Hungarian Studies Review, Vol. XXXVII, Nos. 1 2 (2010) Illustrations

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Transcription:

Hungarian Studies Review, Vol. XXXVII, Nos. 1 2 (2010) Illustrations 171

172

Illustrations 173 1. Cover of the program brochure for the symposium László Moholy-Nagy: Translating Utopia into Action. Designers: Sandra Wortham and Jill Ruckelshaus.

174 Illustrations 2. Stephen Mansbach introducing the symposium László Moholy-Nagy: Translating Utopia into Action. 3. The afternoon session panel of speakers (L-R): Lloyd Engelbrecht, Victor Margolin, Jeffrey L. Meikle, Éva Forgács and Alain Findeli.

Illustrations 175 4. Hattula Moholy-Nagy and Edith Nagy within the exhibition. 5. Symposium reception (L-R): Alain Findeli, Éva Forgács, Eleanor Hight, Stephen Mansbach, Michael Szarvasy. 6. Belena S. Chapp within the exhibition László Moholy-Nagy: From Budapest to Berlin, 1914 1923, University Gallery, University of Delaware.

176 Illustrations

Illustrations 177 7. Cover of Belena S. Chapp, ed., László Moholy-Nagy: From Budapest to Berlin, 1914 1923, Newark DE: University Gallery, University of Delaware, 1995. Designers: Sandra Wortham and Jill Ruckelshaus.

178 Illustrations 8. László Moholy-Nagy, Portrait of Lucia (Schulz) Moholy, 1924, vintage silver gelatin print mounted on white card, 43.6 x 31.8. Collection of Hattula Moholy-Nagy.

Illustrations 179 9. Frank Levstik, Portrait of Sibyl Moholy-Nagy, silver gelatin print. Collection of Hattula Moholy-Nagy.

180 Illustrations 10. Sándor Barta, designer and editor, Akasztott Ember [Hanged man], no. 1 2, November 1, 1922. Ferenc Kiss collection, Budapest.

Illustrations 181 11. László Moholy-Nagy, untitled, n.d. [1923], linocut on paper, 30.5 x 24. LL: 1. Abzug, LR: Moholy=Nagy. (This linocut appeared in Het Overzicht, Antwerp, nos. 22 23 24, February 1925, p. 186.) Collection of Hattula Moholy-Nagy.

182 Illustrations 12. Lazar El Lissitzky, Proun EZ, lithograph on paper, 1920 21, sheet: 45.1 x 34.3, image: 29.7 x 19.8. Print Collection, Miriam and Ira D. Wallach Division of Art, Prints and Photographs, The New York Public Library, Astor, Lenox and Tilden Foundations.

Illustrations 183 13. Horizont 2 Moholy-Nagy [Horizon 2], Vienna, 1922. With reproductions of: Machine Construction, [ca. 1921], oil on canvas, (dimensions and location unknown) and Large Railway Painting, n.d. [ca. 1921], oil on linen, 100 x 77 (Museo Nacional Centro de Arte Reina Sophia, Collection Thyssen Bornemissza, Madrid). M. Szarvasy Collection New York.

184 Illustrations 14. Francis Picabia. Les dents viennent aux yeux comme les larmes, drawing reproduced in: Theo van Doesburg, Mécano, no. 1, 1922. After: Facsimile edition of Mécano, Amsterdam: Van Gennep, 1980. Private Collection.

Illustrations 185 15. László Moholy-Nagy, Architektur I [Architecture 1] or Konstruktion auf blauem Grund [Construction on a blue ground], n.d. [1922], oil, metallic oil pigment and graphite on fine linen fabric, 65.2 x 55.4. Collection of The Salgo Trust for Education, New York.

186 Illustrations 16. Photographer unknown, László Moholy- Nagy, Lichtrequisit einer elektrischen Bühne [Light Prop for an Electric Stage], 1922 1930. Harvard Art Museum/ Busch-Reisinger Museum, Cambridge, Massachusetts.

Illustrations 187 17. Photographer unknown, László Moholy-Nagy, Lichtrequisit einer elektrischen Bühne [Light Prop for an Electric Stage], 1922 1930, after: Die Form: Zeitschrift für gestaltenden Arbeit, Vol. 5, no. 11 12, June 1930.

188 Illustrations 18. László Moholy-Nagy, dust jacket design and authorship of Vision in Motion, Chicago: Paul Theobald & Co., 1947. Collection of Hattula Moholy-Nagy.

Illustrations 189 19. László Moholy-Nagy, cover design and authorship of Von Material zu Architektur [From material to architecture]. Munich: Albert Langen Verlag, 1929. Bauhausbücher 14. Private collection.

190 Illustrations

Illustrations 191 20. László Moholy-Nagy, cover design for and authorship of Malerei, Photographie, Film [Painting, photography, film]. Munich: Albert Langen Verlag, 1925. Bauhausbücher 8. Moholy-Nagy s photograms on the covers were made between March 1923 and April 1925. M. Szarvasy Collection New York.

192 Illustrations

Illustrations 193 21. Lajos Kassák and László Moholy-Nagy, Buch neuer Künstler [Book of new artists]. Vienna: Ma Editions, 1922. Cover design by Lajos Kassák. M. Szarvasy Collection New York.

194 Illustrations 22. Fortunato Depero, Motorumorist Coloured Plastic Complex, 1914 1915, destroyed.

Illustrations 195 23. László Moholy-Nagy, Stage set for Jacques Offenbach, Tales of Hoffmann. Krolloper, Berlin, 1929. 24. Illustration from Moholy-Nagy, The New Vision. Fundamentals of Design, Painting, Sculpture, Architecture, New York: W. W. Norton & Co., 1938, p. 13, with the caption: Virtual Volume. A lighted merry-go-round revolving (Blackpool, England). Virtual, but visible volume (motion). Private collection.

196 Illustrations 25. Sigmund Lipinsky (1873-1940), Portrait of Raoul H. Francé, n.d. [ca. 1920-21], etching, dimensions unknown. After: Frontispiece for Raoul H. Francé, Bios: Die Gesetze der Welt, Munich: Franz Hanfstaengl, 1921. Private collection.

Illustrations 197 26. Lucia Moholy, Portrait of Heinrich Jacoby, modern print from original negative. Bauhaus-Archiv Berlin) VG Bild-Kunst Bonn, 2009.

198 Illustrations 27. Raoul Heinrich Francé, layout from Die Pflanze als Erfinder [Plants as inventors], Stuttgart: Kosmos, Gesellschaft der Naturfreunde, 1920. Private collection.

Illustrations 199 28. László Moholy-Nagy, layout from Malerei, Photographie, Film. Munich: Albert Langen Verlag, 1925. After the English edition, Painting, Photography, Film. Cambridge Mass.: MIT Press, 1969. Private collection.

200 Illustrations

Illustrations 201 29. L: Raoul H. Francé, layout from Bios: Die Gesetze der Welt [Bios: The laws of the world], volume 1. Munich: Franz Hanfstaengl, 1921. R: László Moholy-Nagy, layout from Malerei, Photographie, Film. Munich: Albert Langen Verlag, 1925. After the English edition, Painting, Photography, Film. Cambridge Mass.: MIT Press, 1969. Private collection.

202 Illustrations 30. László Moholy-Nagy, layout from Malerei, Photographie, Film. Munich: Albert Langen Verlag, 1925, pp. 66 7. After the English edition, Painting, Photography, Film. Cambridge MA: MIT Press, 1969. On the right is a photogram by Moholy-Nagy and on the left J. B. Polak s radiograph of a nautilus shell first published in Wendingen, 5, no. 8 9 (1923) Private collection.

Illustrations 203 31. Raoul H. Francé, Flagellatenformen [Flagellate forms], from: Die Pflanze als Erfinder [Plants as inventors], Stuttgart: Kosmos, Gesellschaft der Naturfreunde, 1920. Private collection.

204 Illustrations 32. László Moholy-Nagy, The Spiral, plexiglas, 1946, 49 x 37.5 x 40. Private collection.

Illustrations 205 33. Raoul Heinrich Francé, Das letzte Geheimnis des Eros [The final secret of Eros]. After: Rudolf Engel-Hardt, Francé als Graphiker. Ein Weg zum wirklichen Naturbild, Stuttgart: Walter Seifert Verlag, 1925. Private collection.

206 Illustrations 34. Lyonel Feininger, Kathedrale der Zukunft [Cathedral of the Future], woodcut on cover of: Walter Gropius, Manifest und Programm des Staatlichen Bauhauses in Weimar, Weimar, 1919. After: Facsimile edition, Weimar, 2009. Private collection.

Illustrations 207 35. Horizont 2 Moholy-Nagy [Horizon 2 Moholy-Nagy], Vienna: Ma Editions, 1921. Open to the essay by Péter Mátyás [Ernő Kállai], and an untitled ink drawing on paper by László Moholy- Nagy (variation on Bild R), [ca. 1921] (dimensions and location unknown). M. Szarvasy Collection, New York.

208 Illustrations 36. Brochure of the New Bauhaus. Collection of Hattula Moholy-Nagy.

Illustrations 209 37. László Moholy-Nagy, New Bauhaus Curriculum Diagram, 1937/1938.

210 Illustrations 38. Walter Gropius, diagram of the Bauhaus curriculum, 1922. After: Staatliches Bauhaus in Weimar 1919 1923. Weimar and Munich: Bauhausverlag, 1923.

Illustrations 211 39. László Moholy-Nagy, dust jacket design for Walter Gropius, The New Architecture and the Bauhaus, London: Faber and Faber, 1935. Private collection.

212 Illustrations 40. László Moholy-Nagy, Glyzinienbaum [Wisteria], dated 1924 [may be later]. Collection of Hattula Moholy-Nagy.

Illustrations 213 41. Cover of a prospectus for the Institute of Design, with a Space Modulator in plexiglas by László Moholy-Nagy, 1944. Collection of Hattula Moholy-Nagy.

214 Illustrations 42. John Dewey, Art as Experience, New York: Minton, Balch & Company, 1934. László Moholy-Nagy s personal copy dedicated To L. Moholy-Nagy. In memory of the First Year of the New Bauhaus! June 1938 Charles W. Morris. Collection of Hattula Moholy-Nagy.

Illustrations 215 43. László Moholy-Nagy, dust jacket design and authorship of The New Vision. Fundamentals of Design, Painting, Sculpture, Architecture. New York: W. W. Norton & Co., 1938. Private collection.

216 Illustrations 44. Harold Van Doren, Industrial Design: A Practical Guide, New York: McGraw- Hill, 1940. Private collection.

Illustrations 217 45. Gordon Lippincott, Design for Business, Chicago: Paul Theobald, 1944. Private collection.

218 Illustrations 46. László Moholy-Nagy, Nickel Sculpture with Spiral, 1921. (Museum of Modern Art, New York) After: Moholy-Nagy and Lajos Kassák, Új művészek könyve [Book of new artists], Vienna: MA Editions, 1922. Private collection.

Illustrations 219 47. László Moholy-Nagy, untitled (flower), n.d. [probably made between March 1923 and April 1925], photogram on printing-out paper, 17.8 x 12.8. Collection of Hattula Moholy-Nagy.

220 Illustrations 48. Moholy-Nagy, Berlin Radio Tower, c. 1928, vintage silver gelatin print, 9 x 6. Collection of Hattula Moholy-Nagy.

Illustrations 221 49. Jelenkor [The present age], vol. 1, no. 1, November 1917. Collection of Katalin and Anna Hevesy.