A series of dialogues How to Collaborate? October 2014
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1 A series of dialogues How to Collaborate? October 2014
2 HOW TO COLLABORATE? A series of dialogues on 10 and 11 October 2014 Five dialogues entertained between two researchers who meet up at - is that so? How to Collaborate?-
3 before agreeing or disagreeing) and a - when it comes to collaborate by talking 3
4 DIALOGUE PARTNERS - - Public Sphere by Performance Parallel Slalom: Lexicon of Nonaligned Poetics - Score Choreographing Problems: Expressive Concepts in European Contemporary Dance and Performance- Danse Guerre and Spatial Confessions - Margarita Tsomou Assemblies and Participation: Urban Publics and Performance Representation of the Many 4
5 Manfred Füllsack Networking Networks: Origins, Applications, Experiments Leben ohne zu arbeiten? Zur Sozialtheorie des Grundeinkommens Life without labour? On social theories on basic incomezuviel Wissen? Zur Wertschätzung von Arbeit und Wissen in der Moderne Too much knowledge? On the valuation of labour and knowledge in modernity ArbeitWork/Labour Klaus Mainzer
6 - International Journal of Bifurcation and Chaos in Applied Sciences and Engineering Advanced Science LettersKant- Studies
7 Nicolas Y Galeazzi discourses through artistic research and articulates them in instal- GASTSTUBE performance n@work EMANUELLE Transnational Art Commons - ment [a.pass] - advanced performance and scenography studies in Nikolaus Gansterer - -
8 - Drawing a Hypothesis Living and Working in Vienna IISonar Festival Moving Patterns Trichtlinnburg - Architecture of InteractionHard Rock Walzer Potential Dialogues Wrong time, Wrong place The Stone Road Structures Sound Escapes Mifan Story behold. Story be told Credits: Thomas Martius
9 Maria Lind together with a curatorial team ran a programme which involved - What if: Art on the Verge of Architecture and Design Curating with Light Luggage and Collected Newsletter Taking the Matter into Common Hands: Collaborative Practices in Contemporary Art European Cultural Policies 2015 The Greenroom: Reconsidering the Documentary and Contemporary Art recent co-edited publications are Contemporary Art and Its Commercial Markets: A Report on Current Conditions and Future Scenarios and Performing the Curatorial: With and Beyond Art - Selected Maria Lind Writing Lisa Robertson - Kootenay School of Writing
10 - Revolution: A Reader Debbie: An EpicThe Weather and Lisa The Men Nilling Cinema of the Present - Occasional Works and - Credits: Thomas Martius
11 Igor Dobricic- Table Talks A History of Dance Peter Pleyer- their choreographies and improvisations have been staged internati-
12 choreographing books - - Visible Undercurrent
13 RESPONDENTS / AUDITORS Guests Diego Agulló CUE CUE has occurred in - The Mischievous Mission called: Dangerous Dances. Ash Bulayev - i-map
14 - - Alice Chauchat - togethering Anke Hoffmann - - Doing No(thing) F-Word called RealismusStudio
15 tainment Resolution 1-3 The blind spot Happy Believers in a - Iconoclash, Future Cinema or Ctrlspace Political Interventions Subverting Disambiguities Christine Standfest - Bettina Vismann - e A Future Archeology in visible inter actions in Grain Vapor Ray: Textures of the Anthropocene -
16 Siegmar Zacharias International Festival: The Thea- tre- - Fellows at the IRC Interweaving Performance Cultures Sruti Bala- - - Narges Hashempour - -
17 dissertation entitled Traditional and Modern: Iranian Theatre Culture and Gender Performance Kuan-wu Lin Chetana Nagavajara - Auf der Suche nach einer grenzüberschreitenden WissenschaftskulturIn Search of a transnational Scholarly Culture
18 Nanako Nakajima - - Aging Body in Dance
19 David Savran - Breaking the Rules Highbrow/Lowdown: Theater, Jazz, and the Making of the New Middle Class nographs Theater für Alle? Partizipation von Postmigranten am Beispiel der Bühnen der Stadt Köln Das Theater Thomas Bernhard zwischen Artaud und Brecht: Der Ignorant und der Wahnsinnige Theater und MigrationTheaterpädagogik am Theater. Kontexte und Konzepte von Theatervermittlung Stephen Wilmer Theatre, Society and the Nation: Staging American Identities Interrogating Antigone in Postmodern Philosophy and CriticismNative American Perfor-
20 mance and Representation National Theatres in a Changing Europe (Palgrave Macmillan, 2008), Writing and Rewriting National Theatre Histories - Philosophical, Political and Performative StrategiesDeleuze and Beckett - Directors and Staff of the IRC Interweaving Performance Cultures Erika Fischer-Lichte Most recent publications: The Politics of Interweaving Performance Cultures: Beyond PostcolonialismGlobal Ibsen. Performing Multiple Modernities Christel Weiler Cultural Exchange in the Theatre Global Ibsen. Performing Multiple Modernities
21 Helen Follert Holger Hartung Torsten Jost- Die Aufführung. Diskurs Macht Analyse The Politics of Interweaving Performance Cultures: Beyond Postcolonialism- Helene Röhnsch - Florian Thamer FATSA/KOINA: Athen
22 CURATORS Silke Bake On Hospitality performance platform. body affects - A Future Archeology - Audience and communities? Between policies, marketing and true desires- Peter Stamer - incubator - Ten Notes on Dramaturgy
23 Drama Queens - The Path Of Money For Your Eyes Only A Future Archeology 26 Letters to Deleuze
24 How to Collaborate? A series of dialogues at the IRC Interweaving Performance Cultures Friday, 10 October a.m. Open doors (refreshments, snacks) 12 p.m. Welcome by Erika Fischer-Lichte, Christel Weiler, Silke Bake, and Peter Stamer p.m. Dialogue A Bojana Cveji & Margarita Tsomou 1.30 p.m. Discussion 2 p.m. Lunch Break 3 p.m. Dialogue B Manfred Füllsack & Klaus Mainzer 4 p.m. Discussion 4.30 p.m. Coffee & Biscuits 5 p.m. Dialogue C Nicolas Y Galeazzi & Nikolaus Gansterer 6 p.m. Discussion p.m. Wrap-up & Drinks Saturday, 11 October a.m. Open doors (refreshments) 12 p.m. Dialogue D Maria Lind & Lisa Robertson 1 p.m. Discussion 1.30 p.m. Lunch Break 2.30 p.m. Dialogue E Igor Dobricic & Peter Pleyer 3.30 p.m. Discussion p.m. Final Discussion & Drinks
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