UNIVERSITY OF BIRMINGHAM, DEPARTMENT OF ITALIAN STUDIES PhD in Italian Studies (15/12/2011)

PERSONAL DETAILS Full Name and Title: Fabio Camilletti, Dr Department: School of Modern Languages and Cultures Title of current appointment: Associate Professor Education/Qualifications: 2007-2011 UNIVERSITY OF BIRMINGHAM, DEPARTMENT OF ITALIAN STUDIES PhD in Italian Studies (15/12/2011) 2003-2006 SCUOLA NORMALE SUPERIORE DI PISA/UNIVERSITÉ PARIS 4- SORBONNE Perfezionamento (=PhD) in Modern Literary Studies and Comparative Literature (30/09/2006, summa cum laude) 2002-2003 UNIVERSITÉ PARIS 4-SORBONNE DEA (=MA) in French Comparative Literature 2002-2003 ECOLE NORMALE SUPÉRIEURE, PARIS Visiting Student 2001-2002 ST JOHN S COLLEGE, UNIVERSITY OF OXFORD Exchange Student 1998-2002 SCUOLA NORMALE SUPERIORE DI PISA Diploma in Modern Literary Studies (31/10/2002, summa cum laude) 1998-2002 UNIVERSITÀ DI PISA, FACOLTÀ DI LETTERE Laurea (=BA, MA) in Modern Literary Studies, final dissertation in English Literature (19/11/2002, summa cum laude) Appointments held: 2014 present UNIVERSITY OF WARWICK, SCHOOL OF MODERN LANGUAGES AND CULTURES Associate Professor 2010 2014 UNIVERSITY OF WARWICK, DEPARTMENT OF ITALIAN Assistant Professor 2008-2010 BERLIN INSTITUTE FOR CULTURAL INQUIRY Postdoctoral Fellow in Comparative Literature, Art History and Psychoanalysis Aug.-Sep. 2008 Jan.-Apr. 2008 CENTRO NAZIONALE DI STUDI LEOPARDIANI, RECANATI (ITALY) Internship LEOPARDI CENTRE, UNIVERSITY OF BIRMINGHAM Internship

Sep. 2007-Jul. 2008 Mar.-Jun. 2007 UNIVERSITY OF BIRMINGHAM, CELC/HUMANITIES Postgraduate Teaching Assistant ETS PUBLISHING HOUSE, PISA (ITALY) Internship Membership of learned or professional societies: 2017-present 2015-present 2013-present 2011-present Member, NIRSEO (Network Italiano per la Ricerca Scientifica sull Esoterismo Occidentale) Member, Global 19 th Century Studies Network (University of Warwick) Member, Society for Italian Studies; Member, International Network for Theory of History Associated Member, Centre de Recherche en Littérature Comparée, Université Paris 4-Sorbonne 2008-present Member, Réseau européen d études littéraires comparées/european Network for Comparative Literary Studies TEACHING Departmental Duties: Lecture Courses LN305 European Gothic IT327 Love, Desire, and Poetry LN101 Languages and Cultures Beyond Boundaries IT113 Introduction to Italian Culture Tutorials/Seminars LN305 European Gothic IT327 Love, Desire, and Poetry LN101 Languages and Cultures Beyond Boundaries IT301 Modern Italian Language (Translation English to Italian) IT113 Introduction to Italian Culture Taught Masters Classes Critical Theory in Modern Languages (module Length of Course (Contact hours) 9 9 2 4 9 10 2 16 4 Number of Students (approx) ug pg 15 11 10 15 15 11 10 4 4 43 15

convenor) Introduction to Pan- 4 4 Romanticisms IT913 Research Skills 2 3 TOTAL 75 102 Research Supervision: Current Research (MPhil/PhD) Students * Individual (unnamed) Start Date Qualification aimed for Anticipated Completion Date Individual/Joint Supervisor A Sep. 2013 (2014-15 part-time) PhD Sep. 2017 Individual B Jan. 2014 PhD Dec. 2017 Individual C Sep. 2014 PhD 2018 Joint Number of successful research students since 2010: 3 Number of unsuccessful research students since 2010: 0 Other Teaching: None RESEARCH Publications: Since last promotion (please see below for details): - 1 monograph (Italia lunare, accepted, forthcoming 2018) - 1 edition/translation + introductory essay and commentary (Fantasmagoriana, 2015) - 2 co-edited volumes (Rome: Modernity, Postmodernity, and Beyond, accepted, forthcoming 2018; Ten Steps, 2015) - 3 edited or co-edited special issues (Have Fireflies Disappeared, 2016; Trans-national Gothic, 2015; I leoni di Roma, 2015) - 4 peer-reviewed journal articles ( Il sorriso del conte zio, 2016; Gertrude e il Nome del Padre, 2016; Vitæ Novæ per la modernità, 2016; Timore e terrore nella polemica classico-romantica, 2014) - 8 book chapters/articles in special issues ( Later reception from 1481 to the present, accepted, forthcoming 2018; Italians and the Irrational, accepted, forthcoming 2018; La Sposa, Arsène, o la Biblioteca, accepted, forthcoming 2018; Lo Pseudo-Longino, Montesquieu e l alchimia dell effetto poetico nello Zibaldone, 2017; Towards an Archaeology of Italian Modernity, 2017; Sopravvivenze dell antico, 2016; Tempo del calendario, tempo del flâneur, 2015; Leopardi avec Sade, 2015; Beyond the Uncanny, 2015) - 1 lexicon entry ( Origine/Primitivo, 2015) - 8 book reviews

2018 *(accepted March 2017, forthcoming) Italia lunare. Gli anni Sessanta e l occulto. Oxford: Peter Lang. Monograph. 75,000 words approx. This book innovatively uses the notion of occulture, elaborated in the fields of anthropology and religious studies, in order to examine the circulation of occult themes in 1960s Italy. By taking into account literature, cinema, and pop culture of the years 1959-1971, it offers a new and challenging insight into Italy s troubled modernity, showing how ghosts and exotericism, psychical research and demonic possessions embody the tensions of a changing country. Italia lunare, one of my REF submission items, is already under contract and forthcoming in early 2018, and received 500 from the HRF at Warwick and 150 from the SMLC as a contribution towards publication costs. (accepted June 2017, forthcoming) Rome: Modernity, Postmodernity, and Beyond. Eds. Lesley Caldwell and Fabio Camilletti. Oxford: Legenda. Co-edited volume. 95,000 words approx. 2017 *(accepted July 2016, forthcoming) Later reception from 1481 to the present. Companion to Dante s Commedia. Eds. Zigmunt G. Baranski and Simon Gilson. Cambridge: Cambridge University Press. Book chapter. 5500 words approx. Although conceived and written for a companion, and having therefore in mind a broad and nonspecialized audience, this essay aims to be a milestone in the scholarship on Dante reception for two reasons: first, it adopts a global perspective; second, it proposes an innovative periodization, reassessing in particular the Anglo-centric distinction between Romantic and Victorian. (accepted July 2016, forthcoming) Italians and the Irrational. Echoing Voices in Italian Literature: Tradition and Translation in the 20 th Century. Eds. Cecilia Piantanida and Teresa Franco. Cambridge: Cambridge Scholars Publishing. Book chapter. 7300 words approx. (accepted, forthcoming) La Sposa, Arsène, o la Biblioteca. Jolanda & Co. Le donne pericolose. Eds. Fabrizio Foni and Franco Pezzini. La Spezia: Cut-Up. Book chapter. 9000 words approx. Lo Pseudo-Longino, Montesquieu e l alchimia dell effetto poetico nello Zibaldone. Leopardi e la traduzione. Ed. Chiara Pietrucci. Florence: Olschki. 367-82. Book chapter. 15pp. Towards an Archaeology of Italian Modernity. Re-thinking the Classicist/Romantic Quarrel. The Formation of a National Audience in Italy, 1750 1890. Readers and Spectators of Italian Culture. Eds. Gabriella Romani and Jennifer Burns. Madison (NJ): Farleigh Dickinson University Press. 101-116. Book chapter. 15pp. Ugo Foscolo, Dei sepolcri. Carme. Edizione critica a cura di Giovanni Biancardi e Alberto Cadioli. La rassegna della letteratura italiana. 121. IX. 1: 237. Book review. 1p. Rossella Bonfatti, Drammaturgia dell esilio. Il Risorgimento italiano fuori dai confini. La rassegna della letteratura italiana. 121. IX. 1: 267-69. Book review. 3pp. Ruins Past: Modernity in Italy, 1744-1836. By Sabrina Ferri. Modern Language Review. 112. 3: 717-19. Book review. 3pp. The Art of Vision: Ekphrasis in Medieval Literature and Culture, ed. by Andrew James Johnston, Ethan Knapp, and Margitta Rouse. Renaissance Quarterly. LXX. 1: 370-72. Book review. 3pp. Fumo: Italy s Love Affair with the Cigarette, by Carl Ipsen. Modern Italy. 22. 1: 94-96. Book review. 3pp. 2016 Have Fireflies Disappeared? Cultural Legacies and Apocalyptic Imaginary in Twenty-firstcentury Representations of Rome. Eds. Fabio Camilletti and Filippo Trentin. Forum Italicum 50. 1: 162-243. Co-edited special section. 81pp. Sopravvivenze dell antico. Il mito nella polemica classico-romantica, with Martina Piperno.

Le mythe repensé dans l'œuvre de Giacomo Leopardi. Ed. Perle Abbrugiati. Aix-en-Provence: Presses Universitaires de Provence. 83-99 (Camilletti 83-90, Piperno 90-99). Co-authored book chapter. 16pp. * Il sorriso del conte zio. Manzoni, Sade e l omaggio alla Vergine. Enthymema (refereed journal) XIV: 231-46. Journal article. 15pp. * Gertrude e il Nome del Padre. Italian Studies (refereed journal) 71, 1: 82-97. Journal article. 15pp. Conceived in parallel, these two essays aim to break new ground in the comparative and interdisciplinary study of Manzoni s I promessi sposi, reading this novel as a negotiation of Gothic themes and stereotypes. Whereas Il sorriso del conte zio reads I promessi sposi as an answer to the problem of evil as posed by the Marquis de Sade, Gertrude e il Nome del Padre analyzes the novel in the light of eighteenth- and nineteenth-centuries theories of hysteria and Gothic representations of femininity. Both articles, moreover, pay innovative attention to visual culture, taking into consideration the novel s iconographic apparatus, as well as the imaginary inspired by Manzoni s narrative throughout the nineteenth century. Vitæ Novæ per la modernità: stilnovismo ed erranza del desiderio in Delfini e Celati. The Italianist (refereed journal) 36. 1: 1-17. Journal article. 17pp. 2015 *Jean-Baptiste Benoît Eyriès et al., Fantasmagoriana. Ed./transl. Fabio Camilletti. Rome: Nova Delphi. Edition/translation + introductory essay. 340 pp. (98 pp. introductory essay; 242 pp. translated/edited text with notes and commentaries) Enriched by a substantial introductory essay, this book is the first complete edition and translation of Fantasmagoriana, the 1812 French anthology of German ghost stories holding a special place in the history of Gothic literature: in the summer of 1816, it provided the inspiration for the ghost storytelling contest at Villa Diodati giving birth to Mary Shelley s Frankenstein and John Polidori s The Vampyre. Addressed to a broad readership, the book is nonetheless a veritable critical edition, accounting for the metamorphoses undergone by the text between three languages and cultural domains (German, French, English) and consequently reinstating Fantasmagoriana within the transnational exchanges of European culture in the Napoleonic age. The introductory essay is arguably the most accurate contribution on the topic so far, using Fantasmagoriana as a prism through which to interrogate the relationship between Gothic literature and magic lantern shows, the specificity of continental Gothic against Anglo-centric narratives, and the problem of belief in the supernatural in the post-enlightenment age. The book received wide press coverage and was praised as the most important book published in [2015] in the field of fantastic literature (Giuseppe Lippi, Dylan Dog Magazine 2016). It also inspired several public engagement events, including a ghost story public reading and a student-led theatre performance in 2016, the Mesmerized! event series in 2017, as well as cross-language UG and PG modules. Finally, it led me to start a broader project on collections of supernatural stories in the Napoleonic age, forming the backbone for my application for a BA small research grant (currently under evaluation). Ten Steps. Critical Inquiries on Leopardi. Eds. Fabio Camilletti and Paola Cori. Oxford: Peter Lang. Co-edited volume. 329 pp. Trans-National Gothic. Ed. Fabio Camilletti. Compar(a)ison. An International Journal of Comparative Literature. 1-2. Edited special issue. 218 pp. I leoni di Roma. L Orologio di Carlo Levi, la sopravvivenza e la compresenza dei tempi. Ed. Fabio Camilletti and Filippo Trentin. Poetiche, 17. 42. Co-edited special issue. 198pp. Tempo del calendario, tempo del flâneur: Leopardi, Benjamin, Levi. Poetiche 17. 42: 25-52. Journal article. 27pp. Leopardi avec Sade. Impotence and jouissance in La ginestra. Ten Steps. Critical Inquiries on Leopardi. Eds. Fabio Camilletti and Paola Cori. Oxford: Peter Lang. 205-25. Book chapter.

20pp. Origine/Primitivo. Lessico leopardiano 2014. Eds. Novella Bellucci, Franco D Intino and Stefano Gensini. Rome: Sapienza Università Editrice. 107-112. Lexicon entry. 5pp. Beyond the Uncanny: Fantasmagoriana, Intertextuality, and the Pleasure Principle. Trans- National Gothic. Ed. Fabio Camilletti. Compar(a)ison. An International Journal of Comparative Literature. 1-2: 61-81. Journal article. 20pp. Alessandro Manzoni nei paesi anglosassoni, by Alice Crosta. Modern Italy. 20. 3: 320-21. Book review. 2pp. 2014 * Timore e terrore nella polemica classico-romantica: l Italia e il ripudio del gotico. Italian Studies (refereed journal) 69. 2: 231-45. Journal article. 14pp. This article takes as its starting point a micro-debate triggered, in post-revolutionary Italy, by a new translation of Aristotle s Poetics, showing how an apparently minor problem the rendering of the Greek term phobos ( fear, terror ), understood by Aristotle as one of the means by which to produce tragic catharsis entails deeper significance in relation to the civil role of theatre, the representation of excess on stage, and the Italian way of coping with the pleasure derived from objects of terror that was explored by British and German aesthetics in the golden age of the Gothic. Philological analysis allows, thus, to go to the roots of Italy s claimed delay in intercepting the solicitations of foreign literatures and of Gothic aesthetics in particular, providing a different genealogy for Italy s troubled negotiation with this genre and reassessing traditional narratives such as Italo Calvino s about Italy s constitutive alienness to Gothicizing imaginaries. This article has been inserted in Stefano Lazzarin s commented bibliography of the critical reception of the Italian fantastic, and has been a first step in my reconfiguration of the Italian Gothic between the nineteenth and the twentieth centuries. Giacomo Leopardi, Volgarizzamenti in prosa 1822-1827. Ed. critica di Franco D Intino. Italianistica XLIII. 1: 220-21. Book review. 2pp. Manuele Gragnolati, Amor che move. Linguaggio del corpo e forma del desiderio in Dante, Pasolini e Morante. Italianistica XLIII. 3: 187-88. Book review. 2pp. 2013 *Leopardi s Nymphs. Grace, Melancholy, and the Uncanny. Oxford: Legenda. Monograph. 192 pp. Leopardi s Nymphs critically analyses Leopardi s cantos of 1828-29 in relation to aesthetics and literary theory (Grace), subjectivity and the poetic articulation of desire (Melancholy), and memory, conceptualization of historical past, and the haunting survival of antiquity (Uncanny). Published in a lively moment for Leopardi-related studies in the English-speaking world, marked by Jonathan Galassi s translation of the Canti and by Michael Caesar s and Franco D Intino s edition of the Zibaldone, this book undertakes a broad cultural operation (Stefano Versace, Enthymema, 2015) by innovatively bridging the tradition of Italian scholarship on Leopardi and contemporary theory. In particular, through a constant dialogue with German-Jewish early twentieth-century thought Aby Warburg, Walter Benjamin, and Sigmund Freud and its legacy (most notably Giorgio Agamben and Georges Didi-Huberman), it shows how Leopardi s philosophical poetry, through the reactivation of the nymph mythologem, subverts teleologically oriented understandings of history, allowing for pessimism to be re-negotiated in a political way. Leopardi s Nymphs met enthusiastic reviews (in Annali d italianistica, the Modern Language Review ( Camilletti s monograph makes a substantial contribution to [the] renewal [of Leopardi studies in recent years] ), and La Rassegna della Letteratura Italiana among others), and was referenced in The Oxford Handbook of European Romanticism, edited by Paul Hamilton (2016). *Classicism and Romanticism in Italian Literature: Leopardi s Discourse on Romantic Poetry. London: Pickering and Chatto. Monograph. 200 pp (112 pp. monograph; 88 pp. translation of Leopardi s Discourse by Fabio Camilletti and Gabrielle Sims) Stemming from my experience in teaching Italian Romanticism from a comparative viewpoint, and completed thanks to a BA small research grant, my monograph Classicism and Romanticism gives a complete profile of the Classicist/Romantic quarrel enflaming Italy in 1816-27, analysing the

peculiarity of the Italian case within the broader framework of European Romanticisms. On the one hand, it makes available to the broader scholarship in Romantic Studies a large body of sources otherwise unavailable for non Italian-speaking readers, and principally Leopardi s Discourse on Romantic Poetry (translated by Gabrielle Sims and me, and included as an appendix). On the other, through a close dialogue with narratology, psychoanalysis, and trauma theory, it gives an innovative reading on the quarrel as the Italian way of coping with the legacy of the Napoleonic wars, as well as a defining moment of Italy s cultural identity. By questioning dominant perspectives of the quarrel as a pre-risorgimento phenomenon, the book reinstates it as the outcome of quintessentially postrevolutionary tensions, seeing it as the Italian response to those post-napoleonic concerns about legitimacy, authority, and national identity explored, in other literary domains, by Stendhal s novels, Pushkin s Eugene Onegin, or German Biedermeier literature. The book has proved to be a valid teaching resource in Warwick and other institutions. It also provided the bases for later projects, including the 1816 network and my posts on 1816 and Italian culture in the BARS blog, as well as for peer-reviewed articles and conference papers. Paolo D Angelo, Le nevrosi di Manzoni. Quando la storia uccise la poesia. Oblio III. 9-10: 219-20. Book review. 2pp. 2012 Hauntings II: Uncanny Figures and Twilight Zones. Eds. Fabio Camilletti, Martin Doll, Rupert Gaderer, Jan Niklas Howe and Catherine Smale. Image & Narrative 13. 1. Co-edited special issue. 95pp. Urszenen: Dream Logic and Myth in the First Page of Leopardi s Zibaldone. Italian Studies (refereed journal) 67. 1: 60-73. Journal article. 13pp. Dante Painting an Angel: Image-making, Double-oriented Sonnets and Dissemblance in Vita Nuova XXXIV. Desire in Dante and the Middle Ages. Eds. Manuele Gragnolati, Tristan Kay, Elena Lombardi and Francesca Southerden. Oxford: Legenda. 71-84. Book chapter. 13pp. Ninfa fiorentina. The Falling of Beatrice, from Florence to Modern Metropolis. Dante in the Nineteenth Century: Reception, Portrayal, Popularization. Ed. Nick Havely. Bern: Peter Lang. 117-35. Book chapter. 18pp. Lydia H. Liu, The Freudian Robot: Digital Media and the Future of the Unconscious. Modern Language Review 107. 2: 608-609. Book review. 2pp. 2011 Petrarchismo, Phantasie e costruzione della soggettività in Leopardi. Rivista internazionale di studi leopardiani (refereed journal) 7: 1-16. Journal article. 16pp. Phantasmata: Techniken des Unheimlichen. Eds. Martin Doll, Rupert Gaderer, Fabio Camilletti and Jan Niklas Howe. Wien-Berlin: Turia + Kant. Co-edited volume. 298 pp. Voltaires Verwirrung. Phantasmata: Techniken des Unheimlichen. Eds. Martin Doll, Rupert Gaderer, Fabio Camilletti and Jan Niklas Howe. Wien-Berlin: Turia + Kant. 185-203. Book chapter. 18pp. 2010 Il passo di Nerina. Memoria, storia e formule di pathos nelle Ricordanze. Italianistica (refereed journal) 39. 2: 41-66. Journal article. 25pp. Hauntings I: Narrating the Uncanny. Eds. Fabio Camilletti, Martin Doll, Rupert Gaderer, Jan Niklas Howe and Catherine Smale. Image & Narrative 11. 3 Co-edited special issue. 121pp. Present Perfect. Time and the Uncanny in American Science and Horror Fiction of the 1970s (Finney, Matheson, King). Hauntings I: Narrating the Uncanny. Eds. Fabio Camilletti, Martin Doll, Rupert Gaderer, Jan Niklas Howe and Catherine Smale. Image & Narrative 11. 3: 25-41. Journal article. 16pp.

Veils. A Reading of Dante Gabriel Rossetti s St Agnes of Intercession. Ravenna III (online). Journal article. 11,000 words approx. Metamorphosing Dante: Appropriations, Manipulations, and Rewritings in the Twentieth and Twenty-First Centuries. Eds. Manuele Gragnolati, Fabio Camilletti and Fabian Lampart. Wien- Berlin: Turia + Kant. Co-edited volume. 416pp. Human Desire, Deadly Love. The Vita Nova in Gide, Delay, Lacan. Metamorphosing Dante: Appropriations, Manipulations, and Rewritings in the Twentieth and Twenty-First Centuries. Eds. Manuele Gragnolati, Fabio Camilletti and Fabian Lampart. Wien-Berlin: Turia + Kant. 177-200. Book chapter. 23pp. D.G. Rossetti tra 'religione della mente' e decostruzione dell'io. I Rossetti e l'italia. Eds. Gianni Oliva and Mirko Menna. Lanciano: Carabba. 333-57. Book chapter. 22pp. Oblique Gazes. The 'Je ne sais quoi' and the Uncanny as Forms of Undecidability in post- Enlightenment Aesthetics. Tension/Spannung. Ed. Christoph Holzhey. Wien-Berlin: Turia & Kant. 73-93. Book chapter. 20pp. John Woodhouse, Il generale e il comandante. Ceccherini e D'Annunzio a Fiume. Italian Studies 65. 2: 295-97. Book review. 2pp. 2009 Dante s Vita Nova and the Victorians: the Hidden Image Behind Rossetti s Giotto Painting the Portrait of Dante'. The Victorians and Italy. Literature, Travel, Politics and Art. Eds. Alessandro Vescovi, Luisa Villa and Paul Vita. Monza: Polimetrica, 2009. 181-92. Book chapter. 11pp. On pleure les lèvres absentes. Amor di lontano tra Leopardi e Baudelaire. Italian Studies (refereed journal) 64. 1: 77-90. Journal article. 13pp. 2008 Jean Bessière/Franca Sinopoli (eds.), Storia e memoria nelle riletture e riscritture letterarie/histoire, mémoire et relectures et réécritures littéraires. Revue de littérature comparée 326: 259-60. Book review. 2pp. 2006 La Muse antimoderne. La Béatrice de Dante dans la culture bourgeoise de la fin du dixneuvième siècle. Silène. Littérature et poétique comparées (online). Journal article. 15pp. Alessandro Raffi, La gloria del volgare. Ontologia e semiotica in Dante dal Convivio al De Vulgari Eloquentia. Italianistica 35. 1: 127-29. Book review. 2pp. 2005 Beatrice nell inferno di Londra. Saggio su Dante Gabriel Rossetti. Trento: La Finestra. Monograph. 178pp. I sospiri della santa. La donna e la malinconia nell opera di Dante Gabriel Rossetti dalla Blessed Damozel a Bocca Baciata'. Contemporanea 3: 77-83. Journal article. 6pp. 2004 Cartoline e 'idea di Dante' fra fine Ottocento e primo Novecento. Immagini dantesche. Catalogo della mostra Verona lo primo tuo rifugio. Ed. Giuseppe Battaglia. Urbana: Corradin. 17-32. Book chapter. 15pp. 2003 The Golden Veil'. Purezza e malinconia in un racconto di Dante Gabriel Rossetti. Rivista di Studi Vittoriani 7: 15: 77-93. Journal article. 16pp. 2002 La morta, l amante, il dio. Il dio d Amore nell opera di Dante Gabriel Rossetti. Annali della Scuola Normale Superiore di Pisa (refereed journal) 7: 2: 399-425. Journal article. 26pp.

Research Grants and Contracts: No. Date Awarded 1 7 September 2017 2 26 June 2017 3 26 November 2016 Project Title/Details Duration of Award Fantasmagoriana and the Others: Transnational Gothic and Occulture Italia lunare (contribution towards publication costs) Mesmerized! Funding Body BA/Leverhulme (Small Research Grant) Involvement PI? Names of Other Holders Total Awarded PI 6550 HRF PI 500 (+ 150 departmental contribution) GRP Connecting PI 250 Cultures, University of Warwick Total to University if amount split 3 January 2017 IAS PI Mariano Tomatis (residential fellow), Elisabeth Turner, Alessandra Aloisi and Martina Piperno (other applicants) 750 Warwick Public Engagement Award PI 650 6 February 2017 4 2 October 2014 5 11 June 2012 6 23 May 2012 1816: Transcultural Crossings in Post-Revolutionary Europe, academic year 2014-15 Roman Modernities Multistable Cityscapes 7 4 July 2011 Nineteenth-century Research Seminar Series 8 29 June 2011 9 18 June 2009 The Classicist/Romantic Quarrel in Bourbon Restoration Italy Memory, the Past, and the Use of Quotations in Giacomo Leopardi s Zibaldone GRP Connecting Cultures, University of Warwick GRP Connecting Cultures, University of Warwick AHRC Networking Grant GRP Connecting Cultures, University of PI 200 PI 500 PI Lesley Caldwell (UCL) 39,000 PI 1100 Warwick Roberts Fund PI Sotirios Paraschas British Academy Small Research Grant University of Birmingham, College of Arts & Law Scholarship 2800 PI 6240 PI 12,000 10 6 June The Stendhal ICI Kulturlabor PI EUR 36,000

2008 Syndrome as Tension 11 September 2003 Gelida Virgo. La figura letteraria della beatrice nella letteratura europea del XIX secolo (Italia, Francia, Gran Bretagna), 1797-1907 Berlin Postdoctoral Fellowship Scuola Normale Superiore di Pisa, PhD scholarship PI EUR 37,500 Number of postdocs: 1 (Dr Alessandra Aloisi, Marie Skłodowska-Curie Post-doctoral Fellow, 2015-17) ADMINISTRATION AND OTHER SERVICE Administration and Contributions to the University and its development: 2017- Head of Italian 2016-present SMLC Representative, PG Appeals Committee 2016-17 SSLC Convenor (SMLC, Italian Studies) Year Abroad Coordinator for incoming students (SMLC, Italian Studies) 2015-present Director of Undergraduate Studies (SMLC, Italian Studies) Member of the Collaborative, Flexible and Distributed Learning Sub-Committee (later Partnerships Committee) 2015-17 Admissions Tutor (SMLC, Italian Studies) Member of the Undergraduate Studies Committee and of the Year Abroad Sub- Committee (SMLC) 2014-16 Dissertation Convenor (SMLC, Italian Studies) 2014-15 SSLC Convenor (SMLC, Italian Studies) 2012-15 Year Abroad Coordinator (SMLC, Italian Studies) 2011-13 Research Seminar Coordinator (Dpt of Italian Studies) NATIONAL AND INTERNATIONAL RECOGNITION 2018 Visiting External Examiner, Department of Italian, University of Malta 2017-present Member of the Editorial Board, Italian Studies 2016-present Member of the Editorial Board, Italian Culture. The Journal of the American Association for Italian Studies Member of the Editorial Advisory Board, series Studi di italianistica moderna e contemporanea nel mondo anglofono/studies in Modern and Contemporary Italianistica in the Anglophone World, Florence University Press Member of the Scientific Advisory Board, International Conference Milan: Crossroad of Cultures (Milan, 22-23 September 2016), University of Warwick/University of Birmingham/Università degli Studi di Milano 2016 Evaluator for the Italian VQR (valutazione della qualità della ricerca), equivalent to REF 2015-present Member of the Scientific Advisory Board, Vico e Leopardi project, National Library, Naples/Centro Nazionale di Studi Leopardiani, Recanati

Member of the Executive Committee and Post-doctoral Officer, Réseau européen d études littéraires comparées/european Network for Comparative Literary Studies Book review editor, Modern Italy. The Journal of the Association for the Study of Modern Italy 2015 Evaluator for the University of Edinburgh (promotion to Readership) and the University of Notre Dame (promotion to Associate Professorship) 2013-16 Honorary Research Fellow, Leopardi Centre, University of Birmingham 2012 Visiting Researcher, Scuola Normale Superiore di Pisa (Autumn Term) 2010-present Keynote speaker at the conferences Dante in the Nineteenth Century (Institute of English Studies, University of London, 6-8/09/12) and Traditions in Fragments: the Classical Legacy in 20th-Century Italian Literature (Oxford University, 19/06/14); invited speaker at the universities of Birmingham (18/11/15), Bologna (11/04/14), Edinburgh (1/2/17), Manchester (14/11/14 e 20/10/15), Oxford (13/11/13 and 10/03/14), Pisa (7-8/04/11; 17/05/12), Rome (25/03/14), Royal Holloway (27/02/13), Savoie-Chambéry (23/11/12) and UCL (26/01/11) Peer-reviewer for numerous journals, including International Journal of the Classical Tradition, Italian Studies, and Italian Culture, Between and Enthymema and invited reviewer for Peter Lang 2009 Rooke Postgraduate Prize, British-Italian Society (BIS)/Society for Italian Studies (winner) IGRS Book Competition, Insititute of Germanic and Romance Studies, University of London (winner) Date Curriculum Vitae Prepared: 23 August 2017