spaces, notably historical, landmark architecture. Buren is internationally recognized for his contribution to Conceptual Art as a founding member of the BMPT group (comprised of Buren, Olivier Mosset, Michel Parmentier, and Niele Toroni), in which he abandoned the idea of painting as object and dismissed the importance of authorship. asting pre-fabricated, alternating white and colored vertical stripes on unconventional supports and space ranging from doorways to billboards to the courtyard of the Palais Royal in Paris he challenged conventional notions of where art can be seen and how it can be understood. Bure s work has been the subject of major exhibitions at the Palais des Beaux-Arts, Brussels, Belgium (2016); the Solomon R Guggenheim Museum, New York City, NY, USA (2005) and the Centre Pompidou, Paris, France (2002). Recent solo exhibitions include Museo - Espacio, Aguascalientes, Mexico (2016); Baltic Centre for Contemporary Art, Gateshead, UK (2014); Musée d Art Moderne et Contemporain, Strasbourg, France (2014); and the Centre Pompidou-Metz, France (2013). Buren has exhibited in the Venice Biennale, Italy more than ten times and was awarded the Golden Lion for his French Pavilion in That same year, he produced his first and most controversial public commission, The Two Plateaux, for the main courtyard of the Palais-Royal in Paris, France. In 2007, he received the Praemium Imperiale for Painting from Japan. Most recently, he was selected for the site specific Monumenta 2012 commission at the Grand Palais in Paris, France. Buren s 1994 installation The Arches, permanent work in situ, is on view at the Southampton City Art Gallery, and in May 2017, he launched another permanent installation in the UK Diamonds and Circles, works in situ at Tottenham Court Road station in London, commissioned by Art on the Underground. Daniel Buren Prisms and Mirrors, high reliefs, situated works 2016/2017 for São Paulo, 2017 wood, glue, lacquer, and vinyl adhesive 78.7 x 78.7 in

10 ongoing exhibitions: Centre Pompidou Málaga, Málaga, Spain Proyecciones/Retroproyecciones. Trabajos in Situ October January Museo de Arte Moderno de Bogotá, Bogotá, Colombia Daniel Buren August January London Underground, Tottenham Court Road Station Diamonds and Circles Permanent Commission recent: The M Building, Miami, USA - solo show Daniel Buren/Miami December 3 - November 30, 2016 Foundation Louis Vuitton, Paris, France - Installation Observatory of light, work in situ May 11, 2016 Hunter College, CUNY, New York, USA - Installation Skywalk March 24 - Sept, 2016 Bozar - Beaux Arts, Bruxelles, Belgium - solo show Une Fresque February 19 - May 22, 2016

11 Helio Oiticica b. Rio de Janeiro, Brazil On the forefront of the neo-concretism movement, Hélio Oiticica is one of the most innovative artists of the 20th century, having revolutionized the idea of interactive art in conjunction with aiding in the development of Latin American art and culture. Oiticica defined experimental trends that were manifested in art circles all over the West, at times anticipating their reach to Europe and the United States. Oiticica s Metaesquemas (1957 8), painted in gouache on cardboard, are grids of rectangular or rhomboidal shapes in variations of blue, red, and black; the shapes often appear to mirror each other bilaterally, but on closer inspection conform to more complex patterns. He also produced three-dimensional works, often crude painted boxes suspended in space and painted in warm hues of red, yellow, and orange. Oiticica s Parangoles (1964 8), multicolored versions of carnival costumes, were the product of time spent living among the inhabitants of favelas in Rio de Janeiro. He and his younger brother Cesar studied under Ivan Serpa and were associated with Serpa s Grupo Frente. Hélio Oiticica Metaesquema 234, 1958 gouache on paper 11.8 x 15.7 in

12 upcoming exhibitions: Garage Museum of Contemporary Art, Moscow, Russia - group show The Other Transatlantic. Kinetic & Op Art in Central & Eastern Europe and Latin America March 03 - September 05, 2018 ongoing: Institute of Contemporary Art, Miami, USA - group show The Everywhere Studio December 1, February 26, 2018 Museum of Modern Art in Warsaw, Poland The Other Transatlantic. Kinetic & Op Art in Central & Eastern Europe and Latin America November 17, February 18, 2018 The Met Breuer - group show Delirious Art at the Limits of Reason September 13, January 14, 2018 Pinacoteca do Estado de São Paulo, São Paulo, Brazil - group show Vanguarda Brasileira dos anos Coleção Roger Wright August 27, August 26, 2019 recent: Reina Sofia Museum, Spain On the affective nature of form - group show April 26 - October 16, 2017 Whitney Museum of American Art, New York, USA - solo show Hélio Oiticica: To Organize Delirium July 14 - October 1, 2018 Art Institute Chicago, Chicago, USA - solo show Hélio Oiticica: To Organize Delirium February 19 - May 7, 2017 Carnegie Museum of Art, Pittsburg, USA - solo show Hélio Oiticica: To Organize Delirium October 1 - January 2, 2017

13 Julio Le Parc Argentinian, b. 1928, Mendoza, Argentina Based in Cachan France Julio Le Parc attended the Escue-la de Bellas Artes in Buenos Aires in 1943 where he became interested in Arte Concreto-Invencion and the Spaziliasmo movement. In 1958, Le Parc went to Paris on a French government scholarship and set-tled there working on works of art related to research into three dimensions, movement and light as it pertains to the kinetic arts. Victor Vasarely s 1958 exhibition in Buenos Aires became an important cata-lyst for Le Parc s career, while in Paris Le Parc pursued collaborative work with fellow artist friends of Vasarely and studied the writings of Mondrian, evolving his practice to reflect on the tradition of Construc-tivism. Le Parc represented Argentina at the 1966 Venice Biennale, he won the Grand International Prize for Painting as an individual artist. Le Parc had begun working on twodimensional compositions in color and black and white as early as 1953, while he was still an art teacher in Buenos Aires. From 1960, how-ever, he began to develop a series of distinctive works that made use of skimming light: these objects, usually constructed with a lateral source of white light which was reflected and broken up by polished metal surfaces, combined a high degree of intensity with a subtle expression of continuous movement. ongoing exhibitions: Galeria Nara Roesler, São Paulo - solo show Julio Le Parc: RV November 25, February 07, 2018 Galerie Perrotin, Paris - solo show Bifurcations October 14 - December 23, 2017 recent exhibitions: Perez Art Museum Miami, Miami, USA - solo show Julio Le Parc: Form -> Action November 18, March 26, 2017 Galeria Nara Roesler, New York, USA - solo show Julio Le Parc: October 7 - December 17, 2016 Bienal de la Imagen en Movimiento, Bueno Aires, Argentina - group show November 3 - November 13, 2016 Belvedere Museum, Vienna, Austria group show Retrospect: Kinetika 1967 April 27 August 28, 2016 Julio Le Parc Alchimie, 1957 acrylic on canvas 39.4 x 39.4 in

14 León Ferrari b. Buenos Aires, Argentina, León Ferrari s artistic practice encompassed painting, collage, sculpture, poetry and printmaking. Internationally known for his provocative social and political critiques, Ferrari made work that was highly critical of war, social inequality, discrimination (sexual, religious and ideological) and abuse of power. Through wood, ceramic, and wire sculptures, mobiles, drawings, collages, and paintings Ferrari referenced movements like Abstract Expressionism, Fluxus, Arte Povera, Minimalism, Process Art and Appropriation art. An engineer who came to drawing via sculpture, Ferrari explores language as a visual material in his written drawings, which use symbols and the gestures of handwriting to convey emotion. Often critical of religious and political authority, Ferrari was exiled to Brazil in 1976 for his ideology. His controversial 1985 work Last Judgment is a reproduction of Michelangelo s famed fresco, which the artist left beneath a cage of pigeons. León Ferrari s work has been featured prominently in numerous group and solo exhibitions around the world including Impressions/Abstractions, Sicardi Gallery, Houston (2013); Inverted Utopias: Avant-Garde Art in Latin America, Museum of Fine Arts, Houston (2004); Heterotopias: Medio Siglo Sin lugar, Museo Nacional Centro de Arte Reina Sofía, Madrid (2000); Cantos Paralelos, Blanton Museum of Art, Austin (1999); Global Conceptualism: Point of Origin, 1950s-1980s, Queens Museum of Art, New York (1999); and Re-Aligning Vision: Alternative Current in South American Drawing, Jack S. Blanton Museum of Art, Austin (1997). ongoing exhibitions: Met Breuer, New York, USA group show Delirious Art at the Limits of Reason September 13, 2017-January recent exhibitions: The Museum of Modern Art, New York, USA group show From the Collection: March March The Museum of Modern Art, New York, USA group show Transmissions: Art in Eastern Europe and Latin America, September 5, 2015 January 3, 2016 Leon Ferrari Untitled, 1957 crayon on woods 28.7 x 44.5 in

15 Tomie Ohtake b. Kyoto, Japan Tomie Ohtake is best known for her combination of geometric and organic shapes in primary colors, although later in life she became a reputed sculptor and printmaker. She began her career focusing on painting, investigating rich and varied juxtapositions of lines, shapes, and passages of color and their effects on the viewer. In 1957, invited by critic Mário Pedrosa, she presented her first solo exhibition at the Museu de Arte Moderna in São Paulo, which was followed four years later by her participation in the São Paulo Biennial in In the 1970 s, she added sculpture to her body of work. Ranging from delicate, linear forms to large-scale public pieces, her sculptures are derived from her paintings, their shapes threedimensional echoes of those found in her canvases. Ohtake s output is characterized both by methodical repetition and unending experimentation with the fundamental elements color, composition, and form that comprise abstraction. Throughout her long and prolific career, she was the subject of numerous solo exhibitions, including a major exhibitions at the Hara Museum of Contemporary Art, Tokyo; Mori Art Museum, Tokyo; Barbican Centre, London; The Museum of Modern Art, Rio de Janeiro; and a retrospective at the Instituto Tomie Ohtake in São Paulo upon the occasion of her 100th birthday, among many others. She has participated in numerous international biennial exhibitions, including Venice, Havana, Cuenca and eight iterations of the Sao Paulo Bienal. Since the 1980s, Ohtake has produced several major public sculptures for cities and towns all across Brazil, including iconic pieces throughout her hometown of Sao Paulo like the murals adorning the Consolacao stop of the Metro. In 2001, Instituto Tomie Ohtake opened its doors in São Paulo with a program dedicated to illuminating contemporary art since the 1950s and preserving the legacy of Tomie Ohtake. Tomie Ohtake Untitled, 1965 oil on canvas 47.2 x 39.4 in

16 upcoming exhibitions: Museum of Contemporary Art, Tokyo, Japan - solo show, 2018 recent exhibitions: Galeria Nara Roesler, Sao Paulo, Brazil - solo show Tomie Ohtake curated by Paulo Miyada Aug 12 - Sept 23, 2017 Museu Oscar Niemeyer, Curitiba, Brazil - group show Na oração, que desaterra... a terra, - Em honra ao sagrado June 2 - Aug 27, 2017 White Rainbow gallery, London, UK - solo show Tomie Ohtake: Imperfect Geometry Sept 29 - Nov 12, 2016 Tina Kim Gallery, New York, USA - solo show Tomie Ohtake Mar 2 - April 16, 2016 Instituto Tomie Ohtake, Sao Paulo, Brazil - solo show April 7 - June 7, 2015

17 Vik Muniz Brazilian, b in São Paulo, Brazil Based in Rio de Janeiro, Brazil and New York, USA Vik Muniz is renowned for his photographic illusions. He established his signature working style upon his first move to New York in 1984, when he photographed his drawings and compositions after completion and kept only the photographs. Muniz subsequently applied this methodology to works in the art history canon, reproducing Leonardo da Vinci s Mona Lisa as well as iconic photographs of Marlon Brando and Marilyn Monroe using chocolate syrup and replicating a Donald Judd sculpture by using dust taken from the Whitney Museum s halls and galleries. To make the series Pictures of Garbage, Muniz spent two years working with garbage pickers at Jardim Gramacho, an open-air dump site near Rio. He photographed several of the pickers as subjects of classical portraits, with the background details supplied by the garbage they scavenged. This effort was captured in the Academy Award nominated documentary Waste Land. In his latest series, Handmade, defies classification and playfully engaging the viewer s process of perception. What is real, what is merely perceived? Vik Muniz s Individuals, 2017 is part of a recent series created for Venice s Glasstress, 2017, where artists collaborated with Muranese artisans and embraced the challenge of creating extraordinary works in Murano. The output of this unusual encounter defies the stereotypes associated with the ancient craft, ultimately pushing the boundaries of both contemporary art and glass. Vik Muniz Individuals, 2016 murano glass 67.1 x 19.7 in

18 ongoing exhibitions: Palazzo Franchetti, Venice, Italy - group show Glasstress May 11 - November 26, 2017 recent exhibitions: Palazzo Cini, Venice, Italy - solo show Afterglow (Pictures of Ruin) Apr 21 - November 15, 2017 Museu Oscar Niemeyer, Curitiba, Brazil - group show A vastidão dos mapas May 31 - August 6, 2017 Museo de Arte Contemporaneo de Monterrey, Monterrey, Mexico - solo show Vik Muniz Mar 10 - June 11, 2017 Sidney and Lois Eskenazi Museum of Art, Indiana Unversity, Bloomington, USA - solo show Vik Muniz October 1 - February 5, th Venice Biennale, Venice, Italy - Brazil Pavillion Escola Vidigal May 28 - November 15, 2016 High Museum of Art, Atlanta, USA - solo show Vik Muniz Feb 28 - August 21, 2016

19 Xavier Veilhan b in Lyon, France lives and works in Paris, France Xavier Veilhan studied at the École nationale supérieure des arts décoratifs. Since the mid- 1980s, Veilhan has created an acclaimed body of works defined by his interest in both the vocabulary of modernity (speed, motion, urban life, etc.) and classical statuary, to which he has given his own contemporary reinterpretation. Veilhan s sculptural interventions are bold and transfixing, while complementing existing architecture and altering how viewers look at their surroundings. His Architectones series pays tribute to Kasimir Malevich s Architectons, three-dimensional models that blend architecture with philosophy. In Architectones, Veilhan installed sculptures in celebrated, modernist homes; each work was unique to the setting and placed in dialogue with the building s architecture. A sixty-foot bust of Le Corbusier was set atop the architect s Cité Radieuse in Marseille, for example. Through faceted, distorted shapes, Veilhan s structures capture energy by revealing the movement surrounding them. In 2009, Veilhan s work was displayed in the Palace of Versailles and its surrounding gardens, juxtaposing traditional architecture against minimalist, futurist-inspired sculpture, with the ultimate goal of enhancing the former. He uses a large array of materials and techniques to produce threedimensional portraits and landscapes, bestiary and architectures that always oscillate between the familiar and the extraordinary. For Veilhan, art is a vision tool through which we must look in order to understand our past, present, and future. His exhibitions and in-situ interventions in cities, gardens and houses question our perception by creating an evolving ambulatory space in which the audience becomes an active participant (Veilhan Versailles, 2009; Veilhan at Hatfield: Promenade, 2012; the Architectones series, ). Xavier Veilhan Tony, 2016 aluminum and polyurethane paint 68.9 x 26.4 x 19.7 in

20 ongoing exhibitions: 57th Venice Biennale, Venice, Italy French pavilion May 13 - November 27, 2017 Place Georges-Pompidou outdoor permanent sculptures of Richard Rogers and Renzo Piano 2017 Place Edmond Michelet, 4th arrondissement Paris, France outdoor installation Renzo Piano & Richard Rogers (2013) October 2017 recent: Galerie Perrotin Flying V - solo show September 7-23, 2017 Fenchurch Avenue, London, UK - outdoor installation Sculpture in the City July 23 - May 31, 2016 Museo de Bellas Artes de Bilbao, Bilbao, Spain group show Reshaped Reality: 50 years of Hyperrealist Sculpture 2016 promoted by

21 abraham palatnik alberto baraya abraham alice miceli palatnik alberto alexandre baraya arrechea alice angelo miceli venosa alexandre antonio dias arrechea angelo artur lescher venosa antonio berna reale dias artur brígida lescher baltar berna bruno reale dunley brígida cao guimarães baltar bruno carlito dunley carvalhosa cao cristina guimarães canale carlito daniel carvalhosa buren cristina daniel senise canale daniel eduardo buren coimbra daniel eduardo senise navarro eduardo fabio miguez coimbra eduardo hélio oiticica navarro fabio isaac miguez julien hélio josé patrício oiticica isaac julio le julien parc josé karin patrício lambrecht julio laura le vinci parc karin lucia koch lambrecht laura marcelo vinci silveira lucia marco koch maggi marcelo marcos chaves silveira marco melanie maggi smith marcos milton machado chaves melanie not vitalsmith milton o grivo machado not paul vital ramirez jonas o paulo grivo bruscky paul raul mourão ramirez jonas paulo rené francisco bruscky raul rodolpho mourão parigi rené sérgio francisco sister rodolpho tomie ohtake parigi sérgio vik muniz sister tomie virginia ohtake de medeiros vik xavier muniz veilhan virginia de medeiros xavier veilhan são paulo avenida europa 655 jardim europa são paulo sp brasil t 55 (11) são rio de paulo janeiro avenida rua redentor europa jardim ipanema europa rio de são janeiro paulo rj sp brasil brasil t 55 t 55 (21) (11) rio de janeiro new york rua redentor 22 east th ipanema street 3r new york ny rio usa de janeiro rj t brasil 1 (212) 794 t (21) new york 22 east 69th street 3r new york ny usa t 1 (212)