STEPHEN WANGH https://files.nyu.edu/sw1/public/ CURRICULUM VITAE

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STEPHEN WANGH Email: sw1@nyu.edu https://files.nyu.edu/sw1/public/ CURRICULUM VITAE BOOKS The Heart of Teaching: Empowering Students in the Performing Arts Routledge, Taylor and Francis, Oxford 2012 Acting in Real Time, by Paul Binnerts, translator. U.of M. Press 2012 An Acrobat of the Heart, a Physical Approach to Acting Inspired by the Work of Jerzy Grotowski, Vintage Books, Random House, NY 2000 ARTICLES AND CHAPTERS Revenge and Forgiveness in Laramie, Wyoming, Psychoanalytic Dialogues July - August 2004 Acting with the Wisdom of our Bodies, in Training of the American Actor Arthur Bartow, ed., Theatre Communications Group, NY 2006 PLAYS (Re)Production 2011 Stay the Course, a Western musical 2008 Testimony: Scenes from an American Apocalypse, with Kristin Dombek 2008 Exit Interview 2006 The People s Temple, with Leigh Fondakowski (Glickman Award: Best Play in the Bay Area) 2005 That New Play 2003 The Laramie Project, (Associate Writer) - Emmy nomination 2000 Gross Indecency, The three trials of Oscar Wilde (dramaturg) 1997 Goin' Downtown, a musical 1997 Rubber Band (dramaturg), an AIDS play 1996 Eat it Up, a live theater/live TV play (collaboration) 1993 Normal Kansas, an adaptation of Inge's Bus Stop (dramaturg) 1991 Newspeak 1987 The America Show (with ensemble) 1983 Calamity! with Suzanne Baxtresser 1982 The Dragon, a musical, from the play by Yevgeny Schwartz 1981 Class, with Jon Lipsky 1976 Brother You're Next, a street musical 1966

DIRECTING NAROPA UNIVERSITY, The Tempest 2011 NAROPA UNIVERSITY, Our Town 2008 PRINCETON ATLELIER, Princeton University: Testimony 2008 EASTERN UNIVERSITY, Phila., Testimony Project 2006 BARYSHNIKOV ARTS CENTER, NY Five Aerial Scenes From Troilus and Cressida 2005 THEATER ASOU, Graz, Vienna Der Widerspenstigen Zähmung (The Taming of the Shrew) Shakespeare 2004 INNERVIEW PRODUCTIONS, NY The Quick Fix collaboration 2002 NEW YORK UNIVERSITY The Taming of the Shrew, Shakespeare 2006 The Merchant of Venice, Shakespeare 2001 Ad/Diction, collaboration 2000 Troilus and Cressida, Shakespeare 1997 The Same River Once, collaboration 1997 Dream Farm, collaboration 1996 Eat it Up, collaboration 1993 Drugs/Sex/Rock and Roll, collaboration 1990 Transit Mass, collaboration 1988 Ubu Roi, Jarry 1987 DáK THEATER, New York The Bacchae, Euripides 1991 PRESENT STAGE, Northampton, MA Handy-Dandy, Gibson 1986 Calamity!, Wangh and Baxtresser 1982 The Dragon, Wangh and Scott 1981 REALITY THEATER, Boston Master of Ecstasy, Lipsky 1978 Outside the Door, Borchert 1977 Class, Lipsky and Wangh 1976 ONGOING WORKSHOPS Acrobatics of the Heart Physical acting intensives in New York City See: http://www.acrobatoftheheart.com/ The Heart of Teaching: Or, What Teachers Don t Talk About, Seminarworkshops for teachers of the performing arts. 2

LECTURES Revenge, Forgiveness and the Responsibility of the Witness APA DIVISION 39 (PSYCHOANALYSIS) April, 2014 CHICAGO ASSOCIATION FOR PSYCHOANALYTIC PSYCHOLOGY March, 2013 The Joys of Stage-Fright and the Success of Failure SOUTHEASTERN THEATRE CONFERENCE March, 2013 Theatre for the 21 st Century, or How does one wake up an audience which is chronically hyper-awake? ETW, NYU April, 2006 What Not to Say about Truth and Authenticity UNDERGRADUATE DRAMA DEPARTMENT, Faculty Retreat Lecture Spring, 2003 Spirit and Acting The Essence of the Actor DIVERSALOG II, UNDERGRADUATE DRAMA DEPT., NYU (with The Institute of African- American Affairs and the Africana Studies Program) March 2003 The Politics of Acting, or How to Stay Open in This World THE THEATER ACADEMY, HELSINKI, FINLAND July, 2002 Revenge and Forgiveness in Laramie, Wyoming Guns and Roses: Psychoanalysis and the Culture of Violence: NYU POSTDOCTORAL PROGRAM FOR PSYCHOTHERAPY AND PSYCHOANALYSIS Spring 2002 Acting and Being: A Physical Approach to Being Seen NATIONAL ASSOC. FOR DRAMA THERAPISTS Annual Conference 2001 GRANTS AND AWARDS Will Glickman Playwright Award-Best Play in Bay Area 2005 Faculty Development Grant and Research Challenge Grant, NYU 2005 Emmy Nomination, The Laramie Project, HBO 2002 N.Y.U. Service Learning Course Development Grant 1999 N.Y.U. Research Challenge Grant 1997 Puffin Foundation, Playwriting Grants 1994 & 1995 American Spanish Joint Committee, Travel/teaching grant 1980 International Communication Agency, Theater/travel grant 1979 Edna St. Vincent Millay Colony, Playwright in residence 1979 APA Award (Boston s OBIE) Reality Theater 1978 3

COLLEGE TEACHING NEW YORK UNIVERSITY 1980 - PRESENT TISCH SCHOOL OF THE ARTS UNDERGRADUATE DRAMA DEPARTMENT, EXPERIMENTAL THEATRE WING ARTS PROFESSOR EMERITUS Introduction to Physical Acting - Physical scene and character technique. Shakespeare Monologues: Voice, sonnets, verse. Shakespeare Scenes: Scene and character in Shakespeare. Advanced Improvisation: Verbal, physical and musical improvisation. Street Theater: Piece-making in public spaces. Monologues and Audition Technique Playmaking: Self-scripting and group playwriting. NAROPA UNIVERSITY 2004 2012 MFA THEATER: CONTEMPORARY PERFORMANCE GUEST FACULTY Physical Acting Shakespeare scenes and monologues Pedagogy A practical course for teachers of acting EMERSON COLLEGE, Boston ASSISTANT PROFESSOR OF DRAMATIC ARTS 1976-1978 Modern Dramatic Literature: Büchner to Genet. Advanced Acting: Scene and character technique. Playmaking Workshop: Collaborative dramaturgy. SKIDMORE COLLEGE, Saratoga Springs, N.Y. 1974-1979 SKIDMORE SUMMER ACTING INSTITUTE AND WINTER WORKSHOP VISITING FACULTY IN ACTING: MASTER TEACHER Ensemble, voice, physical acting, theater games. INTERNATIONAL WORKSHOPS Lasalle College of the Arts, Singapore 2010, 2011 Pedagogy intensive, Sullivan, NY 2008 Summer in Bali, Ubud, Bali, Indonesia 2005 Theater ASOU, Graz, Austria 2004 Big Sur Theater Lab, California 2003 Holderness Theater Company, NY - Master Acting Coach 2002 Projekt Theater - Wein/New York, Austria 2000 School for New Dance Development, Netherlands 1997 Grupo Internacional de Teatro, Spain 1980 Stowartszenie Teatralne Gardienece, Poland 1979 Teatro Libre de Bogotá, Colombia 1978 Theater Saperlot, Switzerland 1978 4

CONFERENCE LECTURES AND SEMINARS APA DIVISION 39 (PSYCHOANALYSIS) Panel: Baring Outer Conflicts and Bearing Inner Conflicts: Revenge and Forgiveness Among Lesbian, Gay, and Bisexual Individuals and Perpetrators of Hate APRIL 2014 OHIO STATE UNIVERSITY Theater Symposium KEYNOTE SPEAKER APRIL 2013 CHICAGO ASSOCIATION FOR PSYCHOANALYTIC PSYCHOLOGY FEATURED SPEAKER MARCH 2013 SOUTHEASTERN THEATRE CONFERENCE FEATURED GUEST ARTIST MARCH 2013 ADMINISTRATION NYU, TSOA: SCHEEDER PROMOTION COMMITTEE, CHAIR 2006 NYU, TSOA: ACADEMIC AFFAIRS COMMITTEE, MEMBER 2001-2, CHAIR 2003-4 NYU, AAUP MEMBERSHIP OFFICER 2000-2001 DRAMA DEPTARTMENT CONFERENCE ON PEDAGOGY Coordinator 1999 PRESENT STAGE AND THE ACTOR'S SPACE, NORTHAMPTON, MA 1980-1987 CO-FOUNDER AND DIRECTOR of theater company and training program: Artistic administration, fiscal planning, curriculum planning and faculty hiring. REALITY THEATER, BOSTON, MA 1973-1978 ARTISTIC DIRECTOR, CO-DIRECTOR OF ACTING TRAINING Budget planning, publicity, production planning, faculty hiring. Reality Theater was twice recipient of the A.P.A. Award. (Boston's OBIE). NEW YORK FREE THEATER 1968-1970 ARTISTIC DIRECTOR of school-touring and street theater company: Playwright, director. EDUCATION NEW YORK UNIVERSITY, MFA in Directing 1968 Studied with: Jerzy Grotowski, Omar Shapli, Kristin Linklater, Alan Miller, Karl Weber BRANDEIS UNIVERSITY, BA cum laude with honors in English 1964 5