American architect Frank Lloyd Wright became known for his repetition of rectangular zones and use of asymmetrical spatial organization in his design of furniture, wallpaper and stained glass windows.
Frank Lloyd Wright title page for The House Beautiful, 1896-97
https://vimeo.com/33976893
The Glasgow Four were: Charles Rennie Mackintosh J. Herbert McNair Margaret Macdonald and Frances Macdonald
The Macdonald sisters were deeply religious: their work contained symbolist and mystical elements. Transcendental, mystical and fairy tale are all descriptions that have been given to their work.
Margaret Macdonald, bookplate design, 1896
Margaret and Frances Macdonald with J. Herbert McNair, poster for the Glasgow Institute of Fine Arts, 1895
Charles Rennie Mackintosh, poster for The Scottish Musical Review, 1896
The Vienna Secession was a group of young artists who became a countermovement to the floral art nouveau still flourishing in much of Europe.
Koloman Moser, fifth Vienna Secession exhibition poster, 1899
Gustav Klimt, poster for the first Vienna Secession exhibition, 1898
Alfred Roller, covers for Ver Sacrum, 1898 Koloman Moser, cover for Ver Sacrum, 1899
Koloman Moser, illustration and design for R.M. Rilke s poem, Early Spring, published in Ver Sacrum, 1901
Alfred Roller, designer and illustrator, Ver Sacrum calendar for November 1902
Personal monograms of various designers, 1902 Koloman Moser, poster advertising Fromme s calendar, 1899
Koloman Moser, poster for the thirteenth Vienna Secession exhibition, 1902 Inspired by the Glasgow style
Alfred Roller, posters for the 14th & 16th Vienna Secession exhibitions, 1902-03
Josef Hoffman, Wiener Werkstatte exhibition poster, 1905 Josef Hoffman, bookplate design, 1903
Peter Behrens, text pages for Celebration of Life and Art: A Consideration of Theater as the Highest Symbol of a Culture, 1900
Peter Behrens did design work for industry and products; his style was perfectly matched to the new technological advances. Behren s work for the AEG Public Electric Co. is considered the first comprehensive visual identification system.
Typefaces released by the Klingspor Type Foundry Top to bottom: Otto Eckmann s Eckmannschrift, 1900 Peter Behren s Behrenschrift, 1901 Kursiv, 1907 Antiqua, 1908 Medieval, 1913
Peter Behrens, text pages for Celebration of Life and Art: A Consideration of Theater as the Highest Symbol of a Culture, 1900
Berthold Foundry, Akzidenz Grotesk typefaces, 1898-1906
Dutch architect J.L.M. Lauwerik s compositional theory of grid systems from a square circumscribed around a circle Anchor Linoleum exhibition pavilion, 1906
Peter Behrens, poster for the Anchor Linoleum exhibition pavilion, 1906
Peter Behrens, AEG Trademark, 1907
Behrens and the German Association of Craftsmen embraced technology and believed that design enhanced machine-made things.
Peter Behrens, covers (plus calendar back cover) for Berlin Electric Works magazine, 1908
Peter Behrens AEG electric lamp poster 1910
The London Underground symbol, revised by Edward Johnston in 1918, shown in the 1972 version used today
Edward Johnston Johnston s Railway Type 1916