SP2030 Federico Garcia Lorca: Theatre

Transcription

1 SP2030 Federico Garcia Lorca: Theatre View Online 1 Bonaddio, Federico. A companion to Federico García Lorca. Woodbridge: : Tamesis Burton J. The greatest punishment: female and male in Lorca s tragedies. In: Women in Hispanic literature: icons and fallen idols. Berkeley: : University of California Press Dolan K. Time, Irony, and Negation in Lorca s Last Three Plays. Hispania 1980;63. doi: / Domenech R. Realidad y misterio (Notas sobre el espacio escénico en Bodas de Sangre, Yerma y La Casa de Bernarda Alba). Cuadernos Hispanoamericanos 1986;: Edwards, Gwynne. Dramatists in perspective: Spanish theatre in the twentieth century. Cardiff: : University of Wales Press Edwards, Gwynne. Lorca: the theatre beneath the sand. London: : Boyars /9

2 7 Gwynne Edwards. Federico Garcia Lorca: Para el teatro... dentro de muchos años. Anales de la literatura española contemporánea 1992;17 : Gwynne Edwards. The Way Things Are: Towards a Definition of Lorcan Tragedy. Anales de la literatura española contemporánea 1996;21 : Gibson, Ian. Federico García Lorca: a life. London: : Faber Gilmour J. The cross of pain and death : religion in the rural tragedies. In: Lorca, poet and playwright: essays in honour of J.M. Aguirre. Cardiff: : University of Wales Press Klein, Dennis A. Blood wedding, Yerma, and The house of Bernarda Alba: García Lorca s tragic trilogy. Boston: : Twayne Publishers McDermott P. Death as a way of life. Lorca s dramatic subversion of orthodoxy. Leeds papers on Hispanic Drama 1991;: C. Michael Wells. The Natural Norm in the Plays F. García Lorca. Hispanic Review 1970;38 : /9

3 14 Anderson, Andrew A. García Lorca: La zapatera prodigiosa. London: : Grant & Cutler in association with Tamesis Books Aguirre JM. El llanto y la risa de La Zapatera Prodigiosa. Bulletin of Hispanic studies (Glasgow) 1981;58: Anderson F. La zapatera prodigiosa: An Early Example of García Lorca s Metatheatre. Kentucky Romance Quarterly 1981;28: Sumner M. Greenfield. Lorca s Theatre: A Synthetic Reexamination. Journal of Spanish Studies: Twentieth Century 1977;5: Josephs AF. The Violent Technique in La Zapatera Prodigiosa. García Lorca Review 1977;5 : Klein DA. The Development of the Male Character in the Theatre of Federico Garcia Lorca. Garcia Lorca Review 1977;5: Lyon J. Love, Imagination and Society in Amor de don Perlimplín and La Zapatera Prodigiosa. Bulletin of Hispanic studies (Glasgow) 1986;63: C. Brian Morris. Divertissement as Distraction in Lorca s La zapatera prodigiosa. Hispania 3/9

4 1986;69: Geraldine Cleary Nichols. Maturity as Accommodation: Lorca s La zapatera prodigiosa. MLN 1980;95: Robert S. Picciotto. La Zapatera Prodigiosa and Lorca s Poetic Credo. Hispania 1966;49 : Klein DA. Children in the Theatre of Federico Garcia Lorca. Garcia Lorca Review 1977;7 : Anderson AA. García Lorca s Bodas de Sangre : the logic necessity of Act Three. Hispanofila: literatura, ensayos;90: Reed Anderson. The Idea of Tragedy in García Lorca s Bodas de sangre. Revista Hispánica Moderna 1975;: Gwynne Edwards. Bodas de sangre in Performance. Anales de la literatura española contemporánea 1997;22: Edwards G. Saura s Bodas de Sangre : Play into film. In: Hispanic studies in honour of Geoffrey Ribbans. Liverpool: : Liverpool University Press /9

5 29 Carlos Feal. El Sacrificio de la Hombría en Bodas de Sangre. MLN 1984;99 : Garcia MJ. Realidad y ficción en Bodas de Sangre. Vida hispánica: the Spanish and Portuguese journal of the Association for Language Learning;1: Hutman NL. Inside the Circle: On Rereading Blood Wedding. Modern Drama 1973;16 : doi: /mdr Loughran DK. Imagery and its function in Lorca s poetic drama : `Reyerta` and Bodas de Sangre. In: The world of nature in the works of Federico García Lorca. [Rock Hill, S.C.: : Winthrop College] Morris, C. B. García Lorca: Bodas de sangre. London: : Grant & Cutler in association with Tamesis Books John K. Walsh. A Genesis for García Lorca s Bodas de sangre. Hispania 1991;74 : Murray Baumgarten. Body s Image : Yerma, The Player Queen, and the Upright Posture. Comparative Drama 1974;8: /9

6 Gustavo Correa and Rupert C. Allen, Jr. Honor, Blood, and Poetry in Yerma. The Tulane Drama Review 1962;7: Fuente JL de. La obertura poética de Yerma. In: Vida hispánica: the Spanish and Portuguese journal of the Association for Language Learning. Rugby: : Association for Language Learning Jimenez-Vera A. The Role of Spanish Society in Yerma. In: Duran M, Colecchia F, eds. Lorca s Legacy: Essays on Lorca s Life, Poetry and Theatre. New York: : Peter Lang Knapp BL. García Lorca s Yerma. A Woman s Mystery. In: Duran M, Colecchia F, eds. Lorca s Legacy: Essays on Lorca s Life, Poetry and Theatre. New York: : Peter Lang Lima R. Towards the Dionysiac : Pagan Elements and Rites in Yerma. In: Duran M, Colecchia F, eds. Lorca s Legacy : Essays on Lorca s Life, Poetry and Theatre. New York: : Peter Lang Mabrey MCC. La sexualidad femenina contra la estructura del poder en Yerma de F.G.Lorca. Hispanofila: literatura, ensayos 1996;116: Sullivan P. The mythic tragedy of Yerma. In: Bulletin of Hispanic studies (Glasgow). Oxford: : Carfax on behalf of the University of Glasgow /9

7 Horst R Ter. Nature against Nature in Yerma. In: The world of nature in the works of Federico García Lorca. [Rock Hill, S.C.: : Winthrop College] Mac E. Barrick. Los antiguos sabían muchas cosas : Superstition in La casa de Bernarda Alba. Hispanic Review 1980;48: Bull JM. Santa Bárbara and La Casa de Bernarda Alba. Bulletin of Hispanic studies (Glasgow) 1970;47: Duran G. Conversation with Tulio Ossa, Director of the United Theatre of the Americas, on La Casa de Bernarda Alba. In: Duran M, Colecchia F, eds. Lorca s Legacy: Essays on Lorca s Life, Poetry and Theatre. New York: : Peter Lang Fox LC. Power in the family and beyond: Doña Perfecta and Bernarda Alba as manipulators of their destinies. Hispanofila: literatura, ensayos;85: Gagen D. The reality of La Casa de Bernarda Alba. Association for Contemporary Iberian Studies Journal 1988;1: Gazarian-Gautier M-L. Doors and Windows as a luring call of nature in the work of Federico García Lorca. In: The world of nature in the works of Federico García Lorca. [Rock Hill, S.C.: : Winthrop College] Hoeg J. Steps to an ecology of La Casa de Bernarda Alba. Revista de estudios Hispánicos 7/9

8 1996;30: Knapp BL. Federico García Lorca s The House of Bernarda Alba: A Hermaphroditic Matriarchate. Modern Drama 1984;27: doi: /mdr C. Brian Morris. Voices in a Void: Speech in La casa de Bernarda Alba. Hispania 1989;72 : Morris, C. B. García Lorca: La casa de Bernarda Alba. London: : Grant & Cutler in association with Tamesis Books Wilma Newberry. Patterns of Negation in La Casa de Bernarda Alba. Hispania 1976;59 : J. Rubia Barcia. El realismo Mágico de La Casa de Bernarda Alba. Revista Hispánica Moderna 1965;: Smith, Paul Julian. The body Hispanic: gender and sexuality in Spanish and Spanish American literature. Oxford: : Clarendon Press Urbina E. De Calderón a Lorca : el tema del honor en La Casa de Bernarda Alba. In: Approaches to the theatre of Calderón. Washington, D.C.: : University Press of America /9

9 58 Urrea B. Silencio, amor y muerte: el homosexual y la mujer en la obra de García Lorca. Bulletin of Hispanic studies (Liverpool 1996) 1997;74: Weingarten BE. Bernarda Alba: Nature as Unnatural. In: The world of nature in the works of Federico García Lorca. [Rock Hill, S.C.: : Winthrop College] Young RA. La Casa de Bernarda Alba: a microcosm of Spanish Culture. Modern languages 1969;50: Krynen, Jean. Lorca y la Tragedia. Lorca y la Tragedia 1967; Debicki, A.P. Metonimia Metafora y mito en el Romancero gitano. Metonimia Metafora y mito en el Romancero gitano 1986; Fernando Valls Guzman. Ficcion Y Realidad En La Genesis De Bodas De Sangre. Ficcion Y Realidad En La Genesis De Bodas De Sangre 1977;32. 9/9