Space MODEL Model as Experience S15 ARCH306
ARCH 306 competition 2015
MODEL AS Process Concept Experience
A SECTION (MODEL) REVEALS EXPERIENCE THROUGH materiality assembly space
a model you can get into
Jean Nouvel Abu Dhabi Louvre Museum
OMA Marina Abramovic Institute
Garnier Opera Model
MODEL AS Process Concept Experience
Model as Experience S15 ARCH306
TARTARE LAB Model as Process
ROZ BARR New Church
ROZ BARR New Church
ROZ BARR New Church
ROZ BARR New Church
AS+GG Kellogg School of Management Competition
AS+GG Qintai Corporate Headquarters
AS+GG Qintai Corporate Headquarters
AS+GG Qintai Corporate Headquarters
Cuts & Views
In cuts (sections) the drawing plane slices through the object.
REVEALING EXPERIENCE THROUGH materiality, assembly, space Model
where to cut?
PATKAU ARCHITECTS Cottages at Fallingwater
ROB POTISH Student Uof W-Studio Project
PATKAU ARCHITECTS Newton Library
MARK SCOGIN MERRILL ELAM Architects House Above the Bug Line
MODEL AS Process Concept Experience
a modelling language can reinforce concept
OMA Jussieu Library Competition
LE CORBUSIER Dom-ino House
DS+R/ FIELD OPERATIONS The High Line
ATELIER PIERRE THIBAULT Ubi-Soft
ATELIER PIERRE THIBAULT Ubi-Soft
ATELIER PIERRE THIBAULT Ubi-Soft
MODEL AS Process Concept Experience
A SECTION (MODEL) REVEALS EXPERIENCE THROUGH materiality assembly space
A SECTION (MODEL) REVEALS EXPERIENCE THROUGH materiality assembly space
ATELIER PIERRE THIBAULT Ubi-Soft
OMA Exhibition Hall, Kuwait
MORPHOSIS Chiba Golf Club
A SECTION (MODEL) REVEALS EXPERIENCE THROUGH materiality assembly space
ROB POTISH Student Uof W-Studio Project
RENZO PIANO Modern Wing at the Art Institute of Chicago
A SECTION (MODEL) REVEALS EXPERIENCE THROUGH materiality assembly space
RENZO PIANO Modern Wing at the Art Institute of Chicago
'No space, architecturally, is a space unless it has natural light.' Silence to Light Light to Silence The threshold of their crossing is the Singularity is Inspiration (Where the desire to express meets the possible) is the Sanctuary of Art is the Treasury of the Shadows (Material casts shadows shadows belong to light) Louis Kahn
LOUIS KAHN Exeter Library Yale
TADAO ANDO Church of Light
ARCH 306 competition 2012-14
ARCH 306 competition 2015
S15_IDEAhaus_4b_Embodiment COMPETITION (space models) overview: If plans and sections support the development of a design logic and regulating systems for your IDEAhaus in two dimensions, then models allow you to further understand and develop the experiential effect of these systems in three dimensions. Building a large scale section and spatial model of your IDEAhaus will expand your exploration of how various systems can work, in concert, to shape experience (i.e. spatial sequences, apertures, structures, envelopes, circulation, material qualities, natural and artificial illumination). You might explore a singular and unified composition, or the building could have various experiential states in response to shifting conditions, like: changes in activity, environment, season, metropolitan context, daylight. The review for the large scale spatial models will be in the form of a DESIGN COMPETITION, to be held in Crown Hall, and judged by a panel of guest jurors and by yourselves. Further details regarding the design competition to follow.
objectives: - understand the ways that space activates and engages your senses; - improve your skills of narratively describing space and experience and criteria; - further develop modeling skills and craft; - explore the strengths of designing 3-dimensionally in section; - continue working iteratively between physical and digital in your process; - experience a competitive project working environment; - accelerate your project development. process: Using the agendas, plans, sections and models developed over the past weeks, choose a portion of your IDEAhaus to demonstrate the spatial experiences of the building. Models MUST be between ¼ =1-0 and ½ = 1-0 (with abias towards the larger) and should represent a plus or minus 5000sf portion of your design. The model MUST be able to fit within a volume of 42 W x 30 D x 48 tall. The model should be both sectional and spatial, and should capture both interior space, exterior enclosure and the site. criteria/questions: - Does the experience of your building contribute to its agency? - Does your model capture the primary design logic or concepts for your project? - Does your design and modeling language embody your concepts and criteria for the design of your building? - How might a detail be the genesis for discovering an overall concept or strategy for developing the rest of the building deliverables: Design Competition / Friday April 10 2015 / Upper Core Craft a high-quality physical sectional and spatial model using the parameters provided above to convey the essential and compelling nature of your project. NOTE: The singular means of presentation suggest that you should exhibit your very highest levels of craft and care.