PRESS RELEASE - ART DECO AUCTION - NOVEMBER 27TH 2018, PARIS

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AUCTION - NOVEMBER 27TH 2018, PARIS At the beginning of the 20th century, Eileen Gray s creations embody a new modern era. Celebrated throughout the world, her works are however particularly difficult to come by on the art market. On November 27th, during the Art Deco auction, Artcurial will present 3 exceptional pieces signed by the Irish designer: An iconic Bibendum seat, a lacquered side board and a cubist lamp post, all extremely representative of her earlier work.

PARIS - On November 27th 2018, during its prestigious 2nd semester Art Deco auction, Artcurial will present 3 works from the most in demand designer in the world: Eileen Gray. A console completed toward 1918-1920 (estimate: 1M - 1,2M), a floor lamp from 1925 (estimate: 300,000-400,000), and one of the 3 only examples in the world of the famous Bibendum armchair (estimate: 500,000-600,000). All three pieces are extremely sought after by collectors as they have been exhibited at the Pompidou Center during the monographic exhibition dedicated to Eileen Gray in 2013. These museum quality pieces are already subject to a new loan request for a monographic exhibition to be held in New York in 2020. Eileen Gray, considered at times an iconic Art-Deco decorator, sometimes an emblematic modernist architect, figures among the major designers of the twentieth century. Painter by trade, the designer was born in 1878, applying her anti-conformist thoughts to all her architecture and furniture projects from an early age until her death in 1976. Notable works include her lacquer and tubular metal pieces and villa E 1027 a Modernist masterpiece located in Roquebrune-Cap-Martin in the Alpes-Maritimes. Unlike Charlotte Perriand, she never produced furniture in series, preferring to work for herself, uncompromisingly. As a result, only a small number of furniture pieces were produced. Other extremely rare pieces included in the auction, a most-likely unique René Lalique bronze bust representing Sarah Bernhardt, a Diego Giacometti coffee table, furniture signed by Carlo Bugatti and Gio Ponti ceramics which come from a large private Italian collection. E 1027, period photograph of the Villa E-1027 sitting room with the Bibendum chair Centre Pompidou, Fonds Eileen Gray EILEEN GRAY Bibendum Armchair circa 1927-1929 Oilcloth and chromed metal. estimate : 500 000 600 000

EILEEN GRAY Lacquered wood sideboard, before 1920 estimate : 1M - 1,2M Portrait of Eileen Gray by Bérénice Abbott, Paris 1926 Eileen Gray, between Art Deco and modernism Eileen Gray studies her craft between London and Paris. In 1905, in London, she discovers and falls in love with lacquer with which she creates masterpieces such as the screen Le Destin, commissioned by couturier Jacques Doucet. The following year, she permanently moves to Paris. Past her 40th birthday, she enteres into a sector practically inaccessible to women: architecture. She starts construction of the Villa e 1027, on the seafront perched on rocks of the Roquebrune-Cap-Martin, in the Alpes-Maritime. She creates a series of furniture characterised by mobility and flexibility as demonstrated by the Transat chair or the Bibendum chair presented during this auction. The Bibendum chair (estimate: 500,000-600,000) is designed towards the late 1920 s. The model auctioned by Artcurial belonged to Jeanne Tachard, founder of the fashion house Suzanne Talbot. Gradually abandoning lacquer in the mid 1920 s, Eileen Gray directs her attention to more «Modernist» works, influenced by the Dutch group De Stijl. The name of this model is directly derived from the nickname given to the Michelin Man, from whom she borrows the appearance with the superposition of rolls. When the designer completes Villa e 1027, the Bibendum chair takes centre stage in the villa s main room. Designed using metal tubes and coated canvas, the Chair Bibendum radically breaks with classical references, traditional expertise and the preciousness of the major interior designer creations of 1920 s. Today it embodies a modern manifest, a design icon of the 20th century. Completed toward 1918-1920, the sideboard (estimate: 1M - 1,2M) is interestingly closer to the precious spirit of the Art Deco at the turn of the 1910 s.

EILEEN GRAY Floor lamp on architectural base, circa 1925 estimate : 300 000-400 000 RENE LALIQUE Sarah Bernhardt, Circa 1896, bronze and ivory bust. estimate : 50 000-60 000 With the Table aux chars or even the screen The Destiny, the sideboard is documented as one of the first lacquer pieces designed by Eileen Gray. With lacquered flip-up coral tablets, it is a rare witness of the artist s first stylistic period. Only one example of this sideboard is known. It was in Yves Saint Laurent s Paris office. The set will be completed by a floor lamp whose base is designed as an architectural model (estimate 300,000-400,000). It could be compared to Eileen Gray mock-ups from around 1923-1925 listed to this day, bearing witness to her first ventures in the field of architecture. Her architectural designs are close to Adolf Loos and modern Dutch architectural examples who will be amongst the first to notice the originality of Eileen Gray s body of work. After the war, the floor lamp is placed in villa Tempe in Pailla on the heights of Menton, prior to being moved to her Parisian apartment, Rue Bonaparte. René Lalique and Diego Giacometti Alongside the works of Eileen Gray, this auction will present pieces from Art Deco s greatest names: modernist luminary creators such as Jacques Le Chevallier, furniture by Jacques Emile Ruhlmann, Edgar Brandt, Paul Dupré- Lafon, Jacques Quinet and Jean Royère. A notable discovery: the Bust of Sarah Bernhardt, one of the rare bronze works by René Lalique (estimate: 50,000-60,000). This probably unique piece was given to Sarah Bernhardt to mark the 30th anniversary of her career at the Theatre de la Renaissance in 1896. René Lalique, who also created many costume jewellery pieces for the actress, adorns this sculpture with two carved ivory medallions representing the masks of comedy and tragedy. This sculpture, part of the 1923 Sarah Bernhardt estate sale, has not reappeared on the art market until now.

DIEGO GIACOMETTI Low table with «owls and frogs»,circa 1960, estimate : 200 000-300 000 An exceptional Diego Giacometti piece will also be presented. Directly commissioned by the current owner whose restaurant the artist frequented, this Table aux hiboux et aux grenouilles carries an estimate of 200,000-300,000. The poetic style of the artist, who liked to populate his creations with animals, is easily recognized in this bronze table.

PRESS CONTACTS Press Assistant Anne-Laure Guérin +33 (0)1 42 99 20 86 Alguerin@artcurial.com Director of External Relations Jean Baptiste Duquesne +33 (0)1 42 99 20 76 Jbduquesne@artcurial.com USEFUL INFORMATION Exhibition from Friday 23rd to Monday 26th November 2018 Auction on Tuesday 27th November 2018 Artcurial - 7, Rond-Point des Champs-Elysées - 75008 Paris HD visual available on request Catalogues available online at www.artcurial.com UPCOMING EVENTS AT ARTCURIAL 20 november: Auction Italian Design 30 december : Paris#Marrakech auction including From Constantinople to Tangier, an Italian enthusiast s collection ABOUT ARTCURIAL Founded in 2002, Artcurial, a multidisciplinary auction house based in Paris, reinforces its leading position in the market of international art in 2017. With 3 sale venues in Paris, Monte-Carlo and Hong-Kong, the House totals 191.1 million euros in sales volume in 2017. It covers the whole spectrum of major specialties: Beaux-Arts to decorative arts, collector automobiles, jewellery, collector timepieces, fine wines and spirits Resolutely turned toward the international market, Artcurial asserts its network abroad with representation offices in Brussels, Milan, Monte-Carlo, Munich and Vienna as well as a presence in Beijing and Tel Aviv, and biannual exhibitions in New York. In October 2015, Artcurial organised its first sale in Hong Kong and in Morocco. www.artcurial.com RTCURIAL