CURRICULUM'VITAE' Stephen'Orgel!!!! Present'Position'''Jackson'Eli'Reynolds'Professor'in'the'Humanities,' ''''' ' ' ' 'Stanford'University!!!!!
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1 CURRICULUMVITAE StephenOrgel PresentPositionJacksonEliReynoldsProfessorintheHumanities, StanfordUniversity Education HarvardUniversity,M.A.1956,Ph.D.1959 ColumbiaUniversity,B.A.1954 Teaching Professor,StanfordUniversity,1985H87 SirWilliamOslerProfessorofEnglish Literature,TheJohnsHopkinsUniversity1981H85 Professor,TheJohnsHopkinsUniversity 1974H81 AssistantProfessor,Universityof California,Berkeley1960H66;Associate Professor1966H72;Professor1972H74 Instructor,Harvard1959H60 VisitingFellowships Dean slecturer,universityofmelbourne,australia,september2013 MargaretDalzielLecturer,UniversityofOtago,NewZealand,August2013 AliceGriffinFellowship,UniversityofAuckland,NewZealand,August2013 VisitingProfessor,NicholsonCenterforBritishStudies,UniversityofChicago,Nov WhitneyJ.OatesFellow,PrincetonUniversity,Oct.2012 InstituteofAdvancedStudies,UniversityofWarwick(U.K.)March2010 ClarkLecturer,TrinityCollege,Cambridge(U.K.)1996 HudsonStrodeMemorialProfessor,UniversityofAlabama1990 GettyScholar,TheGettyCenter,LosAngeles,1986H7 VisitingScholar,TheUniversityofKansas(Lawrence)1985 Fellow,HumanitiesResearchCentre,AustralianNationalUniversity,Canberra 1983 VisitingFellow,HumboldtUniversity,Berlin(GDR)1982 VisitingFellow,NewCollege,Oxford1981 VisitingLecturer,UniversityofReading(England)1970H71 AwardsandFellowships FellowoftheAmericanAcademyofArtsandSciences AmericanAcademyofArtsandLetters,AcademyAwardinLiterature,
2 Spectacular+Performances,Manchester/PalgraveHMacmillan, Orgel, cv GuggenheimFellowship,2000H1 NEHSeniorFellowship,1993H4 GettyFoundationFellowship,1986H7 NEHSeniorFellowship1982H83 ACLSFellowship1973H74 ACLSStudyFellowship1967H68 WoodrowWilsonFellowship1954H55 PhiBetaKappa1954 [Prizesandintramuralawardshavebeenomitted] ProfessionalService ShakespeareAssociationofAmerica,Trustee1999H2002 BoardofSupervisors,TheEnglishInstitute,1974H77;Chairman,1977 FolgerShakespeareLibrary,CentralExecutiveCommittee,1977H85 BoardofTheVariorumShakespeare(1980H85),TheRenaissanceEnglishText Society(1980H83;1992H6),TheSocietyforTextualStudies EditorinChiefofELH(Journal+of+English+Literary+History)1980H85 EditorialBoard,ELH+(1975H2012),Shakespeare+Studies++(1983H93),Theater+Journal, Theatre+Survey+(1977H81),Dance+Research,Text,+EMLS++(Early+Modern+Literature+ Studies,anelectronicjournal)+ GeneralEditor The+New+Pelican+Shakespeare+(Penguin) Cambridge+Studies+in+Renaissance+Literature+and+Culture,Cambridge UniversityPress+ + Garland+English+Texts (seealsofacsimileseriesbelow) Garland+Publications+in+American+and+English+Literature,GarlandPublishing,Inc Satire+and+Sense(Restorationand18thCenturyTexts),GarlandPublishing,Inc Harvard+Dissertations+in+American+and+English+Literature,GarlandPublishing, Inc.1987 Renaissance+Drama,series1and2(EnglishRenaissanceplaysinmoderncritical editions)garlandpublishing,inc.,1979h81 Publications Books
3 Imagining+Shakespeare,Palgrave,2003 The+Authentic+Shakespeare,+and+Other+Problems+of+the+Early+Modern+Stage, Routledge,2002 Impersonations:+The+Performance+of+Gender+in+Shakespeares+England, CambridgeUniversityPress,1996;Japaneseedition,NagoyaUniversity Press,2000 The+Illusion+of+Power,California1974,newedition1991;Italiantranslationin Il+teatro+elisabettiano,ed.LorettaInnocenti,Bologna:IlMulino,1994; CroationtranslationinPoetika+renesansne+kulture:+novi+historizam,ed.David Sporer,+Zagreb:Disput,2007(Japaneseeditionforthcoming)+ Inigo+Jones:+The+Theatre+of+the+Stuart+Court,California/ParkeBernet 1973(incollaborationwithSirRoyStrong) + + The+Jonsonian+Masque,Harvard1965;2nded.1967 MorningsideEdition,Columbia1982 Editions ChristopherMarlowe,Complete+Poems+and+Translations,newedition, PenguinClassics,2007 EdithWharton,The+Age+of+Innocence,OxfordWorld sclassics,2006 The+Portable+ShakespearePenguin,2004 Shakespeare,Complete+Works,GeneralEditor(withA.R.Braunmuller), Pelican,2002 Shakespeare,The+Sonnets,NewPelicanShakespeare,2001 Pericles+Prince+of+Tyre,NewPelicanShakespeare, The+Taming+of+the+Shrew,NewPelicanShakespeare,2000 Macbeth,+NewPelicanShakespeare,2000 King+Lear,NewPelicanShakespeare,1999 King+Lear:+The+Quarto+and+Folio+Texts,NewPelican Shakespeare,1999 EdithWharton,The+Reef,OxfordWorldsClassics,1998 Shakespeare,The+Winters+Tale,TheOxfordShakespeare,Oxford1996 3
4 EdithWharton,The+Custom+of+the+Country,OxfordWorldsClassics,1995 JohnMilton,Selected+Poems,OxfordPoetryLibrary(incollaborationwith JonathanGoldberg),Oxford1994 John+Milton,+TheOxfordAuthors(incollaborationwithJonathan Goldberg),Oxford1991 AnthonyTrollope,Lady+Anna,OxfordWorldsClassics1990 Shakespeare,The+Tempest,TheOxfordShakespeare,Oxford1987 ChristopherMarlowe:Complete+Poems+and+Translations,Penguin1971,U.S. edition1980 BenJonson:Selected+Masques,Yale BenJonson:The+Complete+Masques,Yale1969 ExhibitionCatalogueThe+Kings+Arcadia,TheArtsCouncilofGreatBritain1973(in collaborationwithjohnharrisandsirroystrong) Collections Marginal+Textualities.Textus:+English+Studies+in+Italy, vol.xxii(2009),no.3(incollaborationwithcarladente) From+Performance+to+Print+in+Shakespeare s+england,huntingtonlibrary/ Palgrave,2006(incollaborationwithPeterHolland) From+Script+to+Stage+in+Early+Modern+England,HuntingtonLibrary/Palgrave, 2004(incollaborationwithPeterHolland) Shakespeare:+The+Critical+Complex,10volumes,Garland,1999(in collaborationwithseankeilen) Patronage+in+the+Renaissance,+A+Collection+of+Essays,Princeton1982(in collaborationwithguyfitchlytle) The+Renaissance+Imagination:+Lectures+and+Essays+of+D.+J.+Gordon, collectedandeditedbys.o.,california1975 (Italianedition,LImmagine+e+la+Parola,Saggiatore1987) FacsimileSeries The+Philosophy+of+Images,twentyHtwovolumesofRenaissance 4
5 iconographictexts,garland The+Renaissance+and+the+Gods,acomprehensivecollectionofRenaissance mythographies,iconographiesandiconologies,infiftyhfivevolumes, Garland1976 Articles[bookreviewshavebeenomitted] IlcommediantecomecarattereC, inil+teatro+inglese+tra+cinquecento+e Seicento,edd.SusanPayneandValeriaPellis,CLEUPPadova,2011(revised Italianversionof TheComedianastheCharacterC, below). ShakespeareandtheArtofForgetting inshakespeare+and+renaissance+ Literary+Theories:+AngloTItalian+Transactions,ed.MicheleMarrapodi, Farnham,Surrey:Ashgate,2011 Prologue:IamRichardII, Representations+of+Elizabeth+I+in+Early+Modern+ Culture,edd.AlessandraPetrinaandLauraTosi,Houndmills:Palgrave Macmillan,2011 TheStatueintheGallery:AmbiguousArtinThe+Winter s+tale inlectures+de+ TheWinter stale+de+william+shakespeare,edd.delphinelemonnierhtexier andguillaumewinter,collectiondidactanglais(rennes:presses UniversitairedeRennes,2010) ReconstructingtheSpectaclesofState, ReviewEssay,The+Ben+Jonson Journal17.1(May2010) Shakespeare,SexualityandGender, inthe+new+cambridge+companion+to+ +Shakespeare,edd.MargretadeGraziaandStanleyWells(Cambridge UniversityPress,2010) WhatKnightsReallyWant, inthinking+allegory+otherwise,ed.brenda Machosky(StanfordUniversityPress,2010) Editing:ArtorScience?,inMarginal+Textualities,Textus:+English+Studies+in Italy,vol.xxii(2009),no.3 SpenserfromtheGutterstotheMargins:AnArcheologyofReading, inthe Construction+of+Textual+Identity+in+Medieval+and+Early+Modern+Literature, SPELL+Swiss+Papers+in+English+Language+and+Literature+22,eds.IndiraGhose anddenisreavey(gunternarrverlagtübingen,2009). ShakespeareandtheArtofForgetting, inmemory+and+invention:+medieval+ 5
6 and+renaissance+literature,+art+and+music,edd.annamariabussebergerand MassimilianoRossi(LeoS.Olschki,Florence,2009);adifferentversionin Shakespeare+and+Renaissance+Literary+Theories:+AngloTItalian+Transactions,ed. MicheleMarrapodi(Farnham,Surrey:Ashgate,2011) ReadingLadyAnneClifford sa+mirovr+for+magistrates, inkarenhearnand LynneHulse,eds,Lady+Anne+Clifford:+Culture,+Patronage+and+Gender+in+17 th T Century+Britain(YorkshireArcheologicalSocietyOccasionalPaperNo.7, 2009) SeeingThroughCostume, Proceedingsofthe2008SociétéFrançaise Shakespeareconference,Paris. TeachingtheHistoryofBooks, Imprint,summer2008 TheDesireandPursuitoftheWhole, Shakespeare+Quarterly+58/3,Fall2007 TheAfterlifeofLadyMacbeth, Zyzzyva23/3,Winter2007 ShakespeareIllustrated, inthe+cambridge+companion+to+shakespeare+and Popular+Culture,ed.RobertShaughnessy(Cambridge,2007) Afterword, inshakespeare,+memory+and+performance,ed.peterholland (Cambridge,2006) Introduction,Shakespeare,The+Sonnets,ed.G.BlakemoreEvans,updated edition.cambridge,2006 TheBookofthePlay, infrom+performance+to+print+in+shakespeare s+england, Edd.PeterHollandandStephenOrgel.HuntingtonLibrary/Palgrave,2006 Entrieson InigoJones and TheMasque, inthe+oxford+encyclopedia+of++ British+Literature,EditorinChief:DavidScottKastan,5vols.,Oxford UniversityPress,2006+ ReadingOccasions, Renaissance+Drama+N.S.34,2005:Media,Technology, andperformance(evanston,ill.:northwesternuniversitypress,2005) MarginalMaternity:ReadingLadyAnneClifford sa+mirror+for+magistrates, inprinting+and+parenting+in+early+modern+england,ed.douglasa.brooks, Ashgate,2005 6
7 LoveLetters, inmargaretscottetal.,a+little+more,hobart,tasmania: SummerhillPublishing,2005 Programnote,The+Winter s+tale,globetheatre,london2005season WellHintendedobscurity, Around+the+Globe29(Spring2005) IntroductiontoFrom+Script+to+Stage+in+Early+Modern+England,edd.Peter HollandandStephenOrgel.HuntingtonLibrary/Palgrave,2004 ForewordtoIn+Folio:+Rare+Volumes+in+the+Stanford+University+Libraries (ExhibitionCatalogue),StanfordUniversityLibraries,2004 GanymedeAgonistes, GLQ+(Journal+of+Lesbian+and+Gay+Studies)10.3(2004) Shylock stribe, inshakespeare+and+the+mediterranean,++7 th + International+Shakespeare++Congress,+Valencia,+2001,ed.Tom Clayton,SusanBrockandVicenteFores,NewarkNJ: UniversityofDelawarePress;London,Associated UniversityPress,2004 ForewordtoRossW.Duffin,Shakespeare s+songbook,norton,2004 TheAfterlifeofLadyMacbeth, onwebsitehttp// OthelloandtheEndofComedy, Shakespeare+and+Comedy,ed.PeterHolland (Shakespeare+Survey+56)CambridgeUniversityPress,2003 Nothispicturebuthisbook, Commentary,Times+Literary+Supplement+ (London),no.5238(August22,2003) PlagiarismandOriginalSin, inplagiarism+in+early+modern+england,ed. PaulinaKewes,PalgraveMacmillan,2003 TheCaseforComus, Representations81(Winter2003) OriginalCopies, Word+and+Image19.1H2(Jan.HJune2003) Introduction,BenJonson,The+Key+Keeper,ed.JamesKnowles,TheFoundling Press,2002 7
8 MrWhoHe?, reviewarticleonshakespeare spoemsandsonnets,london+ Review+of+Books24.15(8August2002).Reprintedonlineat Afterword:RecordsofCulture, inbooks+and+readers+in+early+modern+ England,eds.JenniferAndersenandElizabethSauer,Universityof PennsylvaniaPress,2002 InThe+Oxford+Companion+to+Shakespeare,eds.MichaelDobsonandStanley Wells(OxfordUniversityPress,2001),entriesonElizabethI,JamesI,Charles I,AnneofDenmark,QueenHenriettaMaria,HenriIV,HenryFrederickPrince ofwales,elizabethofbohemia,robertdevereuxsecondearlofessex,john Milton. CymbelineatSantaCruz, Shakespeare+Quarterly52.2(Summer2001) JonsonandtheArts, inthe+cambridge+companion+to+ben+jonson,edd. RichardHarpandStanleyStewart(CambridgeUniversityPress,2000) TobaccoandBoys:HowQueerWasMarlowe?, GLQ+(Journal+of+Lesbian+and+ +Gay+Studies)6.4(2000) IdolsoftheGallery:BecomingaConnoisseurinRenaissanceEngland, in Early+Modern+Visual+Culture,edd.PeterEricksonandClarkHulse(University ofpennsylvaniapress,2000)+ TextualIcons:ReadingEarlyModernIllustrations, inthe+renaissance+ + + Computer,+ed.NeilRhodesandJonathanSawday(Routledge,2000) MarginsofTruth, inthe+renaissance+text,ed.andrewmurphy(manchester UniversityPress,2000) IntroductiontoJohnSutherlandandCedricWatts,Henry+V,+War+Criminal (Oxford,2000) MacbethandtheAnticRound, Shakespeare+Survey52,1999 WhyDidtheEnglishStageTakeBoysforWomen? inteaching+shakespeare+ through+performance,ed.millacozartriggio(modernlanguageassociation ofamerica,1999) MarginalJonson, inthe+politics+of+the+stuart+court+masque,eds.david BevingtonandPeterHolbrook(CambridgeUniversityPress,1998) 8
9 The+Winter s+tale:amodernperspective, inthe+winter s+tale,edd.barbara A.MowatandPaulWerstine(NewFolgerLibraryShakespeare,1998) What stheglobegoodfor?, Shakespeare+Quarterly49:2(Summer1998) BoysWillBeGirls, Around+the+Globe,Autumn1997 WhatIsanEditor, Shakespeare+Studies24(1996);reprintedinR.D.Brown andd.johnson,a+shakespeare+reader+(macmillan/theopenuniversity, 2000) WhatIsaCharacter?, Text8(1996) GenderingtheCrown, insubject+and+object+in+renaissance+culture,eds. MargretadeGrazia,MaureenQuilliganandPeterStallybrass(Cambridge, 1996) TheStatusofEvidence:ARoundtable (participant),pmla111:1(january 1996) ThePlayofConscience, inperformativity+and+performance,edd.andrew ParkerandEveKosofskySedgwick(NewYork:Routledge,1995) InsolentWomenandManlikeApparel, Textual+Practice9:1(Spring1995) TeachingthePostmodernRenaissance, inprofessions+of+desire:+lesbian+and+ Gay+Studies+in+Literature,edd.GeorgeE.HaggertyandBonnieZimmerman (ModernLanguageAssociationofAmerica,1994) ActingScripts,PerformingTexts, incrisis+in+editing:+texts+of+the+english Renaissance,ed.RandallMcLeod(NY:AMSPress,1994) TheComedianastheCharacterC, inenglish+comedy,edd.michaelcordner etal.(cambridge,1994) (InJapanese) NazeEikokudewaShonengaonnaoenjitanoka? [ Whyin EnglanddidBoysPlayWomen? ],trans.tetsuyamotohashi,in+shakespeare+ Nihyô+no+Genzai,eds.MasakoAoyamaandYoshikoKawachi(Tokyo: Kenkyusha,1993) TheSubtextsofThe+Roaring+Girl, inerotic+politics,ed.susanzimmerman (Routledge,1992) OnDildosandFadings, ANQ(American+Notes+and+Queries),5.2/3(April/July 9
10 1992) KnowingtheCharacter, Zeitschrift+für+Anglistik+und+Amerikanistik 40.2(1992) ThePoeticsofIncomprehensibility, Shakespeare+Quarterly42.4 (winter1991) CounterfeitPresentments:ShakespearesEkphrasis, inengland+and+the+ Continental+Renaissance,edd.EdwardChaneyandPeterMack(Boydell, 1990) JonsonandtheAmazons, insoliciting+interpretation,edd.elizabethd. HarveyandKatharineEisamanMaus(Chicago,1990) NobodysPerfect,orWhyDidtheEnglishStageTakeBoysforWomen? South+Atlantic+Quarterly88.1(winter1989),reprintedinDisplacing+ Homophobia,edd.RonaldR.Butters,JohnM.ClumandMichaelMoon (Durham,NC,1989) TheAuthenticShakespeare, Representations21(winter1988) Plato,theMagi,andCarolinePolitics, Word+and+Image4.3/4(JulyHDecember 1988) ShakespeareandtheCannibals, Cannibals,+Witches+and+Divorce:+Estranging+ the+renaissance(englishinstitutepapers,1985)ed.marjoriegarber (Baltimore1986) TheSpectaclesofState inpersons+in+groups,ed.richardc.trexler (Binghampton,N.Y.,1985) ProsperosWife, Representations8(fall1984),reprintedinRewriting+the+ Renaissance,edd.MargaretW.Ferguson,MaureenQuilliganandNancyJ. Vickers(Chicago,1986),andinRepresenting+the+English+Renaissance,ed. StephenGreenblatt(Berkeley,1988) TheExampleofHercules, inmythographie+der+frühen+neuzeit,ed.walther Killy(WolfenbüttlerForschungenBand27,1984) ShakespeareImaginesaTheater, inshakespeare,+man+of+the+theater,edd. KennethMuiretal.(Delaware1983),reprintedinPoetics+Today,5:3(1984) TheRoyalTheaterandtheRoleofKing, inpatronage+in+the+renaissance, 10
11 edd.guyfitchlytleandstephenorgel(princeton1982) MakingGreatnessFamiliar, Genre15,1/2(spring/summer1982), reprintedinpageantry+in+the+shakespearean+theater,ed.davidm.bergeron (Athens,GA,1984) TheRenaissanceArtistasPlagiarist, ELH48:3(fall1981) WhatisaText?, Research+Opportunities+in+Renaissance+Drama24(1981); reprintedinstaging+the+renaissance,edd.davidscottkastanandpeter Stallybrass(Routledge,1991) ShakespeareObserved, Shakespeare+Quarterly31:2(1980) ShakespeareandtheKindsofDrama, Critical+Inquiry6:1(fall1979) InigoJones:AnAllegoryRecovered, Journal+of+the+Warburg+and+Courtauld+ Institutes40(1977) InigoJonessPersianEntertainment, AARP[Art+&+Archeology+Research+ Papers](London)2(1972) AffectingtheMetaphysics, Harvard+English+Studies2(1971) InigoJonesonStonehenge, Prose3(1971) FlorimeneandtheAnteHMasques, Renaissance+Draman.s.4(1971) ThePoeticsofSpectacle, New+Literary+History2(1971) ToMakeBoardstoSpeak:InigoJonessStageandtheJonsonianMasque, Renaissance+Drama,n.s.1(1968) OnJudgingFaculty, inthe+contemporary+university:+u.s.a.,ed.roberts. Morison,HoughtonMifflin1966(incollaborationwithAlexZwerdling) SidneysExperimentinPastoral, Journal+of+the+Warburg+and+Courtauld+ Institutes26(1963) NewUsesofAdversity:TragicExperienceinThe+Tempest, inin+defense+of+ Reading,edd.ReubenA.BrowerandRichardPoirier,Dutton1962 Lecturesforconferencesandcolloquiainthepasttwentyyears (aselectiononly) 11
12 What Was an Audience? Keynote address, Early Modern Studies Symposium of the Early Modern Women s Research Network, University of Newcastle, Australia, 6 Sept "Masques and architecture in early modern Europe," Faculty-Graduate seminar, Department of Anglo-Germanic Studies, University of Padua, 16 May 2012 What is an Audience? Symposium: Community-Making in Early Stuart Theatres: Stage and Audience. Abo Akademi University, Turku, Finland, May Keynote lecture, Secret Arts and Public Spectacles: The Parameters of Elizabethan Magic, IASEMS (Italian Association of Shakespearean and Early Modern Studies), University of Pisa/University of Florence. Pisa 15 June Fuseli smacbeth, InternationalShakespeareAssociation,Prague,CzechRepublic, 20July2011 GanymedeStillAgonistes, GregoryBredbeckMemorialLecture,UCRiverside,17 May2011 TextualNarratives, Plenarytalk,ShakespeareAssociationofAmerica,Bellevue, Washington8April2011 SeeingThroughCostume, Keynotetalk,SEDERI(SpanishandPortugueseSociety forenglishrenaissancestudies)22conference,universidadnacionalde EducaciónaDistancia(UNED),Madrid,23H25March2011. TheDisciplineofEnglish, Keynotetalk,TheFutureofLiteraryStudies1500H1800 conference,ucsantabarbara,march11,2011 ShakespeareIllustrated, keynotelecture,shakespeare sspacescolloquium, AustralianShakespeareFestival,Hobart,Tasmania,29August2010 InigoJonesandtheTopographyofTheatre, 2010PatridesLecture,Universityof York(U.K.),10June2010 TheStatueintheGallery:AmbiguousArtinThe+Winter s+tale, InstitutduMonde Anglophone,Sorbonne,Paris,21June2010 InigoJones sstageandthetopographyofthemasque, WaterbornePageantsand FestivitiesintheRenaissanceconference,PalazzoPesaroPapafava,Venice,18H20 March
13 RealPlacesinImaginarySpaces, keynotelecturedie+erschliessung+des+raumes:+ Konstruktion,+Imagination+und+Darstellung+von+Räumen+und+Grenzen+im+ Barockseitalterconference,HerzogAugustBibliothekWolfenbüttel,Germany,26H29 Aug.2009 Shakespeareall italiana, ItalyintheDramaofEurope,AConferenceinHonorof LouiseGeorgeClubb,UCBerkeley,April25,2009 IAmRichardII, keynotelecture,roleandruleconference,globetheatre, London/UniversitàdegliStudidiPadova,London,Feb.2009 SpenserfromtheGutterstotheMargins:AnArcheologyofReading, Keynote lecture,samemes(swissmedievalhearlymodernstudies)conference,universityof Berne,Oct.2008 Shakespeareall italiana, InMediasRes:British ItalianCulturalTransactions, BritishAcademyColloquium3:TranslationsandTravels,UniversityofPisa,April, 2008 SeeingThroughCostume, keynotelecture,costumeetdéguisementdansle théâtredeshakespeareetdesescontemporainscongrès,sociétéfrançaise Shakespeare,Paris,March2008 ShakespeareDepicted, Shakespeare,lesfrançais,laFranceconference,keynote lecture,universityofparisvii,paris,june2007 ShakespeareDipinto, Shakespeareel Italiaconference,LaSapienza(Universityof Rome),Rome,May,2007,plenarylecture DevilsIncarnate, ItalianiinInghilterra,InglesiinItaliaconference,Istituto NazionalediStudisulRinascimento,PalazzoStrozzi,Florence,April2007 TheDyingPelican, HughMcLeanLecture,SpenserSocietyofAmerica,Modern LanguageAssociation,Philadelphia,2006 ShakespeareandtheArtofForgetting, FourthInternationalPalermoConference, ShakespeareandRenaissanceLiteraryTheories:AngloHItalianTransactions, Palermo,Sicily,June22,2006 CreativeOblivion, TheArtofMemoryconference,VillaITatti,Florence,May11, 2006 Johnson slear, inconferencejohnson sshakespeare/shakespeare sjohnson, 13
14 14 UniversityofNevadaHReno,April28H30,2005 OpenSecrets, inconferencerenaissancemagic,princeton,february11,2005 Shakespeareand/orMusic, inconferenceonshakespeareandmusic,casewestern ReserveUniversity,Cleveland,April23,2004 TheBookofthePlay, lectureinconferencefromstagetoprintinearlymodern England,HuntingtonLibrary,SanMarinoCA,19H20March2004 MarginalMatriarchy,ReadingwithLadyAnneClifford lectureattatebritain, London,LadyAnneCliffordStudyDay,26March2004 NotHisPicturebutHisBook, lectureatthelondonnationalportraitgallery conferencepicturing+presence:+portraiture+and+patronage+in+elizabethan+england, 3H4July,2003. Othello+andtheEndofComedy, plenarylecture,internationalshakespeare Conference,TheShakespeareInstitute,UniversityofBirmingham,StratfordHuponH Avon,U.K.,19August2002 FromtheGutterstotheMargins:HowtoDoThingsWithBooks, Plenarylecture, Rema(r)kingtheTextConference,StAndrews,Scotland,July2001 Shylock stribe, PlenarySessionlecture,WorldShakespeareCongress, InternationalShakespeareAssociation,Valencia,Spain,22April,2001 TheInnerEdgesandtheOuterLimits:ThoughtsonMarginalia, BebeKochPetrou Lecture,UniversityofMaryland,CollegePark.29March2001 Comus:IssuesandQuestions, PlenaryLecture,ComusWorkshop,Folger ShakespeareLibrary,23H24March2001 PlagiarismandOriginalSin, PlagiarisminHistoryandTheoryConference,Institute ofenglishstudies,schoolofadvancedstudy,universityoflondon,november1999, keynotespeaker IdolsoftheGallery, TheWarburgInstitute,UniversityofLondon,November1999 Elizabeth,QueenofChivalry, Gloriana:+Art+and+Intrigue+in+the+Court+of+Elizabeth+I, HumanitiesWest,SanFrancisco,Oct.23,1999 TobaccoandBoys:MarloweandTransgressiveness, InternationalMarlowe Conference,StCatherine sandcorpuschristicolleges,cambridge(england),june
15 1998,keynotespeaker TextualIcons:ReadingEarlyModernIllustrations, The+Renaissance+Computer Conference,StAndrews,Scotland,June1998 FestivalasPerformance, Europa+TriumphansWorkshopConference,Universityof Warwick(England),April98 MacbethandtheAnticRound, Scæna:+Shakespeare+and+his+Contemporaries+in+ Performance,StJohn scollege,cambridge,august1997,plenarysessionlecture ImaginingShakespeare, TheClarkLectures,TrinityCollege,Cambridge(England), February1996 Discriminations, SixteenthHcenturyStudiesConference,SanFrancisco,October 1995 MarginalJonson, Ben+Jonson:+Text,+History,+Performance+Conference,Universityof Leeds(England),keynotespeaker,July1995 ShakespeareandtheRareItalianMaster, Classicism+and+Sexuality+in+the+Italian+ + +Renaissanceconference,UCLACenterforMedievalandRenaissanceStudies,March 1995 TheEvidenceofTexts, The+Early+Modern+Bookconference,TheUniversityof Maryland,November1994 InsolentWomenandManlikeApparel, ShakespeareAssociationofAmerica meeting,albuquerque,april1994 ShakespeareandtheArtofHistory, BaylorRenaissanceConference,Baylor University,plenarysessionspeaker,April1994 VictorianProductionsofThe+Winters+Tale, Victorian+Rooms+and+Views,Australian VictorianSocietyConference,plenarysessionspeaker,UniversityofTasmania, Hobart,February1994 GenderingtheCrown, AustraliaandNewZealandMedievalandRenaissance Society,AustralasianHistoriansofMedievalandEarlyModernEurope,joint conference,plenarysessionspeaker,universityoftasmania,hobart,february1994 ThePlayofConscience, TheEnglishInstitute,Cambridge,Mass.August1993 WhatisaCharacter? SocietyforTextualScholarshipconference,NewYork,April 15
16 1993 TheDream,theState,theStage, Court+and+Society+in+Jacobean+England,Ohio ShakespeareConference,keynotespeaker,March1993 OtherinvitedlecturesabroadattheuniversitiesofOxford,Cambridge,London,Edinburgh, Bristol,Leicester,Reading,Sussex,Warwick,TheShakespeareInstitute(Universityof Birmingham),TheWarburgInstitute,London;TheFreeUniversityofAmsterdam,The UniversityofLeiden,TheUniversitiesofPadua,Pisa,Palermo,VeniceandFlorence;VillaI Tatti,Florence;HumboldtUniversity,Berlin;theuniversitiesofGeneva,Lausanne, Fribourg,Berne;TheShakespeareSocietyofJapan,TheUniversityofTokyo,TsudaCollege (Tokyo),TokyoWomensUniversity,DoshishaUniversity(Kyoto),KobeCollege;The AustralianNationalUniversity(Canberra),TheUniversitiesofAdelaide,Melbourne, Queensland,Tasmania;MonashUniversity(Melbourne);TheAustralianDefenseForce Academy;TheUniversityofNewEngland(Armidale,Australia),TheUniversityof Newcastle(Australia);theUniversitiesofAuckland,Otago,Victoria(NewZealand). AndintheUSandCanadaatHarvard,Yale,Columbia,Princeton,Brown,Duke, Cornell,Rutgers,Emory,Tulane,Amherst,Williams,BrynMawr,Haverford,Smith, Wellesley,Vassar,Dartmouth,Reed,Rice,Middlebury,Vanderbilt,ConnecticutCollege,Case WesternReserve,Dickinson,WashingtonUniversity(StLouis),CalTech,Northwestern, IndianaUniversity(Bloomington),IndianaStateUniversity(TerreHaute),IowaState University,CalStateUniversitySanFrancisco,CalStateUniversityLongBeach,Southern MethodistUniversity,OhioState,KentState,GeorgeMasonUniversity,UnionCollege (Schenectady),TempleUniversity,Concordia(Montreal),McGill,Toronto,TheUniversityof CaliforniaatBerkeley,Irvine,LosAngeles,Riverside,SanDiego,SantaBarbara,SantaCruz, TheUniversitiesofPennsylvania,Chicago,Virginia,Connecticut,Michigan,Wisconsin (Milwaukee),Massachussets(Amherst),Nebraska,Arizona,IllinoisatChicago,Kansas, Georgia,Utah,Texas(Austin),Texas(ElPaso),TexasA&M,Maryland,Washington,Oregon, Alabama,SouthernCalifornia,Mississippi,Houston,Tulsa,Kentucky,Wyoming,Nevada, BritishColumbia,Victoria,WesternOntario,KansasStateUniversity(Manhattan), LouisianaStateUniversity,MississippiStateUniversity,OregonStateUniversity,Northern IllinoisUniversity,SouthwestTexasStateUniversity,ClaytonStateUniversity(Atlanta), WayneStateUniversity,SUNYBinghampton,SUNYPurchase,CUNYGraduateSchool, HunterCollege,CUNY;theBrooklynMuseum,theHighArtMuseum(Atlanta),theAtkins ArtGallery(KansasCity),TheJ.PaulGettyMuseum;theFolgerShakespeareLibrary,the HuntingtonLibrary,theNewberryLibrary. 16
Jan Monograph Nation and Citizenship in the Twentieth-Century British Novel (New York: Cambridge University Press, 2015).
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