WORKS CITED. Dickinson, Emily. The Complete Poems of Emily Dickinson. ed. Thomas H. Johnson.Boston: Little, Brown and Company, 1957.

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1 1 DICKINSON, EMILY PRIMARY SOURCES WORKS CITED Dickinson, Emily. The Complete Poems of Emily Dickinson. ed. Thomas H. Johnson.Boston: Little, Brown and Company, The Collected poems of Emily Dickinson. New York: Barnes & Noble, The poems of Emily Dickinson: Including Variant Reading, Thomas H.Johnson, ed, 3 vols. Cambridge, Massachusetts: The Belknap Press of Harvard University Press, The Letters of Emily Dickinson, Johnson, Thomas. H, ed. & Theodard ward associate. ed.3 vols. Cambridge, Massachusetts: Harvard University Press, The Dickinson s Electronic Archive. ed. Martha Nell Smith, Emily Dickinson s Selected Letters. ed. Thomas H. Johnson. Cambridge: Harvard University Press, Belknap Press, Further Poems of Emily Dickinson, withheld from publication by her sister Lavinia. ed. Martha Dickinson Bianchi and Alfred Leete Hampson. Boston: Little, Brown, Letters of Emily Dickinson. ed. Mabel Loomis Todd. New York: Harper and Brothers, 1931.

2 The Letters of Emily Dickinson. ed. Thomas H. Johnson and Theodora Ward. 3 vols. Cambridge: Harvard University Press, Belknap Press, The Manuscript Books of Emily Dickinson: A Facsimile. ed. R. W. Franklin, 2 vols. Cambridge: Harvard University Press, Belknap Press, The Master Letters of Emily Dickinson. ed. R. W. Franklin. Amherst, MA: Amherst College Press, Open Me Carefully: Emily Dickinson s Intimate letters to Susan Huntington Dickinson. ed. Ellen Louise Hart and Martha Nell Smith. Ashfield, MA: Paris Press, Unpublished poems of Emily Dickinson. ed. Martha Dickinson Bianchi and Alfred Leete Hampson. Boston: Little, Brown, 1935.

3 3 SECONDARY SOURCES Abbott, John S. C. The Mother at Home, or the Principles of Maternal Duty Familiarly illustrated. Worcester, MA: Calvinist Church publication, Anderson, Charles R. Emily Dickinson s Poetry: Stairway of Surprise. London: Heinemann, 1963 Arensberg, Mary. The American Sublime. Albany: State university of New York Press, Bloom, Harold, ed. Emily Dickinson: Modern Critical Views. New York: Chelsea House, Burke, Edmund. A philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful. ed. Boston. Oxford: Basil Blackwell Ltd., Byron, George. Poetical works. London: Oxford University Press, Clarke Graham, Walt Whitman: The poem as a private history. London: Vision, Dickenson, Donna. Emily Dickinson. Leamington Spa: Berg, Diehl, Joanne Feit. Dickinson and the Romantic Imagination. Princeton: Princeton University Press, In the Twilight of the Gods: Women Poets and the American Sublime in the American sublime. ed. Mary Arensberg. Albany: State

4 4 University of New York Press, 1986, Eliot, T.S. Tradition and the Individual Talent. Selected Prose of T.S. Eliot. ed. Frank Kermode. New York: Harcourt, Higginson, Thomas Wentworth. An Open Portfolio. christian union 42 (25 Sept. 1890): Preface to Poems by Emily Dickinson (1890). The Recognition of Emily Dickinson Juhasz, Suzanne. ed. Feminist critics read Emily Dickinson. Bloomington: Indiana University Press, The undiscovered continent: Emily Dickinson and the Space of the Mind. Bloomington: Indiana University Press, Adventures in the world of the symbolic: ed. & Feminist Measures, Metaphor. Feminist Measures Soundings in Poetry and Theory. Lynn Keller & Cristanne Miller, Eds. Ann Arbor: University of Michigan Press, & Cristanne Miller, and Martha Nell Smith. Comic Power in Emily Dickinson. Austin: University of Texas Press, & Cristanne Miller, eds: A Celebration for Readers and proceedings for the Conference held on September 19-21, 1986 at the Claremount Colleges. Claremount, California, New York: Gordon & Breach, 1989.

5 Reading Emily Dickinson s Letters. Emerson Society Quarterly rd Quarter (1984): Ed. bulletin 32 (1997): Kirkby, Joan. Big My Secret / But It's Bandaged: Emily Dickinson and Jane Campion's the Piano. Emily Dickinson bulletin 3 (1994): Emily Dickinson. London: Macmillan Education Ltd., Emily Dickinson: Women Writers Series. London: Macmillan, Reading Dickinson Reading. The Emily Dickinson journal 5 (1996): Leder, Sharon and Andrea Abbott. The language of Exclusion: The Poetry of Emily Dickinson and Christina Rossetti. Westport, CT: Greenwood Press, 1987 Leonard, Garym. The Necessary Strategy of Renunciation: The Triumph of Emily Dickinson and the Fall of Sylvia Plath. University Press of Dayton Review 19, 1 ( ) : Luscher, Robert M. An Emersonian Context of Dickinson s. The Soul Selects Her Own Society. esq: A Journal of the American Renaissance 30, 2 (1984) : Mainiero, Lina. ed. American Women Writers. vol.one. New York Press: Frederick Ungar Publishing Co., Mossberg, Barbara Antonina Clarke. Emily Dickinson: When a Writer is a Daughter. Bloomington, IN: Indiana University Press, 1982.

6 Double Exposures. Emily Dickinson s & Gertrude stein s Autobiographies. In Emily Dickinson: Proceedings forth Conference held on September 19-21, 1986 at the Claremount Colleges, Claremount, California. Suzanne Juhasz & cristanne miller, eds. New York: Gorder & Breach, Regueiro Elam, Helen. Dickinson and the Haunting of the Self in the American Sublime. ed. Mary Arensberg. Albany: state University of New York Press, 1986, Rich, Adrienne. Vesuvius at Home: The Power of Emily Dickinson. On Lies, Secrets, and Silence: Selected Prose New York: Norton, Roethke, Theodore. The poetry of Lousie Bogan. Selected Prose ed. Ralph J. Mills, Jr. Seattle: University of Washington Press, Spacks, Patricia. Female Rhetorics in the Private Self: Theory and Practice of Women s Autobiographical Writings. Shari Benstock, Ed. London: Routledge, The Female Imagination. New York : Avon, P.125. Stonum, Gary Lee. The Dickinson Sublime. Madison, Wisconsin: University of Wisconsin Press, Emily Dickinson s Calculated Sublime in the American Sublime. ed. Thackrey, Donald E. Emily Dickinson s Approach to Poetry. Lincoln: University of Nebraska, 1954.

7 The Communication of the Word in Emily Dickinson: A Collection of Critical Essays. ed. Richard B. Sewall. Englewood Cliffs, N.J: Prentice-hall Inc., 1963, Whitman, Walt. Leaves of Grass. New York: New American Library, Song of Myself. Leaves of Grass in Complete Poetry and Selected Prose The Hidden Life of Emily Dickinson. New York: Simon and Schuster, Preface to 1855 Edition of Leaves of Grass. Complete Poetry and Selected Prose. ed. James E. Miller, Jr. Riverside ed. Boston: Houghton Mifflin Company, Whicher, George Frisbie. This was a Poet: a Critical Biography of Emily Dickinson. New York: Charles Scribner s Sons, Copy right renewed 1966 Rpt. Amherst College Press, Wolff, Cynthia Griffin. Emily Dickinson Reading. Massachusetts: Merloyd Lawrence, Emily Dickinson. New York: Knopf, Wolosky, Shira. Emily Dickinson: A voice of war. New Haven, CT: Yale University Press, Willis, Patricia C. (curator) Beinecke Rare Book & Manuscript Library, Yale University 1982.

8 8 MOORE, MARIANNE PRIMARY SOURCES Moore, Marianne. A Marianne Moore Reader. Poems and Essays. New York: The Viking Press, The Complete poems. New York: The Macmillan Company, The Complete prose of M.M. New York: Elisabeth Sifton Books, Becoming Marianne Moore: Early Poems (edited by Robin Shulze). Berkely, CA: University of California Press, The Art of a Modernist. London: UMI Research Press, Complete poems. New York: Macmillan Publishing Co., Inc., The Complete poems of M.M. London: Faber & Faber, The Complete prose of M.M. London: Faber & Faber, Complete poems. New York: Penguin, 1981.

9 9 SECONDARY SOURCES Berger, Charles. Hybridity and Heroism in the Thirties. Critics and Poets on Marianne Moore: A Right Good Salvo of Barks. eds. Linda Leavell, Cristanne Miller, and Robin G. Schulze. Lewisburg: Bucknell University Press, Cixous, Helen. The Laugh of Medusa, New French Feminism. ed. Elaine Marks and Isabelle de Courtvron. Brighton: Harvester Press, Cull, Ryan E. Complexities Which Will Remain Complexities: The Environmentalist Epistemology of Marianne Moore s An Octopus. Paideuma 33.2 (2004): Chaliff, Cynthia Griffin. Dickinson as the Deprived Child. Emily Dickinson Bulletin no.13. June, Pp Donoghue, Denis. The Proper Plentitude of Fact. M.M: A Collection of Essays. ed Charles Tomlinson. Englewood Cliffs: Prentice-Hall, The Third Voice. New Jersey. Princeton University Press, Engel, Bernard F. Marianne Moore. Boston: Dwayne Publishers, Bibliography Donald Hall. Marianne Moore: The Cage and The

10 10 Animal. Hadas, Pamela White. M.M. Poet of Affection. New York: Syracuse University Press, Heuving, Jeanne. Omissions are not accidents. Gender in the art of M.M. Detroit: Wayne University Press, Holley, Margaret. The poetry of M.M: A Study in Voice and Value. Cambridge: Cambridge University Press, Portraits of Ladies in Marianne Moore & Elizabeth Biston. Sagetriab Vol.6, no.3. Hotelling, Kirsten Zona. Marianne Moore, Elizabeth Bishop and May sweson: The Feministic Poetics of Self- Restraints. Ann Arbor: Michigan University Press, The I each is to the I of each, a kind of fretful speech which sets a limit on itself: Marianne Moore s Strategic Selfhood. Modernism / Modernity 5.1 (1998) : Irigaray, Luce. The Sex Which is Not One. (translated by Catherine Porter). New York: Cornell University Press, Juhasz, Suzhanne. Naked and Fiery Forms: Modern American poetry by Women. New York: Harper and Row, Leavell, Linda. M.M. and the Visual Arts. Prismatic Color. London: Louisiana State University Press, 1996.

11 M.M. The James Family and the Politics of Celibacy. Twentieth Century Literature. Vol 49: 2. Victoria: Hofstra University Press, Miller, Cristanne. M.M. Questions of Authority. London: Harvard University Press, What is for? Moore s Development of an Ethnical Poetry. Critcs and Poets on M.M: R. Right Good Salvo of Barks. Ed. Linda Leavell, Cristanne Miller, and robin Sculze. Bucknell University Press, Cultures of Modernism: Marianne Moore, Mina loy, and Else Lasker- Schuler. Ann Arbor: Michigan University Press, Milton, John. Paradise Lost: An Authoritative Text, Background and Sources, Criticism. ed. Scott Ellidge. New York: Norton, Molesworth, Charles. M.M: A Literary Life. Boston: Northeastern University Press, Schulman, Grace. M.M: The Poetry of Engagement. Chicago: University of Illinois Press, Slatin, John. The Savages Romance: The Poetry of M.M. London: The Pennsylvania State University Press, 1986.

12 12 Vendler, Helen. M.M. ed. Harold Bloom. New York: Chelsea House, Veyne, Paul. Did the Greek Believe in their Myths? An essay on the Constitutional Imagination. Translated by Paula Wissing. Chicago: The University of Chicago Press, Walsh, John Evangelist. This Brief Tragedy: Unraveling the Todd- Dickinson Affair. New York: C. Weidenfield, White, Heather Cass. ed. A Quiver With Significance: M.M Victoria: ELS Editions, Moral, Manners, Marriage. Marianne s art of conversation. Twentieth Century Literature. Victoria: Hofstra University, Whitman, Walt. As I Ebb d with the Ocean of Life. Williams, William Proctor and Craig Abbot. An Introduction to Bibliographical and Textual Studies. 3rded. New York: MLA, Wills, Patricia C. M.M: Women and Poet. Orona: National Poetry Foundation, Marianne Moore: Women and Poet, 1990; & Cristanne Miller, Marianne Moore: Questions of Authority, Marianne Moore Newsletter. (Spring 1977-Fall 1981). Philadelphia: Philip H. & A.S.W Rosenbach Foundation.

13 13 CRITICAL INSIGHTS DICKINSON, EMILY Bloom, Harold. Emily Dickinson. Bloom's Modern Critical Views. new ed. New York: Bloom's Literary Criticism, Print. Dickinson, Emily, and Anthony Astbury Greville Press Pamphlets. Warwick: Dickinson, Emily, and Polly Longsworth. A Letter. [Amherst, Mass.]: Amherst College Library, Print.. Juhasz, Suzanne. Emily Dickinson: The Novel. Emily Dickinson Journal 17.1 (2008): Print. Kirkby, Joan. Into Van Dieman's Land: Emily Dickinson in Australia. The International Reception of Emily Dickinson. eds. Mitchell, Domhnall and Maria Stuart. London, England: Continuum, xii, 320 pp. Print. New York Botanical Garden., and Poetry Society of America. Emily Dickinson's Garden: The Poetry of Flowers: Her Life, Her Poetry, Her Garden, April 30-June 13. Bronx, NY: New York Botanical Garden, Print. Ostriker, Alicia. Re-Playing the Bible: My Emily Dickinson. A Companion

14 14 to Emily Dickinson. eds. Smith, Martha Nell and Mary Loeffelholz. Malden, MA: Blackwell, Print. Sewall, Richard Benson. ed. Emily Dickinson, A Collection of Critical Essays. Englewood Cliffs, NJ: Prentice-Hall, Spacks, Patricia Meyer. Gossip. Chicago: University of Chicago Press, White, Fred D. Approaching Emily Dickinson: Critical Currents and Crosscurrents since Studies in American Literature and Culture. Literary Criticism in Perspective. Rochester, N.Y.: Camden House, Print.

15 15 MOORE, MARAINNE Hogue, Stamy Cynthia. Scheming Women: Poetry, Privilege, and the Politics of Subjectivity. Albany: State University of NY, Press, Kriner, Tiffany Eberle. A Future and a Hope: Eschatology of the Other in Twentieth-Century American Literature by Women. Diss. University of Wisconsin, Ann Arbor: Pro Quest/UMI. 21 Jan Martin, Taffy. Marianne Moore: Subversive Modernist. Austin: University of Texas Press, Miller, Cristanne. Marianne Moore: Questions of Authority. Cambridge: Harvard University Press, 1995.New York: Penguin, Raine, Anne. Nature, Modernity, and Marianne Moore. The Critical Response to Marianne Moore. ed. Elizabeth Gregory. Westport: Praeger, Schulze, Robin G. The Web of Friendship: Marianne Moore and Wallace Stevens. Ann Arbor: University of Michigan Press, Marianne Moore s Imperious Ox, Imperial Dish and the Poetry of the Natural World. Twentieth Century Literature 44.1 (1998): 1-33.

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