Filippo Marinetti lectured in Russia. Russian artists absorbed cubism and futurism and quickly added innovative directions of their own.

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Transcription:

Filippo Marinetti lectured in Russia. Russian artists absorbed cubism and futurism and quickly added innovative directions of their own.

David and Vladimir Burliuk, pages from Vladimir Mayakovsky: A Tragedy, 1914

Ilya Zdanevich insert cover for Milliork by Aleksei Kruchenykh 1919

Ilja Zdanevich, pages from Le-Dantyu as a Beacon, 1923

Kasimir Malevich Black Square 1913

Kasimir Malevich, Suprematist Composition, 1915 Kasimir Malevich, First Circle of Lectures, by Nikolai Punin, 1920

By 1920 a philosophical split had formed within the art and design community. Some artists, including Malevich and Kandinsky argued that art MUST remain a spiritual activity separate from the needs of society. They wanted nothing to do with a political agenda.

Vladimir Tatlin and Alexander Rodchenko led a group of artists who supported the opposing viewpoint. They condemned ART FOR ART S SAKE to devote themselves to industrial design, visual communication and applied arts serving the new communist society.

El Lissitzky, PROUN 23, no. 6, 1919 El Lissitzky, Beat the Whites with the Red Wedge, 1919

El Lissitzky, cover art for Veshch, 1921-22 El Lissitzky, title page for Veshch, 1922

El Lissitzky layout for a cover of Broom, vol. 5 1922

El Lissitzky, ad for Pelikan carbon paper, 1924 El Lissitzky, poster for Pelikan ink, 1924

El Lissitzky cover of For The Voice by Mayakovsky 1923

El Lissitzky, pages from For the Voice, 1923 Beat your drums on the squares of the riots, turned red with the blood of revolution

El Lissitzky, pages from For the Voice, Order for the Army of the Arts

El Lissitzky book cover for The Isms of Art 1924

El Lissitzky, text format for The Isms of Art, 1924

El Lissitzky, pictorial spread from The Isms of Art, 1924

El Lissitzky cover of Notes of a Poet by Ilia Selvinskii 1928

El Lissitzky exhibition poster 1929

El Lissitzky, exhibition design for Pressa, 1928

Alexander Rodchenko, covers for Lef no. 1, 2 &3

Alexander Rodchenko poster, 1937 (The podium is a newspaper proclaiming, Peace! Bread! Land! )

Alexander Rodchenko paperback book covers 1924

Salomon Telingater cover for The World Belongs to Kirsanov 1930

Georgy and Vladimir Augustovich Stenberg film poster, undated

G. & V. Augustovich Stenberg, The 11th Year of the Revolution poster, 1928 G. & V. Augustovich Stenberg, The General poster, 1929

Gustav Klutsis Spartakiada postcard 1928 His work is often compared to that of John Heartfield.

Gustav Klutsis, We Will Repay the Coal Debt to the Country poster, 1930 Gustav Klutsis, Everyone Must Vote in the Election of Soviets poster, 1930 Gustav Klutsis, Building Socialism Under the Banner of Lenin poster, 1931

Vladimir Vasilevich Lebedev, page from the book, The Adventures of the Scarecrow, 1922

Vladimir Vasilevich Lebedev page spread from the book, The Adventures of the Scarecrow, 1922

Vladimir Vasilevich Lebedev from the book, Circus 1928

Vladimir Vasilevich Ledebev, page spread, Circus, 1928

Piet Mondrian Composition with Red, Yellow and Blue 1922

Théo van Doesburg and Laszlo Moholy-Nagy book cover 1925

Vilmos Huszar, cover and title page designs for De Stijl, 1917-18

Théo van Doesburg, cover and ad designs for De Stijl, 1921-22

Théo van Doesburg, exhibition poster, 1920 Théo van Doesburg and Kurt Schwitters Kleine Dada Soirée poster, 1920

Théo van Doesburg, dadaist poetry from De Stijl, 1921

El Lissitzky, cover and page from De Stijl, 1922

The Schroeder House, Utrecht, 1924

Laszlo Moholy-Nagy, cover and page spread designs for i10, 1927