Select Curriculum Vitae Matthew M. Reeve PhD, FSA Associate Professor of Art History

Transcription

1 Select Curriculum Vitae Matthew M. Reeve PhD, FSA Associate Professor of Art History Department of Art History and Art Conservation Queen s University Ontario Hall Kingston, ON K7L3N6 reevem@queensu.ca Education PhD 2003 University of Cambridge Gonville and Caius College (supervisor: Professor Paul Binski) CPGS 1999 University of Cambridge Gonville and Caius College BA 1998 University of Toronto with Honors and High Distinction Trinity College History of Art (major) English, Semiotics (minors) Employment 2008 Queen s University Department of Art Associate Professor, with tenure Queen s National Scholar 2007 Carleton University Department of Art History Assistant Professor, tenure track 2005 Goldsmiths College University of London Department of History and Visual Cultures Lecturer, tenure track Queen s University Department of Art Assistant Professor/ SSHRC Postdoctoral Fellow University of Toronto Department of History of Art Assistant Professor (one-year position) Recent Fellowships and Awards

2 Insight Grant, Social Sciences and Humanities Research Council of Canada Visiting Scholar, British Art Centre, Yale University 2010 Canadian Centre for Architecture grant for publications in architectural history 2010 Lewis Walpole Fellow, Lewis Walpole Library, Yale University 2008 Henry Moore Fellowship (with Dr Phillip Lindley) for work on the painted sculpture of St Cuthbert s, Wells 2008 Elected to the Fellowship, Society of Antiquaries, London 2006 Marc Fitch Award for publications in architectural history 2006 University of London CELT Fellow 2005 Fellow, Institute of Historical Research, London 2005 Marc Fitch Award for publications in architectural history 2004 Conference and publication grant, Alfred Bader Trust Post-doctoral Research Fellow of the SSHRC (Social Sciences and Humanities Research Council of Canada) Jonathan Vickers Scholar, Society of Architectural Historians of Great Britain Conferences and conference sessions organized Queer Gothic: Sexuality and Difference in British Art, Historians of British Art session, College Art Association Conference, Chicago 2014 (co-chair Ayla Lepine). Reading Gothic Architecture: Space, Structure, Ornament, Herstmonceux Castle, Sussex, April 25-8, Romanesque Architecture in Great Britain and Ireland, Gonville and Caius College, Cambridge, 8-10 December, West Country Gothic: Architecture, Art and Society in Wales and Western England , Gonville and Caius College, Cambridge, 8 December, Current projects Gothic: Architecture, Sexuality and Identity in the Circle of Horace Walpole, a booklength MS now in preparation. Books Architecture and the Classical Tradition, from Pliny to Posterity: Essays in Honor of Pierre du Prey, New York: Harvey Miller, forthcoming Thirteenth-Century Wall Painting at Salisbury Cathedral: Art, Liturgy, and Reform, Woodbridge, Suffolk and Rochester, New York: Boydell and Brewer, 2008 (ISBN-13: ). Reviews: 2

3 Alexander Thompson, Modern Gothic, Times Literary Supplement October , 7-9. Mellie Naydenova-Slade, Journal of the British Archaeological Association, 161 (2008), Tim Ayers, Journal of British Studies, 43:3 (2009), Peter Draper, Journal of Ecclesiastical History, 60:3 (2009), Marcia Kupfer, Speculum, (2009), 84:4, Anna Eavis, The Antiquaries Journal, 89 (2009), Sophie Ousterwijk, Sehepunkte/Kunstform, 11:4 (2010): Miriam Gill, Medieval Archaeology, 2009, Nina Rowe, CAA Reviews, August Reading Gothic Architecture, M. Reeve, ed, (Studies in Medieval Visual Culture Series) Turnhout and New York: Brepols, 2008 (ISBN-13: ). Reviews: Stephen Murray, CAA Reviews June Chapters in Books A Gothic Vatican of Greece and Rome : Horace Walpole, Strawberry Hill and the Narratives of Architecture, Architecture and the Classical Tradition, from Pliny to Posterity: Essays in Honor of Pierre du Prey, ed. Matthew M. Reeve, New York: Harvey Miller, forthcoming Wall Painting and Sacred Space, The Cambridge History of Religious Architecture: the Middle Ages, ed. Stephen Murray, Cambridge, UK: Cambridge University Press, forthcoming Gothic Architecture and the Civilizing Process: The Great Hall in Thirteenth Century England, New Directions in Medieval Architectural History, eds. Abby McGehee, Rob Bork, and William Clark, Aldershot and New York: Ashgate, 2011, Robert Burnell and the Transformation of the Bishop Jocelin s Palace, Jocelyn of Wells, Bishop, Builder, Courtier, ed. Robert W. Dunning, Woodbridge, UK and New York: Boydell and Brewer, 2010, Introduction: Reading Gothic Architecture, in Reading Gothic Architecture, (Studies in Medieval Visual Culture Series) ed by M. Reeve. Turnhout and New York: Brepols, 2008, Select recent articles Gothic Architecture, Sexuality and License at Horace Walpole s Strawberry Hill, Art Bulletin XCV (Sept 2013), in press. 3

4 Dickie Bateman and the Gothicization of Old Windsor: Architecture and Sexuality in the Circle of Horace Walpole, Architectural History 56 (2013), in press. Of Druids, the Gothic, and the Origins of Architecture: the Garden Designs of William Stukeley, British Art Journal (December 2012), in press. Gothic, Studies in Iconography, (a special issue entitled Medieval Art History Today Critical Terms, ed by Nina Rowe and Colum Hourihane) 33 (2012), The Capital Sculpture of Wells Cathedral: Patrons, Masons, and the Margins of English Gothic Architecture, Journal of the British Archaeological Association, 163 (2010), The Capital Sculpture of Wells Cathedral and the Program of Gothic Art, Avista Forum Journal 18 1/2 (2008), The Former Thirteenth-Century Vault Paintings of Salisbury Cathedral: New Evidence from Lambeth Palace MS 2215, Wiltshire Studies 100 (2007), Jacob Schnebbelie, Draughtsman to the Society of Antiquaries ( ) and the politics of preservation in late-eighteenth-century England, Transactions of the Ancient Monuments Society, 51 (2007), Art, Prophecy, and Drama in the Choir at Salisbury Cathedral in the Thirteenth Century, Religion and the Arts 10:1-2 (2006), The Painted Chamber at Westminster, Edward I, and the Crusade, Viator 37 (2006), Mapping Time, Mapping Space: the former vault paintings at Salisbury Cathedral, (with O. Turner), Antiquaries Journal: the Society of Antiquaries of London 85 (2005), King John s Gloriette at Corfe Castle, (with M. Thurlby) Journal of the Society of Architectural Historians 64: 2 (2005), The Murthly Hours: Art, Aristocracy and the Illuminated Book, Religion and the Arts 8.1 (2004), A Seat of Authority: The Archbishop s Throne at Canterbury Cathedral, Gesta XLII/2 (2003), The Former Painted Cycle of the Life of Edward I at the Bishop s Palace, Lichfield, Nottingham Medieval Studies XLVI (2002), Other Publications Medieval Wall Painting: An Annotated Bibliography, Oxford Bibliographies Online (10000 word bibliographical essay for Oxford University Press), Entries on Ripon Minster, Hereford, and The Westminster Retable, in The Grove Encyclopedia of Medieval Art, ed. by Column Hourihane, Oxford: Oxford University Press, Select recent book and exhibition reviews John Crook, English Medieval Shrines, Woodbridge and Rochester NY: Boydell and Brewer, 2011, in Journal of the British Archaeological Association (2013), in press. 4

5 Warwick Rodwell and Richard Mortimer (eds), Westminster Abbey Chapter House: the history, art and architecture of a chapter house beyond compare, (Society of Antiquaries), London 2010 in Speculum 87:1 (2012), Michael Snodin and Cynthia Roman (eds), Horace Walpole s Strawberry Hill, New Haven and London: Yale University Press, 2010 in Antiquaries Journal 91 (2011), Nigel Saul, English church monuments in the Middle Ages: history and representation, Oxford: Oxford University Press, 2010 in Speculum, 86:1 (2010), Alex Woodcock, Liminal Images: Architectural Sculpture in the South of England, BAR British Series 386, 2009 in Speculum 85 (2010), Timothy Ayers (ed), The History of British Art , (Yale Centre for British Art), New Haven and London: Yale University Press, 2008 in CAA Reviews Online. Robert A. Maxwell, The Art of Medieval Urbanism: Parthenay in Romanesque Aquitaine, Pennsylvania: Pennsylvania State Press, 2007 in Speculum 84:4 (2009), Roger Rosewell, Medieval Wall Paintings in English and Welsh Churches, Suffolk and Rochester, NY: Boydell and Brewer, 2007 in Catholic Historical Review 95:4 (2009), Peter Draper, Architecture and Identity: the Formation of English Gothic, New Haven and London: Yale University Press, 2006 in Speculum, 83:3 (2008), Anne Massing, (ed), The Thornham Parva Retable: Technique, conservation and context of an English medieval painting, Cambridge, UK and Turnhout: Hamilton Kerr Institute and Brepols, 2004 in Speculum 79:4 (2005), Alyce A. Jordan, Visualizing Kingship in the Windows of the Sainte Chapelle, Publications of the International Center of Medieval Art no. 5, (Turnhout and New York: Brepols 2002, in Religion and the Arts 8-4 (2005), Bonnie Effros, Merovingian Mortuary Archaeology and the Making of the Early Middle Ages, Berkeley: University of California Press, 2002, in Bryn Mawr Classical Review, on line: Madeline Caviness, Art in the Medieval West and its Audience, Aldershot: Ashgate- Variorum 2002, in Religion and the Arts 7-3 (2003), Paul Frankl, Gothic Architecture, Revised Paul Crossley, New Haven and London: Yale University Press, 2001, in Religion and the Arts 7-1/2 (2003), Image and Idol: Medieval Sculpture at Tate Britain, in The Sculpture Journal VII (2002), Eric Fernie, The Architecture of Norman England (Oxford 2001), British Art Journal 2:3 (2001),