HPFA !"#$%&'!()*+ ,-./012'34'#1554'6/771.04

Transcription

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m lti f nctional macro compact and personali ed ersions specifically A>MDE=>A&QRB&?T>&PD>;>BMX&$<W?DN&$RLM>&=>EO>N?M&?T>&NRUUR=&NRUWRMD?DR=<O& E>M?LB>M@&BRR?>A&D=&?T>&N<==R=&RQ&<&QRBU<O&<B?&TDM?RBDN<O&EFOK<\>X& #T>&$RLM>&D=M?><A&;>ONRU>M&SRL&D=?R&<=&>UR?DP>&MLV]>N?TRRA@&<OOR;D=E&SRL& to feel free to morph yo r iew raft sample and remi the infinit m scale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`K

2 & ',"-&./-0$*12&DM&<&WB<N?DND=E&=>;&U>AD<&<B?DM?&<=A&;BD?>BX&&b3OL>&#<W>c&;<M&?T>DB& R=OS&PDA>R&NROO<VRB<?DR=&D=&I_`aX

3 osefin Arnell still from Josefin operatin as primary medi m osefin Arnell s work e tends to performance D=M?<OO<?DR=@&RV]>N?M@&WR>?BS&RB&WBD=?>A&U>AD<X&-OR<?D=E&V>?;>>=&<MW>N?M&RQ& doc mentary and fiction film she methodically na i atin the space between >^LV>B<=N>&<=A&M>OQZ>^WORD?<?DR=X&3S&NTRRMD=E&?R&;RB[&;D?T&=R=Z<N?RBM@&MT>&DM& capt rin a rawness that re ects an emotional landscape e plorin nattainable A>MDB>M@&W>BQ>N?DR=DMU&<=A&NR=?BROX&#T>&?>>=<E>&EDBO@&?T>&TRBM>&<=A&?T>&UR?T>B& are rec rrin characters alon side cl msy alle ories in con icts of h man NR=AD?DR=&RB&>=PDBR=U>=?<O&N<?<M?BRWT>MX.=&<AAD?DR=&?R&T>B&MROR&;RB[&MT>&DM&D=PROP>A&D=&ULO?DWO>&NROO<VRB<?DR=M@&URM?& noticeably ell n aka osefin Arnell a ran. ell n prefers to be bra e <=A&W<?T>?DN&B<?T>B&?T<=&ABR;=D=E&D=&MT<U>X&,T>&NRZBL=M&6R=A<S&6>>?D=EM&<& M>BD>M&RQ&NBD?DN<O&<=A&MLWWRB?DP>&NR=P>BM<?DR=M&QRB&D=PD?>A&NLO?LB<O&WB<N?D?DR=>BM&?RE>?T>B&;D?T&4RBD=>&P<=&6>>O&<=A&"ODND<&-B<=[RPDNTX&#RE>?T>B&;D?T&<B?DM?&/<?<M]<& 0RL?NT[R&<=A&NLB<?RB&ALR&(735&MT>&BL=M&$RBM>5DBO&<&WBRALN?DR=&WO<?QRBU& >^WORBD=E&D=?DU<NS&<=A&MDM?>BTRRAX& &,T>&W<B?DNDW<?>A&D=&?T>&?;RZS><B&D=?>B=<?DR=<O&B>MDA>=NS&WBREB<U&<?&)D][M& "[<A>UD>&P<=&3>>OA>=A>&!L=M?>=@&"UM?>BA<U&FGHIfdGHIJKX&,T>&TROAM&<=&6"& QBRU&4DB?S&"B?&A>W<B?U>=?@&,<=AV>BE&.=M?D?LL?&FGHIaKX

4 <DBX&0<?>B&T>B&;RB[M&;DOO&V>&WB>M>=?>A&D=&MROR&>^TDVD?DR=M&<?&9D[?REB<U&Y<BM<;&

5 8,"60*&:1;"-&ODP>M&D=&3>BOD=X&,T>&;RB[M&WB>ARUD=<=?OS&;D?T&MNLOW?LB>&<=A& L==R?DN>A&RV]>N?M&<M&<&M?<B?D=E&WRD=?&?R&AB<;&<&ULNT&VDEE>B&DUU>BMDP>&=<BB<?DP>X is on hold waitin to be re acti ated. ypical de ices from corporate offices are between the ne er endin need for efficiency fo nd in a typical workplace >=PDBR=U>=?@&<=A&?T>&EBR;D=E&NR=N>W?&RQ&MOR;ZODPD=EX )>N>=?&>^TDVD?DR=M&D=NOLA>m&,L=&,DWWD=l&,RU>&,SBLW&FE<OO>BS&-BR=?PD>;M@& 3>BOD=@GHIeK@&#DU>M&/>;&)RU<=?DN&F6X.CUDIEODMMn@&3>BOD=@&GHI`K@&,?<?>&RQ&?T>&<B?& FE<OO>BS&0DOS&)RV>B?@&9<BDM@&GHI`K@&6><?MW<N>&F#T>&DUWRMMDVO>&WBR]>N?@&3>BOD=@GHIJK@& 'RUQRB?&1R=>&F!L=M?Q<VBD[&$3ff@&3>BOD=@&GHIJK

6 2=DP>BMDA<A&'<?oODN<&A>&'TDO>X&5B<VLMNT=DEElM&B>N>=?&;RB[&p&WB>ARUD=<=?OS& O<BE>ZMN<O>&NO<S&MNLOW?LB>M&WBRALN>A&D=&?T>U<?DN<OOS&<=A&<>M?T>?DN<OOS&ADM?D=N?& <=A&DM&D=QRBU>A&VS&>P>BS?TD=E&QBRU&WROD?DN<O&MSM?>UM&?R&MRND<O&B>O<?DR=MX&.=&GHIJ& MT>&B>N>DP>A&?T>&URM?&WBRUDMD=E&SRL=E&<B?DM?&<;<BA&QBRU&?T>&->A>B<O&,?<?>& 7D>==<X&5B<VLMNT=DEE&ODP>M&<=A&;RB[M&D=&3>BOD=X

7 =*/>"--"&=/-7",*7&DM&<&3>BOD=C6D<UDZV<M>A&<B?DM?&<=A&NLB<?RBX&$>B&WB<N?DN>& in ence of both the or anic and the technolo ical in the relationships we create <=A&D=?>BQ>B>&;D?T&TR;&?T>&ADED?<O&>=PDBR=U>=?&NLB<?>M&<=A&ADN?<?>M&?T>&;<S&;>& >^W>BD>=N>&P<BDRLM&ODP>A&B><OD?D>M&<=A&QRBU&RLB&DA>=?D?D>M&;D?TD=&?T>UX 5>R7<==<&;<M&VRB=&<=A&B<DM>A&D=&0RM&"=E>O>M&'<ODQRB=D<&;T>B>&MT>&B>N>DP>A&T>B& 3-"&<?&+?DM&'ROO>E>&RQ&"B?&<=A&4>MDE=X&,T>&DM&W<B?&RQ&qL>>B&Q>UD=DM?&NROO>N?DP>&

8 -D=>&"B?&&F3"&$R=MK&QBRU&/R??D=ET<U&#B>=?&2=DP>BMD?S&D=&GHIa&<=A&NRUWO>?>A& #T>&,NTRRO&RQ&?T>&4<U=>A&9RM?EB<AL<?>&9BREB<UU>&D=&GHIJX&,D=N>&GHIh&T>& 5SU&FGHIJZGHI`K&<=A&"MWDB<?DR=<O&0DPD=E&FGHIfZ9B>M>=?KX TLU<=D?S&<=A&MLVNLO?LB<O&WROD?DNMX&3S&>^<UD=D=E&?T>&NLO?LB>M&T>&DM&D=?>B>M?>A& <=A&D=P>M?>A&D=&!>=?&<DUM&?R&L=A>BM?<=A&?T>&WBRN>MM&<=A&U><=D=E&RQ& NRUU>BND<ODM<?DR=&<OO&NLO?LB>M&<B>&MLV]>N?&?R&L=A>B&N<WD?<ODMUX&-BRU&T>B>&;>&N<=& ADMNLMM&U>?TRAM&RQ&WB>M>BPD=E&RWWRMD?DR=<O&QRBN>M&QRB&MW>NLO<?DP>&MLVNLO?LB>M&RQ&?T>&QL?LB>X&!>S&Q<N?RBM&RQ&?T>M>&NLO?LB>M&<B>&?T>DB&RW>=&TRM?DOD?S&?R&?T>&MLWB>U<NS& RQ&TLU<=D?S&<=A&?T>DB&M?BR=E&M?<=N>&<E<D=M?&<OO&QRBUM&RQ&RWWB>MMDR=X&2MD=E&?TDM& <=&DUWRB?<=N>&R=&SRL?TQLO&>=>BESX&#TDM&>=>BES&DM&U<D=?<D=>A&VS&NR=?D=LRLMOS& O>ED?DUDMD=E&<&ADO>??<=?>&<WWBR<NTX

9 s fia eres tes E&4$1+-0:4&::"-."'#&"Y$('/(>&GHIJ Zsófia Keresztes VR?T&<&?>NT=ROREDN<O&L=A>BM?<=AD=E&<M&;>OO&<M&6<BN>O&9BRLM?lM&NRUWB>T>=MDR=&RQ& <=A&ADED?<O&<P<?<BM&U<=DQ>M?&?T>UM>OP>M&D=&?T>&;RBOA&<=A&N<==DV<ODM>&M>=M<?DR=& <=A&W>BN>W?DR=X s fia eres tes recei ed her master of paintin from the n arian ni ersity of -D=>&"B?M&D=&GHIH&<=A&DM&B>WB>M>=?>A&VS&5D<==D&6<=T<??<=X

10

11 A*()$"63&;<M&QRBU>A&VS&,P><&6<LMROQ&<=A&9D??&Y>==D=E>B&D=&?T>&TR??>M?&A<SM& "Q?>B&?T<?&?TD=EM&]LM?&B><OOS&M?<B?>A&?R&VLB=X&\MNTTTTTTTTX& "M&;>&;<O[>A&?TBRLET&T>OO&;>&?TRLET?&<VRL?&NOR?TD=EM&?R&WBR?>N?&LM&<=A&;<SM&?R& e tin ish the fire. e tried e erythin we co ld think of b t it st kept b rnin.,r&;>&m?<b?>a&?r&b>m><bnt&;tdo>&?bsd=e&?r&<prda&<oo&wbrq>mmdr=<odmux&y>&m?luvo>a& <NBRMM&?T>&<B?DM?&QRBU>BOS&[=R;=&<M&9BD=N>@&;TR&R=N>&M<DAm&6<[>&D?&VLB=&>P>=& T<BA>Br

12 B*--13&A/*3($&ODP>M&<=A&;RB[M&D=&3>BOD=&<=A&-B<=[QLB?&<U&6<D=&<=A&T<M&>^TDVD?>A& ;TDNT&>=<VO>A&TDU&?R&ODP>&<=A&;RB[&D=&0RM&"=E>O>M&QRB&<&W>BDRAX

13 oto rafie Berlin in elected e hibitions olid to the to ch so it m st be B><OK@&)<LUhHHH&3BL=>N[&FGHI`K@&,<UUOL=E&,DUR=R;@&)<LUhHHH&3BL=>N[&FGHIJK@& onat der oto rafie arsano Berlin 201 Bl e onday otel Bo ota 2013!D][&9<W>BM@&Y<B?>&QsB&!L=M?&!<MM>O&FGHIIK&6D=A&?T>&N<?@&'DPDODM?&WBR]>N?&MW<N>& FGHIIK&5O<LV>&0D>V>&$RQQ=L=E@&'C+&3>BOD=&FGHIHK

14 E3""(&F*-- is a fiber artist te tile desi ner and clothier from anada who resides in Berlin. e has a B A in fibers at the a annah olle e of Art and esi n with <&QRNLM&D=&B<;&U<?>BD<O&A>P>ORWU>=?&<M&;>OO&<M&P<BDRLM&WBRALN?&OD=>M&B<=ED=E& QBRU&E<BU>=?M&?R&D=M?<OO<?DR=&<B?X&"M&<&A>MDE=>B@&T>&L=A>BM?<=A&?T>&QRL=A<?DR=<O& and basic desi n elements findin practical sol tions thro h process and WB<N?DN>X&"M&<&U<[>B@&T>&T<M&V>>=&D=PROP>A&D=&?T>&NROO>N?DR=@&U<=DWLO<?DR=&<=A& transformation of materials into the finite ob ect. e is now oin to school in nchen ladbach at iedderhein ochsch le for a asters in e tile and,lwwos&'t<d=&6<=<e>u>=?&<=a&#b<a>x

15 ;TR&DM&NLBB>=?OS&V<M>A&D=&3>BOD=X& ;RB[&?B<N>M&9RO<=AlM&?B<=MD?DR=&MD=N>&?T>&Q<OO&RQ&?T>&DBR=&NLB?<D=&<=A&<OMR&M>BP>M& <M&<=&R=ERD=E&]RLB=>S&?R&B>ADMNRP>B&TDM&R;=&W<M?X&$>&RV?<D=>A&TDM&3<NT>ORB& RQ&(=PDBR=U>=?<O&4>MDE=&QBRU&?T>&2=DP>BMD?S&RQ&6<=D?RV<&D=&GHH`X&9SM\N\>[lM& 4>BRLDOOR=&D=&9<BDMX

16 <"G121,1"-&.($2/*#7*+&DM&<&5>BU<=&PDML<O&<B?DM?&V<M>A&D=&3>BOD=X&$>&TROAM&<& 6>DM?>BMNTsO>B&QBRU&?T>&2=DP>BMD?S&RQ&"B?M&3>BOD=&<=A&<&4DWORU<&D=&9TR?REB<WTS& QBRU&?T>&-RO[;<=E&2=DP>BMD?S&RQ&"B?M&(MM>=X&,NTUR>?\>B&T<M&D=?>B=<?DR=<OOS& WB>M>=?>A&TDM&;RB[M&D=&=LU>BRLM&MTR;MX& )>N>=?&MTR;M&D=NOLA>&b"=A&?T>=&U<MM>M&RQ&A>?<NT>A&M?R=>MXXXc&<?&'>=?>B& ALR&MTR;&b"O>UVDN&5BR;Oc&<?&!RUWOR?&3BLMM>OMX&6<^DUDOD<=&;<M&MTRB?ODM?>A&QRB&?T>&9h&9RM?Z9TR?REB<WTS&";<BA&GHIJ&TRM?>A&VS&?T>&6LM>LU&RQ&9TR?REB<WTS& YD=?>B?TLB&D=&GHIJX&$>&B>N>=?OS&B>N>DP>A&<&b)>M><BNT&,NTRO<BMTDW&-D=>&"B?M&GHI`c& SRL=E&<B?DM?MX

17 'TDN<ERX&$DM&;RB[&D=P>M?DE<?>M&?T>&>QQ>N?M&RQ&<=?TBRWRE>=DN&<N?DPD?S&R=&R?T>B& MW>ND>M&<=A&?T>&>=PDBR=U>=?X&

18 1#&5",&,$6&",&"1(/,/"#-(+Z-4 1#&5",/"! 1$22",&"X+2"P-&, -D=>&"B?M&<?&?T>&$RNTMNTLO>&QsB&VDOA>=A>&!s=M?>&3B<L=MNT;>DE&;D?T&9BRQ>MMRB& -B<=N>M&,NTRO\&<=A&U<A>&TDM&A>EB>>&D=&GHIJX & said o at alerie oal Berlin 201 a e sonne arschloch ei at 8. alon amb r 201 ennen ie rner at hoot the obster ew ork ity 201 ew conomy at ro a ransnational ffice Bra nschwei 201 at nst erke ln 2015 & pcomin hows 2018 incl de A mented nrise Beneath he kin in Berlin c rated by eo anna on ale and eadair with msk ocial l b in Berlin 1sBDNT@&<=A&0R=AR=

19 NRM?LU>X& & $DM&B>N>=?&VRAS&RQ&;RB[&D=NRBWRB<?>M&;<OOZV<M>A&NR=NB>?>&<=A&M?>>O&W<=>OM&?T<?&RQ?>=&NR=?<D=&QB>>ZT<=A&>UVBRDA>BS&MO<?MX&$DM&;RB[&A><OM&;D?T&?T>U>M&RQ& <=A&?>NT=RORESX&1<][R&;<M&VRB=&D=&?T>&9RODMT&9>RWO>lM&)>WLVODN&<&S><B&V>QRB>&?T>& NROO<WM>&RQ&?T>&3>BOD=&Y<OOX&$>&NLBB>=?OS&ODP>M&<=A&;RB[M&D=&0R=AR=X&)>N>=?&MTR;M& F<OO&GHIeKX&$>&DM&NLBB>=?OS&;RB[D=E&R=&QRB?TNRUD=E&MROR&MTR;M&<?&'<M?RB&9BR]>N?&D=& 0R=AR=&F*L=>&GHIeK&<=A&'<B<P<&'R=?>UWRB<BS&D=&)DE<&F"LELM?&GHIeKX

20 $+),("/49+/%&-D=>&"B?M&DM&<=&<B?DM?ZBL=&WBR]>N?&MW<N>&QRL=A>A&VS&<B?DM?M& rnerpark in e k lln he mission of the space is to pro ide artists c rators <=A&R?T>B&WBR]>N?&MW<N>M&;D?T&?T>&RWWRB?L=D?S&?R&>^?>=A&>^DM?D=E&WB<N?DN>M@&RB&<N?& ;D?T&ADMB>E<BA&?R&?T>DB&?SWDN<O&BRO>M@&O><AD=E&?R&<B?DM?ZNLB<?>A&WBR]>N?M@&RB&TRM?>A& e hibitions and e ents p t on by other pro ects that don t fit the constraints of?t>db&?swdn<o&wbreb<uud=e&rv]>n?dp>mx