BIBLIOGRAPHY A. PRIMARY SOURCES Richard Wright, Native Son (New York: Harper and Row, 1940). James Baldwin, Go Tell It on the Mountain (London: Michael Joseph, 1945).. Tell Me How Long the Train's Been Gone (London: Michael Joseph, 1968). Toni Morrison, The Bluest Eye (London: Vintage, 1999).. Tar Baby (London: Chatto and Windus Ltd., 1981). B. SECONDARY SOURCES I. BOOKS Acheson, James and Ross, Sarah C. E. ed., The Contemporary British Novel (Edinburgh: Edinburgh University Press, 2005). Aisha, Carol Blackshire-Belay. ed., Language and Literature in the African American Imagination (London: Green Wood Press, 1992). Ayers, David. Modernism: A Short Introduction (Malden, MA.: Blackwell Publishing, 2004). Avery, Evelyn Gross. Rebels and Victims: The Fiction of Richard Wright and Bernard Malamud (Port Washington, N. Y.: Kennikat Press, 1979). Baldwin, James. Notes of a Native Son (Boston: Beacon Press, 1984). 259
. The Price of the Ticket: Collected Nonfiction, 1948-1985 (New York: St. Martin s/marek, 1985) Balfour, Lawrie. The Evidence of Things Not Sold: James Baldwin and the Promise of American Democracy (Ithaca, N. Y.: Cornell University Press, 2001). Bell, Bernard W. The Afro-American Novel and Its Tradition (Massachusetts: The University of Massachusetts Press, 1987). Berry Faith. ed., From Bondage to Liberation: Writing by and about Afro-Americans from 1700 to 1918 (New York: Continuum, 2001). Bevilacqua, Winifred Farrant. Fiction by American Women: Recent View. (Port Washington, N. Y.: Associated Faculty Press, 1983). Bjork, Patrick Bryce. The Novels of Toni Morrison: The Search for Self and Place Within the Community (New York: Peter Lang Publishing, Inc., 1992). Bloom, Harold. ed., Toni Morrison s the Bluest Eye (Philadelphia: Chelsea House Publisher, 1999).. ed., Toni Morrison s Beloved (New Delhi: Viva Books Private Limited, 2007).. ed., Bloom s Modern Critical Views: James Baldwin (New York: Chelsea House Publisher, 2007). Bobo, Jacqueline. ed., Black Feminist Cultural Criticism (Malden, Mass.: Blackwell Publishers Publisher, 2001). Campbell, Jane. Mythic Black Fiction: The Transformation of History (Knoxville: The University of Tennessee Press, 1986). Carmean, Karen. Toni Morrison's World of Fiction (Troy, N. Y.: The Whitston Publishing, Co., 1993). 260
Chaudhary, Angraj. Comparative Aesthetics: East and West (Delhi: Eastern Book Linkers, 1991). Christian, Barbara. Black Feminist Criticism: Perspectives on Black Women Writers (New York: Pergamon Press, 1985). Collingwood, R. G. The Principles of Art (New York: Oxford University Press, 1970). Collins Sue. Literary Criticism: An Introduction (London: Hodder & Stoughton, 1995). Conner, Marc C. ed., The Aesthetics of Toni Morrison: Speaking the Unspeakable (Jackson: University Press of Mississippi, 2000). Croce, Benedetto. Aesthetic: As Science of Expression and General Linguistic. Translated by Douglas Ainslie (New York: The Monday Press, 1960). David, Ron. Toni Morrison Explained: A Reader s Road Map to the Novels (New York: Random House, 2000). Dickie, George. Aesthetics: An Introduction (New York: Pegasus. 1971). Duvall, John N. The Identifying Fictions of Toni Morrison: Modernist Authenticity and Postmodern Blackness (New York: Palgrave, 2000). Eakin, Paul John. ed., American Autobiography: Retrospect and Prospect (Madison, Wis.: The University of Wisconsin Press, 1991). Elliot, Emory, Caton Louis Freitas, Rhyne Jeffrey. ed., Aesthetics in a Multicultural Age (New York: Oxford University Press, 2002). Ervin, Hazel Arnett. African American Literary Criticism, 1773 to 2000 (New York: Twayne Publishers, 1999). 261
Evans, Mari. Black Women Writers (1950-1980): A Critical Evaluation (Garden City, N. Y.: Anchor Press / Doubleday, 1984). Fabre, Michel. The Unfinished Quest of Richard Wright (New York: William Morrow & Company, Inc., 1973).. The World of Richard Wright (Jackson: University Press of Mississippi, 1985). Feagin, Susan L. and Maynard, Patrick. Aesthetics (Oxford & New York: Oxford University Press, 1997). Frye, Northrop. Anatomy of Criticism: Four Essays (New York: Atheneum, 1966). Gates, Henry Louis, Jr. and Appiah K. A. ed., Toni Morrison: Critical Perspectives Past and Present (New York: Amistad Press, 1993).. ed., Richard Wright: Critical Perspectives Past and Present (New York: Amistad Press, 1993). Gates, Henry Louis, Jr. Figures in Black: Words, Signs, and the Racial Self (New York: Oxford University Press, 1987).. Loose Canons: Notes on the Culture Wars (New York: Oxford University Press, 1992). Gaut, Berys and Lopes Dominic Mclver ed., The Routledge Companion to Aesthetics (London and New York: Routledge, 2006). Gayle, Jr. Addison. ed., The Black Aesthetic (New York: Doubleday and Company, Inc., 1971). Richard Wright: Ordeal of a Native Son (Garden City, N. Y.: Anchor Press, 1980). Graham, Maryemma. ed., The African American Novel (New York: Cambridge University Press, 2004). 262
Grewal, Gurleen. Circles of Sorrow, Lines of Struggle: The Novels of Toni Morrison (Baton Rouge: Louisiana State University press, 1998). Guillory Monique and Green Richard C. ed., Soul: Black Power, Politics, and Pleasure (New York: New York University Press, 1997). Guyer, Paul. Values of Beauty: Historical Essays in Aesthetics (Cambridge: Cambridge University Press, 2005). Hakutani, Yoshinobu and Butler Robert. ed., The City in African- American Literature (Madison: Fairleigh Dickinson University Press, Inc., 1995). Harris, Trudier. Fiction and Folklore: The Novels of Toni Morrison (Knoxville: The University of Tennessee Press, 1991). Hawthorn, Jeremy. A Concise Glossary of Contemporary Literary Theory (New York: Oxford University Press, 2000). Head, Dominic. The Cambridge Introduction to Modern British Fiction, 1950-2000 (Cambridge: Cambridge University Press, 2002). Holloway, F. C. Karla. Codes of Conduct: Race, Ethics, and the Color of Our Character (New Brunswick, N. J.: Rutgers University Press, Cop., 1995). Holton, Wallace, Sylvia. Down Home and Uptown: The Representation of Black Speech in American Fiction (Rutherford: Associated University Presses, Inc., 1989). Horton, Oliver, James and Horton E. Lois. Hard Road to Freedom: The Story of African America (New Brunswick, N. J.: Rutgers University Press, 2001). 263
Houston, A. Baker, Jr. Modernism and the Harlem Renaissance (Chicago: The University of Chicago Press, 1987).. Afro-American Poetics: Revisions of Harlem and the Black Aesthetic (Wisconsin: The University of Wisconsin Press, 1988). Jackson, Blyden. A History of Afro-American Literature (Baton Rouge: Louisiana State University Press, 1989). Janaway, Christopher. Reading Aesthetics and Philosophy of Art: Selected Texts with Interactive Commentary (Malden, M. A.: Blackwell Publishing Ltd., 2006). Jurca, Catherine. White Diaspora: The Suburb and The Twentieth- Century American Novel (Princeton N. J.: Princeton University Press, 2001). Kinnamon, Keneth. ed., James Baldwin; A Collection of Critical Essays. (Englewood Cliffs, N. J.: Prentice-Hall Inc., 1974). Listowel, The Earl of. Modern Aesthetic: An Historical Introduction (London: George Allen and Unwin Ltd., 1967). McBride, Dwight A. ed., James Baldwin Now (New York: New York University Press, 1999). Mckay, Nellie Y. Critical Essays on Toni Morrison (Boston: G. K. Hall & Co., 1988). Mckee, Patricia. Producing American Races: Henry James, William Faulkner, Toni Morrison (Durham, N.C.: Duke University Press., 1999). Mongia, Padmini. Contemporary Postcolonial Theory: A Reader (London: Arnold, 1997). 264
Morrison, Toni. Playing in the Dark: Whiteness and the Literary Imagination (Massachusetts: Harvard University Press, 1992). Neill, Alex and Ridley, Aaron. ed., Arguing About Art: Contemporary Philosophical Debates (London: Routledge, 2002). Nicol, Bran. ed., Postmodernism and the Contemporary Novel: A Reader (Edinburgh: Edinburgh University Press, 2002). Osborne, Harold. Aesthetics and Criticism (London: Routledge & Kegan Paul Ltd. 1955). Patnaik, J. N. The Aesthetics of New Criticism (New Delhi: Intellectual Publishing House, 1982). Peterson, J. Nancy. ed., toni morrison: Critical and Theoretical Approaches (Baltimore and London: The Johns Hopkins University Press, 1997). Phillips, Caryl. A New World Order: Selected Essays (London: Secker & Warburg, 2001). Rainwater, Catherine and Scheick, William J. ed., Contemporary American Women Writers: Narrative Strategies (Lexington, KY.: The University Press of Kentucky, 1985). Reilly, John M. Richard Wright: The Critical Reception (New York: Burt Franklin and Co, Inc., 1978). Rice, Philip and Waugh Patricia. Modern Literary Theory: A Reader (London: Arnold, 1997). Schreiber, S. M. An Introduction to Literary Criticism (Oxford & New York: Pergamon Press, 1965). 265
Soto, Michael. The Modernist Nation; Generation, Renaissance, and Twentieth-Century American Literature (Tuscaloosa: The University of Alabama Press, 2004). Standley, Fred L. and Burt, Nancy V. ed., Critical Essays on James Baldwin (Boston, Massachusetts: G. K. Hall & Co., 1988). Tally, Justine, ed., The Cambridge Companion to Toni Morrison (New York: Cambridge University Press, 2007). Walder, Dennis. ed., Literature in the Modern World: Critical Essays and Documents (New York: Oxford University Press, 2004). Watson, Steven. The Harlem Renaissance: Hub of African-American Culture, 1920-1930 (New York: Pantheon Books, 1995). Wright, Richard. 12 Million Black Voices (New York: Thunder s Mouth Press, 1988).. Early Works: Lawd Today!, Uncle Tom s Children, Native Son (New York: The Library of America, 1991). Young, Thomas Daniel. ed., Modern American Fiction: Form and Function (Baton Rouge: Louisiana State University Press, 1989). II. ARTICLES/JOURNALS Barbara Olson, K. Come-To-Jesus Stuff in James Baldwin s Go Tell It on the Mountain and The Amen Corner. African American Review, Summer 1997, Vol. 31, Issue 2, p. 295. Cliff, Michelle. Telling It on the Mountain. Nation, Sept. 1998, Vol. 266, Issue 17, p. 24. 266
Eugene, McCorthy B. Models of History in Richard Wright s Uncle Tom s Children. Black American Literature Forum, Winter 1991, Vol. 25, Issue 4, pp. 729-743. Fabre, Michel. Richard Wright's Critical Reception in France -- Censors Right and Left, Negritude Intellectuals, the Literary Set, and the General Public. Mississippi Quarterly, The, Spring 1997. Gillian, Jennifer. Focusing on the Wrong Front: Historical Displacement, the Maginot Line, and The Bluest Eye. African American Review, Summer 2002, Vol. 36, Issue 2, p. 283. Higashida, Cheryl. Aunt Sue's Children: Re-viewing the Gender(ed) Politics of Richard Wright's Radicalism. American Literature, June 2003, Vol. 75, No. 2, pp. 395-425. Korde, Bajrang. African-American Literature and Its Aesthetics: Past, Present and Future. Dr. Korde s unpublished paper. Almost all portions of this paper are used verbatim in the body of this dissertation with the permission of the author (i.e. Dr. Korde). Mayo, James. Morrison s The Bluest Eye. Explicator, Summer 2002, Vol. 60, Issue 4, p. 231. McKittrick, Katherine. Black and 'Cause I'm Black I'm Blue: Transverse Racial Geographies in Toni Morrison s The Bluest Eye. Gender, Place and Culture: A Journal of Feminist Geography, June 2000, Vol. 7, Issue 2, p. 125. Morrison, Toni. The Bluest Eye. Literary Cavalcade, Sept. 2001, Vol. 54, Issue 1, p. 31. 267
III. WEBSITES The University of Michigan http://www.umich.edu/~eng499/ West Africa Review http://www.africaresource.com/war/issue9/olaniyan2.html The University of North Carolina http://uncpress.unc.edu/ Encyclopedia Britannica Online http://search.eb.com/eb/article-9106009 About.com: Agnoisticism/ Atheism http://atheism.about.com/od/philosophybranches/p/aesthetics.htm Black Arts Movement http://authors.aalbc.com/blackartsmovement.htm 268