SUSAN SCHMIDT HORNING

Transcription

1 SUSAN SCHMIDT HORNING Department of History Office: St. John s Hall 244N St. John s University Phone: Utopia Parkway Fax: Queens, NY schmidts@stjohns.edu Academic Positions Assistant Professor of History, St. John s University, 2007 to Present. Adjunct Faculty, The Cleveland Institute of Art, , Lecturer, Case Western Reserve University, 2002 to Editorial Assistant, Encyclopedia of Cleveland History, 1996 to Research And Teaching Interests History of American Technology and Science, Sound Studies, 19 th - and 20 th -Century U.S. Social and Cultural History, Media and Popular Culture, Global History Education Ph.D., History, Case Western Reserve University, Dissertation: Chasing Sound: The Culture and Technology of Recording Studios in America, Advisor: Carroll Pursell. Fields of study: History of American Technology, American Cultural History, 19 th - 20 th Century U. S. History, Theory and Methodology, Anthropology of Popular Music. M. A., History, The University of Akron, Thesis: The Power of Image: Promotional Literature and Its Changing Role in the Settlement of Early Carolina. Fields of study: Modern Europe, Colonial America, History of Science. B. A. summa cum laude, History, The University of Akron, May Publications Book: Chasing Sound: Technology, Culture, and the Art of Studio Recording in America. Under contract to Johns Hopkins University Press. Refereed Articles/Chapters: The Sounds of Space: Studio as Instrument in the Era of High Fidelity. In The Art of Record Production: An Introductory Reader for a New Academic Field, eds. Simon Zagorski-Thomas and Simon Frith (forthcoming, Ashgate Popular and Folk Music series) "Creativity in the Trading Zone: Sound Recording as Collaboration." In Creativity: Technology and the Arts, ed. Hans-Joachim Braun (forthcoming). Engineering the Performance: Recording Engineers, Tacit Knowledge and the Art of Controlling Sound. Social Studies of Science 34/5 (December 2004): Recording: The Search for the Sound. In The Electric Guitar: A History of an American Icon, ed. André Millard (Baltimore: Johns Hopkins University Press, 2004), From Polka to Punk: Growth of an Independent Recording Studio, In Music and Technology in the Twentieth Century, ed. Hans-Joachim Braun (Baltimore: Johns Hopkins University Press, 2002),

2 Susan Schmidt Horning - September "Chasing Sound: The Culture and Technology of Recording Studios in Postwar America." ICON: Journal of the International Committee for the History of Technology 6 (2000): The Power of Image: Promotional Literature and Its Changing Role in the Settlement of Early Carolina. North Carolina Historical Review 70 (1993): Book Reviews: Review of The Selling Sound: The Rise of the Country Music Industry by Diane Pecknold. Enterprise & Society Print issue forthcoming, currently available online at: SAg&keytype=ref Review of Analog Days: The Invention and Impact of the Moog Synthesizer by Trevor Pinch and Frank Trocco. ICON: Journal of the International Committee for the History of Technology 12 (2007). Review of Steal This Music: How Intellectual Property Law Affects Musical Creativity by Joanna Demers. Enterprise & Society 8 (March 2007): Review of Lost Sounds: Blacks and the Birth of the Recording Industry, by Tim Brooks. Technology and Culture 47 (July 2006): Review of Sonic Boom: Napster, MP3, and the New Pioneers of Music by John Alderman. Technology and Culture 45 (October 2004): Review of The Poetics of Rock: Cutting Tracks, Making Records by Albin J. Zak, III. Technology and Culture 45 (April 2004): Review of Any Sound You Can Imagine: Making Music/Consuming Technology by Paul Théberge. Technology and Culture 40 (July 1999): Review of The Intellectual Construction of America: Exceptionalism and Identity from by Jack P. Greene. North Carolina Historical Review 71 (July 1994): Exhibit Reviews: The Architects of Rock and Roll: The Rock and Roll Hall of Fame and Museum, Cleveland. Technology and Culture 52 (July 2011): Conference Reports: (with co-author James C. Williams) Recent Symposia of the International Committee for the History of technology, Technology and Culture 46 (July 2005): Twenty-Third Symposium of the International Committee for the History of Technology, Budapest, Hungary, August 7-11, Technology and Culture 38 (April 1997): Encyclopedia Entries: John Alexander Low Waddell. American National Biography, John A. Garraty and Mark C. Carnes, General Editors (New York: Oxford University Press, 1999). Numerous biographies and articles for The Encyclopedia of Cleveland History/Dictionary of Cleveland Biography, online edition, Conference Presentations All-Consuming Technologies: Gadgeteers, Audiophiles, and the Passion for Sound (Re)Production. International Committee for the History of Technology 38 th Symposium, Glasgow, UK, August The Bill Savory Collection: 1930s Broadcast Recordings (Co-presented with Doug Pomeroy). Association for Recorded Sound Collections Conference, Los Angeles, May 2011.

3 Susan Schmidt Horning - September Technology, Culture, and Cleveland's Studio Scene in the 1960s. Post45@The Rock Hall, Cleveland, Ohio, April When High Fidelity Was New: How the Recording Studio Became a Musical Instrument. The Fourth Annual Art of Record Production Conference, Lowell, Massachusetts, November Channeling Sound: Technology, Control and Boundaries in the 1960s Recording Studio. International Committee for the History of Technology 35 th Symposium, Victoria, British Columbia, August Chasing Sound: The Culture and Technology of Recording Studios in the 20 th Century. Junior Faculty Research Colloquium, St. John s University, March Manipulative Women: A Brief History of Women in Sound Engineering, From the Phonograph to the Control Room. International Committee for the History of Technology 33 rd Symposium, Leicester, United Kingdom, August Making Music in a New Technological Landscape. International Committee for the History of Technology 31 st Symposium, Bochum, Germany, August Polka Capital? Home of Rock n Roll? Little Nashville? A Cultural and Ethnic History of Recording in Cleveland. Association for Recorded Sound Collections Society for American Music Joint Conference, Cleveland, Ohio, March "Creativity in the Trading Zone: Sound Recording as Collaboration." International Committee for the History of Technology 29 th Symposium, Granada, Spain, June Capturing the Moment: Home Recording from Historical Documentation to Self-Expression. American Studies Association Annual Meeting, Detroit, Michigan, October Recording Engineers and the Art of Controlling Sound. Society for the History of Technology Annual Meeting, Munich, Germany, August Chasing Sound: The Culture and Technology of Recording Studios, International Committee for the History of Technology 26th Symposium, Belfort, France, August Electric Guitars, Recording Studios, and the Search for the Sound. Society for the History of Technology Annual Meeting, Pasadena, California, October Invited Presentations Chasing Sound: Technology, Culture, and the Art of Studio Recording in America, Sonic Impressions Lecture Series, Green College, University of British Columbia, October 28, Who Was Bill Savory? Invited Panelist, Saturday Panel Discussion, The National Jazz Museum in Harlem, September 25, What a Difference Some Space Makes: Canonizing the Sound of Recording Studios. Invited participant, Sound Souvenirs: Audio Technologies, Memory, and Cultural Practices, International Workshop, Faculty of Arts and Culture, University of Maastricht, The Netherlands, November Engineers and Music: A History of American Recording Technologies. Invited speaker, Engineers Week, Case Engineers Council and the Case School of Engineering, Cleveland, Ohio, February Ring Around the Rosie to Rock Around the Clock : Growing Up With the 45 in the 50s (Why Rock n Roll Mattered). Guest Lecture, American Culture and Society in the 1950s class, Denison University, November Engineering the Performance: Recording Engineers, Tacit Knowledge and the Art of Controlling Sound. Invited participant, Sound Matters New Technology in Music, International Workshop, Faculty of Arts and Culture, University of Maastricht, The Netherlands, November 2002.

4 Susan Schmidt Horning - September Technological Enthusiasm in the Recording Studio. Invited lecture, opening symposium: Electrified, Amplified and Deified: The Electric Guitar, Its Makers and Its Players, National Museum of American History, Smithsonian Institution, Washington, D.C., November Conference Participation Session Chair and Commentator, Technology & (Counter) Culture, Society for the History of Technology Annual Meeting, Tacoma, WA, October Session Chair, Women at Work: Machines, Tools, Bodies, and Gendered Labor, Society for the History of Technology Annual Meeting, Pittsburgh, PA, October Session Chair, Videorecord, Publish Brief Interviews: Conference Poster Sessions, Campus Events, Beyond, MERLOT 9 th Annual International Conference, San Jose, CA, August Session Chair, Political Machines II: Colonizing Technologies and Communicating Culture: Mediating Technologies, International Committee for the History of Technology 35 th Symposium, Victoria, British Columbia, August Session Chair, Data: Representation and Collection, Society for the History of Technology Annual Meeting, Washington, D.C., October Session Chair, Tweaking Technology and International Comparisons, International Committee for the History of Technology 34 th Symposium, Copenhagen, Denmark, August Panelist, "Music File Sharing 101." The Sex, Drugs & Rock 'n' Roll Annual Conference, Case Western Reserve University, September Session Chair, "Technology and the Arts (with special reference to Russia)," International Committee for the History of Technology 30 th Symposium, St. Petersburg & Moscow, August Session Co-Chair and Co-Commentator, "Science, Technology and Music," 21 st International Congress of History of Science, Mexico City, July Fellowships And Grants Research Grant, The Association for Recorded Sound Collections, Center for Teaching and Learning Technology Associate, St. John s University, 2008-present. T3 Project (Transforming Teaching through Technology), St. John s University, Faculty and Curriculum Development Program under a Title III Grant, National Endowment for the Humanities 12-month Fellowship, Short-Term Publication Grant, American Association of University Women Education Foundation, Faculty Development Support Grant, The Cleveland Institute of Art, 2004 Albert J. and Adele Reid Scholarship, Case Western Reserve University, History Associates Dissertation Fellowship, Case Western Reserve University, National Science Foundation Dissertation Improvement Grant # , Andrew W. Mellon Dissertation Fellowship, Case Western Reserve University, Ralph M. Besse Fellowship in History, Case Western Reserve University, Research Grant, The Association for Recorded Sound Collections, Awards and Honors Ohio Academy of History Dissertation Award, Best History Dissertation in the State of Ohio, Jane and Cecile Lyman Prize for Best PhD Dissertation in History, Case Western Reserve, Ubbelohde Prize for Best Teaching Assistant, History Department, Case Western Reserve, Ruth Barber Moon Award, School of Graduate Studies, Case Western Reserve, Spring Phi Sigma Alpha, Buchtel College Academic Honorary Society, The University of Akron, 1990.

5 Susan Schmidt Horning - September Teaching St. John s University Core and Honors Core: The Emergence of Global Society Since 1500 World War II and Postwar United States History Technology and Science in Twentieth-Century America Graduate Colloquium in American History: The 1960s Graduate Colloquium on the Technological Transformation of the United States Directed Reading & Research, MA and DA Candidates Cleveland Institute of Art Media, Technology, and Popular Culture America in the 1950s and 1960s United States History Since 1940 Case Western Reserve University The Sixties in America U. S. Social and Cultural History Since 1865 America in the Fifties America Since 1940 Technology in America (Teaching Assistant) Community Teaching Mentor, Contemporary Youth Orchestra Student Journalism Project. Informal presentation and discussion with middle- and high school students, Cleveland State University, Music and Technology in the 20 th Century: Creativity and Collaboration. Rock and Roll Hall of Fame and Museum Summer Teacher Institute: Electrifying the Classroom, Music, Technology and Culture: From the Gramophone to Grandmaster Flash. Rock in the Schools Program. Rock and Roll Hall of Fame and Museum, Professional Service Nominating Committee, Society for the History of Technology, Executive Committee, International Committee for the History of Technology, SHOT-WITH (Women in Technology History) Travel Award Committee, (Chair 2011). Referee, Economic & Social Research Council Franco-British Grant Proposal, IEEE Life Members Prize Committee, Society for the History of Technology, (Chair, 2008). Advisory Editor, Technology and Culture, 2006 to present. Program Committee, International Committee for the History of Technology, Reviewer, National Science Foundation Grant Proposals, 2005, Outside Advisor, Senior BFA Project, Ceramics, The Cleveland Institute of Art, External Examiner, Undergraduate Honours Thesis, Department of History and Philosophy of Science, The University of Sydney, Australia, Manuscript Referee, Technology and Culture, Journal of the Art of Record Production. Judge, National History Day Competition, CWRU, , Service at St. John s University History Department Committee to Study the Graduate Program, 2010-present. World History Faculty Group 2008-present, Co-ordinator, 2010-present.

6 Susan Schmidt Horning - September Professional Affiliations Audio Engineering Society Historical Committee International Committee for the History of Technology Organization of American Historians Society for the History of Technology