phenomenology of perception for contemporary aesthetic concepts
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- Tracy Chase
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1 Judith Raum Zehdenicker Straße Berlin Germany CV Judith Raum *1977 born in Werneck, Germany works and lives with two daughters in Berlin, Germany education 2004 Meisterschülerin (Fine Art Diploma), Städelschule, Academy of Fine Arts, Frankfurt/Main Studies of Fine Art, Städelschule, Academy of Fine Arts, Frankfurt/Main (Prof. Per Kirkeby / Prof. Ayse Erkmen / Prof. Christa Näher) Cooper Union School of Arts and Parsons School of Design, New York City, USA 2006 Master (with honors) in philosophy; master thesis on the relevance of Maurice Merleau-Pontys phenomenology of perception for contemporary aesthetic concepts Master Studies in philosophy, psychoanalysis, art history, University of Frankfurt/Main teaching experience 2017 University of Fine Arts Berlin: Textiles and artistic practice: Gendering at the Bauhaus (Seminar) 2017 École Supérieure des Arts et Designs Grénoble: The artistic researcher who paints and draws University of Fine Arts Berlin: German orientalism between colonialism and anti-bourgeois thinking (Seminar in collaboration with Prof. Dr. Suzanne Marchand, USA) Lecturer at University of Fine Arts Berlin, Introduction in art history and art theory (Seminar) University of Fine Arts Berlin, faculty of design: performed objects (lecture & individual critique) Valand School of Fine Arts, Göteborg, Schweden, objects as situation (Workshop) Universität der Künste Berlin, Art & Life: reading into the history of performance art (Compact course in collaboration with Prof. Isabelle Graw on invitation of Prof. Josephine Pryde) 2010 University of Fine Arts Berlin: Text and image in films by Yvonne Rainer (Compact course in collaboration with Prof. Dr. Sabeth Buchmann) 2010 University of Fine Arts Berlin: Re-reading Karl Marx Capital (Compact course) 2007 University of Siegen, department of architecture, art in public space (Lecture) 2006 University of Fine Arts Berlin, Contrarious Perceptions: After American Modernism (Workshop) grants and awards 2017 Bundeskulturstiftung, funding of a work on Bauhaus-weaver Otti Berger 2016 Stiftung Kunstfonds, Bonn 2015 Villa-Romana-Award + Residency 2015, Florence, Italy - artistic research grant, Graduate School for the Arts and Sciences, University of Fine Arts Berlin artist in residence, Research Center Valand School of Fine Arts Göteborg, Schweden 2010 award for good teaching, University of Fine Arts Berlin 2010 artist in residence, Cura Bodrum Residency, Turkey 2009 summer academy & residency, Paul-Klee-Zentrum Bern (curator: Tirdad Zolghadr) (see next page)
2 artists website funding grant, Berlin Senate art project grant, German Ministery of Foreign Affairs, Berlin artist in residence, Platform Garanti, Istanbul, Turkey art project grant, maecenia foundation, Frankfurt/Main 2007 art project grant, German Ministry of Foreign Affairs, Berlin 2004 artist residency Galileo Studio, DA Kunsthaus Gravenhorst, Muenster 2001 MoMA Internship Program, New York City 2001 German Academic Exchange Service (DAAD) artists grant USA, New York City solo exhibitions + performances 2017 Gegenzeit, Schwartzsche Villa, Berlin (Lecture Performance) 2016 Gegenzeit, Performance & conversation with Rainer Krause, psychoanalyst, Volksbühne Berlin Geeignete Lektüre, Kunstraum Kreuzberg/Bethanien (artist walk) bin der ansicht dass streik nützlich, Aesthetics of the Virtual, HfBK Hamburg (Lecture Performance) 2015 am of the opinion strike is useful, 100 Years Of Now, House of World Cultures Berlin (Lecture Performance) am of the opinion strike is useful, Norma Mangione Gallery, Turin, Italy (Lecture Performance) am of the opinion strike is useful, Careof, Milan (Lecture Performance) Judith Raum: eser, SALT Istanbul 2014 Judith Raum: eser, Heidelberger Kunstverein harmless entrepreneurs, Kunstverein Hildesheim (Lecture Performance) Herren der Situation, House of World Cultures Berlin (Lecture Performance) disestablish, Kunstraum Michael Barthel, Leipzig Disponible Teile, Galerie Chert Berlin Langer Atem #3: Bahnen und Wege, Heidelberger Kunstverein (Lecture Performance) disestablish, Pavillon Lucca, Italy L Inspecteur des Cultures, Kunstverein Langenhagen even running, The Return, Goethe-Institut Dublin, Ireland harmless entrepreneurs, uqbar Berlin 2010 The Baghdad Railway and a weaver s give-away (Lecture Performance), depo, Istanbul, Turkey Judith Raum/Contemporary Arts Library Services, Frankfurter Kunstverein, Frankfurt
3 group exhibitions 2017 The Event of a Thread Globale Erzählungen im Textilen, Kunsthaus Dresden ReFraming Worlds, NGBK Berlin digging deep, crossing far, 4th encounter, Lahore, Pakistan On Construction, Food for Thought, Berlin 2016 digging deep, crossing far, Kunstraum Kreuzberg Bethanien, Berlin Salon für Ästhetische Experimente, Grüner Salon Volkbühne Berlin over/under - under/over. textile turns, CIAP, Hasselt, Belgium making Heimat. Germany, arrival country. German Pavillon at the 15th international architecture exhibition, Venice Biennale 2015 Florence Contemporary, Italian Embassy, Berlin A century of centuries, SALT Ankara, Turkey wow! Woven? Entering the (sub)textiles, Künstlerhaus Halle für Kunst und Medien, Graz Memorie Volatili, Chiostro in azione, Florence I premiati di 2015, Villa Romana, Florence Berliner Herbstsalon, Gorki Theater Berlin Why painting now? curated by, Galerie Charim, Vienna Intimacy, PAH!, Fribourg Perf., Piano Nobile, Genf If Memory Serves, Art Gallery University of California, Irvine, USA truth is concrete, Steirischer Herbst, Graz An_Eignungen, Kunstverein Langenhagen On intimacy, Ficarra, Sicily Textile as social fabric, Hochschule für Grafik und Buchkunst, Leipzig A step is a dance. It is also a prosession, Tiroler Kunstpavillon, Innsbruck Hidden parts, Afer the butcher, Berlin alternative readings, Villa Romana, Florence kurz raus, Gallery Eva Winkeler, Cologne CONCEPTUALnow, artp Kunstverein, Vienna 2010 abstract derive, Ludlow 28, New York City, USA correct me if I m critical, Skulpturenzentrum/Embassy of Sweden, Berlin jewlery, Samsa Presents, Berlin Air 2010, Atelierfrankfurt, Frankfurt/M Invisible / Talking Objects, nextex, St. Gallen, Switzerland 2009
4 Internal Necessity, Paul Klee Zentrum Bern Brother houses, Contemporary Arts Library Pristina/Berlin, Pristina, Kosovo winter group show, Samsa Presents, Berlin Art Book Sky, National Library, Pistina, Kosovo 2007 Bunkier Salon, Bunkier Sztuki, Krakau, Polen Cmelka, Raum, Müller-Friedrich, Samsa Presents, Berlin Sapis, Artpol, Cracow, Poland 01/01 halbe Documenta, poliflur, Berlin Sammlung Rausch, Portikus Frankfurt/M Aufzeichnung, AtelierFrankfurt, Frankfurt/M 2006 UFO UNO, Frankfurter Kunstverein 2005 Videonale 10, Kunstmuseum Bonn Sechs Richtige, Drei Falsche und ein Bild des Monats, Marburger Kunstverein, Marburg Academy Remix, Portikus Frankfurt/M Bibliography *Judith Raum: Bauhausraum, catalogue & exhibition reader, Kunsthaus Dresden: 2017 *Judith Raum: Gegenzeit in: Villa Romana 2015 (catalogues of the fellows), Berlin: Argobooks, 2016 *Ines Kleesattel: Political Art-Critique. Between Rancière and Adorno. Vienna: Turia + Kant, 2016 *Judith Raum: eser (monography + theoretical reader), Berlin: Archive Books, 2015 *Textiles: Open Letter, Generali Foundation Vienna, January 2015 *wow! Woven? Entering the (sub)textiles, Graz: Künstlerhaus Halle für Kunst & Medien Graz, June 2015 *Judith Raum: Beitrag zur Umfrage zur Aktualität des Textilen, in: Texte zur Kunst, Berlin Update, June 2014 *Judith Raum: disestablish (catalogue), Berlin: Verlag der Universität der Künste, *Judith Raum: even running (catalogue), Berlin: Verlag der Universität der Künste, *Internal Necessities, Sternberg Press, Berlin/New York 2010 *German-Ottoman fabrics, in: Matt Magazine #7, Munich/Istanbul, 2010 *withdrawal-series (with Gürsoy Dogtas), in: Polar #8, Berlin 2010 *what we are can should / a diagram on self-empowerment, in: BlattSpezial, Berlin May 2007 *Aufzeichnung / Sapis, catalogue for the group-exhibition in Cracow, Art Pol and Frankfurt, Atelier Frankfurt, 2005 *Judith Raum: Unlike the worm in the apple, in: Videonale 2005 (exhibition catalogue), Bonn 2005 *Judith Raum (Katalog), Kronacher Kunstverein, Kronach 2004
5 collaboration, projects Haben & Brauchen, platform for discussion and political action run by cultural actors in Berlin Opera on artistic strike for Steirischer Herbst, Graz ; collaboration with Ulf Aminde (Berlin), Ellen Blumenstein (Berlin) and Anders Smebye (Oslo) - Art Critics Orchestra, Berlin, with Andreas Schlaegel and Raimar Stange coordinator of the project The Contemporary Arts Library Prishtina/Berlin, touring seminars, workshops and exhibitions seit 2004 writings and art criticism, regular contributions for Flash Art International, Texte zur Kunst, Polar a.o. press 2014 * Mind the gap. Ines Kleesattel über Judith Raum im Heidelberger Kunstverein, Texte zur Kunst Nr. 96, December 2014 *S. Kaeppele: Recherche und Kunst. Judith Raum im Heidelberger Kunstverein, Mannheim. Morgen, July 2014 *Cord Riechelmann: Merkels Kopf gegen Staat und Kapital, Frankfurt Allgemeine Zeitung, November *Judith Raum disestablish at Pavillon Social, Lucca, mousse magazine, online-ausgabe, June *Judith Raum: disestablish, arte e critica, June *Edith Schlecker: Reflexion als kreativer Prozess, Tiroler Tagesspiegel, April *B.M. Borowsky: Beredte Stoffbahnen, taz Nord, March *Marina Sorbello: Judith Raum s world of things, Cura #9, September 2009 *The Contemporary Arts Library Pristina/Berlin/Istanbul: reflections by three involved artists on the project RES artworld magazin, Istanbul, Turkey, March/April 2009 *Hortense Pisano: Judith Raums Contemporary Arts Library Services, Journal Frankfurt, January 2009 *Christoph Schütte: Plattform der Kunst im Kosovo: Judith Raums Contemporary Arts Library Services, Frankfurter Allgemeine Zeitung, December *Hortense Pisano: Prishtina ist hier, Frankfurter Rundschau, December *Aida Cama: The Contemporary Arts Library Prishtina. Interview with Judith Raum. Radio Deutsche Welle, February *Chus Martinez: Aufzeichnung / Sapis, in: Frankfurter Allgemeine Sonntagszeitung, March *Peter Funken: 01/01 halbe documenta in: Kunstforum International Nr. 189, January/February
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